Sylvia Sidney

Beulah Bondi

John Qualen

Street Scene

Street Scene (1931)

Audie Murphy

Jack Elam

Richard Jaeckel

Remake of "To Have and Have Not" based on Hemingway short story. Plot reset to early days of Cuban revolution. A charter boat skipper gets entangled in gunrunning scheme to get money to pay off debts. Sort of a sea-going film noir with bad girl, smarmy villain, and the "innocent" drawn into wrong side of law by circumstances.—

The Gun Runners

The Gun Runners (1958)

Gene Lockhart

Simone Simon

Jeff Corey

A down-on-his-luck farmer makes a deal with the devil for seven years of prosperity. When Mr. Scratch comes to collect, orator and hero of the common man Daniel Webster comes to the rescue.—Little Pine Weasel

The Devil and Daniel Webster

The Devil and Daniel Webster (1941)

Bebe Daniels

Melvyn Douglas

Mayo Methot

One of two partners at the Manhattan law firm of Simon and Tedesco, George Simon is hard working and well respected by others at the firm and his clients, he just having successfully defended a wife charged with murdering her husband. He worked his way out of the Jewish ghetto, his clients both members of upper class society as well as people he knew from the old neighborhood. On the high society spectrum within his circle is his wife, Cora Simon, who he deeply loves, who brought two snobbish children from a previous marriage into the union, and who he rightly believes married him despite his past. Down and out or high society, he is not averse to helping out those in who he truly believes. On a regularly hectic day of meeting after meeting, mostly with clients, his life is placed into a tailspin when something he knowingly did in it being illegal several years ago but did for the altruistic reason of the betterment of an individual and as a result society - that path which did occur - threatens to resurface, which if it does means probable disbarment. In this situation, he will discover on who he can count, even if he doesn't explicitly state the problem, including his devoted secretary, Rexy Gordon, who has been quietly dealing with her own feelings about working at the firm and who can see that something is not quite sitting right with her usually unflappable boss.—Huggo

Counsellor at Law

Counsellor at Law (1933)

Frank Faylen

George Tobias

Claude Rains

Pretty Bobby Halevy loves Rims Rosson, a dreamer and inventor without much going for him. Rims has a scheme of going to Manila to turn hemp into silk and become rich. But when one of her family talks Bobby into tricking Rims into marriage, the real world comes crashing down on the couple.—Jim Beaver

Saturday's Children

Saturday's Children (1940)

Peggie Castle

Mary Anderson

Elisha Cook Jr.

It's nearly Christmas, but Mike Hammer is on the vengeance trail when Jack, his wartime buddy, is murdered. Hotheaded Hammer sets out to find the killer, working his way through an increasingly large pile of suspects (and corpses). Along the way, he meets a new love interest, psychologist Charlotte Manning, a treacherous Santa, a gangster named Kalecki, and two weird sisters, the Bellamy twins.—Mike Rogers

I, the Jury

I, the Jury (1953)

Walter Brennan

Ruth Roman

Broderick Crawford

Six people who have emigrated to Israel from different countries are all on a bus traveling through the Negev Desert. They find themselves stranded overnight in the bus. To pass the time, each begins to tell the story behind their emigration to Israel.—frankfob2@yahoo.com

Man on a Bus

Man on a Bus (1955)

Gale Gordon

Donald O'Connor

U.S. Army veteran Peter Stirling and his friend, Francis the talking Mule (who was not a donkey), arrive in New York City, where Peter has ambitions to become a big-time newspaper reporter, but can only get a job as a copy boy. Francis, the talking MULE (and not a donkey), though is boarding at the stables where the horses of the city's mounted police are kept, and mounted-police horses are known for being gossips, so Francis gets lots of inside information regarding local crime activity, passes it on to Peter, and Peter is soon leading the town in big-time scoops. This pleases his city-editor to no end, but the local gangsters are not amused.—Les Adams

Francis Covers the Big Town

Francis Covers the Big Town (1953)

Suzanne Pleshette

Roddy McDowall

Harry Guardino

In 1840s Boston when old man Flagg dies he leaves only debts behind. His grandson, Jack Flagg, dreamy and adventurous plans to run away from home and sneak aboard a sailing ship bound for gold-rich California. When his absence is discovered by his sister Arabella a frantic search ensues. Jack manages to board a California-bound ship where he meets crooked Judge Higgins and other characters. Fortunately for Jack his trusted and loyal butler, Bullwhip Griffin, has followed him on the ship. The two finally disembark in San Francisco and immerse themselves into the crazy world of California's gold rush. Jack Flagg's sister Arabella worries about her brother and decides to go to California herself to find Jack and their butler.—nufs68

The Adventures of Bullwhip Griffin

The Adventures of Bullwhip Griffin (1967)

Henry Fonda

Mel Ferrer

Jack Pennick

Based of the Graham Greene novel about a revolutionary priest in Central America. A priest who is The Fugitive is trying to getaway from the authorities who have denounced Christianity and want anyone linked to it dead. The Fugitive finds shelter with an Indian Woman (The Woman), a faithful parishioner, who gives the priest directions to Puerto Grande, where he could then board a ship and sail to freedom in America. On his journey to Puerto Grande, he meets up with a man who says he will protect him. In reality, he is the Police Informer and once The Fugitive realizes this, he is back on the run, but the Police Informer is never far behind along with the authorities.—Kelly

The Fugitive

The Fugitive (1947)

Noreen Corcoran

Beverly Washburn

Sylvia Lewis

A completely fabricated biography of the famous Danish fairytale writer Hans Christian Andersen featuring several of his stories and a ballet performance of "The Little Mermaid."—Col Needham

Hans Christian Andersen

Hans Christian Andersen (1952)

Trevor Bardette

David Brian

John Derek

Hodiak, Brian, Derek and Teal have just been released from prison. They return to Tomahawk Gap, now a ghost town, to retrieve the money that they stole and was buried by a partner somewhere in the town. While hunting, the Indians attack, and a life and death battle ensues.—Terry Brooks

Ambush at Tomahawk Gap

Ambush at Tomahawk Gap (1953)

Yvonne De Carlo

Elsa Lanchester

Robin Hood-like pirate Baptiste takes only the ships of rich but wicked trader Narbonne. Fun loving Debbie, a passenger from his latest prize, stows away on the pirate ship and falls for the pirate; later, having become a New Orleans entertainer, she meets his alter ego, who's engaged to the governor's daughter. Sea battles and land rescues follow in lighthearted style.—Rod Crawford

Buccaneer's Girl

Buccaneer's Girl (1950)

Hedy Lamarr

Arthur Space

Terry

Danny inherits two houses so Pilon and his lazy, impoverished friends move in. One of them, Pirate, is saving money which Pilon hopes to steal till he learns it is being saved to buy a gold candlestick for St. Francis. When one of the houses burns down and Danny is hurt fighting, Pilon makes an effort to make life better for his friend.—Ed Stephan

Tortilla Flat

Tortilla Flat (1942)

John Wayne

Barry Fitzgerald

The crew of the SS Glencairn, composed of lonely men, need to transport explosive ammunition from the United States to London, in the beginning of World War II. Along their journey, drunkenness, fights, suspicion, deaths, and trouble caused by German planes, fill their lives. Only Ole Olsen (John Wayne) wants to change his life and move back home to Stockholm, Sweden.—Claudio Carvalho, Rio de Janeiro, Brazil

The Long Voyage Home

The Long Voyage Home (1940)

Sidney Poitier

Shelley Winters

Elizabeth Hartman

Accidentally blinded by her prostitute mother Rose-Ann when she was 5, Selina D'Arcey spends the next 13 years confined in the tiny Los Angeles apartment that they share with "Ole Pa", Selina's grandfather. One afternoon at the local park, Selina meets Gordon Ralfe, a thoughtful young office worker whose kind-hearted treatment of her results in her falling in love with him, unaware that he is Black. They continue to meet in the park every afternoon and he teaches her how to get along in the city. But when cruel, domineering Rose-Ann learns of their relationship, she forbids her to have anything more to do with him because he is Black, but Selina continues to meet Gordon, despite Rose-Ann's furious determination to end the relationship for good.—alfiehitchie

A Patch of Blue

A Patch of Blue (1965)

James Arness

Lana Turner

As the Second World War breaks out, German freighter captain Karl Ehrlich is about to leave Sydney, Australia with his vessel, the Ergenstrasse. Ehrlich, an anti-Nazi but proud German, hopes to outrun or out-maneuver the British warship pursuing him. Aboard his vessel is Elsa Keller, a woman Ehrlich has been ordered to return to Germany safely along with whatever secrets she carries. When Ehrlich's fiercely Nazi chief officer Kirchner commits an atrocity, the British pursuit becomes deadly.—Jim Beaver

The Sea Chase

The Sea Chase (1955)

Laurie Mitchell

Herbert Rudley

When Clay Santell stops in the town of Sutterville after having his horse stolen, he is mistaken by townspeople for a murderer named Travers. The townspeople capture Santell, and turn him over to lawman Harry Deckett. Deckett, who is tired of chasing the real Travers, decides to kill Santell and pass him off as Travers. Santell escapes from Deckett, taking lovely Janet Gifford hostage in the process. Janet comes to believe Santell's story, and helps him in his struggle to prove his real identity.—Michelle Sturges

Hell Bent for Leather

Hell Bent for Leather (1960)

Lee Remick

James Stewart

George C. Scott

Frederick Manion (Ben Gazzara), a lieutenant in the army, is arrested for the murder of a bartender, Barney Quill. He claims, in his defense, that the victim had raped and beaten up his wife Laura (Lee Remick). Although Laura supports her husband's story, the local paper has reported that the police surgeon can find no evidence that she has been raped. Manion is defended by Paul Biegler (James Stewart), a humble small-town lawyer and recently deposed district attorney. During the course of interviews, Biegler discovers that Manion is violently possessive and jealous, and also that his wife has a reputation for flirting with other men. Biegler realizes that the prosecution will try to make the court believe that Laura had been drunk and was picked up by the bartender and then her husband killed him and beat her up when he discovered they had been together. Manion pleads "not guilty" and Biegler, who knows that his case is weak, tries to find evidence that will save Manion.—alfiehitchie

Anatomy of a Murder

Anatomy of a Murder (1959)

Margaret Hamilton

Monty Woolley

Ann Doran

Hazel Flagg of Warsaw, Vermont receives the news that her terminal case of radium poisoning from a workplace incident was a complete misdiagnosis with mixed emotions. She is happy not to be dying, but she, who has never traveled the world, was going to use the money paid to her by her factory to go to New York in style. She believes her dreams can still be realized when Wally Cook arrives in town. He is a New York reporter with the Morning Star newspaper. He believes that Hazel's valiant struggle concerning her impending death is just the type of story he needs to resurrect his name within reporting circles after a recent story he wrote led to scandal and a major demotion at the newspaper. He proposes to take Hazel to New York both to report on her story but also to provide her with a grand farewell to life. She accepts. Wally's story results in Hazel becoming the toast of New York. In spending time together, Wally and Hazel fall in love. Hazel not only has to figure out what to do about her relationship with Wally, but also how to conclude her now very public story, which all of New York expects will be a public and imminent death. Others, however, may conclude the story for her.—Huggo

Nothing Sacred

Nothing Sacred (1937)

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