Brian Donlevy

John Baragrey

Eiji Funakoshi

Alan Oppenheimer

An atomic explosion awakens Gammera--a giant, fire-breathing turtle monster--from his millions of years of hibernation. Enraged at being roused from such a sound sleep, he takes it out on Tokyo.

Gammera the Invincible

Gammera the Invincible (1966)

Hiroko Kai

Naoyuki Abe

Christopher Murphy

Three children, two boys and a girl, stumble upon a flying saucer. The boys both step in without hesitating, and are whisked away to a planet in Earth's orbit but on the exact opposite side of the Sun. Inhabiting this planet are two women with Midwestern accents, who hypnotize the children to find they fantasize about milk, donuts, and Gamera, our favorite hero turtle. The women simply want to eat their brains. Back home, no one will believe the little girl's story of alien abduction, not even Officer Concha (pronounced "Cornjob"). Finally, Gamera rescues the children while fighting Guiron, a monster with a giant knife for a nose. Gamera kills Guiron while doing gymnastics on a parallel bar and takes the kids home, where the kids hope for peace, understanding, and the end of traffic accidents.—Jonah Falcon

Gamera vs. Guiron

Gamera vs. Guiron (1969)

Seiji Miyaguchi

Ayako Wakao

Katsuhiko Kobayashi

lchiro, the president of Mihara and Co., is henpecked by his wife Momoko, a clever and beautiful woman, but prattling and intrusive. She makes her younger sister Nashiko marry lchiro's younger brother, Jiro, manager of his company and now plans to marry her youngest sister Kyoko to her husband's youngest brother, Saburo. This means her domination of the Miharas and their business, a fine triple play which would gain her the title of "The Most Valuable Madam." However, in opposition to Momoko, Kyoko boldly declares that she will never marry Saburo. However Saburo is a most attractive young man and attracts Kyoko. Will she or her elder sister be able to win the title of "The Most Valuable Madam"?

Saikô shukun fujin

Saikô shukun fujin (1959)

Takashi Shimura

Shigeru Kôyama

Takeo is a young yakuza who renounces his former criminal activities after being released from prison. But sometimes escaping the past is not so easy.

Afraid to Die

Afraid to Die (1960)

Ken Mitsuishi

Chieko Baishô

Masane Tsukayama

Carrying a bag full of samples, Mitsuo makes rounds to shoe stores in remote cities. While staying at budget hotels, his thoughts turn to Tora-san.

Otoko wa tsurai yo: Torajiro haibisukasu no hana tokubetsu-hen

Otoko wa tsurai yo: Torajiro haibisukasu no hana tokubetsu-hen (1997)

Machiko Kyô

Chishû Ryû

Kuniko Miyake

A film adaptation of the autobiography of Aishinkakura Hiro, who lived a tumultuous life as the consort of Fuketsu, the younger brother of Emperor Puyi of Manchukuo.

Ruten no ôhi

Ruten no ôhi (1960)

Queen Elizabeth II

Traveling through Hokkaido with a disgruntled salaryman seeking a lost love (Eiji Funakoshi), Tora-san runs into Lily, who has gotten divorced since they last saw each other in Tora-san's Forget Me Not (1973) and is working as an itinerant singer. After a spat in the scenic town of Otaru, they split and meet again in Tora-san's hometown of Shibamata, where they reconcile. With sparks reignited between the pair, will the perpetual bachelor Tora-san finally find a chance at love?

Tora-san's Rise and Fall

Tora-san's Rise and Fall (1975)

Chôchô Miyako

Manamitsu Kawabata

A greedy, materialistic family attempts to cover-up the embezzlement committed by the son while keeping their other schemes active. They discover there are other, equally conniving players involved.

The Graceful Brute

The Graceful Brute (1962)

Chikage Awashima

Eijirô Yanagi

For his 1st color film, Ichikawa did an Edo era story of two geishas scheming against each other for control of the Nihonbashi bridge area, and vying for the affections of a young doctor.

Bridge of Japan

Bridge of Japan (1956)

Yoshiko Kuga

Masayuki Mori

In Older Brother, Younger Sister, director Mikio Naruse's adaptation of an oft-filmed popular novel by Saisei Murô, the eldest daughter (Machiko Kyô) of a rural family comes home pregnant, testing some already tenuous family bonds. Naruse shows his considerable skill at portraying household dynamics, filming Kyô in relaxed and/or reclining positions (indicative of her character's exhaustively maintained independence) that are then intruded upon by her ill-tempered older brother (Masayuki Mori), whose initially comic, brute-force presence grows increasingly menacing and treacherous as the film progresses.

Older Brother, Younger Sister

Older Brother, Younger Sister (1953)

Kyôko Kishida

Jun Hamamura

Ushimatsu (Rentarô Mikuni) is a member of the burakumin caste, a Japanese minority descended from the outcast communities of the feudal era. Discrimination against the burakumin has been officially outlawed, although it is still the de facto way of life in early 20th century Japan. Disguising his background, Ushimatsu is able to attend university and eventually become a schoolteacher himself, but after a friend is murdered, he must risk everything to seek justice.

The Outcast

The Outcast (1962)

Kyoko Nagumo

Sonoko, a bored housewife entering middle age, met a young girl, Mitsuko, at a private school of art. Sonoko paints a portrait of her, and when she invite Mitsuko at her house, the two end up locked in a passionate embrace. Unable to think rationally about what she wants, Sonoko becomes steadily more obsessed with her new lover.—Jean-Marc Rocher , corrections by _Benares_

Swastika

Swastika (1964)

Noriko Sengoku

Mako Midori

A blind sculpter kidnaps a beautiful young model and takes her back to his home. He and his mother live in a warehouse that he has turned into a surreal tribute to the senses. It is filled with huge sculptures of body parts and the female form. He is obsessed with exploring the senses to the fullest. At first, the model only wants to escape from this bizarre scene, but eventually she succumbs to his strange vision and even surpasses his obsession.—Fred Cabral

Blind Beast

Blind Beast (1969)

Tamao Nakamura

An all-star cast from Daiei Film Company has made "the ultimate Jirocho movie" about the legendary yakuza Shimizu no Jirocho, the biggest Boss in the Tokaido area.

Jirôchô Fuji

Jirôchô Fuji (1959)

Kikuji is the scion of an Osaka merchant family whose traditional power is matrilineal. Instructed by his overbearing mother and grandmother to give them an heiress for the family business, he stands by helplessly as his wife is thrown out of the house for producing a son. Driven to a life of dissipation - his mistresses also fail to produce daughters - in the end he is just too tired to care. The film presages Ichikawa's The Makioka Sisters in its World War II nostalgia and visual sophistication.—Japan film feastive

Bonchi

Bonchi (1960)

Kenji Ohba

Bokuzen Hidari

A nuclear explosion in the far north unleashes Gamera, the legendary flying turtle, from his sleep under the ice. In his search for energy, Gamera wreaks havoc over the entire world, and it's up to the scientists, assisted by a young boy with a strange sympathetic link to the monster, to put a stop to Gamera's rampage.—Jean-Marc Rocher

Gamera: The Giant Monster

Gamera: The Giant Monster (1965)

Kichijirô Ueda

Hideo Takamatsu

Ichirô Sugai

Two car manufacturers spy on each other to try to find out details and prices of a new sports car each is about to launch.

Black Test Car

Black Test Car (1962)

Toshio Chiba

While performing in a touring kabuki troupe, leading female impersonator Yukinojo comes across the three men who drove his parents to suicide twenty years earlier, and plans his revenge, firstly by seducing the daughter of one of them, secondly by ruining them...—Michael Brooke

An Actor's Revenge

An Actor's Revenge (1963)

Yoshio Inaba

Mickey Curtis

It is the Philipines, 1945. The Japanese Imperial Army has been reduced to a ragtag mob hiding in the jungles. Among them is Pvt. Tamura. The situation goes from bad to worse and in the face of the brutal conditions facing the men, some go insane and resort to murder and cannibalism. In the midst of this, Pvt. Tamura tries to survive without giving up his principles.—Eugene Ly

Fires on the Plain

Fires on the Plain (1959)

19 YIFY Movies Found

5 / 10

Action
Family

4.3 / 10

Action
Adventure

6.8 / 10

Comedy
Drama

6.4 / 10

Action
Crime

6.2 / 10

Comedy
Drama

6.6 / 10

Drama
Romance

7 / 10

Action
Comedy

7.3 / 10

Action
Comedy

6.7 / 10

Drama
Romance

7.3 / 10

Action
Drama

6.9 / 10

Action
Drama

6.8 / 10

Action
Drama

7 / 10

Action
Drama

6.9 / 10

Action
Drama

6.8 / 10

Comedy
Drama

5.2 / 10

Action
Horror

7.1 / 10

Action
Crime

7.3 / 10

Action
Comedy

7.9 / 10

Action
Drama

19 YIFY Movies Found

5 / 10

ActionFamily

4.3 / 10

ActionAdventure

6.8 / 10

ComedyDrama

6.4 / 10

ActionCrime

6.2 / 10

ComedyDrama

6.6 / 10

DramaRomance

7 / 10

ActionComedy

7.3 / 10

ActionComedy

6.7 / 10

DramaRomance

7.3 / 10

ActionDrama

6.9 / 10

ActionDrama

6.8 / 10

ActionDrama

7 / 10

ActionDrama

6.9 / 10

ActionDrama

6.8 / 10

ComedyDrama

5.2 / 10

ActionHorror

7.1 / 10

ActionCrime

7.3 / 10

ActionComedy

7.9 / 10

ActionDrama

Action
Family

Action
Adventure

Comedy
Drama

Action
Crime

Comedy
Drama

Drama
Romance

Action
Comedy

Action
Comedy

Drama
Romance

Action
Drama

Action
Drama

Action
Drama

Action
Drama

Action
Drama

Comedy
Drama

Action
Horror

Action
Crime

Action
Comedy

Action
Drama