Alain Delon

Simone Signoret

Miou-Miou

Les granges brûlées

Les granges brûlées (1973)

Charles, a criminal fresh out of jail, rejects his wife's plan for a quiet life of bourgeois respectability. He enlists a former cellmate, Francis, to assist him in pulling off one final score, a carefully planned assault on the vault of a Cannes casino. Bad luck and lack of professionalism set the caper maddeningly askew.—Michael Krugman

Any Number Can Win

Any Number Can Win (1963)

Claudine Auger

Günter Meisner

It's the early 1930s. Working their way up the ladder largely on chutzpah, Roch Sifreddi and François Capella, who became best friends in their unlikely partnership, have risen to the top of the organized crime world in Marseilles. Shortly after reaching the top, Capella is murdered. Sifreddi eventually learns that the murder was orchestrated by international businessman Giovanni Volpone, new to Marseilles from Italy, whose ultimate goal is to take control of the city in all aspects--legal and illegal. While Sifreddi sees Volpone's action as the start of a gangland war, Volpone has other thoughts in sending a longer-lasting message to Sifreddi and others who may want to fill his shoes. Volpone has specific reasons for wanting Marseilles--a war he will want to wage in most of the western world to reach his end goal. Standing by Sifreddi in this war is Lola, a former prostitute friend to both Sifreddi and Capella, who was Capella's girlfriend at the time of his death, and Sifreddi and Capella's loyal and long-serving head henchman, Fernand. In this battle, Sifreddi can no longer rely on the hands-off approach by the police, former Commissioner Fanti, who would only intervene if the tit-for-tat killings got out of hand. Fanti has now been replaced by Commissioner Cazenave, who is a little out of his element in dealing with such matters. Under the circumstances, the police may have their own ideas of what they would like to happen with Sifreddi and Volpone's war, especially as Volpone views the law as only applying to poor people.—Huggo

Borsalino and Co.

Borsalino and Co. (1974)

Joanna Shimkus

Two adventurers and best friends, Roland and Manu, are the victims of a practical joke that costs Manu his pilot's license. With seeming contrition, the jokesters tell Roland and Manu about a crashed plane lying on the ocean floor off the coast of Congo stuffed with riches. The adventurers set off to find the loot. Going with them is Laetitia, an artistic young woman who treats them like brothers, plays along with their schemes, makes sculptures of found objects, and dreams of buying an old fort at the mouth of the Charente. The Congo tip turns out to be a double cross, and the adventurers must pick up the pieces. A trip to Fort Boyard completes the circle.—

The Last Adventure

The Last Adventure (1967)

Jeremy Irons

Ornella Muti

Fanny Ardant

Elegant and educated bachelor, Charles Swann, moves in the most powerful and fashionable circles of Paris in the 1890's. When he falls in love with Odette de Crecy, a courtesan, his friends warn him against marriage. Proving himself a silly and socially-foul goose, Swann ducks his social responsibilities, Odette ensnares him, and he is gently but firmly cast out of society amidst everyone's great politeness.—

Swann in Love

Swann in Love (1984)

Stanley Baker

A newly arrived governor finds his province under the control of the corrupt Colonel Huerta. To avoid assassination by Huerta, he pretends to be weak and indecisive so Huerta will believe he poses no threat. But secretly he masquerades as Zorro, and joins the monk Francisco and the beautiful aristocrat Ortensia in their fight for justice against Huerta and his soldiers.—Mark Hettler

Zorro

Zorro (1975)

Michel Bouquet

Jean-Paul Belmondo

Corinne Marchand

In 1930, Marseille is divided by two crime bosses, Poli and Marello, that respect each other. When the small-time thief Roch Siffredi is released after four months in prison, he looks for his mistress Lola and finds her with the gangster François Capella in a bar. Roch and François fight each other over her but soon they become best friends. They are contact by the lawyer of Poli and Marello, Rinaldi, to steal a horse for Poli first and then to take the fish market from Marelo, in the beginning of their rise in the unstoppable criminal career.—Claudio Carvalho, Rio de Janeiro, Brazil

Borsalino

Borsalino (1970)

Irina Demick

In Paris, bloodthirsty jewel thief Roger Sartet (Alain Delon) escapes from custody with the help of the Manalese, a small-time but well-organised Sicilian Mafia clan led by patriarch Vittorio (Jean Gabin), which includes his sons Aldo (Yves Lefebvre), Sergio (Marc Porel), and son-in-law Luigi (Philippe Baronnet). While in prison, Sartet shared a cell with an electrician (Christian de Tillière) who installed an extensive security system at a diamond exhibition in Rome. The electrician is in prison because, when he returned home early, he caught his wife in bed with a lover and shot them. Sartet offered a sympathetic ear and the electrician supplied him with the complete security system details.Vittorio and a fellow Mafiose, Tony Nicosia (Amedeo Nazzari) of New York, visit the exhibition but find that additional security has been added that make what would have been a simple robbery very difficult. When they purposefully set off the alarm system, they find the local police station is just down the road from the exhibition hall. Nicosia conceives of an alternative plan to steal the diamonds while they are in transit to another show in New York. He sends Jack (Sydney Chaplin), an alcoholic, to France to inform Vittorio with the details.Commissaire Le Goff (Lino Ventura) pursues Sartet with unbridled determination. Sartet killed two of his men in cold blood during an earlier arrest. Guessing that Sartet needs false papers in order to leave the country, Le Goff's enquiries lead him to the Malanese and their arcade game business which serves as a cover for their more illegal activities. While he questions Vittorio, Sartet slips out of the building in a car, right under Le Goff's nose.Jeanne (Irina Demick), wife of Vittorio's son Aldo and an able crook in her own right, becomes increasingly fascinated by Sartet. She has always felt out of place as the only French person in the Sicilian clan. While hiding out in a villa near the Italian border she attracts Sartet's attention by sunbathing nude but as they kiss they are caught in the act by Luigi's six-year-old son Roberto (César Chauveau). Jeanne gets the boy to promise not to mention it to anyone.In Rome, the gang subtly kidnap Edward Evans, the insurance man sent to oversee the transfer of the diamonds to New York. Sartet takes his place and joins the other officials accompanying the diamonds on a regular scheduled flight to New York via Paris. Among the passengers joining the plane in Paris are Jack, Jeanne, Vittorio and his sons. Things almost go wrong when Evans' wife (Sally Nesbitt) turns up and even boards the plane looking for her husband, but Vittorio leads her to believe that her husband will be on another flight.Having tried to contact her husband's hotel in Rome and being told that he has left, Mrs Evans goes to the police. At police HQ, she identifies Sartet as one of the men she saw on the plane while it was grounded in Paris. Told that his enemy has left the country, and guessing what he is up to, Le Goff requests a cigarette, having given up smoking some time ago.Meanwhile, the plane is making its descent towards New York when the gang suddenly hijacks the aircraft. The crew are held at gunpoint and Jack, a former pilot, takes over the co-pilot's seat.Warned of Sartet's imminent arrival in America, the local police race to the airport, but the plane in fact overshoots New York City and lands on a freeway which has been closed off by the local mob. Other Mafia men are waiting in cars. They unload the diamonds from the plane and split up, Jack for Canada and the Manalese for Paris. Intending to move to Veracruz, Sartet hides out in New York while awaiting his share of the proceeds.Back home, late one evening, the Manalese are watching a film on TV which includes a scene of a couple kissing on a beach. Roberto says that it "Looks like Auntie Jeanne with Mister Sartet". Jeanne denies this but the others will not accept it. They lure Sartet back to Paris by withholding his share of the loot. Jeanne calls Sartet's sister Monique (Danielle Volle) to warn him that he is walking into a trap. Monique goes to the airport but when her brother fails to turn up she is confronted by the Manalese boys who are subsequently arrested by Le Goff and his men who had Monique under surveillance.Sartet actually came by an earlier plane. He contacts Vittorio, demanding his share. They meet at a place outside of town where Vittorio shoots both Jeanne and Sartet dead. He then returns home, only to be arrested by Le Goff.

The Sicilian Clan

The Sicilian Clan (1969)

Giancarlo Giannini

Alida Valli

In Italy, gambler and poetry professor Daniele Dominici arrives in the seaside town of Rimini and is hired to teach for four months at a high school, replacing another teacher. His relationship with his partner Monica is in crisis and he spends most of the time with his new acquaintances and gamblers Giorgio Mosca, Marcello, and Gerardo Pavani. In the classroom he meets 19-year-old student Vanina Abati, who is Gerardo's girlfriend, and they fall in love. Their relationship leads to a tragic end.—Claudio Carvalho, Rio de Janeiro, Brazil

Indian Summer

Indian Summer (1972)

Jean-Louis Trintignant

This movie depicts the authentic story of the hunt for the dangerous criminal, Emile Buisson, who escaped from prison in 1947. For three years, Buisson manages to hide from detective Borniche by repeatedly killing his informants. When he's finally caught with help from the little criminal, Paul, Buisson will have committed more than 100 robberies and killed 30 people.

Flic Story

Flic Story (1975)

On a beach in Nice, François meets the mysterious Peggy and falls in love with her. Following her to a villa, he meets Marc, a lawyer who has a strange relationship with the girl. Marc tells François that Peggy is a drug addict: she kills men who approach her.

Someone Is Bleeding

Someone Is Bleeding (1974)

Louis de Funès

Paul Martin is a lowly employee with a large vacation tour company. Having speculated on his advancement, Paul is now deep in debt and it is time to pay up. Desperate to gain access to the upstairs office and get a raise, he stops at nothing to get his way even if it means shaking up the system.

Carom Shots

Carom Shots (1963)

Robert Klein

Under the influence of drugs, a teenager, Eddy, kills a policeman. His father, Jacques, pleads extenuating circumstances and nearly succeeds in gaining the confidence of the policeman's widow. But the press reveals that Jacques is an ex-gangster who has spent time in prison. —Aline

Like a Boomerang

Like a Boomerang (1976)

Vincent Lindon

Nathalie Baye

Jean Reno

Robert Avranche, a garage owner who's often in an alcoholic stupor, is on a train thinking that nothing good ever happens to him. A young woman enters the compartment and tells him a story - about the two of them - then offers him sex. She leaves at the next station; he follows her and clings. She's Donatienne, languid, bored, sad, sleeping with many men but in love with a one who's indifferent. Robert insists on living with her. She calls his friends to remove him. He's obdurate. Neighbors stare. Is this farce or fairy tale? Robert and Donatienne tell each other stories, writing themselves in and out. Will he sober up; will she smile? Whose story is it, and how might it end? —

Our Story

Our Story (1984)

Annie Girardot

Hugo Sennart is a French Gypsy, wanted by the police for theft. The same inspector who's searching for him is also looking for a jewel thief, Yan Kuq, whose wife has died under suspicious circumstance just after a major burglary. The Gypsy needs to settle a few scores and make one more heist before going to ground, and, by coincidence, his path takes him close to Yan, who's hiding in the hotel of a close friend and former lover, Ninie. The Gypsy lives by a code of honor, which puts him at risk on occasion; and he despises those who treat his people as worse than dogs. The police close in. Is there honor among thieves? —

The Gypsy

The Gypsy (1975)

Gérard Jugnot

Michael Lonsdale

Jeanne Moreau

Paris, 1942. Robert Klein cannot find any fault with the state of affairs in German-occupied France. He has a well-furnished flat, a mistress, and business is booming. Jews facing discrimination because of laws enacted by the French government are desperate to sell valuable works of art - and it is easy for him to get them at bargain prices. His cosy life is disrupted when he realizes that there is another Robert Klein in Paris - a Jew with rather mysterious behaviour. Soon he attracts the close - and menacing - attention of the police to the art trader. —Eduardo Casais

Mr. Klein

Mr. Klein (1976)

Jean-Pierre Léaud

Romy Schneider

A sailor has a brief affair with a young secretary.

Love at Sea

Love at Sea (1964)

Senta Berger

A wealthy amnesiac begins to suspect that his devoted wife is not really his wife and that he is not the man people keep telling him he is.

Diabolically Yours

Diabolically Yours (1967)

Stéphane Audran

Klaus Kinski

One early morning deputy Philippe Dubaye wakes up his old friend Xavier Maréchal with disturbing news: he has just killed Serrano, a racketeer with extant political connections. Serrano kept proofs of Dubaye's involvement in corrupt dealings and was poised to use them against the deputy. Xavier readily agrees to cover up for his old pal Philippe, but he soon runs into difficulties. Nobody believes Dubaye's alibi. And everybody -- influential personalities, powerful businessmen, dubious go-betweens and the police -- wants to get hold of the documents that served to blackmail Dubaye; by all possible means. —Eduardo Casais

Death of a Corrupt Man

Death of a Corrupt Man (1977)

Michael Conrad

Richard Crenna

Catherine Deneuve

Bank robbery in small town ends with one of the robbers being wounded. The loot from the robbery is just an asset for the even more spectacular heist. Simon, gang leader and Paris night club owner, must also deal with police comissaire Edouard Colemane, who happens to be his good friend. —Dragan Antulov

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