Alan Hale

Rudolph Valentino

John George

Wallace Beery

The Four Horsemen of the Apocalypse

The Four Horsemen of the Apocalypse (1921)

Maureen O'Hara

Paul Henreid

Barton MacLane

The Spanish Main

The Spanish Main (1945)

Gloria Stuart

Trevor Bardette

Byron Foulger

The Whistler

The Whistler (1944)

Bela Lugosi

Irene Ware

June Lang

Megalomaniac and would-be world dominator Roxor has kidnaped Robert Regent, along with his death ray invention, in hopes of using it to degenerate humanity into mindless brutes, leaving himself as Earth's supreme intelligence. Faced with revealing the machine's secrets or allowing his family to die a horrible death at the hands of Roxor, Regent's only hope lies with the intervention of his brother-in-law, the be-turbaned yogi and magician Chandu, who has the power to make men see what is not there 'even unto a gathering of twelve times twelve'.—Doug Sederberg

Chandu the Magician

Chandu the Magician (1932)

Bob Hope

Sylvia Lewis

Bing Crosby

Junior Potter returns to claim his father's gold, which is nowhere to be found. "Mike" is the luscious head of a gang of thieves, and Roy Barton is the federal marshal hot on her trail.

Son of Paleface

Son of Paleface (1952)

Dick Sutherland

Richard Cummings

A poor hat-check girl loses her job and is forced to get a job as a dancer at a roadhouse. There she falls in love with the son of a rich businessman. The boy's father, believing her to be after the family's money, determines to embarrass her and show his son what she really is.—frankfob2@yahoo.com

The Delicious Little Devil

The Delicious Little Devil (1919)

Anne Shirley

Buck Black

A costume drama based on the adventures of Maritana, a Gypsy dancer, who is in love with Don César de Bazan, a penniless nobleman. Don César is arrested for dueling and sentenced to die when he intercedes on behalf of Lazarillo, a lad who was cruelly beaten by the captain of the guards. Maritana implores Queen Isabel of Bourbon to save her lover's life, and the queen induces the king to pardon him. Maritana and Don César are married. However, the king is attracted to Maritana and lures her to a hunting lodge, where Don César, who escapes jail, arrives in time to save her from his advances. The queen arrives, stirred by jealousy, just as the king and Don César engage in combat. Maritana's quick wit saves the king from disgrace, and as a reward he restores Don César's estates to him.—AFI

The Spanish Dancer

The Spanish Dancer (1923)

Lon Chaney

Joan Crawford

Venezia Frandi

Alonzo is an armless knife thrower and gun shooter for a circus---or so he appears. He is actually a criminal with his arms intact. He and his accomplice, Cojo (a little person), are hiding from the police. Alonzo views his disguise as perfect, especially since it keeps from view an unusual deformity of his left hand that would immediately give him away as the criminal the police are searching for. Nanon, the daughter of Zanzi, the circus owner, is the target in his act. Although Alonzo is in love with her, Nanon's father despises him. Malabar, the circus strong man, is attracted to Nanon but she is repulsed by his uninhibited sexual advances and desire to touch and hold her. Her phobia extends to the touch of any man's hand. Alonzo feeds her fears in the hopes that Nanon will fall in love with him since he is "armless". Because Zanzi discovers Alonzo really has arms, Alonzo kills him, but Nanon witnesses the killing without seeing Alonzo's face; however, she does see the telltale deformity of his left hand. As Alonzo continues to plot to steal Nanon away from Malabar, Cojo makes him realize that she will hate him once she discovers he has arms---and the deformity showing that he is her father's murderer. Alonzo decides to have both his arms amputated, which he succeeds in doing through blackmailing a surgeon. While Alonzo is away recuperating from the surgery, Nanon gets over her fear of being touched and falls completely in love with Malabar. Discovering this upon his return, Alonzo hatches a scheme to kill Malabar as he attempts his latest, most dangerous stunt.—Patrick Robbins

The Unknown

The Unknown (1927)

Henry Brandon

Marlene Dietrich

C. Aubrey Smith

Domini, an heiress who has led a cloistered life, visits the North African desert for spiritual renewal. There she meets Boris, recently escaped from a Trappist monastery. Their friendship ripens into love, but he conceals his past from her. Then in a remote oasis, they meet a man who knows his secret.—Rod Crawford

The Garden of Allah

The Garden of Allah (1936)

Milton Berle

Douglas Fairbanks

Noah Beery Jr.

In old Spanish California, the oppressive colonial government is opposed by Zorro, masked champion of the people, who appears out of nowhere with flashing sword and an athletic sense of humor, scarring the faces of evildoers with his Mark. Meanwhile, beautiful Lolita is courted by villainous Captain Ramon, rich but effete Don Diego... and dashing Zorro, who is never seen at the same time as Don Diego. As Zorro continues to evade pursuit, Ramon puts the damsel in distress...—Rod Crawford

The Mark of Zorro

The Mark of Zorro (1920)

Ellen Drew

Eddie Hall

In 1463, Paris is besieged by the Duke of Burgundy, arch-rival of the king, who is content to sit tight while the poor starve. But there are traitors in Paris, and King Louis goes undercover to find one, thereby meeting Francois Villon, poet, philosopher and rogue. By chance Villon kills the king's traitor and is ordered to replace him...as Grand Constable of France! But there's a catch...—Rod Crawford

If I Were King

If I Were King (1938)

Nigel Bruce

Jon Hall

Maria Montez

In an unspecified Renaissance kingdom, no sooner has Anube's gypsy tribe encamped near Baron Tovar's village when Count Orso is found murdered. The wicked baron blames the gypsies and imprisons them all in his castle. Meanwhile, a mysterious stranger on a white horse has hidden the murder arrow and won the heart of gypsy belle Carla, to the discomfiture of her erstwhile fiancé Tonio. Baron Tovar is also fascinated by Carla...especially when he notices her heraldic pendant.—Rod Crawford

Gypsy Wildcat

Gypsy Wildcat (1944)

Anna May Wong

Melbourne MacDowell

In this early collaboration with director Tod Browning (Dracula, Freaks), Chaney delivers a dual performance of dramatic intensity, starring as Ah Wing, a kind-hearted student of Confucian philosophy, and Black Mike Sylva, a murderous rake of the San Francisco underworld.—Anonymous

Outside the Law

Outside the Law (1920)

Edward Van Sloan

Marian Marsh

Boris Karloff

Prophecy has it that younger twin Anton will kill brother Gregor in the castle's Black Room. Anton returns to the castle after a 10 year hiatus. Gregor, a Baron, has many attempts on his life as his subjects detest his tyranny. However, good natured Anton earns the subjects' respect, and the admiration of Col.Hassel, uncle of the beautiful Thea. When Gregor kills young servant Mashka, his subjects storm the castle to remove him. Devious Gregor renounces his title in favour of brother Anton to appease them. He then kills Anton to assume his identity and the Baronship again. He is free to pursue Thea with Col.Hassel's blessing. When Col.Hassel discovers Gregor's impersonation, he also meets death. With Thea's true love, Lt. Lussan, wrongfully convicted of Hassel's murder, it appears nothing can stop evil Gregor from ambushing her into marriage. But what of that prophecy?—Gary Jackson

The Black Room

The Black Room (1935)

Aldo Ray

Gloria Talbott

Humphrey Bogart

At Christmas, three prisoners, Joseph (Humphrey Bogart), Albert (Aldo Ray), and Jules (Sir Peter Ustinov) escape from Devil Island to a French small coastal town. They decide to rob a store, to get some money and clothes and travel by ship to another place. They pretend to be there to fix the roof, but pretty soon they realize that the financial condition of the family Ducotel is not good. André Trochard (Basil Rathbone), the selfish and mean owner of the establishment, exploits the Ducotel family. The three convicts spend Christmas night with the Ducotels and are so well treated by the family, that they decide to help them. Their pet will help them to fix the situation.—Claudio Carvalho, Rio de Janeiro, Brazil

We're No Angels

We're No Angels (1955)

Burt Lancaster

Ben Wright

Lora Lee Michel

Bill Saunders, disturbed ex-soldier, kills a man in a postwar London pub brawl. Fleeing, he hides out in the apartment of lonely nurse Jane Wharton. Later, despite misgivings about his violent nature, Jane becomes involved with Bill, who resolves to reform. She gets him a job driving a medical supplies truck. But racketeer Harry Carter, who witnessed the killing, wants to use Bill's talents for crime.—Rod Crawford

Kiss the Blood Off My Hands

Kiss the Blood Off My Hands (1948)

Tully Marshall

Ernest Torrence

Clopin bought Esmeralda from the gypsies when she was young. Dancing in the square at the festival, Esmeralda is spotted by Jehan, the evil brother of the good archdeacon Claude Frollo. When he sets Quasimodo out to kidnap Esmeralda, Phoebus, Captain of the Guards, rescues her and captures Quasimodo. The courts sentence Quasimodo to be flogged, and the only one who will give him water while he is tied in the square is Esmeralda. After Clopin forces Esmeralda to leave Phoebus at the ball, she sends a note to Phoebus to meet her at Notre-Dame. In the garden, Phoebus is stabbed in the back by Jehan. Esmeralda is accused of stabbing Phoebus, convicted by the courts and sentenced to hang. When Esmeralda again rejects Jehan, he tells her that Phoebus is dead, even though it is not true. Clopin, Phoebus and Quasimodo all try different ways to save Esmeralda.—Tony Fontana

The Hunchback of Notre Dame

The Hunchback of Notre Dame (1923)

Conrad Veidt

Scott Seaton

Joe Murphy

Forever disfigured by a wide, mirthless grin on his face, Gwynplaine, the orphaned son of a nobleman, rescues blind baby girl Dea in cold 17th-century England. Taken in by paternal carnival philosopher Ursus, the unloved boy grows into a kind, honest man who chooses to hide his grotesque deformity behind a black cloak, utterly convinced that beautiful Dea will never truly love him because of his horrible secret. Feeling unworthy of Dea's noble feelings, Gwynplaine soon crosses paths with aristocratic temptress Duchess Josiana, as a cruel and long-standing conspiracy in the palace of Queen Anne presents him with the burden of choice. Will poor Gwynplaine, the Man who Laughs, renounce everything in the name of love?—Nick Riganas

The Man Who Laughs

The Man Who Laughs (1928)

Andy Devine

Honeymooning in Hungary, Joan and Peter Allison share their train compartment with Dr. Vitus Verdegast, a courtly but tragic man who is returning to the remains of the town he defended before becoming a prisoner of war for fifteen years. When their hotel-bound bus crashes in a mountain storm and Joan is injured, the travellers seek refuge in the home, built fortress-like upon the site of a bloody battlefield, of famed architect Hjalmar Poelzig. There, cat-phobic Verdegast learns his wife's fate, grieves for his lost daughter, and must play a game of chess for Allison's life.—Sister Grimm

The Black Cat

The Black Cat (1934)

Evelyn Keyes

Bess Flowers

Madge Blake

In a fancy suburb in California, the gorgeous housewife Susan Gilvray finds a prowler outside her house late one night and she calls the police. Officer Webb Garwood and his partner answer the call but do not find anyone. Later Webb returns to Susan's house with the pretext of checking if everything is OK. Susan invites him in to have coffee with her. Webb soon learns that Susan is married to John Gilvray, a middle-aged broadcaster of a late night radio show. They also discover that they are from the same hometown. Webb makes a pass at Susan and even though she tries to put him off they soon start a love affair. When John becomes suspicious Susan ends her relationship with Webb. Though difficult Webb stays away from Susan. Without Susan's knowledge Webb plots a scheme to get rid of John; he simulates a scenario where John is "accidently" shot dead. There is an inquest and it is ruled that John Gilvray's death was not intentional. Webb quits the police-force a job he was never happy doing. He manipulates John's brother to get close to Susan again. He learns that John could not have children and that John and Susan's marriage was not perfect. Webb meets Susan and convinces her that he is really innocent.  They resume their relationship and soon marry. On their wedding night, Susan discloses that she is four months pregnant. How can they explain the baby coming so soon after they marry when there was supposedly nothing between them four months ago? There was a great deal of publicity around the case someone is bound to put it all together.—Claudio Carvalho, Rio de Janeiro, Brazil

The Prowler

The Prowler (1951)

25 YIFY Movies Found

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DramaRomance

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AdventureDrama

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Film-NoirMystery

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ActionAdventure

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ComedyWestern

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ComedyDrama

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DramaHistory

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DramaHorror

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ActionAdventure

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AdventureDrama

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ActionAdventure

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ActionDrama

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CrimeRomance

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ActionCrime

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ActionComedy

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ActionCrime

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ActionDrama

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ActionDrama

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ActionAdventure

7.1 / 10

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