Judith Anderson

Martin Landau

Diane Baker

Tom Simcox

The Ghost of Sierra de Cobre

The Ghost of Sierra de Cobre (1964)

Paulette Goddard

Reginald Owen

Hurd Hatfield

The Diary of a Chambermaid

The Diary of a Chambermaid (1946)

Humphrey Bogart

Barton MacLane

William Demarest

Broadway gambler "Gloves" Donahue (Humphrey Bogart) wants to find who killed the baker of his favorite cheesecake. He sees nightclub singer Leda Hamilton (Kaaren Verne) leaving the bakery. When her boss Marty Callahan's (Barton MacLane's) partner Joe Denning (Edward Brophy) is murdered, Leda and her accompanist Pepi (Peter Lorre) disappear. It turns out that beneath all of the mystery is a gang of Nazi operatives planning to blow up a battleship in New York harbor.—Ed Stephan

All Through the Night

All Through the Night (1942)

Michael Craig

Alex Cord

Joseph Fürst

At an isolated inn, elderly owners Caroline and Lazar Straulle are killing off anyone who stays with them. Meanwhile, in the same area, a murderer is on the run from the law. At the vanguard of his pursuers is a bounty hunter, Kincaid, a highly resourceful man. It is inevitable that he and the Straulles will cross paths.—grantss

Inn of the Damned

Inn of the Damned (1975)

Kathie Browne

Henry Silva

Anna Maria Alberghetti

This was Jerry Lewis' answer to the classic Cinderella story. When his father dies, poor Cinderfella (Jerry Lewis) Fella is left at the mercy of his snobbish stepmother (Dame Judith Anderson) and her two no-good sons, Maximilian (Henry Silva) and Rupert (Robert Hutton). As he slaves away for his nasty stepfamily, Maximilian and Rupert attempt to find a treasure Cinderfella's father has supposedly hidden on the estate. Meanwhile, hoping to restore her dwindling fortunes, the stepmother plans a fancy ball in honor of the visiting Princess Charming (Anna Maria Alberghetti) who she hopes will marry Rupert. Eventually, Cinderfella's Fairy Godfather (Ed Wynn) shows up to convince him that he has a shot at winning the Princess.—phillindholm

Cinderfella

Cinderfella (1960)

Whoopi Goldberg

Jennifer Aniston

Tom Ewell

Two general phases in the life of Scotty Bowers are presented. The first, and arguably the most salacious, is the post-WWII era after the end of his military duty when he was working at a Richfield gas station in Los Angeles. Although he was already no stranger to the breadth of sexual activity in which humans can engage, his encounter with Walter Pidgeon at the gas station, he who invited Scotty up to his place "for a swim", led to Scotty's "career" as a sexual being for hire, as well as one procuring sexual favors between others, albeit never with a dime going into his own pocket for that latter service (i.e. he never having considered himself a pimp). At a time when the Hays code was in effect which led to the movie studios closely controlling at least the public lives and thus images of especially their stars, Scotty's services became known as trusted ones for Hollywood celebrities who wanted/needed a sexual outlet of any nature outside of a conventional husband/wife marriage. This part of Scotty's story focuses largely on the sexual needs of Hollywood A-listers who were straight to middle America, with, in many cases, their homosexual orientation the worst kept secret in Tinseltown. This part of Scotty's life was unknown to his current wife of over thirty years, Lois Bowers, until he recently published his book on the matter on which this documentary is based. The second is his current life in which he is peddling the aforementioned book and which he is living off many of the connections made during his years as a hustler, such as owning several houses given to him. It is arguably something about Scotty's current life as opposed to his years as a hustler and sexual procurer that concerns Lois more than anything about their marriage.—Huggo

Scotty and the Secret History of Hollywood

Scotty and the Secret History of Hollywood (2017)

Alan Hale

Tom Fadden

Robert Mitchum

After his family is murdered in the 1880s, orphan Jeb Rand (Robert Mitchum) is raised by the Callum family on their nearby horse ranch. He remains haunted by this childhood trauma in a recurring nightmare of flashing spurs and confinement inside a trap door as his family is slaughtered. Widow Callum (Dame Judith Anderson) does her best to make Jeb feel loved as he is growing up, but the young man stubbornly maintains a sense of his own identity. While he has great affection for his foster-sister Thor (Teresa Wright), his relationship with her brother Adam (John Rodney) is tenuous at best, especially when Jeb blames him for shooting a colt that he was riding. Although Mrs. Callum blames the incident on deer hunters, she is aware that the it was actually the attempted murder of the youngster by her brother-in-law Grant (Dean Jagger), a shadowy figure who, for vague reasons, is determined to harm Jeb. Jeb loses a coin flip with Adam, and becomes the designated family volunteer to fight in the Spanish-American War. Jeb returns a hero, but does not find happiness. Although Thor loves him, Adam is resentful about sharing the farm's profits, and the omnipresent, enigmatic Grant remains at the fringes of Jeb's life, waiting for a chance to revenge himself on the young man in some mysterious vendetta as Jeb continues trying to exorcise his demons.—duke1029@aol.com

Pursued

Pursued (1947)

Henry Brandon

Ruth Gordon

It's two years after the Nazi's invasion of Norway, and in a small fishing village that is headquarters to one hundred fifty German soldiers, the eight hundred locals are stewing, waiting for a supply of arms so they can revolt. Leaders include Karen Stensgard (Ann Sheridan), whose father, Dr. Martin Stensgard (Walter Huston), is not all that sure that an open revolt will accomplish much, and whose brother has previously proven to be disloyal to Norway, and Gunnar Brogge (Errol Flynn), a fisherman who was planning to sail to England to fight, but changed his mind on hearing of English arms being delivered. Although the Nazi's cruelty is evident, the townspeople bide their time, until one incident causes the stewpot to boil over.—Ron Kerrigan

Edge of Darkness

Edge of Darkness (1943)

Elke Sommer

Angela Douglas

Richard Todd

Bill Ferguson, who owns his own travel agency in Edinburgh, is hoping that after two years of dating, he and girlfriend Stella Napier will move their somewhat stalled relationship to the next level of being engaged. Instead, partly due to an issue stemming from he losing his apartment key, she breaks up with him. Needing a distraction to mend his broken heart, Bill take an extended business trip to the continent. It is on that trip that in finding that Stella has gotten engaged to another man, Bill ends up reconciling with Stella, they getting engaged themselves. Complications ensue stemming from a bon voyage gift given to him from American friend and client Maggie Shoemaker before he left for the continent in her want to help him get over Stella and find true love: several duplicates of his found apartment key to give away to the plethora of mesdemoiselles, frauleins, and senoritas he romances on his trip. The problem is that three of those women with said keys end up showing up at his apartment in Edinburgh, he needing to hide the true nature of their relationships with him from each other and more importantly Stella, while he can only admit to himself and to Maggie that he'd really like to have his cake and eat it too especially with one, Lucille Daumier.—Huggo

Why Bother to Knock!

Why Bother to Knock! (1961)

Scotty Beckett

Betty Field

Robert Cummings

Five children in an apparently ideal American small town find their lives changing as the years pass near the turn of the century in 1900. Parris Mitchell (Robert Cummings) and Drake McHugh (Ronald Reagan), both of whom have lost their parents, are best friends; Parris dreams of becoming a doctor, studying under the father of his sweetheart Cassandra Tower (Betty Field), while Drake plans on becoming a local businessman when he receives his full inheritance - juggling girlfriends in the meantime. As they become adults, the revelations of local secrets threaten to ruin their hopes and dreams.—scgary66

Kings Row

Kings Row (1942)

John Crawford

Charles Laughton

John Wood

In the reign of Tiberius Caesar (Sir Cedric Hardwicke), Gallilean prophet John the Baptist (Alan Badel) preaches against King Herod (Charles Laughton) and Queen Herodias (Dame Judith Anderson). Herodias wants John dead, but Herod fears to harm him after a prophecy. Enter beautiful Princess Salome (Rita Hayworth), Herod's long-absent stepdaughter. Herodias sees the King's dawning lust for Salome as her means of bending the King to her will. But Salome and her lover Claudius (Stewart Granger) are (contrary to Scripture) nearing conversion to the new religion, and the famous climactic dance turns out to have unexpected implications.—Rod Crawford

Salome

Salome (1953)

Mickey Kuhn

Lizabeth Scott

Kirk Douglas

Childhood friends Martha, Walter, and Sam share a terrible secret. Over time, the ambitious Martha and the pusillanimous Walter have married. She is a cold businesswoman; he is the district attorney: a perfect combination to dominate the corrupt city of Iverstown at will. But Sam's unexpected return after years of absence deeply disturbs the formidable couple.—yusufpiskin

The Strange Love of Martha Ivers

The Strange Love of Martha Ivers (1946)

Movita

Myrna Dell

Barbara Stanwyck

In the 1870s New Mexico territory, T.C. Jeffords (Walter Huston) is a cattle baron who built his ranch, The Furies, from scratch. He borrows from banks, pays hired hands with his own scrip ("T.C.s"), and carries on low-level warfare with the Mexicans who settled the land but are now considered squatters. He has enemies, including Rip Darrow (Wendell Corey), a saloon owner from whose father T.C. took land. His headstrong daughter Vance (Barbara Stanwyck) has a lifelong friend in one of the Mexicans, her heart set on Rip, and dad's promise that she will run The Furies someday. Her hopes are smashed by Rip's revenge, a gold-digger who turns T.C.'s head, and T.C.'s own murderous imperialism. Is Vance to be cursed by fury and hatred?—

The Furies

The Furies (1950)

Richard Harris

Dub Taylor

Iron Eyes Cody

During the early 1800s, English Lord John Morgan (Richard Harris) is hunting in the Dakotas, but he is captured by a group of Sioux warriors. Morgan's guides are killed, but he is spared by Sioux Chief Yellow Hand (Manu Tupou), who marvels at Morgan's blond hair. Brought to Yellow Hand's tribal village, Morgan has to endure physical abuse and mockery at the hands of women and children who consider him to be a wild horse. Restrained by a rope around his neck, Morgan is given as a gift to an old squaw, Buffalo Cow Head (Dame Judith Anderson), to be her slave and help her with daily chores. In the village, Morgan meets Running Deer (Corinna Tsopei), the beautiful young sister of Chief Yellow Hand. Morgan witnesses the traditional courtship process when Running Deer is asked in marriage by a tribe member who presents Yellow Hand with gifts in return for his sister's hand in marriage. Morgan starts to fall in love with her. Also in the village is half-breed, Batise (Jean Gascon), whose mother was Sioux and father was French. Batise becomes Morgan's friend and interpreter. Batise advises Morgan against escaping citing his own escape attempt when he was re-captured and hamstrung by the savage Sioux. Despite these warnings, Morgan tries to escape several times, but he is re-captured. He decides to bide his time for another escape opportunity. When a rival Shoshone war party approaches the Sioux village, Morgan kills two of the Shoshone scouts, winning the respect of his Sioux captors. Instead of escaping, Morgan plans to learn the ways of the Sioux, become a warrior, and gain his place amongst them. But this would require much more than killing a few Shoshone scouts. Lord John Morgan's true ordeal is just beginning.—nufs68

A Man Called Horse

A Man Called Horse (1970)

Walter Huston

Richard Haydn

C. Aubrey Smith

Seven guests, a newly hired personal secretary and two staff are gathered for a weekend on an isolated island by the hosts, the Owens, who are delayed. At dinner, a record is played and the host's message alleges that all of the people present are guilty of murder, and suddenly the first of them is dead, then the next. It seems that one of them is the murderer, but the leading person is always the person who is murdered next and at last, only two people are left.—Stephan Eichenberg

And Then There Were None

And Then There Were None (1945)

Paul Newman

Elizabeth Taylor

Madeleine Sherwood

The family of "Big Daddy" Pollitt (Burl Ives) convenes at his and Big Momma's (Dame Judith Anderson's). Among the attendees is alcoholic son, Brick (Paul Newman); an ex-football player, who spends his time drinking and avoiding the ministries of his libidinous wife, Maggie (Dame Elizabeth Taylor) - "the cat". As this gathering isn't so much as a gathering but a farewell (Big Daddy is terminally ill) a lot of memories and revelations which had been hidden come to the surface of both father and son.—Huggo

Cat on a Hot Tin Roof

Cat on a Hot Tin Roof (1958)

Clifton Webb

Bess Flowers

Vincent Price

Detective Lieutenant Mark McPherson (Dana Andrews) investigates the killing of Laura Hunt (Gene Tierney), found dead on her apartment floor before the movie starts. McPherson builds a mental picture of the dead girl from the suspects he interviews. He is helped by the striking painting of the late lamented Laura hanging on her apartment wall. But who would have wanted to kill a girl with whom every man she met seemed to fall in love? To make matters worse, McPherson finds himself falling under her spell too. Then one night, halfway through his investigations, something seriously bizarre happens to make him re-think the whole case.—Steve Hosgood

Laura

Laura (1944)

Julie London

Lon McCallister

Rory Calhoun

Pete (Edward G. Robinson) and Ellen Morgan (Dame Judith Anderson) have reared Meg (Allene Roberts) as their own ever since her parents took off when she was a baby. Now a teen, Meg convinces her friend Nath Storm (Lon McCallister) to come help with chores on the farm, as Pete isn't getting around so well on his wooden leg. When Nath insists on using a short-cut home through the woods, Pete becomes agitated and warns him of screams in the night, terrors associated with the red house. Curious, Meg and Nath ignore his warnings and begin to explore. Meg starts to fall in love with Nath, but his girlfriend Tibby Rinton (Julie London) has other plans for him. Meanwhile, they all get closer to real danger and the dark secret of the red house.—Ed Sutton

The Red House

The Red House (1947)

Alfred Hitchcock

Nigel Bruce

Laurence Olivier

A shy lady's companion, staying in Monte Carlo with her stuffy employer, meets the wealthy Maxim de Winter (Sir Laurence Olivier). She and Max fall in love, marry, and return to Manderley, his large country estate in Cornwall. Max is still troubled by the death of his first wife, Rebecca, in a boating accident the year before. The second Mrs. de Winter (Joan Fontaine) clashes with the housekeeper, Mrs. Danvers (Dame Judith Anderson), and discovers that Rebecca still has a strange hold on everyone at Manderley.—Col Needham

Rebecca

Rebecca (1940)

Christopher Lloyd

Frank Welker

William Shatner

In the wake of Spock's ultimate deed of sacrifice, Admiral Kirk and the Enterprise crew return to Earth for some essential repairs to their ship. When they arrive at Spacedock, they are shocked to discover that the Enterprise is to be decommissioned. Even worse, Dr. McCoy begins acting strangely and Scotty has been reassigned to another ship. Kirk is forced to steal back the Enterprise and head across space to the Genesis Planet to save Spock and bring him to Vulcan. Unbeknownst to them, the Klingons are planning to steal the secrets of the Genesis Device for their own deadly purpose.—Colin Tinto

Star Trek III: The Search for Spock

Star Trek III: The Search for Spock (1984)

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