Agnes Moorehead

Joan Lorring

Susan Hayward

Robert Cummings

The Lost Moment

The Lost Moment (1947)

Edward G. Robinson

Arthur Space

Frances Gifford

Our Vines Have Tender Grapes

Our Vines Have Tender Grapes (1945)

Angie Dickinson

Danielle De Metz

Marina Berti

Jessica

Jessica (1962)

Darla Hood

Vincent Price

Harvey Stephens

Mystery writer Cornelia Van Gorder has rented a country house called "The Oaks", which not long ago had been the scene of some murders committed by a strange and violent criminal known as "The Bat". Meanwhile, the house's owner, bank president John Fleming, has recently embezzled one million dollars in securities, and has hidden the proceeds in the house, but he is killed before he can retrieve the money. Thus the lonely country house soon becomes the site of many mysterious and dangerous activities.—Snow Leopard

The Bat

The Bat (1959)

David McCallum

Jane Seymour

John Gielgud

In 1830's England, young medical student Victor Frankenstein (Leonard Whiting), following the drowning death of his beloved brother, bitterly renounces God and vows to find the secret to creating life himself. He crosses paths with the eccentric Dr. Henry Clerval (David McCallum) who shares his quest and takes the younger Victor under his wing. When experiments in reanimating insects and a severed human arm succeed, the two prepare to bring to life a man whom they have assembled from body parts of victims of a mining accident. On the eve of their attempt, Henry discovers that the process will reverse itself and dies from heart failure before he can sufficiently warn Victor. Committed to carrying on his late friend's work, Victor forges ahead and brings to life a creature of incredible beauty and innocence (Michael Sarrazin). The two develop a close, affectionate relationship and Victor looks forward to presenting his creation to society as "the new Adam." Inevitably, the flaw in Clerval's procedure results in the grotesque distortion of the Creature's appearance, causing Victor to callously reject him. The Creature attempts suicide but to his dismay finds he can't be killed. He leaps from the White Cliffs of Dover, and Victor assumes he's seen the last of his bungled handiwork.The Creature, still very much alive, wanders the countryside and befriends an old blind man (Sir Ralph Richardson). He also develops an infatuation with his daughter Agatha (Jane Seymour) whom he observes in secret. In a tragic accident Agatha is killed, and the Creature brings her to his birthplace, seeking Victor's aid. Instead, he finds the lab has been taken over by Dr. Polidori (James Mason), a former colleague of Henry's.Victor meanwhile has moved on, returning his attention to his fiancee Elizabeth (Nicola Pagett) and attempting to live a normal life. His plan is thwarted by Polidori, who uses the Creature to forcibly enlist Victor's help in bringing yet another body to life, this time female. The result is Prima (also Jane Seymour), a stunning beauty with an evil, cold heart. Finding no further use for Victor's creature, Polidori locks him in his laboratory and sets it ablaze, while Victor stands by helplessly.Polidori grooms Prima and schemes to use her to gain entree into the cream of society and seats of political power. Prima's coming-out party is memorably cut short by the arrival of the uninvited Creature. Events come to a head when she viciously attacks him, inciting his jealousy and murderous rage.Their life in a shambles, Victor and Elizabeth charter a boat to escape to America, unknowingly accompanied by both Polidori and the Creature. After a storm and much violence only Victor and his Creature are left on the ship. Wishing to escape humanity, the Creature steers the ship toward the North Pole. Victor and the Creature confront each other for a final time in the Arctic wasteland.

Frankenstein: The True Story

Frankenstein: The True Story (1973)

Guy Madison

Argentina Brunetti

Barney Phillips

A young doctor, who loses his wife during their attempt to flee Europe, arrives at a JDC Refugee Camp where he meets a Jewish couple from Egypt. They try to persuade him to join them on their journey to start a new life in Israel.

Not One Shall Die

Not One Shall Die (1957)

Vin Scully

Jeffrey Wright

Elizabeth Montgomery

Willie Mays' life is a beacon of the "American Dream", intersecting with a transformative era of the Black American experience. Mays transfixed fans from coast to coast with his style, jubilant persona and contagious smile, and helped to erode racial barriers and move the sport of baseball, and the American dialog, forward. Say Hey, Willie Mays. follows Mays' life both on and off the field over five decades as he navigated the American sports landscape and the country's ever-evolving cultural backdrop, all while helping to define what it means to be one of America's first Black sports superstars. He left an indelible mark in New York City and San Francisco, building a love affair with both cities' fans.—HBO

Say Hey, Willie Mays!

Say Hey, Willie Mays! (2022)

Hope Emerson

Jan Sterling

Nita Talbot

Frightened 19-year-old Marie Allen gets sent to an Illinois penitentiary for being an accomplice in an armed robbery. A sympathetic prison head tries to help, but her efforts are subverted by cruel matron Evelyn Harper. Marie's harsh experiences turn her from doe-eyed innocent to hard-nosed con.—Anonymous

Caged

Caged (1950)

Ricardo Montalban

Katharine Ross

Debbie Reynolds

Young and inexperienced Sister Ann has just arrived at her next posting at Samaritan House, a Dominican order located in a disreputable neighborhood of Ghent, Belgium. Sister Ann is enthusiastic, progressive but naive, all which irks one of the senior sisters, Sister Cluny, especially the fact that Sister Ann has a prized material possession, a guitar she's named Adele. Sister Ann considers Adele and her music to be her friends. Contrary to Sister Cluny, the Mother Prioress believes Sister Ann will be a welcome addition to their order. This posting is to be the training ground for Sister Ann and others to become missionaries in Africa. Sister Ann's path takes a detour when the order's Father Clementi hears Sister Ann sing. He believes Sister Ann should record her music and as a favor asks Robert Gerarde of Primavera Records for recording time. Unknown at the time the request is made, Robert and Sister Ann are old friends who attended the Paris Conservatory of Music together five years earlier before she became a nun. Robert believes Sister Ann could be a recording sensation, keeping true to her style of music of religious based folk songs. As Sister Ann becomes more famous, which includes an appearance on the The Ed Sullivan Show (1948), Sister Ann increasingly wonders if she truly is doing the work of God, as she admits she enjoys the adulation of being a celebrity and despite the financial gain to the church. This question, which was important previously in dealing with a precocious local boy named Dominic Arlien (after who she named one of her songs) and his troubled family, becomes all the more important after a specific incident which threatens Dominic's life.—Huggo

The Singing Nun

The Singing Nun (1966)

Michael Ansara

Will Geer

Ruth Baker

The stern matriarch of a family that lives in a creepy mansion finds that a killer is hiding in the house, searching for a $500,000 fortune rumored to be hidden there and chopping off the heads of anyone who gets in the way.—Anonymous

Dear Dead Delilah

Dear Dead Delilah (1972)

Robert Walker

Lionel Barrymore

Monty Woolley

While husband Tim is away during World War II, Anne Hilton copes with problems on the homefront. Taking in a lodger, Colonel Smollett, to help make ends meet and dealing with shortages and rationing are minor inconveniences compared to the love affair daughter Jane and the Colonel's grandson conduct.—Ron Kerrigan

Since You Went Away

Since You Went Away (1944)

Lee Van Cleef

John Wayne

In ancient times, the Mongolian warlord Temujin must do battle against the rival tribe that killed his father. The battles pale in comparison with Temujin's home life, as he attempts to woo the heart of the red-haired Tartar prisoner Bortai whom he has captured in a raid. He must also deal with various intrigues within his palace. Eventually, Bortai falls to his manly charms, Temujin defeats his enemies within and without, and is crowned Genghis Khan.—

The Conqueror

The Conqueror (1956)

Errol Flynn

Reggie Nalder

In 1860, a New Orleans French Creole maid, Léa Marriotte, is tired of her lowly social status and dreams of being wealthy. She gets romantically involved with wealthy playboy George Brissac whose influential clan controls much of the region. However, George Brissac is engaged to marry rich and spoiled New Orleans socialite Cynthia Winthrop. Wanting to cast Léa aside, George Brissac has her arrested on charges of murder, after a violent confrontation between Léa and house servant Phillipe ends-up with Phillipe being accidentally killed. Léa's fate seems to be sealed after a short trial biased by false testimonies and fabricated evidence. However, she is saved by sea captain Michael Fabian who intercedes in her behalf with the local magistrate. He even buys a tavern for Léa in order to provide her with a source of income and better social status. Nevertheless, Léa is not romantically interested in Michael Fabian. Instead, she continues to pursue the wealthy George Brissac. Her opportunity arises when George Brissac gets drunk at his bachelor's party and cajoles with her at the Brissac Manor. When, in a drunken rage, George strangles his uncle and benefactor Henri Brissac, Léa blackmails him into marrying her in order to buy her silence. They bury uncle Henri Brissac's body inside the stables. Now a rich woman and mistress of the Brissac mansion, Léa savors her newly found life of plenty. But her continued rejection by New Orleans society, amplified by George's hatred and a longing for Captain Fabian bring her nothing but unhappiness. A hate-filled George devises a plan to eliminate Fabian and hurt Léa at the same time. The plan involves uncle Henri Brissac's dead body buried inside the stables, the local constable, Fabian's gold pocket watch, an angry mob and Fabian's cargo ship filled with contraband gun-powder.—nufs68

Adventures of Captain Fabian

Adventures of Captain Fabian (1951)

Vicki Schreck

Peggy Rea

Shelley Winters

Set in the 1930s, Helen and Adelle are two women whose sons commit a gruesome murder. After their conviction, they move to Hollywood, change their names and open a dance school for girls. Adelle is looking for a good life, and when one of the parents of her students who is wealthy takes a liking to her, she thinks she's got it made. Helen thinks that someone who blames them for what their sons did is stalking them. But Adelle thinks it's all in her mind.—rcs0411@yahoo.com / edited by Rob

What's the Matter with Helen?

What's the Matter with Helen? (1971)

Mary Treen

Lisa Seagram

A. J. Niles is the author of a series of 'Bachelor Books'. These books describe the romantic life of a bachelor in various cities of the world. But when he runs into trouble with the I.R.S. for back taxes, he needs to write another book fast, to pay them. His publisher decides a book about life in the American suburbs would be a hit, and settles him into Paradise Cove. One bachelor plus lonely housewives equals many angry husbands.—Brian W Martz

Bachelor in Paradise

Bachelor in Paradise (1961)

Guinn 'Big Boy' Williams

Steve Brodie

Raymond Burr

Dick Powell stars as Haven, an undercover Army investigator assigned to investigate the murders of two cavalrymen. Traveling incognito, Haven arrives in a small frontier outpost, where saloon singer Charlie controls all illegal activities. After making short work of Charlie's burly henchman, Haven gets a job in her organization biding his time and gathering evidence against the gorgeous crime boss. Cast as a philosophical hotel keeper, Burl Ives is afforded the opportunity to sing a ballad.—R. Alberts

Station West

Station West (1948)

Linda Christian

Adele Jergens

Howard Keel

The "Cotton Blossom," owned by the Hawks family, is the show boat everyone goes to for great musical entertainment down south. Julie LaVerne and her husband are the stars of the show. After someone tells the local police that Julie (who's half-African-American) is married to a white man, they are forced to leave the show boat because interracial marriages are forbidden. Magnolia Hawks, Captain Andy Hawks' daughter, becomes the new show boat attraction, and her leading man is Gaylord Ravenal, a gambler. The two instantly fall in love, and marry without Parthy Hawks' approval. Magnolia and Gaylord leave the "Cotton Blossom" for a whirl-wind honeymoon. Soon after, Magnolia realizes that gambling means more to Gaylord than anything else. Magnolia confronts Gaylord, and after he gambles away their fortune he leaves her, not knowing she is pregnant. Magnolia, penniless and pregnant, and is left to fend for herself, and make a new start.—Kelly

Show Boat

Show Boat (1951)

Carolyn Jones

Leslie Nielsen

Joan Collins

Shortly after their 10th wedding anniversary, New York City theater producer Steven Hilliard (Leslie Nielsen) and his wife, former popular radio singer Kay Ashley Hilliard (June Allyson), are getting a Kay-initiated Reno divorce after Kay finds out about a marital indiscretion he had with Crystal Allen (Dame Joan Collins), a gold-digging chorus girl in one of his shows. News of the indiscretion made its way to Kay indirectly by her catty friend Sylvia Fowler (Dolores Gray). In getting the divorce, Kay's best friend, playwright Amanda Penrose (Ann Sheridan), believes Kay is playing right into the wants of Crystal, whose main goal is not to be happily married to Steven, but to get what such a marriage can bring her in material wealth and comfort. Amanda does not believe Steven loves Crystal and that he still really loves Kay. Kay proceeds with the divorce despite believing they'd had a happy, loving marriage before she learned of the indiscretion, and despite having adolescent daughter Debbie (Sandy Descher) to consider. But when Kay learns information of the goings-on within her social circle, she decides to take back control of her married status while exacting some revenge.—Huggo

The Opposite Sex

The Opposite Sex (1956)

Tom Fadden

Lauren Bacall

Douglas Kennedy

Bogart plays a man convicted of murdering his wife who escapes from prison in order to prove his innocence. Bogart finds that his features are too well-known, and is forced to seek illicit backroom plastic surgery. The entire pre-knife part of the film is shot from a Bogart's-eye-view, with the viewer seeing the fugitive for the first time as he starts to recuperate from the operation in the apartment of a sympathetic young artist (Bacall) for whom he soon finds affection. But what he's really after is revenge.—Mark Thompson

Dark Passage

Dark Passage (1947)

William Campbell

Lillian Randolph

Bruce Dern

Aged, wealthy Charlotte Hollis has lived as a recluse in the crumbling family plantation mansion in Hollisport, Louisiana since her father Sam Hollis' death thirty-six years ago. The only people who regularly see her are her hard-as-nails but seemingly loyal housekeeper, Velma Crowther, and her longtime friend and physician, Dr. Drew Bayliss. She has lived there most of her life except for a short stint in London thirty-seven years ago following the vicious murder of her lover, John Mayhew, at the plantation's summer house while Sam was hosting one of his legendary grand balls in the mansion. She and John had planned to run off together that night, but instead he was bludgeoned to death. Nobody was ever convicted for his murder, but most people believe Charlotte did it. They also believe that Charlotte, whom they haven't seen in years, is a crazy old woman. Conversely, Charlotte has hidden away fearing that people would always be glaring at her. Charlotte is surprised that her younger cousin Miriam Deering has accepted her invitation to stay at the mansion. While Charlotte wanted Miriam to help her overturn the expropriation with the state government in Baton Rouge. By this time, Charlotte's mental state seemingly hits a sharp decline, perhaps because she would be leaving her family home, but could it be issues surrounding John's murder?—Huggo

Hush...Hush, Sweet Charlotte

Hush...Hush, Sweet Charlotte (1964)

32 YIFY Movies Found

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