Jocelyn Lane

Adam Roarke

William Lucking

Angelique Pettyjohn

Hell's Belles

Hell's Belles (1969)

Jo Ann Pflug

Harry Carey Jr.

Karen Steele

In the future world of the year 2087, freedom of thought is illegal and the thoughts of the world's populations are controlled by the government. A small band of "free thinkers" send a cyborg back in time to the year 1966 to prevent a scientist from making the breakthrough that will eventually lead to the mass thought control of the future. Our time traveler soon discovers he is not alone when government agents from the future try to prevent him from carrying out his mission.—Kevin Steinhauer

Cyborg 2087

Cyborg 2087 (1966)

Rod Steiger

Brenda Scott

Chris Robinson

Walt Sherill is a mild-mannered space engineer who is a victim of a vicious "for kicks" assault by a teen-age gang. Increasingly obsessed by his desire for revenge, Sherill embarks on a manhunt of his own, and hampers the efforts of Detective Sergeant Pete Koleski, consequently causing some avoidable deaths.—Les Adams

13 West Street

13 West Street (1962)

Christopher Lee

Kim Richards

Bette Davis

Tia and her brother Tony have supernatural powers, can communicate and moving things with the power of their minds. While in Los Angeles for a visit. Tony uses his powers to prevent an accident, and the ruthless scientist, iDr. Gannon, who's looking to control the world, finds out and takes Tony into his clutches. Gannon implants a device near Tony's brain which enables him to control Tony's will. its up to Tia Anna a group of kids to free Tony and save the Earth.—Tom Zoerner

Return from Witch Mountain

Return from Witch Mountain (1978)

Lynn Borden

Carol Locatell

Jay Robinson

A gambler with serious debts hijacks a small private plane, planning to collect a $1,000,000 ransom. Unfortunately, he's not in the best of company with his mates, and the F.B.I. is waiting for them on the ground ...—Homme A. Piest

This Is a Hijack

This Is a Hijack (1973)

Tantoo Cardinal

Lou Diamond Phillips

Salli Richardson-Whitfield

A young Lakota Sioux, adopted by a wealthy Jewish couple in Beverly Hills, gets in touch with his cultural roots and solves a mystery in this thriller. Because of his upbringing, Jesse Rainfeather Goldman knows almost nothing of Native American traditions. He is doing his internship when he suddenly receives an amulet from the Lakota reservation in Sioux City. It is from his real mother. Jesse's curiosity is piqued, and he immediately travels to his birthplace to learn why she sent it. Unfortunately, by the time he arrives, his mother's body is discovered in the smoldering wreckage of her home. She was shot before she was burned. Jesse's investigation into her death is not welcomed by the local captain of police and his assistant. He is almost beaten to death but is saved by his grandfather, a shaman, and a Lakota woman. The newly healed Jesse begins to explore his tribe's customs. He then contacts his mother's spirit and she leads him to the film's conclusion.—Echo Bridge Home Entertainment

Sioux City

Sioux City (1994)

William Smith

Jack Starrett

Paul Koslo

Some bikers are hired by the CIA during the Vietnam War to rescue a captured agent from the clutches of the Red Chinese army. After a round of drinking, fighting, and whoring around, the cycle gang, led by Big Bill Smith, fix up their Yamahas with machine guns, grenades and armor plating, and storm the enemy camp.—Marty McKee

The Losers

The Losers (1970)

Roddy McDowall

Elizabeth James

Larry Rayder is an aspiring NASCAR driver; Deke Sommers is a mechanic. As they feel they collectively are the best, the only thing that is holding them back is money to build the best vehicle possible. As such, they decide to rob a supermarket's office of the money in its safe to pursue their dream. On the most part, their robbery is successful, although their plan breaks down in its end phase, which doesn't allow them as much getaway time as they wanted. Another problem they face is an unexpected third person in their getaway, Larry's one-night stand Mary Coombs, who doesn't like the fact that Larry ran off on her, although she eventually also says that she doesn't want any of the money. With a police scanner and two-way radio in their souped-up Dodge Charger, they try to outrun the police, who have an identification of their vehicle, and a general description of the three. The police pursuit is led by the tenacious Sheriff Everett Franklin, who knows he and his team can catch them, but also knows that the three may be able to get out of the state to "freedom" through a grove of walnut trees, which Larry, Deke and Mary may or may not know. At every literal and figurative turn, Larry needs to show his superiority as a driver, while trying to ditch Mary, who is a little more resourceful in staying with them than he anticipates.—Huggo

Dirty Mary Crazy Larry

Dirty Mary Crazy Larry (1974)

James Caan

John Wayne

Robert Mitchum

Hired gunman Cole Thornton (John Wayne) turns down a job with Bart Jason (Edward Asner) as it would mean having to fight an old sheriff friend (Robert Mitchum). Some months later, he finds out the lawman is on the bottle and a top gunfighter (Christopher George) is heading his way to help Jason. Along with young Mississippi (James Caan), handy with a knife and now armed with a diabolical shotgun, Cole returns to help.—Jeremy Perkins {J-26}

El Dorado

El Dorado (1966)

Jack Nicholson

Bruce Dern

Garry Marshall

Jenny, a deaf runaway, has just arrived in San Francisco's Haight-Ashbury district to find her long-lost brother, a mysterious bearded sculptor known around town as The Seeker. She falls in with a psychedelic band, Mumblin' Jim, whose members include Stoney, Ben, and Elwood. They hide her from the fuzz in their crash pad, a Victorian house crowded with love beads and necking couples. Mumblin' Jim's truth-seeking friend Dave considers the band's pursuit of success "playing games," but he agrees to help Jenny anyway.—alfiehitchie

Psych-Out

Psych-Out (1968)

Barbara Hershey

Peter O'Toole

Patricia McPherson

While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.—John Vogel

The Stunt Man

The Stunt Man (1980)

Sabrina Scharf

Sonny Barger

Poet is a San Francisco area pump jockey and motorcyclist who stands up for himself when he feels he's been wronged. Despite one of those encounters, i.e. a fight, being between Poet and one of his members, Buddy, the leader of the local chapter of the Hells Angels Motorcycle Club, slowly brings Poet into their fold in admiring Poet's pluck in spite of his somewhat diminutive physique. Poet, in turn, admires much about the club, including the motorcycles, the camaraderie, the drugs, and the free love, the latter as he openly enters into a relationship of sorts with Shill, who is largely regarded as Buddy's girl. As Poet becomes more deeply involved with the club and Shill, with who he is falling in love, he will discover just how much the club's ethics and and his own mesh or don't mesh.—Huggo

Hells Angels on Wheels

Hells Angels on Wheels (1967)

Corinne Bohrer

Catherine Mary Stewart

Mary Jo Catlett

School is out, and three girls head to the beach for vacation. Two of the girls are world-wise party-goers who attempt to loosen up their naive, virginal friend, whose uncle has allowed the girls to stay at his beach house. When the drug smuggling Captain Jack dumps his cargo of marijuana to avoid getting caught, the bales wash up on shore. The two party girls, Ginger and Ducky, quickly stuff the dope into giant bags and spirit it back to the beach house, where it fuels a party with assorted misfits, delivery persons, and passersby.—David

The Beach Girls

The Beach Girls (1982)

Sam Elliott

Judy Pace

Jason Crockett is an aging, grumpy, physically disabled millionaire who invites his family to his island estate for his birthday celebration. Pickett Smith is a freelance photographer who is doing a pollution layout for an ecology magazine. Jason Crockett hates nature, poisoning anything that crawls on his property. On the night of his birthday, the frogs and other members of nature begin to pay Crockett back.—Kelly W.

Frogs

Frogs (1972)

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