Val Kilmer

Joe Mantegna

Ed Begley Jr.

Rachael Leigh Cook

Stateside

Stateside (2004)

Diedrich Bader

Wes Brown

Tyler Hynes

Holiday Touchdown: A Chiefs Love Story

Holiday Touchdown: A Chiefs Love Story (2024)

Dina Meyer

Lea Thompson

Vincent Spano

Fatal Secrets

Fatal Secrets (2009)

Shia LaBeouf

Sara Paxton

Rachelle Carson

Hounded

Hounded (2001)

Giancarlo Esposito

Austin Pendleton

Ned Beatty

Homicide: The Movie

Homicide: The Movie (2000)

Glenn Shadix

Stockard Channing

Jeffrey Weissman

Meet the Applegates

Meet the Applegates (1990)

Ben Whitehair

Kate Vernon

When his wife Amelia suffers an aneurysm that leaves her bedridden and slowly dying, police officer Carter Summerland searches for a way to revive her. He's approached by Wesley Enterprises about allowing Amelia to be the test subject for an experimental program that will place her mind in a new, artificial body - and out of desperation, Carter agrees. But is the result really Amelia Summerland? Or is it something else entirely? Set in the very near future, The Summerland Project uses current, existing technology as a launchpad for a story about where the line truly is between life and death, and to ask the question: What is it that makes us human? It explores the motivations behind the team that creates Amelia, from genius but standoffish Dr. Ellen Beckett to the kind yet arrogant industrialist Paul Wesley, who funds the work. It explores the fallout in the scientific, legal and religious community, with opposition to the project spearheaded by the passionate Senator Williams. But most importantly, it explores the struggle of Amelia herself, who tries to understand what's happened to her, whether she is still human, and whether she'll ever be able to return to the life she once knew - even as those around her question whether she has a right to that life at all.—Anonymous

Amelia 2.0

Amelia 2.0 (2017)

William H. Macy

Rex Linn

Kyle Secor

F.B.I. agent Bob Bryant is charged with an operation to arrest Adam Swapp and his brother Jonathan, suspects in the bombing of a Mormon Center in Utah. The brothers and their families hold-up on their farm with provisions and enough ammunition to withstand the government's siege. They are devout in their beliefs and purposes and are determined to stand up for their rights.—Richard Jones

In the Line of Duty: Siege at Marion

In the Line of Duty: Siege at Marion (1992)

Tom Hanks

Arnold Schwarzenegger

Mel Gibson

With gasoline prices approaching $4/gallon, fossil fuel shortages, unrest in oil producing regions around the globe and mainstream consumer adoption and adoption of the hybrid electric car (more than 140,000 Prius' sold this year), this story couldn't be more relevant or important. The foremost goal in making this movie is to educate and enlighten audiences with the story of this car, its place in history and in the larger story of our car culture and how it enables our continuing addiction to foreign oil. This is an important film with an important message that not only calls to task the officials who squelched the Zero Emission Vehicle mandate, but all of the other accomplices, government, the car companies, Big Oil, even Eco-darling Hydrogen as well as consumers, who turned their backs on the car and embrace embracing instead the SUV. Our documentary investigates the death and resurrection of the electric car, as well as the role of renewable energy and sustainable living in our country's future; issues which affect everyone from progressive liberals to the neo-conservative right.—Richard D. Titus

Who Killed the Electric Car?

Who Killed the Electric Car? (2006)

Anne Gee Byrd

Charles Robinson

Beverly Archer

Six years ago, the space alien, ALF, was on his way back to his new home...When the Alien Task Force finally caught him. Now, the story continues to where the series ended. ALF is now protected by the Alien Task Force, but the leader wants to terminate ALF. So two officers decide to save ALF by taking ALF away from him. But the man the officers took ALF to wants to finally reveal ALF to the world. Which leads him to more danger...—Jason Mechalek

Project: ALF

Project: ALF (1996)

Joe Dante

Beans Morocco

John Paragon

When a Paul enters his apartment to find Mary fighting off a swinger who has gotten into the wrong apartement (and thinks that Mary is just playing hard to get) he hits the man with a frying pan, killing him. Their dreams of running a small resturant seem to be in jeopardy until they decide to dispose of the body, keep the wallet, and to advertise for other sexually oriented visitors who are summarily killed, bagged, robbed and disposed of. This goes along quite well until one night a burglar named Raoul breaks in and cuts himself in for a piece of the action.—John Vogel

Eating Raoul

Eating Raoul (1982)

Millie Perkins

Harry Dean Stanton

Robert Earl Jones

Frank Mansfield has wanted to win the Cockfighter of the Year medal for ages. Frank never speaks. After shooting his mouth off one too many times then losing a champion rooster in a casual hotel room cockfight, he swore never to speak again until he's won that award... He makes a bet with old crony Jack to be settled at the upcoming meet. Frank puts his car and his trailer on the line; he loses. Jack gets the trailer, and Frank's part-time girlfriend who goes with it. Frank's long-time girlfriend Mary Elizabeth wants him to get serious and settle down. But Frank has to raise some money for a new cock - $500 - then he can form a partnership with fellow cocksman Omar Baradansky and make another try for that medal...—David Woodfield

Cockfighter

Cockfighter (1974)

Bob Balaban

Kathy Bates

Treat Williams

HBO movie about the behind-the-scenes network politics responsible for the changes in late-night talk-show hosts, after the retirement of Johnny Carson from NBC's "The Tonight Show." Jay Leno and David Letterman were both vying for the position, but Leno's tough manager Helen Kushnick got him the spot. In the wake of her 'stepping on the toes' of powerful network executives and 'playing hardball' tactics with guest bookings, she found herself being pushed out of her job as "Tonight Show" Executive Producer and Jay's manager. Letterman, devastated by his being passed over, brought in superagent Mike Ovitz to negotiate on his behalf, resulting in his move to CBS.—Tad Dibbern

The Late Shift

The Late Shift (1995)

Kurt Russell

Joe Flynn

Frank Welker

A chemistry student invents a spray that makes its wearer invisible. A crook finds out about it, and plans to steal it for himself.

Now You See Him, Now You Don't

Now You See Him, Now You Don't (1972)

Stacey Nelkin

Malcolm McDowell

Daniel Stern

It is December 31, 1982, and the Saturn Theater is preparing for its big New Years Eve concert. The show's midnight finale is having technical problems that narrowly avoid injuring owner and master showman Max Wolfe (Allen Garfield, credited as Allen Goorwitz), who has operated the Saturn since 1968. Fortunately stage manager Neil Allen (Daniel Stern) is on the job. Then former stage manager Willy Loman (Gail Edwards) shows up, and to Neil's chagrin Max refers to her as "the best in the business."Max Wolfe holds a 30-year lease to the theater, but his toadying nephew Sammy (Miles Chapin) has other ideas. Reptilian concert promoter Colin Beverly (Ed Begley, Jr., wearing a white polyester jumpsuit) arrives with his henchmen Mark and Marv (former teen heartthrobs Bobby Sherman and Fabian), who parrot their boss's every assertion with a slight paraphrase. Beverly offers to buy Max out of his lease with what seems to be a sweetheart deal at Beverly's concert auditorium and stadium, but Max refuses. Colin Beverly, cementing his role as the evil villain, replies, "This building is coming down and eighty-eight stories are going up. So f--k you and f--k rock and roll." Max, incensed, lunges at Beverly, only to collapse of an apparent heart attack. Outside, Sammy informs Beverly that he stands to inherit the theater from his uncle, and Beverly embraces Sammy as a new ally. He offers Sammy the same deal he offered Max -- if Sammy can get Max's signature on an agreement to transfer the Saturn's lease before midnight.Dr. Carver (Paul Bartel) arrives to check on Max, and advises bed rest. Meanwhile, one of the stagehands is stealing drugs from the doctor's bag. Coming up with only aspirin, cortizone, and suppositories, he laments that they have "too much work and not much time... what we need is something that's going to blast us into the fast lane." With a flash of light, a cloud of smoke, and the strains of Adrian Belew's "Big Electric Cat", Electric Larry suddenly appears -- a seven-foot-tall man with no face and glowing red eyes, wearing a flat-brimmed pimp's hat with mirrored band and a silver trench coat, and carrying a chrome attaché case. He waves a gloved hand over the case and it magically opens to reveal a stash of pills of every conceivable shape and color, and suddenly the stage is alive with artificially sped-up activity.The various performers for the show are introduced:* Captain Cloud and the Rainbow Telegraph, Max Wolfe's favorite band, arrive in an aging bus that is painted à la the Merry Pranksters' Furthur. The Captain (the Turtles' Howard Kaylan) is carrying a backstage pass for New Years 1969, not 1983, but no matter -- Max gives him the finale for old times' sake. Captain Cloud replies blissfully with one of his many tripped-out-guru epigrams: "The end is always a new beginning."* Nada arrives in a battered 1957 Chevy Belair, and her entire 15-member band piles out of the back seat in a "clown car" gag. The band is an amalgam of many disparate styles of music that appeared on MTV in the early 1980s -- part bubble-gum pop, part New Wave, part garage rock. Locked in the trunk is "Special Guest Star" Piggy (Lee Ving of the L.A. punk band Fear), a self-destructive, anarchistic punk -- with an articulate knowledge of music business contract terminology.* King Blues, the King of the Blues (Bill Henderson), a spoof of Muddy Waters. Although he is a kindly man, King Blues' opinion of himself is so great that a eulogy for a fellow bluesman ends with the King threatening God "you better take care of him, or I'm going to wax your ass."* Auden (Lou Reed), "metaphysical folk singer, event of the '70s, [and] antisocial recluse," hasn't been heard from in six years -- but Max is certain he can convince him to play the Saturn, since he's "calling from his deathbed." Auden answers the phone in a shot that mimics perfectly the cover of Bob Dylan's Bringing It All Back Home, except that everything, including the woman lounging on the couch, is covered in cobwebs. Hearing that Max is making "a deathbed request," Auden bursts into song (using that phrase as a lyric) and decides "there's a concept album in this, I'll be right over." He hops into a cab and tells the driver to "take the scenic route, I got some things to work out."* Reggie Wanker (Malcolm McDowell), "20 years of rock and roll and still on top", is a Mick Jagger spoof with his own private jet and a countess for a girlfriend. Years of fan adoration (and drug use) have left Reggie jaded, bored, and uninspired with his life as the ultimate rock star.The new by-the-book fire inspector, Connell O'Connell (Robert Picardo), arrives and informs Neil that no fireworks and no open flames will be permitted in the theater.Max and Neil give a brief pep talk to the Saturn staff, then the doors are opened and the audience streams in. While the ushers (including Clint Howard) take pains to search everyone and begin to accumulate a massive stockpile of confiscated contraband -- including kegs, firearms, and a 500-pound bomb -- they seem oblivious to the seven-foot tall walking marijuana joint that enters excitedly, accompanied by two Rastafarians.King Blues opens the show, performing two of his "own" hit songs, "The Blues Had A Baby and They Named It Rock and Roll" (by Muddy Waters) and "Hoochie Coochie Man" (by Willie Dixon). Next the Nada Band take the stage and perform "I'm Not Going to Take It No More." Piggy leads the band in a viciously punk-rock version of "Hoochie Coochie Man," complete with stage dives and slam dancing, and King Blues recognizes it from its opening notes. He appraises Piggy's rendition warmly, saying, "Who said a white boy can't sing the blues?"After their set, Nada, Piggy and the band return triumphantly to their dressing room, only to be disappointed by the poor selection of refreshments. Nada says, "champagne again?" which cues Electric Larry to reappear; this time his attaché case contains a large rock of cocaine, which grinds itself into powder and distributes into neat lines with a wave of Larry's hand. Piggy, inexplicably, panics at the sight of Larry and flees the room.Reggie Wanker heads for the stage, while fires of appreciation (many of them much bigger than the concert-cliché upraised lighter) burn throughout the audience. At the same time, the fire inspector is chasing the giant joint, now partially burned down, through the mezzanine with a fire extinguisher.As the show proceeds, Sammy tries to find ways to sabotage the theater, including fueling a fire in the basement and cutting the fire hose. Neil and Willy manage to put the fire out by connecting their hose to a water pipe in the dreaded mens' room. Mark and Marv give Sammy a bomb, which he plants in the rocket ship that Max will ride during the final countdown to midnight.Reggie sings a celebration of egotism, "Hot Shot," then moves on to a version of "Hoochie Coochie Man" (leading King Blues to "bask in my own genius.") During his set Reggie sets off fireworks, and the fire inspector (now in the audience) rushes the stage. The bass player hits the inspector with his guitar and kicks him off the stage, a reference to Pete Townshend's treatment of Abbie Hoffman at Woodstock. The inspector runs backstage, where he collides with Sammy (who is fleeing the impending bomb). Both are knocked unconscious and fall to the ground. Electric Larry, unbidden, shows up for the third and final time to squirt an eyedropper of clear liquid (presumably LSD) into the tank of the water cooler. He delivers his only line -- "Happy new year" -- and vanishes. Moments later the inspector and Sammy are revived and drink water from the cooler, which almost immediately gives them animated rainbow visions. The inspector is last seen spraying his fire extinguisher at random, seeing fires everywhere, while Sammy abandons his greedy persona and starts giving away his material possessions.Willy overhears Mark and Marv talking about the bomb, and is captured by them and Colin Beverly. They lock her in the trunk of Beverly's limo and drive off. Auden, still riding in the taxi cab, realizes that day has turned to night and orders the driver to "step on it." The cab soon collides with Beverly's limo, which releases Willy, who escapes and runs back toward the theater.During a ridiculously extended drum solo, Reggie has returned to his dressing room for an interlude with about a dozen half-naked groupies. His girlfriend, Countess Chantamina (Anna Bjorn), discovers his infidelity and invites the nerdy, virginal stage hand Joey (Dan Frischman) into another dressing room as an act of retribution. Reggie finds them and, feeling betrayed, returns to the stage to deliver a heartfelt ballad reprise of "Hot Shot." As the song ends, Reggie walks backstage, where he asks Neil for a glass of water -- which comes from the now-magical water cooler.Left wanting an encore from Reggie, the audience begins to get unruly, so Neil puts on a cartoon -- a black-and-white print of the 1935 Technicolor short The Sunshine Makers. Meanwhile, Reggie heads to the bathroom, where his penis initiates a conversation with him, explaining that tonight's performance was Reggie's greatest because it had emotion. Reggie decides to name his penis as his band's new manager, telling his bandmate Toad (the Doors' John Densmore), "Rock and roll is going to be fun again."Only a few minutes before midnight, Willy reaches the theater and tells Neil about the bomb. With the help of Captain Cloud, Neil learns from Sammy where the bomb is hidden, and he radios up to Max, who is already riding the booby-trapped rocket ship down a wire from the upper reaches of the theater. Max finds the bomb and tries to throw it to Neil, but instead it lands in the crowd, which tosses it playfully, as if it is yet another concert beach ball -- overhead from person to person. As the crowd counts down the final ten seconds, the bomb makes its way out of the main hall, through the lobby, and out the front door. Just as Colin Beverly's limo pulls up to the curb, the bomb is tossed into it -- and the last second ticks away. There is a big explosion, everyone shouts "happy new year," and Captain Cloud leads them all in "Auld Lang Syne". Beverly, Mark and Marv crash through a skylight, relatively unharmed, and the celebration ends happily.As the last of the audience leaves, Auden finally arrives, having paid a cab fare of $11,864.90 with the cash in his pocket. Neil introduces Auden to his younger sister, Susie (Stacey Nelkin), who is a big fan. Max gives Neil the lease to the theater, saying he intends to retire. Neil offers partnership to Willy.The end credits roll, while Auden sings Reed's "Little Sister" to an audience of three: Susie... and in the balcony, the giant joint and a lonely German Shepherd guide dog. The final caption reads, "Thanks for the memories to the entire staff of the Fillmore East 1968-71."

Get Crazy

Get Crazy (1983)

Richard Moll

William McNamara

James Doohan

A boy ends up inside a fantasy world where an evil queen rules the land along with her evil snake. Along with some faithful friends, a huntsman, kangaroo, and wise old owl, the boy helps defeat the queen and turn the kingdom over to its rightful heir.

Storybook

Storybook (1995)

John Fiedler

Charlie McCready is a worried father. His daughter Wendy will be attending college in the fall, and he feels the crowd she's hanging out with has no ambition, especially her boyfriend, Bart. He knows that Wendy's friends will all be attending the same college, so he concocts a plan where Wendy will receive a scholarship to a different college, the same one that his wife attended. All goes as planned and Wendy attends Huntington and sees less of her old crowd. Soon Charlie's plan backfires, Wendy discovers her father's scholarship plan and becomes rebellious. When she starts dating a hippie artist, Charlie realizes he has made a big mistake and must do something before Wendy goes too far.—Anonymous

Superdad

Superdad (1973)

Wallace Shawn

Jacqueline Bisset

The story of this social satire and soap parody follows two rich white upper class families living in Beverly Hills, California. Recently widowed Claire is a once popular sitcom star, who dreams of a Hollywood comeback. She and her daughter Zandra are not very close, even though they live in the same house, so she turns to her best friend Lisbeth for comfort. Lisbeth is a socialite with her own set of problems. Her alcoholic husband Howard left her for another woman. Her son Willie is terminally ill and hopelessly in love with Zandra, who doesn't even notice him. Lisbeth's poor playwright brother Peter is in love with Claire, even though he just got married in Vegas to sassy To-Bel, a woman he barely knows. Meanwhile, Claire's houseboy Juan and Lisbeth's bisexual chauffeur bet on which of the two will seduce his cougar boss first. Several other plot points make things even more complicated. It turns out that To-Bel has a secret past. The ghost of Claire's husband Sidney starts haunting Claire. Juan keeps failing at his "mission", which terrifies him, because he has to sleep with Frank if he looses the bet. Lisbeth's ex husband keeps coming back into her life - when he gets too drunk to remember that they're divorced. Doctor Mo Van De Kamp shows up to ask for donations for his charity Hungry Drive in Africa, but his honesty is questionable. Mexican maid Rosa speaks in non-sequitur. A housekeeper is brutally murdered. The doctor's dog Bo'Jangles is attracted to To-Bel. A hypocritical wake is held and prejudice of both the upper class characters and the lower class characters is revealed. However, there may still be hope for some of these horrible people.

Scenes from the Class Struggle in Beverly Hills

Scenes from the Class Struggle in Beverly Hills (1989)

Mackenzie Aladjem

J.J. Totah

Samuel Gilbert

A group of middle school kids stumble upon a chest full of incredible toys from the future. The discovery takes them on an adventure using their newfound toys to save their neighborhood and ultimately the world from a maniacal corporate madman. In the process, these "loser" kids learn they have the qualities they thought they were lacking all along.—jh

Time Toys

Time Toys (2016)

Susan Clark

Rich Correll

Donald Moffat

After a train robbery committed in New Mexico, a small gang sets-out to divide the loot. However, a disagreement over the shares causes one gang member, Billy Massey, to take the whole loot and run toward the Mexican border. The sheriff of Cumbres, Chuck Jarvis, learns of the train holdup and organizes a posse. Unfortunately, gang member Billy Massey is a very close childhood friend of the sheriff. No matter how disappointed the sheriff is, he's determined to do his duty and apprehend Billy. Local district attorney P. J. Wilson is a law-and-order hardliner with higher political aspirations. He demands the sheriff recover the railroad property immediately or else there will be consequences. Sheriff Chuck Jarvis hires a few Indian trackers and sets-out to find Billy. However, Billy's former gang members are also looking for him to recover the loot. Billy doubles-back to Cumbres and goes to the sheriff's house. While the sheriff's wife, Kate, serves Billy supper, the sheriff arrives and, after a short tense moment, persuades Billy to surrender and face a fair trial. With Billy in custody, sheriff Chuck Jarvis sends for the district judge and hires a lawyer for Billy. But strict district attorney P. J. Wilson is determined to hang Billy, no matter what. Now the sheriff has the double problem of protecting Billy's life from the lynching mob instigated by Wilson and from Billy's old gang members who are heading to town to kill Billy.—nufs68

Showdown

Showdown (1973)

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