Jirina Bohdalová

Ladislav Krecmer

Lubor Tokos

Miroslav Holub

Husband (senior ministry official) and wife find their house is riddled with listening devices put there by his own ministry. A harrowing night follows (reminiscent of 'Who's Afraid Of Virginia Woolf'), and the resolution is _worse_ than being carted off to jail...—Stephen Simmonds

The Ear

The Ear (1970)

Frances Fisher

David Rasche

Donal Logue

Emily Procter

Flamboyant Glasgow hairdresser, Crawford Mackinzie, gets a letter from the World Hairdresser International Federation inviting him to its prestigious annual contest in L.A. Filmmaker Martin Samuels is making a fly-on-the-wall documentary about Crawford; he and the crew go too. After maxing out his credit card at the Century Plaza Hotel, Crawford discovers he's been invited to participate in the audience, not the contest; he tries every angle imaginable to get in the competition: he phones fellow Scot Sean Connery, he gets a union card, he asks the reigning champion for help, and he connects with Connery's publicist, who's having a bad hair day. Will he succeed, for the little people?—

The Big Tease

The Big Tease (1999)

Sean Harmon

Royalty Hightower

Alexis Neblett

Makyla Burnam

The Fits is a psychological portrait of 11-year-old Toni-a tomboy assimilating to a tight-knit dance team in Cincinnati's West End. Enamored by the power and confidence of this strong community of girls, Toni eagerly absorbs routines, masters drills, and even pierces her own ears to fit in. When a mysterious outbreak of fainting spells plagues the team, Toni's desire for acceptance is twisted.—The Fits

The Fits

The Fits (2015)

Tom Fadden

John Wayne

Hank Worden

Jean Arthur

In 1938, an unmarried New York City bank clerk facing her 40th birthday ,Mollie Truesdale (Jean Arthur), with a trio of unsuitable suitors, finds that her cherished dream of making a 17-day all-expenses-paid bus trip to the Pacific Coast and back, isn't all she thought it would be...until she reaches Oregon and a bucking broncho tosses a rodeo performer on top of her and knocks her flat. Duke Hudkins (John Wayne), by way of apology, shows her the sights of Fairfield, Oregon, and she misses her bus, quarrels with the bewildered Duke, hitchhikes across a lot of desert...and a romance is born.—Les Adams

A Lady Takes a Chance

A Lady Takes a Chance (1943)

Phil Fondacaro

Joe Smith

Bill Moynihan

J.W. Perra

Anna Quarrels (Rhonda Griffin), the new librarian in the Rare Books Room, was doing her job when the edgy Mr Jamison from the University of Chicago came in wanting to see Mary Shelley's original manuscript for "Frankenstein, or The Modern Prometheus". Anna did everything right (signed him in, checked his ID, attached the authorization from the University, and made him don gloves and a mask) before she laid the precious manuscript in his hands. When he had finished, she prepared to tuck it back into the stacks. Imagine her surprise when she discovered that he had switched blank paper for the manuscript and walked out of the library with it. Checking his ID, she learns that it was false, so she hires a quirky Private Detective, David Raleigh (Justin Lauer), who works out of his video store, to track him down. By dusting the sign-in sheet, David is able to lift a set of the man's fingerprints and, after running them through the National Fingerprint Clearinghouse, he finds out that the man's name is really Dr Winston Berber. Now it is only a matter of finding Winston Berber and getting back Shelley's manuscript.Meanwhile, Berber (Bill Moynihan) is gloating over his collection of rare manuscripts. Along with Shelley's manuscript, he's now obtained the originals of Guy Endore's "The Werewolf of Paris" (1933) and James Putnam's "Mummy" (1993). He needs only to get the first edition of Bram Stoker's "Dracula" (1897), and his collection will be complete. Berber needs the manuscripts because, even with four doctorate degrees in Physics, Mathematics, Folklore, and Philosophy, he is a nebbish. Consequently, he has created an "Archetype Inducer" and plans to bring to life the four greatest monsters from horror history -- the Mummy, the Wolfman, Dracula, and Frankenstein's monster -- in order to do his bidding.Two weeks have passed, and David has been so busy at the video store that he hasn't yet located Berber. Not to worry. Berber shows up at the library looking for the first edition of "Dracula" and Anna recognizes him. Holding Berber at bay with a pair of scissors, she phones David and tells him to hurry over to the library. Before David can get there, however, Berber zaps Anna with a taser, steals "Dracula", and takes both the book and Anna to his laboratory. When Anna comes to, she finds herself cuffed to a table. Berber informs her that she is just what he needs -- a virgin between the ages of 20 and 35 -- to sacrifice naked in order to make the Archetype Inducer work. Suddenly, David breaks into the lab, having gotten Berber's address off his computer at the video store. He knocks Berber out and releases Anna. Anna grabs all the manuscripts, and they hightail it out of the lab. Unfortunately, they weren't quick enough. Berber had already turned on the Archetype Inducer. While David and Anna are making their getaway, four figures step out of the machine -- the Mummy (Joe Smith), the Frankenstein monster (Thomas Wellington), the Wolfman (Jon Simanton), and Dracula (Phil Fondacaro) -- only they are midgets.Dracula isn't happy that he has been brought to life as a three foot midget, but Berber assures him that he can change that if he can get his hands on Anna, who is now part of the equation. So the monsters offer to get her for him. Meanwhile, Anna isn't too happy either about the bill that David sent her for his services...$6,200. Anna's supervisor, Miss Christina (Kristin Norton), isn't happy either because Anna keeps dodging her advances. When Anna once again dodges her advances, Christina stays late at the library in order to make love to the first edition of "Jane Eyre" in the Rare Book Reading Room. When she hears noise out on the floor, she goes to investigate and falls prey to Dracula's net. Now it's Berber who isn't happy, because Christina is not Anna, and he must have Anna for the procedure to work. However, Dracula forces him to try it anyway. Berber switches on the machine, Christina disappears then reappears as a Viking then disappears again. True to Berber's word, the procedure didn't work, so the monsters set out again to find Anna.First stop is David's house, where Dracula attempts to wrest Anna's address out of him, but David refuses to comply. When Dracula tries to bite his neck, David flashes the crucifix on his necklace, says, "Thank God I'm a Catholic," and races out the door. The monsters and Berber follow him, assuming that he will lead them to Anna. David leads them to the library. The monsters attempt to capture Anna, but David grabs Berber and threatens to break his neck if they don't leave Anna alone. David pulls out Berber's taser and threatens Dracula, who simply zaps it, causing it to explode.Anna and david are taken back to the lab where Berber again prepares for the procedure. When Dracula asks for assurance that it will work this time, Berber won't guarantee it because Anna is not a virgin. Dracula suggests that they find another woman, a virgin this time, to go through the procedure along with Anna, but Berber says that will unbalance things. The only way to keep everything balanced is to find an opposite to Anna -- a male virgin. After asking David about his virginity, Dracula is assured that he is indeed a virgin, and the preparations continue while David tries to come up with a catch. At the last minute, Anna has an idea. She points out to the monsters that, if they stay in the real world, they will eventually die like all humans do. However, if they return to the pages of the novels from whence they came, they will live on forever as the legends they are.Just as Berber pushes the red button to start the machine working, David and Anna escape from their cuffs. Instead of them being sucked into the machine, Christina the Viking reappears, grabs Berber, and they both disappear again. Anna and David conclude that the machine turned them into archetypes of a Viking and a mad scientist. Having had a little time to ponder, Dracula tells David to press the red button again. They have chosen to return to their own lands as the legends they are rather than to die in the real world, he explains. Before the monsters are sucked back into the pages of their respective novels, Dracula tells Anna that she is wise "for someone who has not yet lived a single lifetime.But do not fear," he adds, "we will always be with you...in your nightmares."Epilogue: Anna shows up at David's video store, gives him a check for his services, and informs him that Berber's lab has been torn down. She also gives him a book, the first English language edition of Venus in Furs. David thanks her and admits that he saw the movie. "1970, directed by Jess Franco (Jesús Franco), starring Klaus Kinski. Actually, there was an earlier version directed by Larry Buchanan, the guy who did Zontar: The Thing from Venus (1967) (1966). Actually, I think there's a '94 version but it's all in Dutch...," he drones on. Anna interrupts him with a kiss.

The Creeps

The Creeps (1997)

William Bryant

Edward Asner

James Hong

Carey Loftin

A germ warfare lab has had an accident. The first theory is that one of the nasty germs has gotten free and killed several scientists. The big fear is that a more virulent strain, named The Satan Bug because all life can be killed off by it should it escape, may have been stolen.—John Vogel

The Satan Bug

The Satan Bug (1965)

Jesús Franco

Howard Vernon

Paul Muller

Horst Tappert

A young doctor kills himself after a medical committee terminates his research into human embryos, considering it too inhumane. His wife then seeks revenge on those who drove her husband to his death by luring each member of the committee into compromising situations and then killing them one by one.—Kevin Steinhauer

She Killed in Ecstasy

She Killed in Ecstasy (1971)

Ben Johnson

Walter Huston

Thomas Mitchell

Jack Buetel

Newly appointed sheriff Pat Garrett is pleased when his old friend Doc Holliday arrives in Lincoln, New Mexico on the stage. Doc is trailing his stolen horse, and it is discovered in the possession of Billy the Kid. In a surprising turnaround, Billy and Doc become friends. This causes the friendship between Doc and Pat to cool. The odd relationship between Doc and Billy grows stranger when Doc hides Billy at his girl, Rio's, place after Billy is shot. She falls for Billy, although he treats her very badly. Interaction between these four is played out against an Indian attack before a final showdown reduces the group's number.—Ron Kerrigan

The Outlaw

The Outlaw (1943)

Laura Stetman

Ken Anthony II

Rod Grant

Chris Stein

An un-ethical DEA agent does everything in his power within and outside the law to catch a cocaine kingpin.

King Charles

King Charles (2017)

Sherri Lyn Litz

Marcus Ganci-Rotella

Paul McGinnis

Bevin Groves

Tired of the online dating world, a hopeful woman decides to give it one last try with a mysterious stranger who shares her love for scary films.

The First Date

The First Date (2017)

Liam Cunningham

Mario Opinato

Cosimo Fusco

Claudio Santamaria

After the abduction of a British tourist in Rome, police inspector Anna Mari is contacted by the criminal, who self-entitles The Card Player, challenging the police department to dispute a video poker with him where the prize would be the life of the victim. The Chief of Police refuses to participate and the victim is tortured and killed in front of an Internet web cam. British detective John Brennan is assigned to investigate the case and when another woman is kidnapped, they invite the addicted player Remo to play for the police. Anna and John lead the investigation trying to disclose who might be the serial-killer.—Claudio Carvalho, Rio de Janeiro, Brazil

The Card Player

The Card Player (2003)

Richard Moll

Clint Howard

Don Stark

R.G. Armstrong

An outcast military cadet taps into a way to summon demons and cast spells on his tormentors through his computer.—Humberto Amador

Evilspeak

Evilspeak (1981)

Mark Hamill

Tim Thomerson

Christopher Boyer

Chad Everett

The disgraced time trouble-shooter Travis Beck now works for the boring, less glamorous bureau of time statistics and calibration. He is sent back in time to put a quarter in a meter located in a small town on the edge of the Nevada desert in a supposedly simple time calibration exercise. However, everything goes haywire right from the start when he materializes naked in front of June Kelly in the desert, twenty miles from the town. He becomes more suspicious of his mission when his ex-partner, Bill Thermot, arrives to protect him during his simple, routine assignment. The mission becomes even more sinister when Travis discovers that June's father, Walter Kelly, is a retired time trouble-shooter who warns him about the team of assassins, led by Rifkin Koss, who are determined to stop Travis at all costs. Soon the mission becomes a deadly race against time for Travis as he tries to unravel the mystery of this seemingly innocuous event in this backwater town and decides what to do to protect the future.—Mark Smith

When Time Expires

When Time Expires (1997)

John Bird

Richard O'Sullivan

Lionel Stander

Per Oscarsson

Double-Agent Alexander Eberlin (Laurence Harvey) is assigned by the British to hunt out a Russian spy, known to them as Krasnevin. Only Eberlin knows that Krasnevin is none other than himself. Accompanying him on his mission is a ruthless partner, who gradually discovers his secret as Eberlin tries to maneuver himself out of a desperate situation.—alfiehitchie

A Dandy in Aspic

A Dandy in Aspic (1968)

Oliver Reed

Derren Nesbitt

Nigel Green

Peter Cushing

The sheriff of Nottingham plots to confiscate the estate of the Lord of Bortrey, who has died on Crusade. The Archbishop of Canterbury speaks against this plot, and the sheriff plans to eliminate him. Robin Hood pretends to undertake the assassination of the Archbishop for the plotters; Maid Marion, meeting him thinks him the leader of a gang of murderers, and leads him into a trap.—Bruce Cameron

Sword of Sherwood Forest

Sword of Sherwood Forest (1960)

Ron Perlman

Terra Vnesa

Barbara Mamabolo

Richard Alan Campbell

In St. Marks catholic boarding school for girls, the religious student Elizabeth is attacked by evil forces and disappears from the classroom and the impotent Father Drake is incapable of saving her. The school is closed and five years later it is reopened. Five troubled unwanted girls - Alex, Mara, the blind Cecilia, Leah and Connie - are left by their family in the institution, severely directed by the headmistress Miss Pearce with hands of iron. Father Drake is their teacher and the girls are forbidden to go to the mysterious third floor. When Alex has visions of the possessed Elizabeth, weird things happen in the spot and the girls have to fight against a legion of two thousand demons.—Claudio Carvalho, Rio de Janeiro, Brazil

5ive Girls

5ive Girls (2006)

Kichijirô Ueda

Mariko Okada

Seiji Miyaguchi

Isuzu Yamada

This film intends to portray a working/ living environment rather than tell a strongly plotted story. Major themes are money and the lack of it, the power of the police, the decline in geisha popularity and standards and the exploitation of girls by management.

Flowing

Flowing (1956)

Meryl Streep

Rhys Ifans

Catherine McCormack

Kathy Burke

A young boy tells the story of growing up in a fatherless home with his unmarried mother and four spinster aunts in 1930s Ireland. Five women different in temperament and capability from one another form a firm emotional support system for one another (reluctantly at times), with the eldest assuming the role of "somewhat meddling" overseer. Into this comes their elderly brother, a priest too senile to perform his clerical functions who has "come home to die" after a lifetime in Africa. Then the boy's father rides up on a motorcycle--to announce that he's on his way to Spain to fight against Franco. Although undeniably affected by the presence of the two men, the sisters continue to cope as a close-knit unit until something happens that disrupts the fabric of that cohesiveness beyond repair.—BOB STEBBINS

Dancing at Lughnasa

Dancing at Lughnasa (1998)

Gary Oldman

Christopher Lloyd

Colleen Camp

Seymour Cassel

A doctor's wife tires of his obsession with model trains, and spends her days wondering about the son she gave up for adoption at birth. While eating at a roadside café, she encounters a British hitchhiker, who turns out to be her son. They spend time together trying to find a bond. The son begins to hate the husband, and the wife begins worrying about the safety of her husband and his train set.—Ed Sutton

Track 29

Track 29 (1988)

Bela Lugosi

Andy Devine

Boris Karloff

John George

Honeymooning in Hungary, Joan and Peter Allison share their train compartment with Dr. Vitus Verdegast, a courtly but tragic man who is returning to the remains of the town he defended before becoming a prisoner of war for fifteen years. When their hotel-bound bus crashes in a mountain storm and Joan is injured, the travellers seek refuge in the home, built fortress-like upon the site of a bloody battlefield, of famed architect Hjalmar Poelzig. There, cat-phobic Verdegast learns his wife's fate, grieves for his lost daughter, and must play a game of chess for Allison's life.—Sister Grimm

The Black Cat

The Black Cat (1934)

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