Claudia Cardinale

Tony Musante

John Steiner

John Forsythe

Goodbye & Amen

Goodbye & Amen (1977)

Carole Bouquet

Dagger Eyes

Dagger Eyes (1983)

Helen Mirren

Malcolm McDowell

Peter O'Toole

Caligula: The Ultimate Cut

Caligula: The Ultimate Cut (2023)

Franco Nero

Virna Lisi

Set in 1896 in the Klondike region of Yukon, Canada follows the adventures of White Fange, a wolf dog, who aids a young Indian boy, Mitsah, as well as Jason Scott, a journalist who arrives in the small gold town of Dawson City which is run by a ruthless and greedy businessman named Beauty Smith and his gang of equally ruthless henchmen who control the town with fear to profit from the local prospectors, and it's up to Scott with the help of White Fang to clean up the town of corruption and greed.—matt-282

White Fang

White Fang (1973)

A safecracker takes a job where he must go to Istanbul and steal a scepter that once belonged to the god Gilgamesh but is now in the temple of a secret cult.

The Ark of the Sun God

The Ark of the Sun God (1984)

An architect jailed for a traffic violation discovers the grim reality of life behind bars, including corrupt staff and inmates, an inhuman judicial system, and the power of the Mafia.

The Case Is Closed, Forget It

The Case Is Closed, Forget It (1971)

Benito Freire is a peddler who lives miserably in an environment dominated by ignorance and superstition. He is dedicated to peddling by the Galician towns and suffers severe attacks of epilepsy. Through the region begins to spread the rumor that he is a werewolf and that he is possessed by a demonic spirit. And it will be precisely the stories that people are telling about him what start to make him go crazy.—jsanchez

The Ancines Woods

The Ancines Woods (1970)

Dora Baldini, her husband Bruno, and her son Marco move to a huge house that belongs to her; she used to live there with Marco and her former husband, a drug addict who committed suicide. The house has stood empty since then, and Bruno, a pilot, has decided that they should move in since it is close to the airport. Soon Marco is possessed by the ghost of his father and Dora is haunted by the house. She tells Bruno that they need to leave the house and she is afraid of her son, but he believes she's relapsing since she had a breakdown when her husband died. Why is the vengeful spirit seeking revenge?—Claudio Carvalho, Rio de Janeiro, Brazil

Shock

Shock (1977)

Dyanne Thorne

Dirk Bogarde

Adolf Hitler

The filmmakers and stars of the so-called "Nazisploitation cinema", as well as some leading academics and critics, look back on one of the motion picture world's most unexpectedly successful trends. Starting with art house cinema from Italy such as "The Night Porter", the "Nazisploitation" trope soon merged into horror narratives that, whilst usually avoiding any mention of the "Final Solution" and the worst crimes of Hitler's regime, instead provided lowbrow action, adventure and splatter set pieces - think of "The Great Escape" but far less family-friendly! In the UK, the films became controversial as "video nasties" even though, per the documentary, many of them were made with the clear intention of attacking the National Socialist regime and making fun of their politics. The documentary concludes by questioning just why Italy, a country that was itself victimized by fascism, became the biggest producer of films that offers 'fascism on a thread'. Also featured is the late Dyanne Thorne, discussing the popularity of the Canadian "Ilsa, She Wolf of the SS", in the last filmed interview before her death in 2020. Her husband Howard Maurer also appears. Both went on to run a ministry where Thorne would even find fans eager to wed them in the character of Ilsa. To date, "Fascism on a Thread" is the only feature length documentary on this topic and it was produced for Severin Films, who released it with their acquisition of "The Beast in Heat" - one of the most notoriously funny Italian productions from the heyday of the movement.

Fascism on a Thread- The Strange Story of Nazisploitation Cinema

Fascism on a Thread- The Strange Story of Nazisploitation Cinema (2019)

John Saxon

A murderous drug dealer breaks his partner out of police custody. An undercover cop is assigned to track down the two killers and bring them in.

Mark colpisce ancora

Mark colpisce ancora (1976)

Christopher Lee

An Italian policeman investigates a series of murders involving people in prominent positions. Left behind at each murder scene is a drawing of a salamander. The policeman begins to suspect these murders are linked to a plot to seize control of the government.—dinky-4 of Minneapolis

The Salamander

The Salamander (1981)

During the Vietnam war, an American soldier gets trapped behind enemy lines. A squad of his buddies sets out to rescue him.

The Last Hunter

The Last Hunter (1980)

Donald Pleasence

Joan Collins

Caroline Munro

Something is wrong with Gino and Lucy Carlesi's newborn baby: he seems to possess an otherworldly, almost-demonic strength. As a string of bizarre incidents and a wet-nurse's strange death send shivers down the spine, the worried parents turn to Lucy's obstetrician, the cryptic Dr. Finch, for help, only to realize that the baby's abnormal energy grows stronger by the minute. It's up to Gino's nun sister Albana to take over and try to expel the evil force that resides in the seemingly-innocent child. What is the secret of the monster?—Nick Riganas

Sharon's Baby

Sharon's Baby (1975)

Reb Brown

Corinne Cléry

Yor, an extremely blond prehistoric warrior, comes to question his origins, particularly with regard to a mysterious medallion he wears. When he learns of a desert goddess who supposedly wears the same medallion, Yor decides that he must find her and learn his true identity. Along the way, he encounters ape-men, dinosaurs, and a strange futuristic society.—Jean-Marc Rocher

Yor: The Hunter from the Future

Yor: The Hunter from the Future (1983)

John Ireland

Teresa Ann Savoy

Tina Aumont

Kitty runs a brothel in Nazi Germany where the soldiers come to "relax". Recording devices have been installed in each room by a power-hungry army official who plans to use the information to blackmail Hitler and gain power himself. A girl named Margherita discovers the plot, and with Kitty's help plans to take on the dangerous task of exposing the conspiracy.—Josh Pasnak

Madam Kitty

Madam Kitty (1976)

Glenda Jackson

William Morgan Sheppard

Michael Williams

July 13, 1808 at the Charenton Insane Asylum just outside Paris. The inmates of the asylum are mounting their latest theatrical production, written and produced by who is probably the most famous inmate of the facility, the Marquis de Sade. The asylum's director, M. Coulmier, a supporter of the current French regime led by Napoleon, encourages this artistic expression as therapy for the inmates, while providing the audience - the aristocracy - a sense that they are being progressive in inmate treatments. Coulmier as the master of ceremonies, his wife and daughter in special places of honor, and the cast, all of whom are performing the play in the asylum's bath house, are separated from the audience by prison bars. The play is a retelling of a period in the French Revolution culminating with the assassination exactly fifteen years earlier of revolutionary Jean-Paul Marat by peasant girl, Charlotte Corday. The play is to answer whether Marat was a friend or foe to the people of France. In the primary roles are a paranoiac with a skin condition (much as Marat had himself) as Marat, a narcoleptic with melancholia as Corday, and a sexual manic as M. Dupere. Coulmier feels he needs to intervene anytime during the performance when things get out of hand. The Marquis may have ulterior motives in the telling of this story, he who plays a large role on stage, especially in his discussions with the Marat character about the nature of the revolution and the differences in their individual motives concerning the revolution. As the inmates perform a story of revolution, they may subconsciously be sucked into the story mirroring their own struggles with authority. Real life and the actors' afflictions may also dictate how the performance turns out.—Huggo

Marat/Sade

Marat/Sade (1967)

Theresa Russell

Dario Argento

With Argento's trademark visual style, linked with one of his more coherent plots, Tenebrae follows a writer who arrives to Rome only to find somebody is using his novels as the inspiration (and, occasionally, the means) of committing murder. As the death toll mounts the police are ever baffled, and the writer becomes more closely linked to the case than is comfortable.—David Carroll

Tenebrae

Tenebrae (1982)

Christopher Connelly

Ethan Wayne

Ten years after the end of the war in Vietnam, four ex-Marines decide to return to S.E. Asia to investigate reports of American POWs still being held there. These four include Roger, whose daughter's just been married, the unemployed James, Mark, who's quit his job at an Arizona roadside tavern, and Richard, recently a patient at a mental hospital. In the jungles of S.E. Asia they discover American POWs but also find out about a U.S. Government plot to keep this knowledge a secret.—dinky4 of Minneapolis

Cobra Mission

Cobra Mission (1986)

Harry Carey Jr.

Lucio Fulci's sequel to Zianna Bianca (White Fang), set some years after the events in the first White Fang movie, has the wolf-dog befriended by another young boy, named Bill Tarwater, the grandson of fur trader John Tarwater, in which the dog teams up once again with novelist Jason Scott and his partner Kurt Jansen to stop the evil Beauty Smith, now living under the alias Forth, in another Northern Canada town and exploiting the townspeople including Sister Evangelina who's trying to open a new mission hospital in town.—Anonymous

Challenge to White Fang

Challenge to White Fang (1974)

Tinto Brass

Debora Caprioglio

Trieste, Italy, 1957. A few months before the general ban on brothels, inexperienced country girl Mimma becomes Paprika to finance her worthless boyfriend as a prostitute. Amid the hustle and bustle of Rome, Paprika drifts from one brothel to another as she learns the ropes and works her way up one client at a time. However, as Paprika embarks on a stormy journey of self-discovery and sexual liberation, the sense that something is missing in life haunts her. Is Paprika meant to experience a passionate romance and solve the great mystery of true love?—Nick Riganas

Paprika

Paprika (1991)

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