Boris Karloff

Edmund Gwenn

Barton MacLane

Sarah Edwards

The Walking Dead

The Walking Dead (1936)

Beverly Tyler

Basil Rathbone

Janis Paige

Bathing Beauty

Bathing Beauty (1944)

Joan Crawford

Margaret Sullavan

Hattie McDaniel

The Shining Hour

The Shining Hour (1938)

Reginald Owen

Dennis O'Keefe

This version of the Tolstoy classic lingers longer in Moscow during the weeks that follow the initial meeting of the starstruck lovers-to-be Vronsky and Anna Karenina. The story -- as it unfolds -- also focuses on Kitty, a young woman who is related to Anna's sister-in-law whose marital rift has brought Anna to Moscow. Until Anna shows up, Kitty had hopes of getting Vronsky, who is single and well connected, to propose to her. Ignored by Vronsky, Kitty turns her attention to another suitor, a man who seems to have a lot in common with Tolstoy.—Dale O'Connor

Anna Karenina

Anna Karenina (1935)

Leila Hyams

Charles Laughton

Zasu Pitts

While visiting Paris in 1908, upper class Lord Burnstead loses his butler playing poker. Egbert and Effie Floud bring Ruggles back to Red Gap, Washington. Effie wants to take advantage of Ruggles' upper class background to influence Egbert's hick lifestyle. However, Egbert is more interested in partying and he takes Ruggles to the local 'beer bust'. When word gets out that "Colonel Ruggles is staying with his close friends" in the local paper, the butler becomes a town celebrity. After befriending Mrs. Judson, a widow who he impresses with his culinary skills, Ruggles decides to strike out on his own and open a restaurant. His transition from servant to independent man will depend on its success.—Gary Jackson

Ruggles of Red Gap

Ruggles of Red Gap (1935)

Stanley Clements

Victor Mature

Charles Lane

Promoter Frankie Christopher, being grilled by police in the murder of model Vicky Lynn, recalls in flashback: First meeting her as a waitress, Frankie decides to parlay her beauty into social acceptance and a lucrative career. He succeeds only too well: she's on the eve of deserting him for Hollywood...when someone kills her. Now Frankie gets the feeling that Inspector Ed Cornell is determined to pin the killing on him and only him. He's right. And the only one he can turn to for help is Jill, the victim's sister, who's been cool toward him...—Rod Crawford

I Wake Up Screaming

I Wake Up Screaming (1941)

Forrest Tucker

Eilene Janssen

Edgar Buchanan

Hannah Brockway, daughter of the leading citizen of Prairie Dog, prosperous insurance man Nathan Brockway, is engaged to be married to Dr. Sam Martin, but she meets and falls in love with Ben Dembrow, the youngest son of outlaw leader Kirk Dembrow. Ben, unwilling to lead the life of his father and two brothers, Frank and Cash, has taken a new name, and he and Hannah are married. But the suspicions of the townspeople hound him and he is tried for a crime he did not commit. His father and brothers rescue him from the courtroom at gunpoint, and the disillusioned Ben joins his family, taking Hannah with him. Months of fleeing from the law, and the approaching birth of a child impels Hannah to send for Martin, who has never stopped loving her. Martin takes her back to her family home and the baby is born. But Ben kidnaps the child in an effort to make Hannah rejoin him, and Martin and Ben soon face a shoot-out against each other.—Les Adams

Renegades

Renegades (1946)

Samuel S. Hinds

Jane Adams

Lock Martin

While in a train halted at a station, Nikki Collins witnesses a murder committed in a nearby building. When she goes to the police they think she's read one too many mystery novels. She then enlists a popular mystery writer to help with her sleuthing.—Daniel Bubbeo

Lady on a Train

Lady on a Train (1945)

Angela Lansbury

William Powell

Trevor Bardette

A former reporter returns home after serving in the Army during World War I and discovers that finding work is more difficult than he expected. Desperate, one day he crashes a wedding attended by many of the city's rich and powerful, meets a beautiful girl named Kay Lorrison (Esther Williams), who turns out to be his ticket to meeting those rich and powerful people, and he soon manages to land a job on a newspaper. He gets caught up in the "make money at all costs" game, but receives a rude awakening when the stock market crashes in 1929. The Depression's lows uncovers new plateaus that this vet couldn't foresee while raking in the big bucks. Spiritual nudges help Our Man to finally see the light that money can't buy everything, especially the love and happiness he's been searching for.—frankfob2@yahoo.com

The Hoodlum Saint

The Hoodlum Saint (1946)

Walter Brennan

W.C. Fields

Joe Sawyer

Ambrose Wolfinger wants the afternoon off (his first in twenty-five years) to go to a wrestling match. He tells his boss that he must attend his mother-in-law's funeral. The afternoon is no joy. He tries to please a policeman, assist a chauffeur, chase a tire, and ends up getting hit by the body of a wrestler thrown from the ring. A series of mishaps leads his boss to send floral tributes to the house and notify the papers of the death (due to poisoned liquor). His shrewish wife, judgmental mother-in-law, and good-for-nothing brother-in-law add to his burdens. In the end he enjoys their fawning loyalty, a raise in pay, and his first vacation.—Ed Stephan

Man on the Flying Trapeze

Man on the Flying Trapeze (1935)

Ray Milland

Douglas Kennedy

In 1939, American Tom Martin, who fought in the Spanish Civil War, awaits execution at the hands of the Fascist victors when reporter Augusta 'Gusto' Nash, for a scoop, aids him in an audacious escape. Of course, Tom tries to romance Gusto; but though she likes him, her career comes first, and Tom himself prefers freedom-fighting to settling down. Comedy becomes drama as their mixed feelings lead them on a circuitous path through the deepening chaos and catastrophe of the early days of World War II.—Rod Crawford

Arise, My Love

Arise, My Love (1940)

Tom Fadden

Myrna Loy

Nick and Nora Charles visit Nick's parents in Nick's hometown of Sycamore Springs. His father Bertram doesn't think much of Nick's career choice and Nora does her best to impress upon Bertram just how great a detective Nick is. This includes indicating to the press that Nick is here on a case. The town is a very peaceful and law-abiding one but Nick soon has an actual murder case on his hands.—grantss

The Thin Man Goes Home

The Thin Man Goes Home (1944)

Nancy Kelly

Billie Burke

Johnny Weissmuller

Gloria, Barabara and Buddy are working at the sheet music counter in a New York department store. On a trip of the whole store, Gloria, who's in love with Buddy, is spotted by vaudeville hoofer Miller, whom his partner Mooney, like her predecessors, has just left. Miller tours with Gloria and both are spotted by Ziegfeld's talent scouts, just before they were splitting up, leaving Gloria with a contract giving Miller a part of her earnings in the next few years. Gloria becomes the star of a new Ziegfeld production, but Barbara, who has been pining for buddy for quite a while, seems to have more luck with him.—Stephan Eichenberg

Glorifying the American Girl

Glorifying the American Girl (1929)

Gary Cooper

Madeleine Carroll

William Frawley

In revolution-torn China, American mercenary O'Hara is entrusted with a perilous mission, to get arms for the helpless authorities in a province ravaged by warlord General Yang. On the train to Shanghai, he meets Judy Perrie, whose father is in league with Yang. Will Judy regret agreeing to lure O'Hara to his doom, and if so, can she make it up to him? The balance of power seesaws to a perilous conclusion.—Rod Crawford

The General Died at Dawn

The General Died at Dawn (1936)

Barbara Stanwyck

Gene Lockhart

As a parting shot, fired reporter Ann Mitchell (Barbara Stanwyck) prints a fake letter from unemployed "John Doe," who threatens suicide in protest of social ills. The paper is forced to rehire Ann and hires John Willoughby (Gary Cooper) to impersonate "Doe." Ann and her bosses cynically milk the story for all it's worth, until the made-up "John Doe" philosophy starts a whole social movement. At last everyone, even Ann, takes her creation seriously...but publisher D.B. Norton (Edward Arnold) has a secret plan.—Rod Crawford

Meet John Doe

Meet John Doe (1941)

Judy Garland

Mickey Rooney

Don Castle

Jimmy Connors and his girlfriend want to take part in Paul Whiteman's high school bands contest, but they cannot afford the fare. But per chance they meet Paul Whiteman in person and are able to convince him that their band is good enough, so he lends them the money. But then one of their friends becomes seriously ill and has to be carried to a hospital by plane, and they have to use Whiteman's money for this.—Stephan Eichenberg

Strike Up the Band

Strike Up the Band (1940)

Gene Tierney

Henry Fonda

Clara Blandick

Susan Miller works behind the girdle counter in a department store and dreams about the beautiful clothes and glamour she can never hope to have. Enter May Worthington and Warren, a pair of con artists who pose as the mother and uncle of a pretty girl in order to separate millionaires from their money. They convince Susan that she has an opportunity to fulfill all her dreams, and the trio heads for Palm Beach. Susan meets John Wheeler who says he is shopping for a sailboat. Believing that he is a millionaire, Warren and May sell him a boat that doesn't belong to them, and make off with his $15,000 life savings. Looking for greener pastures, they work themselves into the family of wealthy Tod Fenwick, who falls for Sue who is posing as "Linda Worthington". But John shows up as a guest of Fenwick and he tells "Linda", not knowing she was part of the scam, that he has a detective after the fake captain that sold him the boat. John admits that he is not a millionaire but only a $65-a-week clerk. He asks her to marry him and, over the protests of May, she accepts. Tod, who has been away, wires Linda a marriage proposal which is intercepted by Warren, who accepts on her behalf via a return wire. He intends to blackmail her into marrying Tod and then blackmail the Fenwicks into dissolving the marriage. To get John's money back to him, which she has but can't tell him, Linda enlists the aid of Colonel Prentiss who runs a gambling house, and the machines are fixed so that John wins his money back. Linda and John go to the terminal to leave, but Tod shows up and she tries to keep him away from John, who knows her as Sue.—Les Adams

Rings on Her Fingers

Rings on Her Fingers (1942)

Peter Lorre

Evelyn Keyes

Janos Szabo is a kind, innocent immigrant to America. Just after he arrives though, he is caught in a fire and his face is horribly burned and disfigured. Although a skilled craftsman his hideous features make it impossible for him to get work, and driven by despair he is forced to turn to crime to live. He finds himself very proficient at that, and soon makes enough money to buy a very lifelike mask to hide his scars behind. He hates what he does, but is he in too deep to get out?—Ken Yousten

The Face Behind the Mask

The Face Behind the Mask (1941)

Carl 'Alfalfa' Switzer

Larry Haines, a mediocre vaudeville entertainer, boards a train bound for Los Angeles. Is Hollywood waiting for him with open arms? Not really as the one he signed a contract for is Percy, his roller-skating penguin partner! But, as the proverb says, the shadow of glory is better than no glory at all! Anyway, doesn't Larry meet a woman on the train? And a blonde one! And a British agent into the bargain! The delicious creature who is carrying a coded message hidden in a brooch and is being pursued by Nazi agents. She will need Larry (and Percy)'s help to elude her pursuers and to get the secret information to destination. The mission will be accomplished, although in an eventful and hilarious way...—Guy Bellinger

My Favorite Blonde

My Favorite Blonde (1942)

Sterling Holloway

Kay Johnson

Constance Cummings

During the 1930s Depression, the Board of Directors of Thomas Dickson's bank want him to merge with New York Trust and resign; he refuses. One night, his bank is robbed of $100,000. The suspect is Matt Brown, an ex-convict whom Dickson hired and appointed Chief Teller. Brown, who's very loyal to Dickson, refuses to say where he was that night. He actually has two witnesses for his alibi, Mrs. Dickson and fellow worker Cyril Cluett, but Brown is protecting Dickson from finding out that Mrs. Dickson was with Cluett having a romantic evening. Cluett, who has a $50,000 gambling debt, is actually responsible for the robbery, but lets Brown take the rap. Will Brown's loyalty to Mr. Dickson pay off, or send him back to prison?—Kelly

American Madness

American Madness (1932)

29 YIFY Movies Found

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