Lucia Bosé

Anna Carena

Oscar Andriani

Monica Clay

By a twist of fate, Clara Manni, a photogenic Milanese shop assistant, gets the leading role in "Addio Signora", Italian movie producer Gianni Franchi's latest romantic drama. As a result, the statuesque brunette becomes an overnight sensation in Rome. But the more the small role transforms Clara into a silver-screen diva, catapulting her into stardom, the more the young ingenue feels deceived. After all, the glamorous movie industry is a cruel world rife with false promises. Now, failed relationships and disastrous choices crush Clara's dreams. And with her back to the wall, she must make a pivotal decision in her life. Is there a future in the film business for the lovely lady without camellias?—Nick Riganas

The Lady Without Camelias

The Lady Without Camelias (1953)

Carlos Casaravilla

Fernando Sancho

Antonio Casas

Juan is an academic, his career stalled, teaching at the university because of his brother-in-law's prestige. María José is a socialite, married to wealth, bored but attached to her comforts. The two are lovers. On an isolated country road, their car strikes a cyclist; fearing exposure, they leave him to die. Distracted, Juan unjustly fails a student. Rafa, a bitter savant in their social circle, hints that he knows something, and he threatens to expose them to María José's husband, Miguel. Miguel's pride may be the lovers' best hope. Then Juan proposes a solution.—

Death of a Cyclist

Death of a Cyclist (1955)

Magaly Solier

Lucia is an aging Italian actress and director (beautifully portrayed by Antonioni's and Fellini's actress Lucia Bosé), decides to come back to the small town where she had spent her happy childhood. She wants to bring the TV where television has never been seen before. She reaches out to the women in the local community with a project that might change their lives forever.—FilmBox Arthouse

One More Time

One More Time (2013)

Yves Montand

Eartha Kitt

Marcello Mastroianni

A group of Italian soccer fans arrive in Paris for a match, but most of them go their separate ways to explore the sights, have a bit of an adventure, and maybe even find some romance.

Parigi è sempre Parigi

Parigi è sempre Parigi (1951)

Ewa Aulin

Rafael Frías

María Vico

The ageing Countess discovers that the blood of a maid can temporarily restore her youth and great beauty. She falls in love with a dashing young soldier but is compelled to kill again and again to maintain her attractiveness and prevent the secret getting out.—

The Legend of Blood Castle

The Legend of Blood Castle (1973)

Capucine

Donyale Luna

Magali Noël

In first-century Rome, two student friends, Encolpio and Ascilto, argue about ownership of the boy Gitone, divide their belongings, and split up. and split up. Allowed to choose who he goes with, the boy chooses Ascilto. Only a sudden earthquake saves Encolpio from suicide, and from there he has a series of adventures; eventually he reunites with Ascilto and they help a man kidnap a hermaphrodite demi-god from a temple. The god dies, and as punishment Encolpio becomes impotent and they search for a cure. The film is loosely based on the book Satyricon by Gaius Petronius Arbiter, the "Arbiter of Elegance" in the court of Nero. The book has only survived in fragments, and the film reflects this by being very fragmentary itself, even stopping in mid-sentence.—Steven Pemberton

Fellini - Satyricon

Fellini - Satyricon (1969)

Anita Farra

Carlo Gazzabini

Rubi D'Alma

Paola (Lucia Bose) is the beautiful and jealously-guarded younger wife of a shady factory owner, Enrico Fontana (Ferdinando Sarmi). In order to investigate her romantic history he hires a private detective, which ironically brings Paola back into contact with former lover Guido (Massimo Girotti), with whom she resurrects a lost passion. Dogged by the suspicions of their respective mates, they are drawn closer to each other in the face of adversity, and begin to plot Enrico's demise. But when the challenge of being together falls away, will the passion start to wane? A masterpiece of intensity and finely-wrought emotion.—Mr Bongo

Story of a Love Affair

Story of a Love Affair (1950)

Brigitte Bardot

Jean-Pierre Léaud

Claudine Auger

The poet Jean Cocteau is lost in space-time. He has been in the 18th century and is now turning up at different moments in professor Langevin's life. The professor has invented some bullets, which travel faster than light. With one of them he kills Cocteau, who is resurrected as his old self, but is still caught in the space between fantasy and reality. At a gypsy camp a woman saves a photo out of the fire and restores it. On the photo Cocteau recognizes Cégeste from his film Orphée. He tears the photo into pieces and throws it into the sea. Immediately Cégeste himself jumps out of the water. He brings Cocteau to a rogatory commission led by Heurtebise and The Princess from the film Orphée. Cocteau admits that he has constantly attempted to enter a world which is not his own, a world that is beyond the limits of man, and that disobedience is like a religion for him. The commission imposes on him the sentence of life. In a hall inside some stone ruins the goddess Athena kills Cocteau with her spear. His friends assemble around his body, but he resurrects from death, and walks away along a small road. Cégeste comes out from a rock and draws Cocteau into it, because they don't belong to life on earth.—Maths Jesperson {maths.jesperson1@comhem.se}

Testament of Orpheus

Testament of Orpheus (1960)

8 YIFY Movies Found

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6.8 / 10

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Action
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8 YIFY Movies Found

7.1 / 10

Drama

7.7 / 10

CrimeDrama

6.8 / 10

ActionDrama

6.1 / 10

ActionComedy

5.9 / 10

ActionHorror

6.8 / 10

ActionDrama

7.1 / 10

ActionCrime

7.2 / 10

ActionBiography

Crime
Drama

Action
Drama

Action
Comedy

Action
Horror

Action
Drama

Action
Crime

Action
Biography