Otto Lederer

Rolfe Sedan

Oliver Hardy

Stan Laurel

You're Darn Tootin'

You're Darn Tootin' (1928)

Blanche Friderici

Anita Louise

Lili Damita

The Woman Between

The Woman Between (1931)

Douglas Fairbanks

Gordon Thorpe

Tiny Sandford

The Iron Mask

The Iron Mask (1929)

Louise Fazenda

Edward Martindel

Tyrell Davis

Rain or Shine

Rain or Shine (1930)

Deanna Durbin

Bess Flowers

Christian Rub

The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold Stokowski to lead them in a concert that leads to a radio contract.—Herman Seifer

One Hundred Men and a Girl

One Hundred Men and a Girl (1937)

Dwight Frye

Paul Kelly

Louis Mercier

Agadez is a lonely French outpost baking under the desert sun and commanded by the cruel and oppressive Captain Savatt (C. Henry Gordon). To it comes, at his own request, Legionnaire Jim Wilson (Paul Kelly soon followed by his fiancée, Carla Preston (Lorna Gray), who has been tracing him from post to post. Legionnaires seize the fort and turn Savitt loose in the Arab-haunted desert with only a fraction of the water and food needed to get back to civilization. But Savitt gets through and returns to the fort at the head of an avenging troop of men. But Arabs surround Savitt and his men, and the mutineers, knowing that to leave the fort and aid them means their own death...—Les Adams

Adventure in Sahara

Adventure in Sahara (1938)

Clara Blandick

Greta Garbo

Florence Lake

When Rita realizes that Tom still doesn't get it, she tells him that she is the kept mistress of his friend Cornelius. This is too much for him, and he rejects her. Flash forward to Rita's final public performance. Still pining for Tom--her first and only experience of chaste love--she feels too heartsick to perform, but Cornelius persuades her not to let down her public. She's a huge success--and yes, Tom is in the audience. Back at Rita's apartment, Cornelius tries to cheer her up, but she's too unhappy to eat or drink. Cornelius tactfully leaves when he hears that Tom is at the door. Tom tells Rita he can't get her out of his mind, but, as a man of God, he must try to save her soul. He asks her to pray with him, but when they kneel, passion overcomes him, and he tries to make love to her. She tells him that because she finds him irresistible, it's up to him to decide what kind of woman she will be from now on. Tom gets up, wishes Rita well, and leaves her standing in a prayerful attitude. As the bishop ends his tale, Harry asks if he ever heard from Rita again. The bishop shows him a newspaper article, announcing Rita's death in a convent. Harry now feels he should not act too hastily, but the bishop urges him not to deny romance.

Romance

Romance (1930)

Leila Hyams

Jean Harlow

Charles Boyer

Lil (Jean Harlow) works for the Legendre Company and causes Bill (Chester Morris) to divorce Irene (Leila Hyams) and marry her. She has an affair with businessman Gaerste (Henry Stevenson) and uses him to force society to pay attention to her. She has another affair with the chauffeur Albert (Charles Boyer).—Ed Stephan

Red-Headed Woman

Red-Headed Woman (1932)

Charles Farrell

Marie Prevost

Willard Louis

A frivolous middle-aged socialite is suddenly put upon to have her daughter live with her. Her conniving paramour dumps her for her daughter, leaving her young boyfriend crushed.

Three Women

Three Women (1924)

Edith Yorke

Sidney Bracey

Maude George

Life's merry-go-round goes full tilt for Agnes, a virtuous carny at Vienna's Prater just before the Great War. Her father is abused by their cruel boss Huber, who might force himself on Agnes. A Count who's engaged to the daughter of the Minister of Defense chats up Agnes one night while he's slumming; she thinks he's Franz, a necktie salesman, and falls in love with him. Is he using charm and guile to seduce her? Plus there's Bartholomew, a hunchback who's a barker at the Prater; his love for Agnes is unrequited. Are the fates blind or is there reward for virtue?—

Merry-Go-Round

Merry-Go-Round (1923)

Cary Grant

Charles Ruggles

An affair is almost exposed when Claire's husband unexpectedly returns early from the Summer Olympics.

This Is the Night

This Is the Night (1932)

Gary Cooper

Luise Rainer

Shirley Temple

Freewheeling young wanderer Jerry Day and his beautiful wife Toni are at odds over their lifestyle: Jerry can't accept responsibility, but Toni yearns for a family and a settled life. Then the Days 'rediscover' Jerry's young daughter Penny, who has been living with his deceased wife's rich family. Penny appears to be just what Jerry needs to mend his swindling ways and live a straight life. Despite the responsibility of his new family, Jerry is swayed by the corruptible influence of jewelry thief Felix Evans. Evans lures Jerry into a job that puts at risk the continuation of his new family life.—Gary Jackson

Now and Forever

Now and Forever (1934)

Louise Beavers

Matthew 'Stymie' Beard

Virginia Grey

Slavery tears apart a Black family in the South before the start of the Civil War.

Uncle Tom's Cabin

Uncle Tom's Cabin (1927)

Harpo Marx

Groucho Marx

While stowing away on a ship to America, the boys get involuntarily pressed into service as toughs for a pair of feuding gangsters while trying desperately to evade the ship's crew. After arriving stateside, one of the gangsters kidnaps the other's daughter, and it's up to our unlikely heroes to save the day.—scgary66

Monkey Business

Monkey Business (1931)

John Elliott

Zasu Pitts

Frances Raymond

On the night before his wedding, a young man plays poker with friends. When the game is raided by the police, he escapes into a Turkish bath on ladies night, ending up disguised in drag and with difficult explanations to make.—Jim Beaver

What Happened to Jones?

What Happened to Jones? (1925)

John Gilbert

Frankie Darro

Leo and Ulrich are lifelong friends. Home on leave from their military training, Leo sees the beautiful Felicitas at the railroad station and is awed by her beauty. They meet again at a ball and quietly leave together. In her room, her husband, about whom she neglected to inform Leo, comes in and challenges Leo to a duel. The duel is done, the Count is killed and Felicitas is a widow. Leo, however, is 'requested' to serve 5 years in Africa and he tells Ulrich to watch over Felicitas while he is gone. After 3 years, Ulrich is able to get a pardon for Leo and all that Leo thinks about on the way home is Felicitas. When he arrives, he learns that Felicitas has married Ulrich. Felicitas likes that Ulrich is rich and she never told Ulrich the truth about Leo and her. Leo is crushed and does not visit them, which saddens Ulrich as he does not know why. Leo tries to stay away from her, but Felicitas uses every opportunity to tempt him to return to her as her lover, creating a deadly triangle with the two lifelong friends.—Tony Fontana

Flesh and the Devil

Flesh and the Devil (1926)

Doris Day

Ray Bolger

Miss Ethel 'Dynamite' Jackson is a chorus girl who mistakenly receives an invitation from the State Department to represent the American theatre at an arts exposition in Paris, France. There's only one problem: the invitation was meant for Miss Ethel Barrymore. Meanwhile, S. Winthrop Putnam, the bureaucrat who made the mistake, tries unsuccessfully to correct his mix-up. It's too late, for Dynamite Jackson is off to Paris, where the two meet and marry, or so they think.—Kelly

April in Paris

April in Paris (1952)

Harry C. Bradley

Ian Wolfe

A down-on-his luck newspaperman finds himself the center of an experiment being conducted by two daffy millionaires--to see if someone can spend $1000 a minute, every minute, for 12 solid hours. If he can do it, he gets $10,000. If he can't do it, he gets nothing.—frankfob2@yahoo.com

$1000 a Minute

$1000 a Minute (1935)

Kathleen Burke

Jason Robards Sr.

The small kingdom of Marshovia has a little problem. The main taxpayer, the wealthy widow Sonia (who pays 52% of the taxes) has left for Paris. So Count Danilo is sent to Paris, to stop her from getting married to a stranger, so that the danger of removing the money is averted. But this is not as easy as the ambassador in Paris has planned.—Stephan Eichenberg

The Merry Widow

The Merry Widow (1934)

Cora Sue Collins

Zita Johann

Joseph W. Girard

Nora Moran, a young woman with a difficult and tragic past, is sentenced to die for a murder that she did not commit. She could easily reveal the truth and save her own life, but it might damage the lives, careers, and reputations of people she loves.—Kieran Kenney

The Sin of Nora Moran

The Sin of Nora Moran (1933)

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