Ralph Bellamy

Charlotte Henry

Barbara Stanwyck

Helen Stuart

Forbidden

Forbidden (1932)

Edward Van Sloan

Joe Sawyer

Al Hill

Air Hawks

Air Hawks (1935)

Marjorie Woodworth

Mary Carlisle

Lucille Ball

Judy O'Brien is an aspiring ballerina in a dance troupe. Also in the company is Bubbles, a brash man trap who leaves the struggling troupe for a career in burlesque. After the company disbands, Bubbles gives Judy a thankless job as her stooge. The two eventually clash when both fall for the same man.—Daniel Bubbeo

Dance, Girl, Dance

Dance, Girl, Dance (1940)

Bela Lugosi

Evelyn Ankers

William Smith

Ygor resurrects Frankenstein's monster and brings him to the original doctor's son Ludwig for help. Ludwig, obsessed with the idea of restoring the monster to full power, is unaware that his various associates all have different ideas about whose brain should be transplanted into the monster's skull.—Doug Sederberg

The Ghost of Frankenstein

The Ghost of Frankenstein (1942)

Samuel S. Hinds

Clara Blandick

Charles Lane

Jane Palmer is suspected of insanity after squandering her inheritance, and a young psychiatrist, Dr. Enright, is assigned to her case. Posing as her chauffeur, he drives her out west to her rich grandmother, from whom Jane hopes to recoup her fortune. The grandmother refuses her money, but allows her to work the family's played-out gold mine. As part of his treatment, Enright "salts" the mine with gold and, unintentionally, brings on a gold-rush and a group of government assayers. They find the mine rich in mercury ore and new riches for Hope, who is now more interested in her "chauffeur."—Les Adams

Lady in a Jam

Lady in a Jam (1942)

Gene Hackman

Carroll O'Connor

Richard Anderson

The dysfunctional marriages of several unhappy rich doctors who work at a private clinic and their neglected wives who deal with their own unhappiness in various ways enter crisis mode when one of them murders his cheating wife.

Doctors' Wives

Doctors' Wives (1971)

Joan Bennett

Louise Beavers

Marilyn Harris

Bret Harte's story of Salomy Jane, a California mountain girl who is sought after by a number of men in the nearby small town of Redwood City. She is affected when two criminals are pursued by authorities: one for killing a hypocritical mayoral candidate, the other for robbing the Stagecoach.—Lawrence Chadbourne

Wild Girl

Wild Girl (1932)

Jane Adams

Lock Martin

While in a train halted at a station, Nikki Collins witnesses a murder committed in a nearby building. When she goes to the police they think she's read one too many mystery novels. She then enlists a popular mystery writer to help with her sleuthing.—Daniel Bubbeo

Lady on a Train

Lady on a Train (1945)

Jean Hagen

Tim Considine

Hume Cronyn

The story of Franklin Roosevelt's bout with polio at age 39 in 1921 and how his family (and especially wife Eleanor) cope with his illness. From being stricken while vacationing at Campobello to his triumphant nominating speech for Al Smith's presidency in 1924, the story follows the various influences on his life and his determination to recover - based on the award winning Broadway play of the same name.—Ed Lorusso

Sunrise at Campobello

Sunrise at Campobello (1960)

Fay Wray

Melvyn Douglas

Frank Shannon

A paroled prisoner hits a man who's attacking a woman, then runs away, scared that he killed the man (he did not). From the book "Woman in the Dark" by Dashiell Hammett.

Woman in the Dark

Woman in the Dark (1934)

Elizabeth Montgomery

Charles Bickford

Darren McGavin

The true story of General Billy Mitchell, a pioneering crusader for the Army's fledgling air corp. In spite of an impressive performance during the First World War, the commanders of America's armed forces still think of the airplane as little more then a carnival attraction. Even after sinking an "unsinkable" captured German battleship from the air, Mitchell sees funds dry up and friends die due to poor equipment. He is court-martialed after questioning the loyalty of his superiors for allowing the air corp to deteriorate.—KC Hunt

The Court-Martial of Billy Mitchell

The Court-Martial of Billy Mitchell (1955)

William Demarest

Carole Lombard

Fred MacMurray

Hotel manicurist Regi Allen is a cynical golddigger who meets her match in Theodore 'Ted' Drew III. After a date with Ted, she lets him sleep on her couch when he's too drunk to go further; but what is she to think when he wants to extend the arrangement?—Rod Crawford

Hands Across the Table

Hands Across the Table (1935)

Frank Faylen

Edward G. Robinson

William Hopper

Gang boss Little John Sarto returns from Europe where he was looking for "class" to find the new gang leader Jack Burns unwilling to relinquish his control. When Sarto puts together a rival gang he gets wounded and seeks refuge in a monastery. He is gradually transformed by the simple, sincere brothers and, after one last gangland appearance, decides he has found class at last in the monastery.—Ed Stephan

Brother Orchid

Brother Orchid (1940)

John Travolta

P.J. Soles

Glynnis O'Connor

Based on a true story, Tod Lubitch is born with a deficient immune system (which is unlike being born with AIDS). As such, he must spend the rest of his life in a completely sterile environment. His room is completely hermetically sealed against bacteria and virus, his food is specially prepared, and his only human contact comes in the form of gloved hands. The movie follows his life into a teenager.—Afterburner

The Boy in the Plastic Bubble

The Boy in the Plastic Bubble (1976)

Shailar Coby

Robert Reed

Lynne Moody

Two UCLA coeds have engine trouble in a small Southern town. When they spurn the local sheriff's advances he arranges for them to be taken to the women's prison on trivial charges (the judge is a cousin), where they must endure atrocities at the hands of the administrators of the prison and the prison guards.—Ed Sutton

Nightmare in Badham County

Nightmare in Badham County (1976)

William Daniels

Donald Pleasence

David Ogden Stiers

Married to Bobbie Landers with two pre-teen children, Adam and Becky, living in Tarzana, California. Mild-mannered Jerry Landers is a hard working Assistant Manager at a Food World supermarket outlet. He's always trying to do his best at his job. But his generally uneventful life takes a turn when he receives a hand delivered note in the mail to attend an interview with God. Believing it a gag from his friend Artie Coogan, Jerry decides to go to the interview based on circumstances which compel him to do so. Based on further circumstances of the interview, Jerry, despite not being a religious person, ultimately does believe that who he meets with, initially only a voice, is indeed God, who eventually does show himself in a physical form to Jerry. God wants Jerry to be his messenger, much like a present day Moses, to pass along to the human race that "he" has provided all the necessary components of a successful existence, and it is up to the human race to do with those components as they believe fit to reach that success. God came at this time because of his disappointment with the current state of the world. He also chose Jerry as his messenger because of Jerry being a decent person. Jerry tries to convey the message as best as he can, but runs into one roadblock after another. Once Jerry does gain a wider audience, he is treated as a crazy person and/or a fanatic, those opinions which affect his and his family's life. Jerry believes he has no other option but to continue to do this job for God despite these negative effects. It may take him getting a meeting with so-called experts, theologians, before he is taken seriously, or not, as some of those, such as Reverend Willie Williams, God knows is using religion for their own as opposed to societal benefit.—Huggo

Oh, God!

Oh, God! (1977)

Harry C. Bradley

Gene Lockhart

Cary Grant

Having been away for four months, Hildy Johnson (Rosalind Russell) walks into the offices of the New York City-based The Morning Post, where she is a star reporter, to tell her boss, editor Walter Burns (Cary Grant), that she is quitting. The reason for her absence was among other things to get a Reno divorce, from, of all people, Walter, who admits he was a bad husband. Hildy divorced Walter largely because she wanted more of a home life, whereas Walter saw her more as a driven hard-boiled reporter than subservient homemaker. Hildy has also come to tell Walter that she is taking the afternoon train to Albany, where she will be getting married tomorrow to staid straight-laced insurance agent, Bruce Baldwin (Ralph Bellamy), with whose mother (Alma Kruger) they will live, at least for the first year. Walter doesn't want to lose Hildy, either as a reporter or a wife, and if he does, doesn't believe Bruce is worthy of her. Walter does whatever he can at least to delay Hildy and Bruce's trip, long enough to persuade Hildy to stay for good. His plan includes doing whatever he can to place Bruce in a bad light, while dangling a big story under her nose, namely covering what the newspaper believes is the unfair imminent execution of convicted cop killer, Earl Williams (John Qualen). Hildy doesn't trust Walter in dealing with her and Bruce in an above-board manner, but the lure of what potentially may become the biggest story in years, which includes true love, a bumbling sheriff (Gene Lockhart) and a corrupt mayor (Clarence Kolb), the latter's actions largely in light of an upcoming election, may prove to be too much for Hildy to resist, especially if it ends up being an exclusive. Regardless of the story outcome, Hildy will have to decide if the thrill of the chase was worth the anguish on her personal life.—Huggo

His Girl Friday

His Girl Friday (1940)

Lon Chaney Jr.

"Even a man who is pure at heart/And says his prayers by night/May become a wolf when the wolf-bane blooms/And the moon is full and bright." Upon first hearing these words, Larry Talbot (Lon Chaney Jr.) dismisses them as childish federal. After all, this is the 20th Century; how can a human being turn into a werewolf? Talbot soon learns how when he attempts to rescue Jenny Williams (Fay Helm) from a nocturnal attack by a wolf. Collapsing, Talbot discovers upon reviving that Jenny is dead-and, lying by her side, is not the body of a beast, but of a gypsy named Bela (Bela Lugosi). The son of fortune teller Maleva (Maria Ouspenskaya), Bela was a Lycanthrope, or "wolf man." And now that he has been bitten by Bela, Talbot is cursed to suffer the torments of the damned whenever the moon is full.

The Wolf Man

The Wolf Man (1941)

Jack Carson

Hattie McDaniel

Dub Taylor

Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love with Dr. Flagg. When he tries to use hypnosis to strengthen her feelings for Steven, things get complicated.—

Carefree

Carefree (1938)

Sarah Edwards

Asta

Before their divorce becomes final, Jerry and Lucy Warriner both do their best to ruin each other's plans for remarriage, Jerry to haughty socialite Barbara Vance, she to oil-rich bumpkin Daniel Leeson. Among their strategies: Jerry's court-decreed visitation rights with Mr. Smith, their pet fox terrier, and Lucy doing her most flamboyant Dixie Belle Lee impersonation as Jerry's brassy "sister" before his prospective bride's scandalized family.—Paul Penna

The Awful Truth

The Awful Truth (1937)

22 YIFY Movies Found

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