Tony Curtis

Brian Donlevy

Richard Egan

Audie Murphy

Audie Murphy plays a young Jesse James falling under the Svengali-like spell of the outlaw William Quantrill, played by Brian Donlevy. Jesse and his youthful gang join the rebels to avenge the death of his parents only to become disillusioned with the senseless violence and looting of innocent civilians. Goaded by Quantrill's girl to leave, Jesse vacillates until the Yankees close in. Quantrill forces Jesse to leave and faces the Yankees gunfire alone. Jesse rides off with his gang and the rest is history.—Rita Richardson

Kansas Raiders

Kansas Raiders (1950)

Constance Ford

Sandra Dee

Beulah Bondi

The Hunter family has long owned a mansion on Pine Island, a summer resort located off the Maine coast. Bart Hunter's now-deceased father was able to open the mansion for free when Bart was younger. But current owner Bart, a drunkard and weak man, must now live there year round for financial survival with his wife Sylvia and their late teen-aged son Johnny, the family which is barely able to eke out a living with the mansion now as a year-round inn in an extreme state of disrepair. Bart and Sylvia are in a quietly unhappy marriage due largely to Bart's drinking. The Buffalo-based Jorgensons - husband Ken Jorgenson, his wife Helen Jorgenson and their late teen-aged daughter Molly Jorgenson - have rented rooms at the inn for the summer, while Ken looks for a summer house on the island. Ken lived on the island 20 years ago when he was a working-class lifeguard for Bart's father at that time. Ken is now a self-made millionaire as a research scientist, who had never been back to the island until now. Ken and Helen too are in an unsatisfying marriage, Helen, a shrew and prude, who seems to hate and mistrust anything and everything, including her husband and daughter. Helen only seems concerned with public perception that their lives are perfect. Upon first meeting, Johnny and Molly fall in love. Meanwhile, Ken and Sylvia rekindle a romance from 20 years earlier, uncertain if Bart knew at the time of their relationship, which did not last because of the differences in their social background. The two romances have a rocky road to potential happiness. Helen does not trust either Johnny or Molly to be morally proper. Ken and Sylvia know that their respective spouses will never consent to divorce, and if they do will do whatever they can so that they will never get to see their children again. And despite knowing that their respective parents are unhappy in their marriages, Johnny and Molly do not approve of a liaison between his mother and her father. Regardless, Ken and Sylvia want to provide their children with as much love and guidance as possible, including encouraging them to follow their hearts while not getting into trouble, a message which may not be heard if only because of Johnny and Molly believing that what they are doing is disgusting, and because of Johnny and Molly's own raging hormones.—Huggo

A Summer Place

A Summer Place (1959)

Alexis Smith

Royal Dano

Gerald Mohr

A New York City police woman, Christine Miller (Alexis Smith) goes undercover, posing as Sal Willis, to investigate her father's murder, and wrangles her way into the confidence of Doc Holmes (Edmon Ryan) whose office is a front for a dope ring.—Les Adams

Undercover Girl

Undercover Girl (1950)

Julie Adams

Rock Hudson

Peggy Dow

In North Africa during World War II, Sergeant Larry Nevins is blinded by a German sniper's bullet. Rehabilitation at the military hospital presents many challenges, but accepting his disability also proves to be difficult for others.—Jeanne Armintrout

Bright Victory

Bright Victory (1951)

Barbara Stanwyck

Kitty Winn

Michael Anderson Jr.

This movie centers on Ruth Bennett and her niece Sara Dunning. They move into the house of Ruth's recently deceased aunt and shortly thereafter they learn the house is possessed by two ghosts of the original owners who were from the time of the Revolutionary War. Shortly after arriving Ruth discovers a family Bible hidden in a secret compartment of a roll top desk. Contained within is the name of the original owner which includes the name of his deceased wife and also a name that has been crossed out in ink. As the movie progresses we learn the identity of this person and the reason for it being obliterated through the possession of niece Sara and Pat McDougal.—Kelly E.F. Wiebe

The House That Would Not Die

The House That Would Not Die (1970)

Rita Moreno

Anthony Quinn

Jeffrey Hunter

In the eighteenth century, a Spanish expedition is looking for seven cities of gold in a territory now known as California. A very difficult task due the opposition of the aborigines, but perhaps a divine intervention could help the Spaniards to save the life.—Luis Carvacho

Seven Cities of Gold

Seven Cities of Gold (1955)

Diane Baker

Laurence Naismith

David Farrar

Essentially true story of how Spartan king Leonidas led an extremely small army of Greek Soldiers (300 of them his personal body guards from Sparta) to hold off an invading Persian army now thought to have numbered 250,000. The actual heroism of those who stood (and ultimately died) with Leonidas helped shape the course of Western Civilization, allowing the Greek city states time to organize an army which repelled the Persians. Set in 480 BC.—Jes Beard

The 300 Spartans

The 300 Spartans (1962)

Lon Chaney

Joel McCrea

Hollywood 1950. The successful producer Larry O'Brian arrives in Los Angeles to found a motion picture company. He buys an old studio which was unused since the days of silent movies. He's shown the office where the famous director Franklin Ferrara was shot. The case has never been solved, although there were many suspects. O'Brian becomes fascinated by the subject and wants to shoot a movie about it. He investigates the murder and soon gets into danger himself.—Tom Zoerner

Hollywood Story

Hollywood Story (1951)

Joan Crawford

Ned Glass

Kent Smith

The murder of gangster Nick Prenta touches off an investigation of mysterious socialite Lorna Hansen Forbes, who seems to have no past, and has now disappeared. In flashback, we see the woman's anonymous roots; her poor working-class marriage, which ends in tragedy and her determination to find "better things." Soon finding that sex appeal is her only salable commodity, she climbs from man to man toward the center of a nationwide crime syndicate...a very perilous position.—Rod Crawford

The Damned Don't Cry

The Damned Don't Cry (1950)

Gilbert Roland

Jane Russell

Lori Nelson

Dominic Quesada and Johnny Gray, two SCUBA divers searching for sunken treasure off the coast of Cuba, think they've hit the jackpot when they find a 17th century ship on the sea floor. They need working capital however and Johnny is ready to hock his boat but his wife Theresa thinks they're off on another wild scheme that will leave them all poorer than when they started. She comes around however and are soon joined by Gloria, whose boat they will use and Father Cannon, a university professor and archaeologist. Although Dominic hasn't been completely honest with his partners, they may in fact be in the area of a major treasure ship. When they do find it, the ship is teetering on the edge of a 300 foot cliff and dangerous for even the most experienced divers.—garykmcd

Underwater!

Underwater! (1955)

Dorothy Malone

Beverly Washburn

Arthur Space

Sheila Bennet returns to New York from Cuba carrying $40,000 worth of smuggled diamonds - and smallpox, which could start a devastating epidemic in the unprotected city. Treasury agent Johnson loses her but keeps doggedly on the trail, while Public Health Doctor Wood searches in vain for the unknown person spreading the deadly disease far and wide. Meanwhile, the increasingly ill Sheila is concerned only with her faithless husband Matt, who plans to abscond with the diamonds.—Rod Crawford

The Killer That Stalked New York

The Killer That Stalked New York (1950)

Aline Towne

William Schallert

Herbert Marshall

Scientists working on induced hibernation for space travel are killed, apparently by machines acting independently. Security agent Sheppard arrives at the secret underground space research base to investigate possible sabotage. He finds that the whole base is coordinated by supercomputer NOVAC and its robots Gog and Magog; and a strange aircraft is detected high overhead.—Rod Crawford

Gog (1954)

Agnes Moorehead

Joan Leslie

Margia Dean

Set in the early '40s, a San Francisco prostitute is run out of town just as the second World War has begun to intensify. Mamie settles down in Hawaii, hoping to start a new life. Though her prospects look good when she falls in love with a science-fiction writer who treats her with the respect she deserves, the dawning war and the fallacies of her previous lifestyle complicate their budding romance. Mamie cannot fully remove herself from her former profession, and provides some of her old services to the sailors stationed in town. Searching for another means of financial security, Mamie invests in several pieces of real estate and becomes quite wealthy, though her bad reputation has not been forgotten by the locals.—alfiehitchie

The Revolt of Mamie Stover

The Revolt of Mamie Stover (1956)

Robert Wagner

Robert Mitchum

Lee Philips

In 1952, as the Korean War rages on, American officers land in Kyoto. Among them are Major Ceve Saville, assigned to a fighter squadron, and Lieutenant Carl Abbott. The latter neglects his charming wife Kristina, who is sinking into bitterness. In Korea, Saville meets again Colonel Dutch Imil, a former brother in arms as well as other friends. Back in Japan Saville falls in love with forsaken Kristina, which arouses Abbott's jealousy. The two men turn into implacable rivals. But during a mission against Chinese Migs, Abbott is hurt and Saville decides to rescue him...—Guy Bellinger

The Hunters

The Hunters (1958)

Hope Emerson

When the great potato famine hits Ireland, the diaspora begins as thousands emigrate. Among those leaving the Emerald Isle is Katie O'Neill and her husband, who decide that the promised land is South Africa and make their way there. Once there, they discover the hardships that are the reality of the homesteader experience. To complicate matters, Katie meets up with the love of her life, Paul van Riebeck. Will there be betrayal on the veldt?—Alfred Jingle

Untamed

Untamed (1955)

Elvis Presley

William Campbell

Debra Paget

Elvis plays Clint Reno, one of the Reno brothers who stayed home while his brother went to fight in the Civil War for the Confederate army. When his brother Vance comes back from the war, he finds that his old girlfriend Cathy has married Clint. The family has to struggle to reach stability with this issue. Vance is involved in a train robbery, while a Confederate soldier, of Federal Government money. There is a conflict of interest, when Vance tries to return the money, against the wishes of some of his fellow Confederates.—Pat McCurry

Love Me Tender

Love Me Tender (1956)

Sylvester Stallone

Gene Hackman

Robert Redford

David Chappellet is a mean-spirited skier, who profits from another skier's injury to gain a spot on the American Olympic team. His roommate sums up his goals when he observes of David, "He's not for the team, and he never will be"; but precisely who the David is that David is so fiendishly striving for we're never to learn. He develops a short-lived relationship with Carole Stahl, a glamorous European woman even more capricious than himself. Chappellet's identity trouble are exacerbated by the fact that he is an "Event" as well as a personality; and more astute minds than his own have difficulty where the one leaves off and the other takes over. Director Michael Ritchie's ("The Candidate") feature film debut.—alfiehitchie

Downhill Racer

Downhill Racer (1969)

Sylvia Sidney

Virginia Leith

Ernest Borgnine

A number of otherwise insignificant small-town stories erupt into drama when a gang of hoodlums decides to rob the local bank. A father looking for pride in his son's eyes, a timid clerk who is a peeping Tom by night, a man striving to rewin his wife's love, an Amish farmer faced with viciousness, and a proper older woman turned thief, all find themselves entangled with the bank robbers as a peaceful weekend turns violent.—Jim Beaver

Violent Saturday

Violent Saturday (1955)

Hayley Mills

Paul Frees

A little girl comes to a town that is embattled by feuds and intimidated by her aunt. By the time she must leave, she has transformed the community with her indominatable will to see the good side of even the worst situations and bring it out for the betterment of all.—Kenneth Chisholm

Pollyanna

Pollyanna (1960)

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