Dennis O'Keefe

Preston Foster

Glenda Farrell

Paul Muni

Having returned from fighting in World War I, James Allen doesn't want to settle into a humdrum life and decides to set off to find his fortune. He travels the length and breadth of America, working as a skilled tradesman in the construction industry. When times get tough however, he finds himself living in a shelter where an acquaintance suggests they go out for a hamburger. What the friend really has in mind is to rob the diner and Allen soon finds himself working on a chain gang with a long jail sentence. Allen manages to escape however and heads to Chicago where over several years he slowly but surely works his way up the ladder to become one of the most respected construction engineers in the city. His past catches up with him and despite protestations from civic leaders and his many friends in Chicago, he finds himself again on the chain gang. Escaping for a second time, he accepts that to survive, he must lead a life of crime.—garykmcd

I Am a Fugitive from a Chain Gang

I Am a Fugitive from a Chain Gang (1932)

Colin Clive

Jean Arthur

Charles Boyer

The obsessive and jealous shipowner Bruce Vail does not accept the divorce his wife Irene Vail is seeking to make final, so he hires his chauffeur Michael Browsky to forge adultery with Irene in Paris to make the provisional decree she has achieved there null. However, she is rescued by the headwaiter Paul Dumond, who punches Michael and locks Bruce and his private eyes in a closet. The pair then escapes and spends a wonderful night together in the restaurant Chateau Bleu, where Paul and his best friend Chef Cesare work, and fall in love with eachother. Meanwhile, Bruce murders Michael and blackmails Irene, blaming Paul and forcing her to travel with him to New York. But Paul does not give up on Irene, and follows her to New York with Cesare trying to become reunited with his love.—Claudio Carvalho, Rio de Janeiro, Brazil

History Is Made at Night

History Is Made at Night (1937)

Sarah Edwards

Mary Carlisle

Nat Pendleton

Calvin Churchill, a confidence-man, and his sidekick/stooge, "Clip" McGurk, are being pursued by an Internal Revenue agent, Henry Potke, for their failure to file an income-tax on the advice of a shyster lawyer. They are hiding out at the Desert Springs Hotel-Resort, where Calvin is working a scam by posing as a stratosphere-flyer who is looking at making Desert Springs the base of his operations. A rich airplane manufacturer sees a chance to get rid of a stratosphere balloon that he built for an unsuccessful expedition at a great loss. Calvin intends to take the money and run but his estranged wife, Alice, now a tennis instructor at the resort promises to come back to him if he will reform. Alas, reformation does not come easy for Calvin, especially when "Clip" is around, and Henry is closing in.—Les Adams

It's in the Air

It's in the Air (1935)

Nan Grey

Carole Lombard

A rich businessman stalks another man's fiancée.

Love Before Breakfast

Love Before Breakfast (1936)

Ruby Keeler

Joan Blondell

Billy Barty

Chester Kent produces musical comedies on the stage. With the beginning of the talkies era he changes to producing short musical prologues for movies. This is stressful to him, because he always needs new units and his rival is stealing his ideas. He can get an contract with a producer if he is able to stage in three days three new prologues. In spite of great problems, he does it.—Stephan Eichenberg

Footlight Parade

Footlight Parade (1933)

Frances Langford

James Stewart

Eleanor Powell

Sailor Ted meets at the Lonely Hearts Club of his friend Gunny's wife, Jenny, a girl, Nora Paige, and falls in love. Nora wants to become a dancer on Broadway. Ted rescues the Pekinese of Lucy James, a Broadway star during a public relations campaign on his submarine. Lucy falls in love with Ted, and Ted is ordered by his Captain to meet her in a night club, in spite of the fact that he has a date with Nora. Nora, who lives with Jenny and her and Gunny's daughter, doesn't want to hear anything from Ted, after she spotted a picture of Ted and Lucy in the morning paper. Lucy convinces her manager Dinehart to stop the press campaign and tells him that she would leave the production, if another photo or article of her and Ted is published. Nora has become her understudy, and she begins to think her behaviour to Ted over. Suddenly she is fired after Dinehart told her to dance a number Lucy James called undanceable. But when Ted is told the whole story, he knows what to do.—Stephan Eichenberg

Born to Dance

Born to Dance (1936)

Cary Grant

Edward Arnold

Jack Pennick

The bold Tira works as dancing beauty and lion tamer at a fair. Out of an urgent need of money, she agrees to a risky new number: she'll put her head into a lion's muzzle. With this attraction the circus makes it to New York and Tira can pursue her dearest occupation: flirting with rich men and accepting expensive presents. Among the guys she searches the love of her life, from whom she only knows from a fortune-teller that he'll be rich and have black hair. When she finally meets him, she becomes a victim of intrigue.—Tom Zoerner

I'm No Angel

I'm No Angel (1933)

Clark Gable

Jason Robards Sr.

Spencer Tracy

Mary Blake arrives at Blackie Norton's Paradise gambling hall and beer garden looking for work as a singer. He embarrasses her by asking to see her legs, but he hires her. She faints from hunger. Nob Hill Socialite Jack Burley and Maestro Baldini of the Tivoli Opera House see her singing and offer her a chance to do opera, but Blackie has her under a two-year contract and she ruefully stands by it. Later, when he makes up posters featuring her in tights, she does leave for the Tivoli. He gets an injunction against Burley but knocks out the process server when he hears Mary perform as Marguerite in "Faust". She proposes marriage to him, and she agrees to go back to the Paradise as his kind of singer, but his childhood chum, Father Tim Mullin, intervenes. After he slugs him, Mary leaves. She is soon the star of the Tivoli and the Paradise is closed down. She sings a rousing "San Francisco" on behalf of the Paradise at the annual "Chicken Ball" and wins the $10,000 prize which Blackie throws to the floor. As she storms out of the hall, a terrible rumble betokens the famous 1906 San Francisco earthquake. Buildings collapse, streets split wide open, the city burns, and the army dynamites whole sections of town. After staggering around in a stupor, Blackie finds Father Mullin and they find Mary at a Salvation Army camp. Backed by hundreds of others, they look out over the ruins which are gradually replaced by the shining new city with a reprise of the title song.—Ed Stephan

San Francisco

San Francisco (1936)

Lee Tracy

Jean Harlow

Louise Beavers

Lola Burns is at the top of the pile in Hollywood. But life ain't easy, what with her father and brother always hanging around for handouts, and devious studio publicity honcho Space Hanlon cooking up endless lurid newspaper stories. Makes a girl want to give up pictures.—Jeremy Perkins {J-26}

Bombshell

Bombshell (1933)

Ann Dvorak

Boris Karloff

Johnny Lovo rises to the head of the bootlegging crime syndicate on the south side of Chicago following the murder of former head, Big Louis Costillo. Johnny contracted Big Louis' bodyguard, Tony Camonte, to make the hit on his boss. Tony becomes Johnny's second in command, and is not averse to killing anyone who gets in his and Johnny's way. As Tony is thinking bigger than Johnny and is not afraid of anyone or anything, Tony increasingly makes decisions on his own instead of following Johnny's orders, especially in not treading on the north side run by an Irish gang led by O'Hara, of whom Johnny is afraid. Tony's murder spree increases, he taking out anyone who stands in his and Johnny's way of absolute control on the south side, and in Tony's view absolute control of the entire city. Tony's actions place an unspoken strain between Tony and Johnny to the point of the two knowing that they can't exist in their idealized world with the other. Tony's ultimate downfall may be one of two women in his life: Poppy, Johnny's girlfriend, to whom Tony is attracted; and Tony's 18-year-old sister Cesca, who is self-professed to be older mentally than her years much to Tony's chagrin; he will do anything to protect her innocence. Cesca ultimately comes to the realization that she is a lot more similar to her brother than she thought.—Huggo

Scarface

Scarface (1932)

Jean Brooks

Margo

Shep Houghton

At the encouragement of her manager, Kiki Walker, a nightclub performer in New Mexico, takes a leashed leopard into the club as a publicity gimmick. But her rival, angered by the attempt to upstage, scares the animal and it bolts. In the days that follow, people are mauled and the countryside is combed for the loose creature. But Kiki and her manager begin to wonder if the leopard is not actually responsible for the killings.—Ken Yousten

The Leopard Man

The Leopard Man (1943)

William Demarest

J.B. Ball, a rich financier, gets fed up with his free-spending family. He takes his wife's just-bought (very expensive) sable coat and throws it off the roof, it lands on poor hard-working girl Mary Smith. But it isn't so easy to just give away something so valuable, as he soon learns.—Ken Yousten

Easy Living

Easy Living (1937)

Harpo Marx

Groucho Marx

The country of Freedonia is in the middle of a financial crisis and on the brink of revolution. In order to gain a bail-out from the wealthy Mrs Teasdale, the government appoints Rufus T Firefly as its president. However, Mr Firefly shuns the pomp and pretentiousness of government; along with the prudence and rationality of it too. Meanwhile, the neighbouring country of Sylvania is plotting to overthrow Freedonia and sends Pinky and Chicolini to spy on Firefly. War seems inevitable.—grantss

Duck Soup

Duck Soup (1933)

Sterling Holloway

Chorus girls Polly, Carol, and Trixie are ecstatic when they learn that Broadway producer Barney Hopkins is putting on a new show. He promises all of the girls parts in the new show and even hires their neighbor Brad Roberts, an unknown composer, to write some of the music. There's only one problem: he doesn't have the money to bankroll it all. That problem is solved when Brad turns out to be quite rich but he insists that he not perform. When opening night comes, the juvenile lead can't go on forcing Brad to take the stage. He's recognized, of course, and his upper-crust family wants him to quit. When he refuses, they tell him to end his relationship with Polly or face having his income cut off. When Brad's snobbish brother Lawrence mistakes Carol for Polly, the girls decide to have a bit of fun and teach him a lesson.—garykmcd

Gold Diggers of 1933

Gold Diggers of 1933 (1933)

Patsy Kelly

Trevor Bardette

Topper is once again tormented by a fun-loving spirit. This time, it's Gail Richards (Blondell), who was mistakenly murdered while staying at the home of her wealthy friend, Ann Carrington (Landis), the intended victim. With Topper's help, Gail sets out to find her killer with the expected zany results.—Daniel Bubbeo

Topper Returns

Topper Returns (1941)

Victor Moore

Fred Astaire

Ginger Rogers

Lucky is tricked into missing his wedding to Margaret by the other members of Pop's magic and dance act, and has to make $25000 to be allowed to marry her. He and Pop go to New York where they run into Penny, a dancing instructor. She and Lucky form a successful dance partnership, but romance is blighted (till the end of the film at least!) by his old attachment to Margaret and hers for Ricardo, the band leader who won't play for them to dance together.—Sebastian Gibbs

Swing Time

Swing Time (1936)

Billie Burke

Elizabeth Patterson

Katharine Hepburn

After spending fifteen years in an asylum, Hilary Fairfield escapes from the institution after regaining his sanity. He finds that things at home are different than when he left them. His wife has divorced him and is already planning her next marriage, and his daughter has grown up throughout the years and is planning to marry as well.—Pablo Garcia

A Bill of Divorcement

A Bill of Divorcement (1932)

Carey Loftin

Tom Fadden

Raymond Burr

Joe Sullivan (Dennis O'Keefe) is itching to get out of prison. He's taken the rap for Rick (Raymond Burr), who owes him $50,000. Rick sets up an escape for Joe, knowing that Joe will be caught escaping and be shot or locked away forever. But with the help of his love-struck girl Pat (Claire Trevor) and his sympathetic legal caseworker Ann (Marsha Hunt), Joe gets further than he's supposed to, and we are posed with two very important questions: Is Joe really the cold and heartless criminal he appears to be, or is there a heart of gold under that gritty exterior? And does Joe belong with the tough, street-wise Pat, or with the prim, moralizing Ann?—Martin Lewison

Raw Deal

Raw Deal (1948)

Marlene Dietrich

American chemist Ned Faraday marries a German entertainer and starts a family. However, he becomes poisoned with Radium and needs an expensive treatment in Germany to have any chance at being cured. His wife Helen returns to nightclub work to try to raise the money, and she becomes popular as the Blonde Venus. In an effort to get enough money sooner, she prostitutes herself to millionaire Nick Townsend. While Ned is away in Europe, she continues with Nick, but when Ned returns cured, he discovers her infidelity. Now Ned despises Helen, but she grabs their son Johnny and lives on the run, just one step ahead of the Missing Persons Bureau. When they finally catch her, she loses her son to Ned. Once again she returns to entertaining, this time in Paris, and her fame once again brings her and Townsend together. Helen and Nick return to America engaged, but she is irresistibly drawn back to her son and Ned. In which life does she truly belong?—Gary Jackson

Blonde Venus

Blonde Venus (1932)

June Lockhart

Jane Randolph

When the American Treasure Department finds that a gang in Los Angeles is making false currency, agents Dennis O'Brien and Tony Genaro are assigned to investigate the counterfeit gang using the identities of Vannie Harrigan and Tony Galvani in Detroit. Along their investigation they join the gang of mobsters trying to discover who the boss behind the scheme is.—Claudio Carvalho, Rio de Janeiro, Brazil

T-Men

T-Men (1947)

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