Romy Schneider

England, the 19th century. Young Victoria is crowned to be the queen of England. She aims to do her best in order to help her country prosper. However, the family and her trustful advisor, Lord Melbourne, plan marriage for her. She is to get married to a German prince Albert. But Victoria sees her future differently and decides to leave London for a few days. She goes to Paris. On her way to France, she stays incognito in a little tavern in Dover with a baroness. There by chance she meets a handsome man and falls in love head over heels. Later, however, in very strange circumstances, it turns out that the handsome man is prince Albert himself...—Marcin Kukuczka

The Story of Vickie

The Story of Vickie (1954)

Karlheinz Böhm

As Queen of Hungary, Sissi (Schneider) stays in Godolo, far from the loneliness of the royal palace in Vienna and her cruel mother-in-law, Archduchess Sophie (Degischer). Although she loves her time there, she returns to Vienna to avoid Count Andrassy's (Reyer) advances.

Sissi - Schicksalsjahre einer Kaiserin

Sissi - Schicksalsjahre einer Kaiserin (1957)

After the fairytale wedding between Sissi (Schneider) and Emperor Franz Joseph of Austria (Böhm), Sissi waits impatiently to spend time with her new husband. Finally Sissi becomes pregnant with their first child and she is overjoyed, until Franz Joseph's mother makes the decision that Sissi is too young to look after her baby. This follow-up to the first Sissi film (1955) follows her first years in court and her adjustment to being part of a joint monarchy.

Sissi - Die junge Kaiserin

Sissi - Die junge Kaiserin (1956)

Handsome young Austrian-Hungarian emperor Franz Joseph I grudgingly accepts to prevent diplomatic complication by accepting betrothal, arranged by his domineering mother empress-dowager Sophie, to cousin Helene 'Nene', daughter of Bavarian royal Duke Max, kin of the Bavarian king. Her mother, Sophie's sister Duchess Ludovika, agrees to bring Nene to Ischl for a ball, without even informing Max, and takes her younger sister Elisabeth 'Sissi', a nature-loving, outspoken tomboy, along as cover. Complicating the task of clumsy court-assigned security chief Böckl, a major in the military gendarmes (police), Sissi escaped to go fishing and bumps into the carriage of the emperor, who is instantly charmed, even smitten, but she presented herself as Lisl of Possenhofen, after Max's rustic residence. Only at the ball, he learns the truth and tells shocked Sophie he selected the kid sister, who initially refuses to 'steal' Nene's fiance, but ultimately the latter finds another and the deal is struck. After a grand voyage along the Danube, Sissi moves into the Vienna palace Hofburg, where her country manner keeps shocking etiquette-obsessed 'mentor' Sophie, yet the royal wedding takes place with truly imperial pomp.—KGF Vissers

Sissi

Sissi (1955)

Inspector Gallien is investigating the rape and murder of two little girls. The only suspect is attorney Jerome Martinaud, but the evidence against him is circumstantial. As the city celebrates New Year's Eve, Gallien calls Martinaud to his office and interrogates him for hour after hour while Martinaud continues to maintain his innocence. We learn all about the evidence; we meet Martinaud's wife and learn all about the rift between the two; but will we, and Gallien, finally learn whether Martinaud is guilty?—Anonymous

The Grilling

The Grilling (1981)

Sophia Loren

Anita Ekberg

Four directors tell tales of Eros fit for a 1970 Decameron. Working-class lovers Renzo and Luciana marry but must hide it from her employer; plus, they need a room of their own. A billboard of Anita Ekberg provocatively selling milk gives a prudish crusader for public decency more than he can handle. The wife of a count whose escapades with call girls make the front page of the papers decides to work to prove her independence, but what is she qualified to do? A buxom carnival-booth manager who owes back taxes offers herself for one night in a lottery: a nerdy sacristan and a jealous cowboy make for a lovers' triangle. In each, women take charge, but not always happily.—

Boccaccio '70

Boccaccio '70 (1962)

Richard Harris

Eitan is yesterday's football star waiting for tomorrow. He is a man who has nothing left but guts. He consults the prospects of having to find a new profession and having to face a loving woman who doesn't understand his problems.

The Hero

The Hero (1970)

In 1930s Marseilles, the former World War I hero, Georges Sarret, now earns a living as a respectable lawyer. However, under threat of his German mistress Philomène Schmidt's imminent deportation, the calculative and ambitious advocate will soon hatch a plan so simple and outrageous that would catapult the decadent couple and Philomène's sister, Catherine, to riches. As a result, the infernal trio will entangle themselves in a game of fraudulent marriage, old-age insurance, and of course, murder, nevertheless, bold but sinful schemes rarely are fail-safe.

The Infernal Trio

The Infernal Trio (1974)

Philippe Noiret

Gastone Moschin

On August 4, 1936, General Metaxas declared martial law in Greece. A union leader using the name Boutros is sought in Athens by Primoukis, a ruthless police leader. Boutros narrowly escapes and, early the next morning, jumps through the window of Marchese Margot Santorini, the wealthy Austrian-born wife of Rico, a penniless Italian diplomat and playboy. Margot is bored and without purpose: aiding Boutros's escape invigorates her, and soon she is in love. The film briefly jumps to 1945 when Rico and Raoul (who assisted her out of love) meet in France to talk about her fate, and then jumps 30 years to Margot's daughter's visit to Greece to find out about her father. —

Une femme à sa fenêtre

Une femme à sa fenêtre (1976)

Yves Montand

Isabelle Huppert

Rosalie is amicably divorced, dividing her time between her mother's house, with her siblings and small daughter, and César's. He's self made, a scrap iron king, outgoing, amiable, in love with her. Enter David, an artist and Rosalie's flame before her marriage. In a quiet, brooding way, he seeks to reclaim Rosalie. César's jealous outbursts and attempts at cunning backfire and send Rosalie into David's arms. César keeps trying: he buys Rosalie's childhood seaside vacation home as a gift, wins her back, then must ask David to join them so Rosalie will be happy. When Rosalie discovers César and David's complicity, she again asserts her freedom, leaving the men alone together. —

Cesar & Rosalie

Cesar & Rosalie (1972)

In Montauban in 1944, Julien Dandieu is a surgeon in the local hospital. Frightened by the German army entering Montauban, he asks his friend Francois to drive his wife and his daughter to the back country village where Julien has an old castle. One week later, Julien decided to meet them for the weekend, but the Germans are already occupying the village. —Jean-Yves Simon

The Old Gun

The Old Gun (1975)

Jean-Pierre Cassel

Jane Birkin

Jean-Louis Trintignant

Everything is about to change in the uneventful life of Nicolas Mallet--a discreet, introverted bank clerk who is as meek as a lamb--when he decides to follow the bold advice of his old school friend, Claude Fabre. From now on, Nicolas must throw off his shackling inhibitions and act out his most intimate desires. Now, there is no turning back, and unstoppable Nicolas is bent on seducing as many women as possible to grease his path to success. However, nothing lasts forever. Must all good things come to an end? —Nick Riganas

Love at the Top

Love at the Top (1974)

Marina and her boyfriend have an argument while on a trip in France. While driving with the car among the cliffs, he starts speeding and the car falls into the sea. Marina can jump out of the car, but her boyfriend seems to be drowned. She gets to know his brother and he falls in love with her. But why does she always feel watched? What reasons are behind her strange behaviour anyway? Did she really murder her boyfriend? But is he dead anyway? —liderc

The Sensuous Assassin

The Sensuous Assassin (1970)

Jean-Pierre Léaud

Alain Delon

A sailor has a brief affair with a young secretary.

Love at Sea

Love at Sea (1964)

Max is a Paris detective, aloof, independently wealthy, and frustrated by gangs of robbers whom he cannot catch. To re-establish his stature and save face, he decides to inveigle a group of petty thieves (led by an old acquaintance) to rob a bank. A reluctant captain provides Max intelligence and Max starts spending evenings with Lilly, a prostitute who's the girlfriend of the group's leader. He poses as a rich banker with money to burn and encourages Lilly to think about her future. He hints at a payroll that comes through his bank. The plot works, the petty thieves think they're ready for a big score, and the cops are in place. What could go wrong with Max's cold plan? Who's entrapped?

Max and the Junkmen

Max and the Junkmen (1971)

Adolf Hitler

May 1940 - Germany invades Europe, people panic and try to flee by any means possible. In France, Julien, a radio repairman, boards a train with his wife and child. As the men are placed in cattle cars with only the women and elderly allowed in the passenger cars, events begin their fateful turning as the insignificant repairman encounters an attractive fugitive and love begins - a doomed love. —alfiehitchie

Le train

Le train (1973)

Klaus Kinski

Sybil Danning

Servais Mont, a photographer, meets Nadine Chevalier who earns her money starring in cheap soft-core movies. Trying to help her, he borrows the money from the loan sharks to finance the theatrical production of 'Richard III' and gives Nadine a part. Nadine is torn apart between Servais, for whom she is falling in love, and her husband Jacques, to whom she has moral obligations. —Yuri German

L'important c'est d'aimer

L'important c'est d'aimer (1975)

Gert Fröbe

Trevor Howard

Silvana Mangano

Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin Elisabeth of Austria, abandonned by her, tormented by his homosexuality, he will little by little slip towards madness. —Yepok

Ludwig

Ludwig (1973)

Jean-Pierre Melville

The son of a French industrialist, Clément is a right wing extremist who belongs to a secret militant right wing organization that uses whatever means necessary, including violence, to achieve its goals. His wife Anne, a former German actress who gave up her career to be the doting wife, knows somewhat of his extremist views, and suspects he would indeed kill if need be as witnessed by what she finds hidden in their house. He often treats her poorly, especially out in public as she maintains the façade of her former celebrity, which he believes is her acting like a whore. Regardless, she is compelled to stay in the marriage. After he and a right wing colleague assassinate a Communist figure, that assassination which goes slightly awry, Clément and Anne hide out in the country home of Clément's childhood friend, Paul, who knows nothing about Clément's extremist views. Paul is a democrat and pacifist. Clément is forced to leave to pursue a mission, leaving Anne behind. Without Clément, Anne returns to her old life in the theater and into a relationship with Paul. But Clément does return much to Paul and Anne's chagrin, he who will not give up his wife without incident. —Huggo

Taistelu saarella

Taistelu saarella (1962)

Lovers Marianne and Jean-Paul spend their vacation in a villa near St.-Tropez. The main feature of the villa is a swimming pool, stage for most of the action. After a visit Marianne invites former lover Harry and his teenage daughter Penelope to stay. Tension between the grown-ups rises especially when Jean-Paul seduces Penelope. The consequences are deadly.

24 YIFY Movies Found

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