Arthur Kennedy

Queen Elizabeth the Queen Mother

Clarence E. Winchell

John P. Quinlan

The Memphis Belle: A Story of a Flying Fortress

The Memphis Belle: A Story of a Flying Fortress (1944)

Gloria Talbott

William Bendix

Gene Evans

Convict Van Duff engineers a large-scale prison break; the six survivors hide out in a forgotten mine working near the prison, then set out on a long, dangerous journey by foot, car, train and truck to retrieve Duff's bank loot. En route, as they touch the lives of "regular folks," each has his own rendezvous with destiny.—Rod Crawford

Crashout

Crashout (1955)

Arthur Miller

Ed Begley

Brian Keith

This dramatization of a factual incident opens in a quiet Connecticut town where a kindly priest is murdered while waiting at a street corner. The citizens are horrified and demand action from the police. All of the witnesses identify John Waldron, a nervous out-of-towner, as the killer. Although Waldron vehemently denies the crime, no one will believe him. District Attorney Henry Harvey is then put on the case and faces political opposition in his attempt to prove Waldron's innocence.—Daniel Bubbeo

Boomerang!

Boomerang! (1947)

Dante Cleri

Tomas Milian

Ottaviano Dell'Acqua

A tough, rule-bending cop pursues a maniacal, trigger-happy hunchback, a one-handed bank robber and their cronies in an effort to bring Rome's most powerful crime lord to justice.

The Tough Ones

The Tough Ones (1976)

Randolph Scott

Ella Raines

Edgar Buchanan

A long-lost gold treasure, believed buried in the sand dunes of the fabulous Walking Hills, attracts adventurers Jim Carey (Randolph Scott), a rancher; Shep (William Bishop), rodeo rider wanted for murder; Old Will (Edgar Buchanan); Chalk (Arthur Kennedy); Frazee (John Ireland), a detective hunting Shep; Johnny (Jerome Courtland), a cowboy and Josh (Josh White), an entertainer. Uninvited, Chris Jackson (Ella Raines, loved by both Jim and Shep, joins the treasure-hunters. Hard work, suspicion, danger and intrigues and hatreds culminate in a grim fight with shovels, and a raging desert sand-storm leads to the conclusion.—Les Adams

The Walking Hills

The Walking Hills (1949)

John Richardson

Loretta Persichetti

Caroline Laurence

While spending their annual vacation on a small Mediterranean Island, nine bourgeois family members are stalked and killed one by one by a mysterious killer.

Nine Guests for a Crime

Nine Guests for a Crime (1977)

Peter Falk

Lev Prygunov

Fortunato Arena

During the summer of 1941, Germany and its European allies invade the Soviet Union. Fascist Italy participates at the invasion. The first trains carrying Italian soldiers arrive in the Soviet Union during grain-harvest season. The Soviet Army withdrew during the initial German onslaught that spearheaded the invasion. The newly arrived Italian soldiers wonder at the size of the Soviet countryside that seems to never end. The soldiers also notice the Soviets withdrew so fast that many fields have not been harvested yet. Fields of wheat, sunflower and corn glow golden under the bright summer sun. The Italians attempt to make friends with the Soviet civilians whom they meet at various stopping points along the way. But the civilians are scared of the invaders and rightfully so. The German troops have already passed through, terrorizing the Soviet populace. The Italian soldiers even try to share their bread rations with the civilians and they try to cheer the Russians up by singing a left-wing anthem, the Internationale. The Italian officers tolerate this, but things get out of hand when all the Soviet prisoners, and civilians alike, join in a chorus of defiance by singing the anthem. The German military police intervenes with brutality, causing a rift between the Italian and German soldiers. A German staff car appears and the Italians are given a lesson in how to treat one's enemy by the German commander. The Germans view their Italian allies as soft, undisciplined, militarily inferior and ideologically unreliable. The appearance of the Italian colonel in charge of the newly arrived Italian troops calms the spirits. A few of the Soviet civilians who, during the confrontation between Germans and Italians, escaped in the countryside, are slowly recaptured, one by one. Some are shot by the Germans. The Italian division occupies its established position. Later, they are entrusted with crossing the major Bug River. Despite their heavy losses, the Italians cross the Bug river and push the resisting Soviet troops further east. The Germans attempt to take credit for the forcing of the Bug river but the Italian colonel ensures that his troops get the credit. Grudgingly accepting the outcome, the German commanders congratulate the Italian commanders. The Italians continue their advance, on the flanks or behind the crack German units that spearhead the attack. On the wake of the Germans, the Italian troops find only destruction, death, mayhem and terrorized Soviet civilian survivors. During the fall, fanatical units of the Italian Fascist Militia arrive. They are commanded by a fanatical Fascist officer, Major Ferro Maria Ferri. They reinforce the regular units of the Italian Army. They also treat the Soviets with brutality, just like the Germans. The humanitarian Italian soldiers dislike the Italian Fascists just like they detest the Germans. When the winter arrives, the Italians, just like their German allies, discover that without winter clothing and equipment they face a cruel fate. News of Stalingrad make them uneasy. The Soviets rally a huge number of divisions and they launch several counter-offensives on the entire length of the front. The Italians and the Germans are caught unprepared and are reeling from the powerful Soviet blows. Outnumbered, outgunned and outmaneuvered, the Italians fight-on, with heroism and bravery, to cover the withdrawal of the more important German units. The Germans have sacrificed and abandoned the Italian troops in order to be able to flee. Some Italians try to surrender to the Soviets, encouraged by the Soviet propaganda leaflets dropped by airplanes on their positions urging them to surrender to good treatment at the hands of the Soviet troops. The Italian officers, try to dissuade their men from surrendering to the enemy. It's a matter of pride, more than ideology. Overrun by the Soviet hordes, the remaining Italian soldiers commence their withdrawal. But it's too late.—nufs68

Italiano brava gente

Italiano brava gente (1964)

Lizabeth Scott

Jeff Corey

Alan Ladd

Towards the end of the American Civil War, a rebel captain flees to Colorado to join a band of Southern mercenaries. He drags an innocent gold prospecting couple into trouble when the husband is accused of a murder he committed.—Col Needham

Red Mountain

Red Mountain (1951)

Remo Girone

Alida Valli

Mel Ferrer

Ippolita is a paralyzed young woman with serious mental problems stemming from the death of her mother. Her crisis of faith and the intervention of a well-meaning psychologist lead Ippolita to remember her past life as a witch during the Inquisition. Eventually, Ippolita becomes possessed and starts seducing local men, only to kill them. An exorcism seems to be the only solution to stop the madness.—Ørnås

The Antichrist

The Antichrist (1974)

Andrés García

Lionel Stander

Carroll Baker

An airplane goes down in the ocean during a storm and a few survivors find refuge on a small tour boat. Swept out to sea, these people slowly starve to death in the hot sun with barely any food or clean water. With no place to turn, the boat survivors resort to cannibalism to stay alive...that is ..until the rescue planes come to pick them up and the man eating sharks decide its time to eat as well.—alfiehitchie

Cyclone

Cyclone (1978)

Kirk Douglas

Polly Bergen

Ruth Roman

Hitchhiking west with his lame brother Connie, Midge Kelly is hustled unprepared into a pro boxing match. Though he's severely beaten, manager Tommy Haley finds him promising. In California, Midge and Connie find nothing but a menial job from which Midge gets relief by seducing Emma, a lovely young waitress. One shotgun marriage later, ambitious Midge falls back on the only option he knows: boxing. Seduced by cheering crowds, money, and a succession of blondes, Midge becomes more and more of a hero in public...and a heel in private.—Rod Crawford

Champion

Champion (1949)

James Robertson Justice

Joan Hickson

Ronnie Raymond

Miss Jane Marple's (Dame Margaret Rutherford's) on-board a train when she sees what appears to to be, a murder - a woman being strangled - in a passing train. When the Police refuse to believe her story, she decides to do some investigating of her own. In this, Rutherford's first appearance (as well as her first on-screen appearance) as Dame Agatha Christie's beloved sleuth. Though fans of the stories can see instantly see that Dame Margaret Rutherford does not fit Dame Agatha Christie's physical description of her, and Dame Agatha was not a fan with the casting decision - at first. But, when the two women met, they became big admirers of each other (Christie even dedicated one of her books; "The Mirror Crack'd From Side to Side" - to her "friend, Margaret Rutherford".—Mattias Thuresson

Murder She Said

Murder She Said (1961)

Burt Reynolds

Barry Sullivan

Manuel Alvarado

Caine is an American gun-runner who has just arrived in a Sudanese Red Sea coastal town within an inch of his life having lost his latest shipment. Despite their initial antagonistic encounters, he ends up befriending two of the more colorful local characters, Doc, a fellow American who is indeed a physician albeit a drunkard, and a young street urchin he nicknames Runt. He also catches the attention of Inspector Barok who suspects him of being trouble. Needing money, Caine, learning about it from Doc, decides to do whatever he needs to to become the third in a crew aboard a ship doing scientific research under Professor Dan Mallare and his voluptuous daughter Anna. He wanting this job is despite the rumors circulating around town that the ship is jinxed in Pedro, their last diver, being killed on the job in a shark attack. Conversely, Anna, who doesn't know Caine's need for the job, decides to do whatever required for him to work for them in they looking for someone "disposable" after the work has concluded in their work not being quite what it appears on the surface.—Huggo

Shark

Shark (1969)

Barbara Hale

Bobby Driscoll

At the age of 9, Tommy Woodry has a reputation for telling tall tales -- the latest one being that his family is moving from Manhattan to a ranch out west. When the landlord interrupts the Woodrys at dinner to show their about-to-be-vacated apartment, the Woodrys tell Tommy enough is enough. Then that hot summer night Tommy decides to sleep on the fire escape -- outside the Kellerson's apartment, since it is a story higher and gets more breeze. Tommy sees the Kellersons kill a man. Tommy's parents and the police won't believe his story. But the Kellersons want to silence him.—Dale O'Connor

The Window

The Window (1949)

Jeffrey Hunter

Frank Braña

Enrique Santiago

The story of Joaquin Murrieta, a real life Mexican bandit who terrorized California with his gang of raiders and cutthroats during the first half of the 19th century. Some saw him as a murderous outlaw, others as the Mexican Robin Hood.

Murieta!

Murieta! (1965)

Gengher Gatti

Vicente Vega

Roberto Posse

In the peaceful, lush, green countryside gruesome murders are committed by the dead who have been brought to life by ultra-sonic radiation. Two travelers from the city who meet accidentally are harassed and implicated by the cops for the murders.—Fella_shibby@yahoo.com

Let Sleeping Corpses Lie

Let Sleeping Corpses Lie (1974)

James Stewart

Julie Adams

Lillian Randolph

Two men with questionable pasts, Glyn McLyntock and his friend Cole, lead a wagon-train load of homesteaders from Missouri to the Oregon territory. They establish a settlement outside of Portland and as winter nears, it is necessary for McLyntock and Cole to rescue and deliver food and supplies being held in Portland by corrupt officials. On the trip back to the settlement, up river and over a mountain, Cole engineers a mutiny to divert the supplies to a gold mining camp for a handsome profit.—Herman Seifer

Bend of the River

Bend of the River (1952)

Alex Cord

Robert Ryan

Massimo Sarchielli

When outlaw Clay McCord learns the Governor of New Mexico has offered an amnesty to all who apply for it at the town of Tuscosa, he is intrigued but suspicious. He circles the vicinity, weighing the offer and encountering other outlaws, all the while troubled by occasional "spells" resembling the epileptic fits which plagued his father. Eventually McCord reaches Tuscosa where he clashes with the local marshal, Roy Colby. The Governor then arrives and tries to calm the situation, knowing that if McCord asks for amnesty, other outlaws will follow. Events lead to a shoot-out with McCord, Colby, and the Governor on one side while a band of outlaws comprise the other.—dinky-4 of Minneapolis

A Minute to Pray, a Second to Die

A Minute to Pray, a Second to Die (1967)

Denver Pyle

Dan Duryea

One night on a lonely highway, a man in a speeding car tosses a satchel of money meant for somebody else into Jane and Alan Palmer's convertible as they are heading down a mountain road to a party. When they open the satchel and see what's inside, Alan wants to turn it over to the police, but Jane, with a life of luxury now within reach, persuades him to hang onto it "for a while." Soon afterward, the Palmers are tracked down by one Danny Fuller, a sleazy character who claims the money is his. To hang on to the cash, Jane will need to exercise all her feminine wiles, even if it leads her to dangerous circumstances and criminal behavior.—Rod Crawford

Too Late for Tears

Too Late for Tears (1949)

Jack Elam

Cathy O'Donnell

Mysterious Will Lockhart delivers supplies to storekeeper Barbara Waggoman at Coronado, an isolated town in Apache country. Before long, he's tangled with Dave Waggoman, vicious son of autocratic rancher Alec and cousin of sweet Barbara. But he sticks around town, his presence a catalyst for changes in people's lives, searching for someone he doesn't know...who's been selling rifles to the Apaches.—Rod Crawford

The Man from Laramie

The Man from Laramie (1955)

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