Helena Bonham Carter

Alfred Hitchcock

Billy Wilder

Dwight D. Eisenhower

Night Will Fall

Night Will Fall (2014)

John Hurt

Shirley Henderson

James Corden

The Gruffalo's Child

The Gruffalo's Child (2011)

Kayvan Novak

Peter Sallis

Laura Antonelli

Wallace & Gromit: The Curse of the Were-Rabbit

Wallace & Gromit: The Curse of the Were-Rabbit (2005)

Sue Nicholls

Anne Diamond

Noele Gordon

The Real Nolly

The Real Nolly (2023)

Michael Jibson

Dominic West

Lenora Crichlow

Burton and Taylor

Burton and Taylor (2013)

Anthony Hopkins

Jonathan Pryce

Romola Garai

The true story of Sir Nicholas 'Nicky' Winton, a young London broker who, in the months leading up to World War II, rescued 669 predominantly Jewish children from the Nazis. Nicky visited Prague in December 1938 and found families who had fled the rise of the Nazis in Germany and Austria, living in desperate conditions with little or no shelter and food, and under threat of Nazi invasion. He immediately realized it was a race against time. How many children could he and the team rescue before the borders closed? Fifty years later, it's 1988 and Nicky lives haunted by the fate of the children he wasn't able to bring to safety in England; always blaming himself for not doing more. It's not until a live BBC television show, 'That's Life', surprises him by introducing him to some surviving children - now adults - that he finally begins to come to terms with the guilt and grief he had carried for five decades.

One Life

One Life (2023)

Nicola Coughlan

Bethany Antonia

Clive Rowe

Based on the classic book by Margery Williams, "The Velveteen Rabbit" celebrates the magic of unconditional love. When William receives a new favorite toy for Christmas, he discovers a lifelong friend and unlocks a world of magic.

The Velveteen Rabbit

The Velveteen Rabbit (2023)

Geraldine McEwan

Mark Gatiss

Part 1 of a two-part documentary on the Wallace & Gromit feature film, this segment takes a behind-the-scenes look at the history of Aardman Animation and the development of the Wallace and Gromit characters.

'Wallace and Gromit: The Curse of the Were-Rabbit': On the Set - Part 1

'Wallace and Gromit: The Curse of the Were-Rabbit': On the Set - Part 1 (2005)

Tom Wilkinson

Hungry for some ripe, scrumptious hazelnuts, a crafty little mouse with a big appetite takes a stroll through the wild, dense forest. But, there, deep in the heart of the green realm, formidable adversaries lurk in the shadows, and before long, the poor, defenceless little mouse crosses paths with a villainous fox, an ominous owl, and a stealthy snake. Of course, all of them cannot wait to gobble him up. Can the brave little mouse put his vibrant imagination to good use to persuade them not to eat him?—Nick Riganas

The Gruffalo

The Gruffalo (2009)

Victoria Hamilton

Freddie Highmore

Ben Aldridge

Wolverhampton,1967: nine year old Nigel Slater loves his mother though she is a hopeless cook, her finest offering being toast whilst he has great culinary aspirations. When she dies of asthma Nigel is left with a distant father but worse is to come when the 'common' Mrs. Joan Potter arrives as the Slaters' cleaner. Nigel fears, rightly, that her aim is to be the next Mrs. Slater and soon he has a new stepmother and is whisked away to the country. Joan is, however, a superb cook but this only makes for rivalry as Nigel, the only boy in his cookery class at secondary school, competes with her to find the way to his father's heart. A weekend job in a pub kitchen introduces Nigel to an older boy, another great cook and gay like himself, who gives him the confidence and inspiration to leave home after his father's death and head for the hotel kitchens of London.—don @ minifie-1

Toast

Toast (2010)

Elizabeth McGovern

Charlotte Rampling

Michael Gambon

Kate Croy's (Helena Bonham Carter's) mother was born to wealth and privilege, but she threw it all away to marry Kate's Father (Sir Michael Gambon), a penniless opium addict who admits to having stolen from his wife. After her mother's death, Kate is offered an opportunity to return to the life her mother gave up. There is one condition, however: Kate must sever all of her old ties, not only to her father, but also to her lover, the muck-raking journalist Merton Densher (Linus Roache), whom she has promised marriage. Kate reluctantly agrees to this, and in the meantime becomes friendly with "the world's richest orphan", Milly Theale (Alison Elliott), an American making the Grand Tour. Desperate to see Kate, Merton crashes a party that she and Milly are attending, and Milly is attracted to him. When Kate learns that Milly is dying, she comes up with a plan to have her cake and eat it too, but all does not go as planned.—RK

The Wings of the Dove

The Wings of the Dove (1997)

Helen Mirren

Rupert Graves

Judy Davis

Around 1906, the widow Lilia Herriton (Dame Helen Mirren) meets a young man when she visits Italy and marries him. The man is only a dentist without a good name, and Lilia's relatives are clearly unhappy with her choice. Lilia dies while giving birth to a son, and two relatives travel to Italy to take care of of the baby, expecting no trouble from the father.—Mattias Thuresson

Where Angels Fear to Tread

Where Angels Fear to Tread (1991)

James Purefoy

Gina McKee

A touching comic story of two women, who truly test the meaning of the phrase "best friends." Coming from disparate worlds, these two friends bond through a chance meeting followed by a series of unpredictable events. Together, Ellen (Gina McKee) and Cora (Helena Bonham Carter) help each other with all that life throws at them - lovers, divorce, children, debts and too much vodka. A colorful and quirky set of friends (James Nesbitt, Richard Wilson) share in their ups and downs, and force the pair to unravel a dark secret that they unknowingly share.

Women Talking Dirty

Women Talking Dirty (1999)

Mary Rosen

Evelyn Chandler Rosen

Andrzej Lubieniecki

Three Minutes - A Lengthening presents a home movie shot by David Kurtz in 1938 in a Jewish town in Poland and tries to postpone its ending. As long as we are watching, history is not over yet. The three minutes of footage, mostly in colour, are the only moving images left of the Jewish inhabitants of Nasielsk before the Holocaust. The existing three minutes are examined to unravel the stories hidden in the celluloid. The footage is imaginatively edited to create a film that lasts more than an hour. Different voices enhance the images. Glenn Kurtz, grandson of David Kurtz, provides his knowledge of the footage. Maurice Chandler, who appears in the film as a boy, shares his memories. Actress Helena Bonham Carter narrates the film essay.

Three Minutes: A Lengthening

Three Minutes: A Lengthening (2021)

Henry Cavill

Millie Bobby Brown

Louis Partridge

Fresh off the triumph of solving her first case, Enola Holmes (Millie Bobby Brown) follows in the footsteps of her famous brother, Sherlock (Henry Cavill), and opens her own agency - only to find that life as a female detective-for-hire isn't as easy as it seems. Resigned to accepting the cold realities of adulthood, she is about to close shop when a penniless matchstick girl offers Enola her first official job: to find her missing sister. But this case proves to be far more puzzling than expected, as Enola is thrown into a dangerous new world - from London's sinister factories and colorful music halls, to the highest echelons of society and 221B Baker Street itself. As the sparks of a deadly conspiracy ignite, Enola must call upon the help of friends - and Sherlock himself - to unravel her mystery. The game, it seems, has found its feet again.—Netflix

Enola Holmes 2

Enola Holmes 2 (2022)

Kevin Bacon

Keith David

Laura Dern

Dr. Frank Sangster is a straitlaced dentist who, because of one innocent lie, finds his tidy, prosperous life transformed into a comic quagmire of illicit sex, illegal drugs, and inexplicable murder in this brilliantly offbeat, bitingly comedic film.—Thomas Nudi

Novocaine

Novocaine (2001)

Mel Gibson

Pete Postlethwaite

Glenn Close

Hamlet returns to Denmark when his father, the King, dies. His mother Gertrude has already married Hamlet's uncle Claudius, the new King. They urge Hamlet to marry his beloved Ophelia. But soon the ghost of Hamlet's father appears and tells Hamlet that he was murdered by Claudius and Gertrude. Hamlet must choose between passive acquiescence and the need for a vengeance which might lead to tragedy.—Reid Gagle

Hamlet

Hamlet (1990)

Robert De Niro

Kenneth Branagh

John Cleese

In 1794, in the Arctic Sea, Captain Robert Walton is a man obsessed to reach the North Pole, pushing his crew to exhaustion. When his ship hits an iceberg, it is stranded in the ice. Out of the blue, Captain Walton and his men overhear a dreadful cry and they see a stranger coming to the ship. He introduces himself as Victor Frankenstein and he tells the Captain the story of his life since he was a little boy in Geneva. Victor is a barilliant student, and in love with his stepsister Elizabeth, an orphan that was raised by his father Baron Victor von Frankenstein. In 1793, Victor moves to Ingolstadt to study at the university, and he promises to get married to Elizabeth. At the university, Victor befriends Henry Clerval, who becomes his best friend. Victor gets close to Professor Waldman and decides to create life to cheat death, but Waldman advises him that he should not try this experiment, since the result would be an abomination. When Waldman dies, Victor steals his notes and tries to create life. He succeeds and gives life to a strong Creature, composed of parts of deceased people. However, he realizes that his experiment is a mistake and he abandons the Creature, expecting that it will die alone. However the Creature survives and learns how to read and write, but he is a monster rejected by society and his own creator. The Creature decides to seek revenge from Victor by killing everyone he loves.—Claudio Carvalho, Rio de Janeiro, Brazil

Frankenstein

Frankenstein (1994)

Ramona Marquez

Matthew Macfadyen

Claire Rushbrook

Edwardian child Enid Blyton begins to tell stories to her brothers as an escape from their parents' rows before the father deserts the family. While training as a teacher after the Great War she sends her stories to publishers; one of them, Hugh Pollock, takes her on and also marries her. They have two daughters, but Enid is a terrible mother, letting a nanny raise them while she, ironically, is bestowing treats on anonymous children who worship her for her stories. She is completely self-absorbed,driving Hugh to drink and then to another woman. Enid uses the children as emotional blackmail to get a divorce on her terms before marrying Kenneth Waters, a weak man similar to her father. After World War Two she is as popular as ever, despite accusations of using a syndicate to pen her books, and she carries on, adored by children who do not know her true nature, for another 20 years before her death in 1968.—don @ minifie-1

Enid

Enid (2009)

Matthew Goode

Mia Goth

Will Sharpe

I - And heard within, a lie is spunMabel (Mia Goth), a young girl, lives with her father Raymond (Matthew Goode), mother Penny (Claudie Blakley), and newborn sister Isobel in poverty, much to the disappointment of Raymond's more affluent relatives (Aunt Clarice (Miranda Richardson), Uncle Georgie (Josh McGuire), Great Aunt Eleanor (Stephanie Cole)). One night, after getting drunk and wandering into the forest, Raymond stumbles upon a sedan chair carrying the mysterious architect Mr. Van Schoonbeek, who beckons Raymond inside. Raymond returns home, rambling to his wife Penny about his encounter before falling asleep. The next day, Van Schoonbeek's employee Mr. Thomas (Mark Heap) visits the family and informs them that the architect has agreed to build a house for the family if they vacate their current home. Raymond and Penny sign the agreement and the family moves in just as the workers are finishing construction.The house is immediately peculiar: workers are seen refitting the house, but when approached by Mabel, they only stare at her vacantly without speaking; extravagant food is provided in the dining hall, but with no sign to who might be cooking or serving it; electric lights seem to hypnotize Raymond and Penny. That night, as Mabel and Isobel go to bed, Raymond and Penny find themselves fascinated by a fireplace and sewing machine in the house's withdrawing room, remaining there for hours on end without thinking of their daughters. Raymond is left baffled by the fact that he can't start a fire, while an unseen Van Schoonbeek laughs at his frustrations.The next morning, Mabel discovers that the workers have built a new room outside her window and removed the stairs, forcing them to descend via a ladder in the billiard room. She also sees Thomas acting nervously before informing her that Van Schoonbeek is making adjustments to the house; in the distance, his workers can be seen tearing down the family's old home. Soon after, Van Schoonbeek delivers new outfits to Raymond and Penny made out of couch cushions and curtains. The parents adore the outfits, though Mabel considers them strange. That night, Mabel and Isobel explore the house and enters the basement, eventually discovering their old home preserved underneath the house; finding the old house more comfortable, the two of them remain there for a time, but when hunger eventually forces them to leave, they find themselves lost in the maze of seemingly identical passageways. Meanwhile, as Penny mindlessly sews new curtains, Raymond kneels before the fireplace and - at the prompting of Mr Thomas - finally succeeds in lighting a fire by burning the family's old possessions, including Mabel's old dollhouse.Mabel and Isobel continue to wander the house in search of a way back to her parents, eventually stumbling upon a drunken and terror-stricken Thomas who confesses that he is simply an actor under the command of Van Schoonbeek; the two move on and are forced to sleep in the passage. Meanwhile, Raymond and Penny kneel before the fireplace, seemingly entranced by the burning dollhouse, oblivious to the fact that Van Schoonbeek has once again appeared nearby (sedan chair and all) and is laughing maniacally at them. Later, Mabel and Isobel inexplicably awaken to find themselves in the corridor outside the withdrawing room, and find that Van Schoonbeek is gone, while Raymond and Penny have been turned into furniture, Raymond a chair, and Penny curtains. As the dollhouse burns and the room is set on fire, Raymond and Penny seemingly awaken from their trance and beg Mabel to leave with Isobel; Penny lets her sheets down the window to allow them to escape. As the sun rises, Mabel and Isobel watch as smoke bellows from the room and their parents burn alive. Mabel and Isobel's fates are left unclear.II - Then lost is truth that can't be wonMany years later, the house is now settled in a developed city street and is currently up for sale. The developer (Jarvis Cocker) working on the house, an anthropomorphic rat, begins refurbishing the house for an upcoming property viewing; however, having laid off his construction crew in order to reduce costs in the light of his newest business loans (not helped by the fact it is in the midst of a recession), he has to do all the work himself, including installing a new rotisserie oven for the kitchen. He soon discovers an insect infestation in the house, which he ultimately identifies as being perpetrated by parasitic "fur" beetles. The developer initially quickly tries to cover up with sealant. As he works, he periodically sends updates to an apparently estranged lover, promising them a vacation in the Maldives. However, the bug problem only gets worse, with the developer quickly throwing down Boric acid all around the house; the fur beetles and larva are shown persisting in the sub-floor, and the developer spends one night sleeping in the kitchen surrounded by dead bugs.On the day of the viewing, the developer receives the wrong order of home-delivered groceries and is forced to improvise food for the event with junk food and energy drinks. As guests come in and explore the house, they find it disappointing and unable to live up to the developer's boasts. Worse still, many guests also spread dirt through the house. Even the rotisserie oven proves to be a disappointment, as the only thing the developer had to cook on it were sausages. Before long, the visitors begin to shuffle out as the developer begins losing faith in his pitch, until the house is almost empty. However, a strangely shaped older couple (Wife (Yvonne Lombard) & Husband (Sven Wollter)) express adoration for the developer's improvements and show interest in buying the house, but end up remaining long past the viewing hours, having made themselves at home in the upstairs bedroom; though puzzled, the developer allows them to stay.Over the next few days, the odd couple remain firmly settled in the house, and the bugs return in force. With the bank demanding repayment of his business loan, the developer grows impatient and calls his estranged lover again in desperation for advice, only to be hung up on with a warning to never call them "darling" again. In a frenzy, the developer begins tearing down papers from his bulletin board, before tripping over his printer and suffering an apparent hallucination in which all the bugs and larvae in the house dance before him. When the developer finally regains consciousness, he confronts the couple while they're in the bathroom, revealing them to have bodies the shape a larva and a beetle. Not noticing this, he calls the police to report the odd couple after they refuse to leave; right away, a pair of police officers (#1 (Tommy Hibbits) # 2 (Ayesha Antoine)) arrive - only to warn the developer to stop calling his estranged lover: it is revealed the estranged lover is his dentist, Dr. Jafri, who is ready to bring him to court for harassment.Then, the odd couple's extended family arrives at the house, the two claiming that they lived there beforehand. At his wit's end, the developer snaps and threatens to kill them with the Boric acid, though he ends up inhaling a mouthful and fainting, prompting an emergency visit to the hospital. The developer survives but is reduced to a seemingly catatonic state either by poison exposure or stress and doesn't even react to angry phone calls from the bank. The odd couple eventually picks the developer up and brings him home, where the couple's family throws him a welcome back party, many of them now sporting additional limbs. The final scene shows the family destroying the house, climbing up the walls and chewing through everything like bugs, having either mutated into giant insects or having been secretly insects all along. The developer, having regressed to animal intelligence, briefly emerges from the ruins of the rotisserie oven to eat some garbage before retreating back through the oven to his new home - a hole in the wall.III - Listen again and seek the sunAt an unspecified point in the future, the world has suffered a seemingly apocalyptic flood, with only a few structures remaining above water. The house has miraculously survived but is now surrounded by rising waters. Rosa (Susan Wokoma), a cat, acts as the landlord for the property, and dreams of restoring the house to its former glory for new tenants. However, her two current feline tenants, fisherman Elias (Will Sharpe) and hippie Jen (Helena Bonham Carter), have only been paying their rent with fish and stones, which, along with the sub-par materials and brown water, limits Rosa's ability to fix the house. Jen informs Rosa about her spirit partner who is set to arrive the next day, though Rosa is less than pleased.Jen's spirit partner, Cosmos (Paul Kaye), arrives by boat and sets up his tent outside the house, much to Rosa's chagrin. However, after learning that Cosmos is a craftsman, Rosa enlists him to work on the house repairs. The four cats party that night in celebration of a new beginning, while the waters continue to rise around the house as a thick fog settles in. The next day, Rosa discovers that Cosmos has been tearing up the house's floorboards to build a boat for Elias. As Cosmos continues to refit the house against Rosa's wishes, Rosa and Elias argue outside, with Rosa angry about the tenants destroying what she's been working for and Elias pointing out that, with the floodwaters still rising, the house will probably never see new tenants anyway - eventually claiming Rosa is simply afraid to leave the house. Elias later departs the house on the makeshift boat, leaving behind drawings of Rosa he made over the years, much to her sorrow. After a brief argument with Cosmos, she finds an I-beam has been installed in the ground in front of her house, further angering her.As the water and mist continues to seep into the house, Rosa starts having doubts about the house, soon having a dream about losing the house and her friends. Emerging from Cosmos' tent, Rosa sees Jen and Cosmos sailing away, begging her to join them. Resigning herself to tears, Rosa desperately pleads with the house to let her leave and rediscovers the neon sign Cosmos left. She quickly remembers that the I-beam is actually a lever; when pushed, it transforms the house into a seaworthy vessel, letting her escape as the floods destroy the surrounding foundations. Taking control of the house ship, she joins Jen, Cosmos, and a returning Elias as the four sail out into the ocean.

The House

The House (2022)

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