Jackie Earle Haley

Audrey Hepburn

Errol Flynn

Lorraine Gary

Film Geek

Film Geek (2023)

Elizabeth Peña

Colleen Camp

Peter Bogdanovich

They All Laughed

They All Laughed (1981)

Robert Shaw

Stanley Holloway

Alec Guinness

Holland, a shy retiring man, dreams of being rich and living the good life. Faithfully, for twenty years, he has worked as a bank transfer agent for the delivery of gold bullion. One day he befriends Pendlebury, a maker of souvenirs. Holland remarks that, with Pendlebury's smelting equipment, one could forge the gold into harmless-looking toy Eiffel Towers and smuggle the gold from England into France. Soon afterwards, the two plant a story to gain the services of professional criminals Lackery and Shorty. Together, the four plot their crime, leading to unexpected twists and turns.—Rick Gregory

The Lavender Hill Mob

The Lavender Hill Mob (1951)

Jessica Chastain

Martha Stewart

Woody Allen

A documentary about the origin and the upgrowth of the fashion label Ralph Lauren.

Very Ralph

Very Ralph (2019)

Jennifer Love Hewitt

Sarah Hyland

Frances Fisher

Emmy Rossum

Biographic made-for-TV movie of the life of one of Hollywood's most famous actreses: Audrey Hepburn, spaning from her early childhood to the 1960's which details her life as Dutch overachieving ballerina, coming to grips with her parents divorce and enduring five hard years of living in Nazi occupied Holland during World War II. Audrey then settles in the USA where she tries to make it big as a movie actress and the emotional trials that follow her with it.—Matthew Patay

The Audrey Hepburn Story

The Audrey Hepburn Story (2000)

Julie Delpy

Isabelle Huppert

Michel Piccoli

Jean-Luc Godard is cinema, its quintessence. Having just turned 91, he has made more than 140 films. We hate him as much as we worship him. Where does his aura come from? From legendary films of course, but also from Godard himself.

Godard Cinema

Godard Cinema (2022)

Candice Bergen

Johnny Carson

Bob Colacello

Answered Prayers was meant to be Truman Capote's greatest masterpiece, an epic portrait of New York's glittering jet-set society. Instead, it sparked the downfall of the iconic author of Breakfast at Tiffany's and In Cold Blood. Through never-before-heard audio archives and interviews with Capote's famous friends and infamous enemies, The Capote Tapes reveals the rise and fall of one of America's most influential writers and public figures.—Greenwich Entertainment

The Capote Tapes

The Capote Tapes (2019)

Richard O'Sullivan

Beatrice Straight

Dean Jagger

In 1930 Belgium, Gabrielle van der Mal, stubborn daughter of prominent surgeon Dr. Hubert van der Mal, decides to leave her upper-class family to enter a convent, expecting to work as nun in the Congo with tropical diseases. She says good-bye to her sisters Louise and Marie, her brother Pierre, and her beloved father and subjects herself to the stringent rules of the retrograde institution, including interior silence and excessive humility and humiliation. After a long stint working in a mental institution, Gaby/Sister Luke is finally assigned to go to the Congo, where she works with cynical but brilliant atheist Dr. Fortunati. Sister Luke proves to be a very efficient nurse and assistant, and Dr. Fortunati miraculously heals her tuberculosis. Years later she is ordered to return to Belgium, and when her motherland is invaded by the Germans, she learns that her beloved father was murdered by the enemy while he was helping wounded members of the resistance. Sister Luke finally decides to leave the religious life since she is unable to feel neutral against the invaders of her country.—Claudio Carvalho, Rio de Janeiro, Brazil

The Nun's Story

The Nun's Story (1959)

Tony Curtis

Marlene Dietrich

Noel Coward

Basing himself in Paris for the purpose, American hack writer Richard Benson, with advance in hand, has been hired by movie producer Alexander Meyerheim to write the screenplay for his latest movie, Benson selling him only on the title, The Girl Who Stole the Eiffel Tower. Meyerheim, who knows about his drinking problem, has been assured by Benson that he is on the wagon. Benson hires Gabrielle Simpson through a secretarial service to be his typist. At the time she arrives for the job, Gabrielle learns that Benson has squandered away almost twenty weeks, with several drinks passing his lips over the course, without having written a word. With nary a story idea, Benson has only two days, on Bastille Day, until Meyerheim will be arriving from Cannes expecting a final product in Benson having continually implied he is near completion. Upon learning that Gabrielle originally came to Paris to experience life, Benson comes up with a brainchild to imagine the movie being a day, Bastille Day, in the life of someone like Gabrielle. As Benson and Gabrielle work through the screenplay, an espionage caper, they imagine themselves in the lead roles of "Rick" and "Gaby", they subconsciously and sometimes consciously steering the story in the direction of what they hope will happen between "Richard Benson" and "Gabrielle Simpson", both to the screenplay's benefit and detriment.—Huggo

Paris When It Sizzles

Paris When It Sizzles (1964)

Fabia Drake

Joan Greenwood

Derek Farr

A post-war housing crisis leaves a shy woman to share a house with two couples. Comic situations arise as the new lodger becomes infatuated with one of the husbands.

Young Wives' Tale

Young Wives' Tale (1951)

Ali MacGraw

Anjelica Huston

For decades, Diana Vreeland was one of the leading authorities in fashion through eccentric self-taught skill and a bold stylistic audacity. This film guides you through this fashion pioneer's long career from her youth in Paris until she became a leading magazine fashion columnist and editor. In this medium, Vreeland challenged its preconceptions to present a new definition of beauty and vivaciousness where nice clothes were just the beginning for something deeper. Even when that vocation ended, Vreeland managed to gain a new museum profession to present clothing's history in her own inimitable way.—Kenneth Chisholm (kchishol@rogers.com)

Diana Vreeland: The Eye Has to Travel

Diana Vreeland: The Eye Has to Travel (2011)

Charles Bickford

Audie Murphy

John Saxon

In post-Civil War Texas, the Zachary and Rawlins families are intrinsically tied together. Ben Zachary, the head of the family following the death of his father, Will Zachary, in Ben being the oldest son, and patriarch Zeb Rawlins are partners in a cattle ranching operation. Zeb's unassuming son Charlie Rawlins would like to court Ben's younger sister, adopted Rachel Zachary - something that doesn't quite sit well with Ben in he believing Charlie not worthy of Rachel - while Zeb's daughter Georgia Rawlins would be happy with any of the Zachary brothers, although she has her sights set on middle son Cash Zachary. Their world is upset with the arrival of an older man brandishing a saber. It is not the saber which is concerning, but rather the story that he is spreading: that Rachel is of Indian heritage, most specifically Kiowa. Regardless of the truth, which matriarch Mattilda Zachary knows, this story places a strain on the community who don't want a "dirty Injun" in their midst, threatens all the relationships between the Zacharys and Rawlins, and causes a division within the Zachary family, as the Zacharys try to protect themselves and their property against those who don't want Rachel there, including the Kiowa who want Rachel, one of their own, back.—Huggo

The Unforgiven

The Unforgiven (1960)

Richard Dreyfuss

Francesca Hayward

Mita Ungaro

Audrey Hepburn won her first Academy Award at the age of 24 and went on to become one of the world's greatest cultural icons: a once-in-a-generation beauty, and legendary star of Hollywood's Golden Age, whose style and pioneering collaboration with Hubert de Givenchy continues to inspire. But who was the real Audrey Hepburn? Malnourished as a child, abandoned by her father and growing up under Nazi occupation in Holland, Hepburn faced a life-long battle with the traumas of her past, which thwarted her dreams of becoming a ballet dancer, and cast a shadow over her personal life. Yet she found inner peace using her superstardom for good as a global ambassador for UNICEF and bringing her life full circle; first a victim of war, then a source of relief to millions.

Audrey

Audrey (2020)

Walter Hampden

John Williams

Ellen Corby

Linus and David Larrabee are the two sons of a very wealthy family. Linus is all work -- busily running the family corporate empire with no time for a wife and family. David is all play -- technically employed in the family business but never showing up for work, spending all his time entertaining, and having been married and divorced three times. Sabrina Fairchild is the young, shy, and awkward daughter of the household chauffeur, who has been infatuated with David all her life, but whom David hardly notices till she goes away to Paris for two years and returns an elegant, sophisticated, beautiful woman. Suddenly, she finds she's captured David's attention, but just as she does so, she finds herself also falling in love with Linus, and she finds that Linus is also falling in love with her.—Brian C. Madsen

Sabrina

Sabrina (1954)

Audrey Long

Gary Cooper

John McGiver

A private investigator reveals to his client that his wife is having an affair with a notorious womanizer, the wealthy Frank Flannagan. His client decides to shoot Flannagan at his hotel. Overhearing this, the investigator's daughter rushes to Flannagan to prevent his murder, and the two eventually become attracted to each other.—grantss

Love in the Afternoon

Love in the Afternoon (1957)

Alastair Sim

Ernest Thesiger

George Cole

Famed practical joker Henry Russell leaves 50,000 pounds to each of his four surviving relatives. But his will has one last joke - they each have to undertake a task completely out of character within a month. As each sets out on their objective they find that quite apart from the promised riches, they are unexpectedly getting a lot out of the challenge. All except caddish Simon Russell, that is.—Jeremy Perkins {J-26}

Laughter in Paradise

Laughter in Paradise (1951)

Gregory Peck

Eddie Albert

Andrea Esterhazy

Joe Bradley is a reporter for the American News Service in Rome, a job he doesn't much like as he would rather work for what he considers a real news agency back in the States. He is on the verge of getting fired when he, sleeping in and getting caught in a lie by his boss Hennessy, misses an interview with HRH Princess Ann, who is on a goodwill tour of Europe, Rome only her latest stop. However, he thinks he may have stumbled upon a huge scoop. Princess Ann has officially called off all her Rome engagements due to illness. In reality, he recognizes the photograph of her as being the young well but simply dressed drunk woman he rescued off the street last night (as he didn't want to turn her into the police for being a vagrant), and who is still in his small studio apartment sleeping off her hangover. What Joe doesn't know is that she is really sleeping off the effects of a sedative given to her by her doctor to calm her down after an anxiety attack, that anxiety because she hates her regimented life where she has no freedom and must always do and say the politically correct things, not what is truly on her mind or in her heart. In wanting just a little freedom, she seized upon a chance opportunity to escape from the royal palace where she was staying, albeit with no money in her pockets. Joe believes he can get an exclusive interview with her without she even knowing that he's a reporter or that he's interviewing her. As Joe accompanies "Anya Smith" - her name as she tells him in trying to hide her true identity - around Rome on her incognito day of freedom somewhat unaware that the secret service is searching for her, along for the ride is Joe's photographer friend, Irving Radovich, who Joe has tasked with clandestinely taking photographs of her, those photos to accompany the story. As the day progresses, Joe and Ann slowly start to fall for each other. Their feelings for each other affect what both decide to do, Ann with regard to her royal duties, Joe with regard to the story, and both with regard to if there is a future for them together.—Huggo

Roman Holiday

Roman Holiday (1953)

Sam Kydd

Ian Bannen

Valentina Cortese

In 1930, Maria Brentano and her younger sister Nora flee to London after their father is murdered by a European dictator. Seven years later, during a weekend trip to Paris, Maria unexpectedly meets Louis, her former lover who is now plotting the assassination of the dictator. Maria and Nora become involved in the plan, which goes tragically wrong when the time bomb they plant kills an innocent bystander.—alfiehitchie

Secret People

Secret People (1952)

Kay Thompson

Heather Ames

Bess Flowers

Maggie Prescott, the Editor-in-Chief of New York based Quality, a fashion magazine that sets trends i.e. leads instead of follows, has come up with her latest brainchild: to feature a model to be the Quality Woman, complete with successful Paris-based designer Paul Duval to devise a new collection inspired by her. The Quality Woman is not only to embody beauty, but also intellect. Against Maggie's initial judgment, she relents to the vision of her head photographer Dick Avery in choosing Jo Stockton rather than one of their in-house models as the Quality Woman, Jo the clerk they met in an impromptu photo shoot they did against her will in the Greenwich Village bookstore where she works. The marks against Jo are not only that she isn't a professional, but that she has what she even considers a funny looking face, something that Dick instead calls interesting. Jo, who abhors all that the world of fashion represents in she being an intellectual, ultimately agrees as the job would take her to Paris where she hopes to meet her idol, Professor Émile Flostre, the leading philosopher on the concept of empathicalism. But in Paris, the two worlds for Jo begin to collide in more ways than one, arguably the most important in she falling for Dick, his actions solely to get her to exude the emotions he wants for the photos.—Huggo

Funny Face

Funny Face (1957)

James Coburn

George Kennedy

Ned Glass

In what's been called 'the best Alfred Hitchcock film which he didn't direct,' a man is thrown off a train, and when the police locate his wife, it turns out she knew nothing about him - not even his real name. After her are four men, who insist she's in possession of a huge amount of money which they believe to be theirs. If she doesn't give it to them, she'll be killed.—Huggo

Charade

Charade (1963)

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