Bertil Norström

Ingmar Bergman

Liv Ullmann

Bibi Andersson

Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are happily married - unlike their friends Katarina and Peter who openly fight, especially when under the influence of alcohol - but there is a certain detached aloofness in the way they treat each other. In the next ten years, as they contemplate or embark upon divorce and/or known extramarital affairs, they come to differing understandings at each phase of their relationship of what they truly mean to each other. Regardless of if it's love or hate - between which there is a fine line - they also come to certain understandings of how they can best relate to each other, whether that be as husband and wife, friends, lovers or none of the above.—Huggo

Scenes from a Marriage

Scenes from a Marriage (1973)

Mai Zetterling

Ulf Johansson

Svea Holst

In Sweden, upper-class pianist Bengt Vyldeke suffers an accident in the military drill and becomes blind. He returns to his aunt Beatrice Schröder's home and is initially supported by his sister Agneta since his fiancée Blanche has called off their engagement and his friends have abandoned him. When Agneta goes off to university, young servant Ingrid helps Bengt in his daily life and falls in love with him--until she overhears a conversation between Bengt and Beatrice in which he belittles Ingrid and calls her "little maid." Bengt travels to play piano in the restaurant of a cunning manager and finds humiliation and loneliness. Years later he meets Ingrid, who is nearing graduation, and he falls in love with her. But Ingrid has a boyfriend Ebbe (Bengt Eklund), strong and handsome, and Bengt must battle his inferiority complex to win Ingrid's love.—Claudio Carvalho, Rio de Janeiro, Brazil

Music in Darkness

Music in Darkness (1948)

Martin Scorsese

Woody Allen

Lars von Trier

Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.—Svensk Filmindustri

...men filmen är min älskarinna

...men filmen är min älskarinna (2010)

Ewa Fröling

Allan Edwall

Gunn Wållgren

A chronicle of the making of Ingmar Bergman's Oscar winning film.

The Making of Fanny and Alexander

The Making of Fanny and Alexander (1984)

Anders Nyström

Alf Kjellin

Jan-Erik Widgren is a high-school senior. His Latin teacher Caligula is feared by everybody, both teachers and students. Widgren falls in love with Berta, who works in a tobacco store. She tells him that she is harassed by a mean, sadistic man, but does not tell him that it is Caligula himself.—Mattias Thuresson

Torment

Torment (1944)

Monica Vitti

Ingrid Bergman

Giulietta Masina

A collection of radio and television interviews with director Federico Fellini, recorded from February 1952, up to 1967, as he worked on the never-completed film "The Journey of Mastorna."

Federico Fellini - un autoritratto ritrovato

Federico Fellini - un autoritratto ritrovato (2000)

Elliott Gould

Max von Sydow

About the early years of the 70's in Ingmar Bergman's professional and private life. "The Touch" (1971) and more.

Ingmar Bergman (1972)

Jarl Kulle

Lena Brogren

Gunnar Björnstrand

Rakel, Marta, Karin and Annette are each married to one of four brothers. While waiting in a summer cottage for their husbands to come home, they tell each other stories about their marriages. Rakel tells about the time she had an affair and confronted her husband with it. Marta's story is about how she at first refused to marry and had her child by herself. Karin tells about what happened when, one time, she and her husband got stuck in an elevator together. While the women tell their stories, Marta's younger sister Maj is planning to elope.—Leon Wolters

Secrets of Women

Secrets of Women (1952)

Harriet Andersson

Tor Borong

Gösta Prüzelius

After 15 years of marriage, David and Marianne have grown apart. David has had an affair with a patient of his and Marianne has got herself involved with her former lover Carl-Adam, who's also David's best friend. When she travels to Copenhagen to meet Carl-Adam, David takes the same train as she does, making it look coincidental. Spending time together remembering their past and talking about their future, they come to understand each other again, which leads to a reconciliation.—Leon Wolters

A Lesson in Love

A Lesson in Love (1954)

Ingrid Thulin

Anders Ek

A judge in an unnamed country interviews three actors, together and singly, provoking them while investigating a pornographic performance for which they may face a fine. Their relationships are complicated: Sebastian, volatile, a heavy drinker, in debt, guilty of killing his former partner, is having an affair with that man's wife. She is Thea, high strung, prone to fits, and seemingly fragile, currently married to Sebastian's new partner, Hans. Hans is the troupe leader, wealthy, self-contained, growing tired. The judge plays on the trio's insecurities, but when they finally, in a private session with him, perform the masque called The Rite, they may have their revenge—

The Rite

The Rite (1969)

Sif Ruud

Öllegård Wellton

Inga Gill

In 1946, nervous ballet dancer Ruth and her husband Bertil are returning to Sweden from his scholarship tour around Italy. In a Basle hotel room and on a train they quarrel; give food through the window to starving Germans; overhear wisdoms about marriage by Swedish clergymen returning from a conference; and finally make up. In flashbacks, Ruth reminisces her romance with middle-aged officer Raoul, her subsequent abortion, and her ballet career. In a seemingly separate episode set in quiet Stockholm during Midsummer, middle-aged widow Viola is harassed first by a psychiatrist, Dr. Rosengren, and then by a lesbian old school-friend Valborg, with tragic consequences.—Markku Kuoppamäki

Thirst

Thirst (1949)

Inga Landgré

Axel Düberg

In Stockholm, the fashion photographer Susanne Frank misses her married lover Henrik Lobelius that lives in Gothenburg with his wife and children, and the naive twenty years old model Doris has a troubled relationship with her boy friend Palle Palt. Susanne schedules a session of photo shoots in Gothenburg with Doris, and once there, she calls Henrik for an encounter. Meanwhile, Doris meets an elegant middle age gentleman on the street, the Consul Otto Sönderby, who buys expensive gifts for her: a dress, a pair of Italian gloves and valuable pearl necklace. They spend the afternoon together in an amusement park and later they go to Otto's mansion, where they are interrupted by his wicked daughter Marianne. Susanne has a love affair with Henrik in her room, but they are interrupted by his cynical wife. The incidents in these encounters affect their perspective of love.—Claudio Carvalho, Rio de Janeiro, Brazil

Dreams

Dreams (1955)

Torgny Anderberg

Rolf Bergström

John W. Björling

Sailor Johannes Blom returns to his home port, after seven years at sea, to find that Sally, the girl he has been thinking of while away, is completely despondent. Seven years earlier, obstreperous Alexander Blom, brings his mistress Sally to live with him, his wife Alice, son Johannes, and crew, aboard the salvage boat he captains. Amidst all the tensions on the small boat, Johannes and Sally fall in love with each other.—Will Gilbert

A Ship to India

A Ship to India (1947)

Jan Nordberg

Joe Nordberg

Per Nordberg

Fårö Document 1979 is the ten-year followup to the first documentary Bergman made about his adopted home, Fårö, where he filmed many of his best works and lived until the end of his life.

Faro Document 1979

Faro Document 1979 (1979)

Aina Larrson

Owe Gustavsson

Bergman interviews the locals of Fårö in this fascinating documentary. An expression of personal and political solidarity with the fellow inhabitants of his adopted home, the island of Fårö in the Baltic Sea, this documentary investigates the sometimes deleterious effects of the modern world on traditional farming and fishing communities. The young, especially, voice doubts about remaining in such a remote, quiet place.

Faro Document

Faro Document (1970)

Erland Josephson

Stig, a visiting soloist to a small Swedish orchestra, marries fellow musician Martha, but the inner torment and sense of failure in Stig leads to an extra-marital affair and a tragic ending.—Edward Terence Ferrari

To Joy

To Joy (1950)

Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets Anna, who is grieving the recent deaths of her husband and son. She appears zealous in her faith and steadfast in her search for truth, but gradually her delusions surface. Andreas and Anna pursue a love affair, but he is unable to overcome his feelings of deep humiliation and remains disconnected. Meanwhile, the island community is victimized by an unknown person committing acts of animal cruelty.—Nancy Dowling

The Passion of Anna

The Passion of Anna (1969)

In turn-of-the-century Sweden, cancer-stricken, dying Agnes is visited in her isolated rural mansion by her sisters Karin and Maria. As Agnes' condition deteriorates and pain management becomes increasingly more difficult, fear and revulsion grip the sisters, who seem incapable of empathy, and Agnes' only comfort and solace comes from her maid Anna. As the end draws closer, long repressed feelings of grudging resentment and mistrust cause jealousy, selfishness, and bitterness between the siblings to surface.—duke1029

Cries & Whispers

Cries & Whispers (1972)

Josef Köstlinger

A production of Wolfgang Amadeus Mozart's opera "The Magic Flute" is presented, this film which blurs the lines of it as a stage production - not only with aspects of the theater stage shown, but also the occasional shot of the audience members watching it, and the performers going through their backstage routines during intermission - and a movie as the set moves out from the confines of the stage. The actual story concerns Tamino, a prince, falling in love with Pamina solely from seeing her photograph, Pamina's mother, the Queen of the Night, vowing that Pamina will be his if he rescues her from Sarastro, a demon who has captured her. On behalf of the Queen, three of her attendants, "ladies", who saved Tamino from a serpent, provide him with a magic flute to entice Pamina, and three child angels, who will act as his guides. The ladies also dispatch the pan-flute playing Papageno, a bird catcher who laments not being married himself, with Tamino, they providing him with magic bells as protection. Tamino will discover that not relayed to him by the Queen and her ladies is as it appears, he and Papageno who will have to go through a trial of enlightenment to reach their desired ends.—Huggo

The Magic Flute

The Magic Flute (1975)

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