Alex Zahara

Rome Flynn

Teryl Rothery

Mike Dopud

Averie runs an inn and towards Christmas things gets hectic. A hotel critic arrives and she's there to judge whether Averie's inn is worthy of being appointed the inn of the year in her paper with a nice price sum attached. At the same time Averie agrees to arrange the towns Christmas celebrations when the original venue is flooded. Things gets even more complicated when the singer Jesse arrives at the inn. Jesse and Averie used to be a successful duet act before Averie quit showbiz and left Jesse as a solo act. Jesse's manager has booked him at the inn without knowing Averie managed the place.—Devnull

A Christmas Duet

A Christmas Duet (2019)

Yves Montand

Miou-Miou

Eugene Braun Munk

France Lambiotte

Fathers and sons, and political exile. In the fall of 1975, Franco is dying but repression continues. Jules and Eve, living well in exile in France, continue to assist the resistance. The underground calls with a job for either, and Eve goes, to the disappointment of their son, Laurent, visiting his parents at their seaside place in Cherbourg and not getting on well with his father. When a road accident in Spain brings tragedy, the father and son's conflict worsens. After Laurent and his girlfriend, Julie, pay a harrowing visit to Jules, Julie stays, taking Jules as a lover. Revelations and admissions about Jules and Eve make way for new ground for Jules and Laurent.—

Roads to the South

Roads to the South (1978)

Daniel Auteuil

Sandrine Bonnaire

Vincent Lindon

Tanya Lopert

Martial's mother owns a chain of supermarkets. He had spent some years in a mental hospital because of pervasive indolence. Hoping that an active task may improve his condition, he is sent to inspect one of the supermarkets. The manager had taken a large loan of money belonging to the firm. When exposed he expects to lose his job. Instead friendship develops between him and Martial who remitted the debt. A sexual relation begins between Francine and Martial, without jealousy from her boyfriend Fernand. Suddenly Martial disappears. He was called to his mother's sickbed. Francine took a job as a waitress. It is not clear if she understood that the owner of the bar would force her to do sexual services for some customers. To save Francine Fernand kills the owner. The only witness is Martial who says 'Run! Do you want to spend ten years in prison!' If he takes the murder on him, he will just return to the luxury hospital he recently came from. Only Francine saw a glimpse of Fernand and understood what really happened. The double sacrifice radically changed her emotions: she came to feel for Fernand as for an older brother and they parted.—Max Scharnberg, Stockholm, Sweden

A Few Days with Me

A Few Days with Me (1988)

Patrick Wilson

Rosemarie DeWitt

Donal Logue

Bill Hader

In New York City, thirty-three year old Patti Petalson is unhappy with her life. Her passion is literature, she having published one book of short stories ten years ago, but not having written anything since. Instead to earn a living, she sells real estate, a job and for a boss she hates. And although unspoken, she hates her husband, self-absorbed restaurateur Chazz Coleman, who doesn't listen to her and does whatever he wants regardless of her. While out for dinner, Patti and her BFF, schoolteacher Kate Scott, run into Brian Callahan and Michael Murphy, who were once Patti and Kate's respective boyfriends, the four who used to do everything together while they were in college, with both relationships ending twelve years ago as they were graduating. Kate has never forgiven self-described lowbrow Murph, now a successful lawyer despite his lack of academic smarts, for what she believed was a sexual indiscretion, while Murph outwardly just wants the opportunity to apologize. However, there is an unspoken attraction still between Patti and Brian. Brian is also somewhat unhappy with his current life. He is a successful writer of a series of what he considers "pulp fiction" detective novels, but has just written his first serious novel - one he doesn't admit to anyone is semi-autobiographical in that its lead character is a man trying to rise to greatness out of mediocrity - which is being panned by the critics, with his fans refusing to read it. He is dating twenty-five year old record company executive Bernadette, the two of them who live in separate generations and as such don't really understand each other. As Patti, Brian, Kate and Murph reconnect, the questions become whether there is a second life for them as couples, and specifically for Patti and Brian if their reconnection can elevate them into being the writers they truly want to be.—Huggo

Purple Violets

Purple Violets (2007)

Frank Cady

Tom Drake

Terry Moore

Jimmy Durante

With Christmas Eve just around the corner, fading song-and-dance performer Joe Mahoney finds himself forced to part ways with his extraordinary, indispensable, kilt-wearing companion Rupert, the squirrel. In the meantime, another struggling vaudevillian, Louie Amendola, moves into the cold flat of miserly landlord Frank Dingle with his family, unbeknownst to them that an unexpected Christmas miracle is about to take place. However, as the underemployed Amendolas have a taste of the good life thanks to the godsent gift, the police start to suspect foul play. Does stealthy Rupert have something to do with their newfound happiness?—Nick Riganas

The Great Rupert

The Great Rupert (1950)

Jun Hamamura

Sei Hiraizumi

Miwa Takada

Yoshio Yoshida

The local yôkai (Japanese spirits) interfere to avenge a murder and thwart the plans of corrupt officials.

Yokai Monsters: 100 Monsters

Yokai Monsters: 100 Monsters (1968)

Fuyuki Murakami

Yoshio Tsuchiya

Keiichirô Katsumoto

Keiji Sakakida

Munchkin-like aliens invade Earth full force with their flying saucers and laser weapons, rendering cities helpless. All eyes turn to the most powerful nations on Earth as they unite to concoct a plan to vanquish the aliens and return Earth to the hands of humans, thus, resulting in the most fierce and ultimate battle royale in outer space the galaxy as ever seen.—Oliver Chu

Battle in Outer Space

Battle in Outer Space (1959)

Honorine Magnier

Cyril Garnier

Janis Abrikh

Elsa Erroyaux

Eva, an ex-dancer, is now living in a wheelchair, unable to walk. when her friend Sophie gives her an old wooden antique advent calendar before Christmas, she realizes each window contains a surprise that triggers repercussions in real life: some of them good, but most of them bad - Now Eva will have to choose between getting rid of the calendar or walking again - even if it causes death around her.—WTFilms

The Advent Calendar

The Advent Calendar (2021)

Susan Chused Still

Don Levy

Maggie McNally

Eric P. Rothenberg

In Boston, the city that brought us Cheers, there really is a place where the staff know all the regulars by name. But it's not a bar, it's a downtown diner that's been there since the 1940s and has become a historical and cultural icon. 24 Hours At The South Street Diner introduces a diverse group of waiters, regulars, late-night revelers and local celebrities who call Boston's only 24/7 restaurant home. They share stories of why this tiny diner means so much to the neighborhood and the city of Boston and how it's survived fires, bankruptcies and even an attempt to revoke its late night license.—Anonymous

24 Hours at the South Street Diner

24 Hours at the South Street Diner (2012)

Jennifer Coolidge

Kathy Najimy

Steve Lund

Barry Bostwick

Desperate to avoid his family's judgment about his perpetual single status, Peter (Michael Urie) convinces his best friend Nick (Philemon Chambers) to join him for the holidays and pretend that they're now in a relationship. But when Peter's mother (Kathy Najimy) sets him up on a blind date with her handsome trainer James (Luke Macfarlane) the plan goes awry.

Single All the Way

Single All the Way (2021)

George W. Bush

Tom Mintier

Donald Rumsfeld

Samir Khader

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.—Sujit R. Varma

Control Room

Control Room (2004)

Woo-hee Chun

Kyung-gu Sol

Byeong-gyu Jo

Jongman Kim

The politician Koo Myung-hui finds his wife in the garage. She is cleaning her son's bloodstained car, which has just run over a person.

Idol

Idol (2019)

Bernie Kopell

Katherine Heigl

Cliff Emmich

Randy Quaid

A small lakeside resort community is beset by roaches. Big killer roaches that reproduce in dark moist places, and can grow to 10 feet long. The local sheriff may or may not be using them as part of his land-grab scheme. The locals eventually call in an over-the-top bug exterminator to relieve themselves of their problem.—

Bug Buster

Bug Buster (1998)

Luc Palun

Frédéric Pierrot

John Arnold

Philippe Torreton

This gritty police drama shows us the underbelly of the Parisian drug trade. Lulu is a tough streetwise narcotics cop who, like a Frank Serpico or a Dirty Harry Callahan, doesn't play by the rules or kowtow to his weak and/or corrupt superiors. Lulu thrives in this violent world, where sheer guts can overcome his squad's deficiencies of money and equipment. Despite the ruthless environment that he lives and works in every day, he still manages somehow to maintain his humanity.—Tad Dibbern

L.627 L.627 (1992)

Jack Kao

Monica Chan

Raymond Cho

Marcus Fox

Police Inspector Pao is trying to catch Mak Kwan, a gang member who is first arrested, but then escapes from the prison. By chance, Pao realizes that the target of Kwan's gang is the H. K. Jockey Club.

Full Alert

Full Alert (1997)

Hee-Bong Byun

Seung-Won Cha

Lee Ha-eun

Je-hun Lee

Cho Chun-sam and Noh Dae-gyu, now both in their thirties, are old friends who went to the same elementary school. In their school days, Chun-sam was always the ambitious class president, while Dae-gyu had to settle for a role as vice president. Twenty years later their roles are reversed: Chun-sam is now a humble farmer who has assumed the post of village chief in his hometown, while Dae-gyu is the newly elected county magistrate. At first, Chun-sam asks his old friend for favors regarding the development of his village, but these requests are turned down. Later, when Dae-gyu proposes building a nuclear waste disposal facility in the county, Chun-sam leads demonstrations against the plan, turning old friends into bitter rivals.

Small Town Rivals

Small Town Rivals (2007)

Isabel Jewell

Keye Luke

Edward Norris

Colin Clive

In Paris, great surgeon Dr. Gogol falls madly in love with stage actress Yvonne Orlac, and his ardor disturbs her quite a bit when he discovers to his horror that she is married to concert pianist Stephen Orlac. Shortly thereafter, Stephen's hands are badly crushed in a train accident--beyond the power of standard medicine. Knowing that his hands are his life, Yvonne overcomes her fear and goes to Dr. Gogol to beg him to help. Gogol decides to surgically graft the hands of executed murderer Rollo onto Stephen Orlac, the surgery is successful but has terrible side effects.—Ken Yousten

Mad Love

Mad Love (1935)

Bokuzen Hidari

Kôichi Uenoyama

Kôjirô Hongô

Kôichi Mizuhara

The murder of an old man on sacred grounds provokes the intervention of vengeful yôkai (Japanese spirits.)

Yokai Monsters: Along with Ghosts

Yokai Monsters: Along with Ghosts (1969)

Isabelle Huppert

François Cluzet

Patrick Bauchau

In 1942 in occupied France, a Jewish refugee marries a soldier to escape deportation to Germany. Meanwhile a wealthy art student loses her first husband to a stray Resistance bullet; at the Liberation she meets an actor, gets pregnant, and marries him. Lena and Madeleine meet at their children's school in Lyon in 1952 and the intensity of their relationship strains both their marriages to the breaking point.—English Showalter

Entre Nous

Entre Nous (1983)

Jewel Shepard

Josephine Jacqueline Jones

Ian Sera

Carole James

Christina Von Belle (Jewel Shepard), nicknamed The Playgirl Of The Western World, is a young, dark blonde with a 34-23-34 figure and husky voice, an adventurer and heiress of a large fortune. She drives dangerously a sports car, in a hide and seek game with a young man driver, Patrick (Ian Serra) with whom she finally meets, dazed but parked by the road side, in a meandering mountain road in south France. They share the passion for driving sports cars, and sex.They go to his place, a mountain resort, to spend a swinging evening with a similarly liberal minded couple: Brigitte Reynaud (Carole James) and Max (Tony Isbert).Before going to bed, Christina is taking a bath in the marbled walls bathroom. Christina is already nude when she is attacked from behind by a tall person dressed in a black leather catsuit and black hood, who muffles her screams with one hand, while with the other proceeds to physically pull Christina up and out of the bathtub by arm strength. Christina starts debating in the constricting reverse bear-hug, head butts the attacker, gets free, and delivers an uppercut to the head - but misses. Christina's screams are stopped again with a low punch to her midriff, and she's put in an arm lock. The attacker marches Christina forcefully to the adjoining bedroom. Christina's yelps have attracted the attention of her holiday companions.She calls out, «Patrick, help!» Her lover Patrick comes in a hurry, in and black trousers, with their swinging companions, Brigitte in jeans short shorts and low-cut top, and Max, in blue jeans and a white shirt, and the butler Jean [John in the English version] (Emiliano Redondo), all afraid to interfere because the attacker is controlling Christina with a knife to her throat.Christina acts quickly, stomping with her naked foot on the attacker's black plimsoll, causing enough pain to get free. Christina darts to the large bed and sits there looking, as the two young men attack at once the abductor, disarming him. Once unmasked, it is revealed that the abductor is a blonde woman.«Who are you, what do you want?» asks Patrick. «Who are you?»
Jean has produced a piece of cord to tie up the intruder.
Patrick asks the butler, «Won't you give me the knife?»
Jean looks for the discarded knife, and handles it to Patrick.
Christina has found her wits, and comes forward, already dressed in a large red bathrobe. «Wait! You guys don't have to be polite! You have to ask nicely...» Christina pulls down the zipper of the abductor's catsuit. «Now my friend, I'm sorry we weren't formally introduced. (Opening wide the pans of the catsuit top, and exposing the breasts.) Let's cut the shit, shall we? I don't you to think that I'm after revenge. (Putting the flick-blade's tip to the girl's inside right breast.) After all we wouldn't want to hurt the little and pretty things now, would we?»All the while the abductor has kept visual contact with Christina, and a brave face, as her arms are firmly grabbed from both sides by Patrick and Max, but now she shows fear, and speaks quickly: «I'm Emily (Anne-Marie Jensen), I'm of the 10th of November group. I'll talk if you let me go... I don't want to die! Anything else?»
Christina does not answer, but steps back, apparently pleased.
«You amaze me!» says Patrick, «Jean, tie her up, will you?»But Jean proves not to be very good tying a knot. As the two couples leave the bedroom, Emily bumps her buttocks on him, surprising him, and runs away, hands tied behind her back. Next, she is outrunning everybody on the balcony over the sea, hands free, and making a perfect high dive into the water - and escaping.Next morning, Christina wants to go riding alone, but Jean opposes, considering it too dangerous. She ends up to accept that he goes with her, after he promises to keep away from her that she won't notice him.She spends time riding her brown horse to the beach and along the shore. Then the horse whines, and she notices Jean on his horse on a high dune, signaling two bikers close by, to go get Christina. Christina proves to be a good amazon, but after a long chase through the dunes, a cyclist surprises her by flying the bike from the top of a dune, making her fall off the horse. When Christina stands up, she is immediately grabbed by the two female bikers, who've taken off their helmets. Jean introduces the girl to Rosa [Hilda in the English version] (adult film star Karin Schubert), the Teutonic looking platinum blonde leader of the 10th of November, a lesbian women-liberation group.The 10th of November's headquarters is situated in a discreet private island on the Spanish coast. A large mansion with classic interiors and settings, complete with medieval armory on the walls, and modern comfort. In a games room, several members of the sisterhood are training, under the supervision of a woman dressed in black: two teenagers do judo, Orange Belt versus Blue Belt; two elder Blue Belt girls also do judo, a Blonde versus a black haired girl; two little, masked girls are fencing with foils; and two teenagers in blue suits, and one girl in pink, are doing gymnastics and using an elastic table.The private helicopter lands, bringing in Christina and Rosa. They are received by two group members, two tall girls in black trousers, high heels, and see-through panther shirts - a Black and a Brunette. Rosa is escorted by two henchwomen, who walk hand in hand, dressed in the same form fitting and revealing outfits.Rosa enters the games room, and announces: «These two women shall fight now until one is victorious. The winner's prize will be the personal bodyguard of our lovely guest for one night.»
Christina shows her temper again, by disengaging from the two big biker girls' grip, and shouting at Rosa: «Damn you. I'm not a prize, I'm a person!»
«You've got a big mouth! You think you're superior... (She grabs the rim of Christina's white thin shirt, and rips it down, exposing a firm left breast, and erect nipple.) Underneath, you're like us! But you'll never equal us! (Shouting to the pair of fighters,) Begin!... Go on!»
Meanwhile, the two fighters have taken off the knee boots with spiked heels, helped by the pair of Blue Belts. Rosa back-slaps Christina, hard.
Marie (Helen Devon) a brunette with an Afro hair-style, and light-skinned black Antoinette (Josephine Jacqueline Jones, Miss Bahamas 1979) employ wrestling and judo holds and throws, Marie's panther print shirt disintegrates, leaving her practically topless, but that doesn't stop the fight. Antoinette attacks with even more energy. Marie's fingernails scratch at her opponent's bosom, and rips off the flimsy panther shirt, leaving Antoinette topless as well. A low punch, and a kick when Antoinette is down, leaves the other woman victorious.Rosa acclaims her: «Congratulations, Marie! (Pointing to Christina,) Here's your prize! It was quite a show, wasn't it?» she asks matter-of-factually from her small all female audience - that had been quite vociferous during the fight.
Marie takes Christina back to her room, bathes her, talks to her sweetly, and then takes her to bed. Christina says she doesn't want to, but she has no choice, and Marie tells her, «After this you will not want a man again.». Christina silently accepts Marie's lovemaking, and her eyes take in her female companion's beauty.The next day, Antoinette, despite having been Marie's companion before, is spying the new lesbian couple of Christina and Marie on the mansion's gardens. They are in the woods, by a large tree shade and an artificial lake. Since the prize was to be used for one night only, may be she wants her share now. She comes running at them, calling out, «Hi, you!»Marie tells Antoinette to get lost, pushes her away, and further incenses her by recalling that she has won because she is the superior woman. Christina profits from the argument and when Marie punches Antoinette, she punches Marie hard in the stomach, and tries to run away. A triangular kick and punching fight takes place, and this time it's Antoinette who seems to have the upper hand.Rosa arrives on the run, escorted by a dozen of her followers, to put a stop to the argument. Antoinette tells Rosa she overheard the pair talking of an escape.Christina shouts, «That's a lie!» quite convincingly, though it's true. Marie confesses, eyes on the ground.Christina, in a voice-off narration, tells how she accepted a relationship with her new captor, Antoinette, in order to attempt a new escape. During a stroll through an olive grove, Christina punches Antoinette in the belly and starts running through the sparse woodland. Antoinette catches her easily, applies a reverse bear-hug, and laughingly throws her down with a punch. She straddles the supine girl, rips her clothes off so she can enjoy better her prey. Christina has no choice but to surrender.Christina's submission inspires Antoinette to take her for a picnic at the beach. Christina, in a white dotted blue bikini, notices a small yacht approaching the island in the horizon. She walks nonchalantly to the sea shore, then, runs into the water and starts swimming fast away from the beach. Antoinette is topless, though wearing a knife sheathed in a large belt. She gets wise to the girl's plan, and swims after her with powerful strokes. Apparently it is Christina's chance, as the small boat is coming in her direction, with three men on board, the pilot and two sailors in typical Mediterranean striped shirts, blue and white for the younger.They stop the motor, and take the girl in - which gives Antoinette the chance to reach them, and jump on board from the stem, while the men were all eyes for the brunette in the small bikini. Antoinette manages to kick down the pilot, hit down the sailor in blue striped sweater, and body tackle down the older sailor. But then, Christina bear-hugs her from behind, pulling her off the sailor, and between the two, they throw the lesbian beauty overboard - never to be seen again. The pilot and the sailor in blue are also coming out of their dizziness.They restart the motor, and the older sailor (Vicente del Águila) informs Christina that they are smugglers, and that they are taking her to Mr.Alain (Emilio Linder), for they are poor smugglers, and there is a large ransom for her, to be paid by her family.Alain proves to be a perfect Spanish gentleman with a gourmet chef who also want to collect the ransom... He treats her so well that she forgets that he is only doing that for the ransom. He takes her to a bar in town, featuring the usual flamenco music, and the not so usual topless flamenco dancer... That is followed by a romantic song by Pablo (Enrique Johnson), a very young and handsome man, who takes Christina for the next dance, also with a romantic music. Christina easily finds an ally to help her escape the gentle smuggler. When Alain notices that Christina is no longer at the bar, it's too late for him to get the pair of running away.He persists, and the runaways find a not so fast vehicle to help them cross the mountain road: a truck, driven by an old man (Emilio Fornet). Follows a not realistic stunt scene, in which - without stopping the car - Christina the wild driver takes the wheel, and the old driver gets on the truck's loading box, and between him and Pablo, they keep their pursuers at bay by throwing large cauliflowers at Alain's car windshield. The car chase ends in the midst of comic relief scenes, at the next village main square, just in front of a police station.Christina gives a kiss to a plainclothes police officer (Adriano Domínguez), calling him her savior. Christina seems to have settled with Pablo, but that's not certain - as she has a dream in which she is nude again, and someone is driving toy cars around the valley of her belly and thighs, first a truck with a trailer, then an armored car.

Christina

Christina (1984)

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