Ward Bond

Adele Jergens

John Payne

Lynn Bari

Hello Frisco, Hello

Hello Frisco, Hello (1943)

Guinn 'Big Boy' Williams

Randolph Scott

Errol Flynn

Virginia City

Virginia City (1940)

Lee Van Cleef

Arthur Space

Raymond Burr

A gunfighter, stranded in the desert, comes across the aftermath of a stage robbery, in which all the passengers were killed. He takes one of the horses to ride to town to report the massacre, but finds himself accused of it. He also finds himself accused of the murder of the local banker, and winds up hiding in the basement of a house where the local sheriff, who is very sick, lives with his daughter.—frankfob2@yahoo.com

A Man Alone

A Man Alone (1955)

Walter Huston

Matt Willis

A hunter happens upon a fugitive and his daughter living in a Georgia swamp. He falls in love with the girl and persuades the fugitive to return to town.—Ed Stephan

Swamp Water

Swamp Water (1941)

Lon McCallister

Jack Carson

Alexis Smith

Because boxing is a considered an illegal and disreputable enterprise in 1880's San Francisco, wealthy and influential members of the prestigious Olympic Club vow to make the sport a "gentlemanly" one. They sponsor a brash, extroverted young bank clerk named Jim Corbett, who quickly becomes an accomplished fighter under the new Marquis of Queensbury Rules. Despite his success, the young Irish-American's social pretensions and boastful manner soon estrange him from his benefactors, who plot to give their conceited former protégé a well-deserved comeuppance. Despite this, his dazzlingly innovative footwork helps him to beat a succession of bigger and stronger men, and he finally finds himself fighting for the world's championship against his childhood idol, John L. Sullivan.—duke1029

Gentleman Jim

Gentleman Jim (1942)

Harry C. Bradley

Samuel S. Hinds

Nat Pendleton

Apple Annie is an indigent woman who has always written to her daughter in Spain that she is a member of New York's high society. With her daughter suddenly en route to America with her new fiancé and his father, a member of Spain's aristocracy, Annie must continue her pretense of wealth or the count will not give his blessing. She gets unexpected help from Dave the Dude, a well-known figure in underground circles who considers Annie his good luck charm, and who obtains for her a luxury apartment to entertain the visitors - but this uncharacteristic act of kindness from a man with a disreputable reputation arouses suspicions, leading to complications which further cause things to not always go quite as planned.—Paul Donahue

Lady for a Day

Lady for a Day (1933)

Una O'Connor

Victor McLaglen

Preston Foster

Dublin, 1920. Gypo Nolan, strong but none too bright, has been ousted from the rebel organization and is starving. When he finds that his equally destitute sweetheart Katie has been reduced to prostitution, he succumbs to temptation and betrays his former comrade Frankie to the British authorities for a 20 pound reward. In the course of one gloomy, foggy night, guilt and retribution inexorably close in...—Rod Crawford

The Informer

The Informer (1935)

Nita Talbot

Ruth Lee

Ed Begley

Hard, withdrawn city cop Jim Wilson roughs up one too many suspects and is sent upstate to help investigate the murder of a young girl in the winter countryside. There he meets Mary Malden, whom he finds attractive and independent. However, Mary's brother is chief suspect in the killing. And Mary herself is blind.—Jeremy Perkins {J-26}

On Dangerous Ground

On Dangerous Ground (1951)

Bela Lugosi

Josephine Hutchinson

Boris Karloff

Wolf von Frankenstein returns to the Baronial manor from the United States with his wife Elsa and son Peter. He not made welcome by the locals who are still terrified of his father's works and the monster he created. The local Burgomaster gives him a sealed briefcase left by his father and inside, Wolf finds his father's scientific notes. At the manor house he meets his father's assistant Igor who has a surprise for him: the monster his father created is still alive, though in some sort of coma. Wolf's initial attempts to re-animate the creature seem to fail but when Peter says he saw a giant in the woods, it appears he's met success. When people are mysteriously killed in the village there is little doubt that the monster is responsible.—garykmcd

Son of Frankenstein

Son of Frankenstein (1939)

John Wayne

Mildred Natwick

Hank Worden

Fugitive bank robbers Robert (John Wayne), William (Harry Carey Jr.) and Pedro (Pedro Armendáriz) stand at a desert grave. Caring for the newborn infant of the woman they just buried will ruin any chance of escape. But they won't go back on their promise to her. They won't abandon little Robert William Pedro. Director John Ford's Western retelling of the Biblical Three Wise Men tale remains a scenic and thematic masterpiece. Ford adds color to his feature-film palette, capturing stunning vistas via cinematographer Winton C. Hoch, who would win two of his three Academy Awards for Ford films. Again, populist-minded Ford asserts that even men of dissolute character can follow that inner star of Bethlehem to their own redemption.

3 Godfathers

3 Godfathers (1948)

Edward G. Robinson

Francis Lederer

Prior to the United States entry into World War II, Nazi spies try to steal American military secrets. Among those whose passions are roused is Kurt Schneider who was court-martialed and dishonorably discharged from the US Army. Schneider is not very bright and is easily swayed by the oratory of Dr. Karl Kassel, a prominent physician who is eventually made the head of the Nazi spy ring. When Schneider's contact is arrested in Scotland, the US military asks the FBI to root out the spies. Agent Edward Renard is put in charge of the case and they methodically arrest all who have been spying.—garykmcd

Confessions of a Nazi Spy

Confessions of a Nazi Spy (1939)

Priscilla Lane

William Hopper

John Garfield

Twenty-five-year old Joe Bell, a vagabond, just wants a break in life so that he can ultimately have a place to hang his hat. Making that goal more difficult is his mistrust in authority as he was incarcerated for sixteen months for a crime he didn't commit - in fact, coming to the aid of the victim - and only released after the true perpetrator was caught. That jail time was despite his profession of innocence, the system failing him, only making him more defiant. His desire to achieve that goal is strengthened after he meets nineteen-year-old Mabel Alden, who can see his humanity despite the outward problems. Because of his previous prison time, Joe decides to go on the run when he is implicated in murder that he again did not commit. He and Mabel end up getting married, she vowing to stay with him on the run, her only stipulation being that he stays on the right side of the law. Due to their basic decency, they are able to make some friends along the way, some who give those potential breaks that they so need to make it out of their vagrancy. However, the authorities after them always seem to set them back. The question that thus arises is if they will give the law a second chance to show them that the truth will literally and figuratively set them free.—Huggo

Dust Be My Destiny

Dust Be My Destiny (1939)

Edward Norris

Dick Elliott

Early low budget version of the famous gunfight at O.K. Corral with Randolph Scott as Wyatt Earp and Cesar Romero as Doc Holliday. Remade by John Ford as "My Darling Clementine" in 1946 and by John Sturges as "Gunfight at the O.K. Corral" in 1957.—

Frontier Marshal

Frontier Marshal (1939)

Trevor Bardette

Donald Crisp

Humphrey Bogart

Whip McCord's gang robs the stage carrying money to pay Indians for their land, and the notorious outlaw "The Oklahoma Kid" (Jim Kincaid) takes the money from him. McCord stakes a "sooner" claim on land which is to be used for a new town, in exchange for giving it up, he gets control of gambling and saloons. When Kincaid's father runs for mayor, McCord incites a mob to lynch the old man whom he has already framed for murder..—Ed Stephan

The Oklahoma Kid

The Oklahoma Kid (1939)

Marilyn Harris

Marguerite Churchill

Breck leads a wagon train of pioneers through Indian attack, storms, deserts, swollen rivers, down cliffs and so on while looking for the murder of a trapper and falling in love with Ruth.—Ed Stephan

The Big Trail

The Big Trail (1930)

Ronald Reagan

Raymond Massey

The story of Jeb Stuart, his romance with Kit Carson Holliday, friendship with George Custer and battles against John Brown in the days leading up to the outbreak of the American Civil War.—Col Needham

Santa Fe Trail

Santa Fe Trail (1940)

Jon Hall

Jay Silverheels

Trapper Kit Carson and his band of men join John C. Fremont on his way to California. Enroute they are subjected to Indian attacks that are propagated by the Mexican Government, that does not want the contingency to reach California. Once in California, Fremont and Carson initiate a campaign to free the state from Mexican control.—Buxx Banner

Kit Carson

Kit Carson (1940)

Raymond Bailey

Country lawyer Lynn Hollister comes to the city to investigate the murder of a friend found shot after spending the evening in The Inferno, a night club that fronts for an illicit gambling operation. It is covertly run by an affable but corrupt politician, 'Boss' Tom Cameron, who uses voter fraud to maintain influence on city hall and the governor's mansion. Hollister learns that his friend was a winner in a dice game on the night of the murder and threatened exposure of Cameron's vice racket. Complications arise when other underworld forces vie to take over Cameron's operation, and Holister falls in love with Cameron's beautiful daughter.—duke1029

A Man Betrayed

A Man Betrayed (1941)

King Donovan

Steve Brodie

Barton MacLane

From the trial of the survivors, we flash back to amoral crook Ralph Cotter's violent prison break, assisted by Holiday Carleton, sister of another prisoner...who doesn't make it. Soon Ralph manipulates the grieving Holiday into his arms, and two crooked cops follow her into his pocket. Ralph's total lack of scruple brings him great success in a series of robberies. But his easy conquest of gullible heiress Margaret Dobson proves more dangerous to him than any crime...—Rod Crawford

Kiss Tomorrow Goodbye

Kiss Tomorrow Goodbye (1950)

Keye Luke

Terry

Walter Brennan

Joe Wilson and Katherine Grant are in love, but he doesn't have enough money for them to get married, so Katherine moves across the country to make money. But things go disastrously wrong for Joe when he stops in a small town and is mistaken for a wanted kidnapper. Through the course of the movie, Fritz Lang shows us how a decent and once-civilized man can become a ruthless and bitter man. Based on the story "Mob Rule" by Norman Krasna.—Andre'a M. Thompson

Fury

Fury (1936)

56 YIFY Movies Found

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