Carey Loftin

Tom Fadden

Raymond Burr

Dennis O'Keefe

Joe Sullivan (Dennis O'Keefe) is itching to get out of prison. He's taken the rap for Rick (Raymond Burr), who owes him $50,000. Rick sets up an escape for Joe, knowing that Joe will be caught escaping and be shot or locked away forever. But with the help of his love-struck girl Pat (Claire Trevor) and his sympathetic legal caseworker Ann (Marsha Hunt), Joe gets further than he's supposed to, and we are posed with two very important questions: Is Joe really the cold and heartless criminal he appears to be, or is there a heart of gold under that gritty exterior? And does Joe belong with the tough, street-wise Pat, or with the prim, moralizing Ann?—Martin Lewison

Raw Deal

Raw Deal (1948)

Alex Karpovsky

Dustin Guy Defa

Clifford McCurdy

Max Heller

Erik Sparrow is one of the lucky ones. He's got a good job. He's in a stable relationship. He lives in one of the greatest cities in the world. Does he deserve it? Probably not. He's not too bright. He's not very attractive. He's not at all ambitious. He's chubby and he's always complaining. And when his girlfriend Jody proposes to him, he doesn't even have the good sense to accept her offer. He'll never find a woman like this again. Instead, Erik bumbles his way around the issue, offering one excuse after another for not getting married. When Jody dumps him and starts seeing an old flame from college, Erik tries to win her back. When he fails, he attempts to date other women, but the results are disastrous. Erik's starts falling apart. His job grows more unfulfilling. He becomes obsessed with a kinky co-worker who has no interest in him. He becomes riddled with despair. One night, Erik meets an enigmatic stranger named Gavin who asks him, "Do you want to die?" Erik shrugs and says, "I do." Then everything goes pitch black. When Erik wakes up from the darkness, he finds himself changed forever. He's stronger, more confident and free to do whatever he wants. Dating is a cinch. He's a Lothario, a sexual dynamo; able to seduce any women he wants without even trying. He quits his job. Finally, he's free and unshackled with not a care in the world. Except for one little thing, the excruciating stomach pains. There's only one remedy for that... BLOOD!—Onur Tukel

Summer of Blood

Summer of Blood (2014)

Saman Oskouei

Sasan Oskouei

Andrew Ross

Mana Neyestani

Everyday Rebellion is an impressionistic documentary essay as well as a web platform about non-violent forms of protest and civil disobedience in the 21st century. A project about methods of resistance supported by technology, seen not only through the current movements of the Arabian and Iranian uprisings, but also through former successful and less successful revolts. The film describes the everyday conscious and subconscious of resistance of societies fighting suppression and repression.—Anonymous

Everyday Rebellion

Everyday Rebellion (2013)

Martin Benrath

Toni Berger

Erwin Faber

Heino Hallhuber

Made during Writer, Producer, and Director Ingmar Bergman's tax-related exile in Germany, the movie continues the story of Katarina (Christine Buchegger) and Peter Egermann (Robert Atzorn), the feuding, childless, professional couple who appear in one episode of "Scenes From A Marriage". After Peter perpetrates a horrendous crime in its first scene, the rest of the movie consists of a non-linear examination of his motivations, incorporating a police psychological investigation, scenes from the Egermanns' married life, and dream sequences.—Owen F. Lipsett

From the Life of the Marionettes

From the Life of the Marionettes (1980)

Ingmar Bergman

Sif Ruud

Öllegård Wellton

Inga Gill

In 1946, nervous ballet dancer Ruth and her husband Bertil are returning to Sweden from his scholarship tour around Italy. In a Basle hotel room and on a train they quarrel; give food through the window to starving Germans; overhear wisdoms about marriage by Swedish clergymen returning from a conference; and finally make up. In flashbacks, Ruth reminisces her romance with middle-aged officer Raoul, her subsequent abortion, and her ballet career. In a seemingly separate episode set in quiet Stockholm during Midsummer, middle-aged widow Viola is harassed first by a psychiatrist, Dr. Rosengren, and then by a lesbian old school-friend Valborg, with tragic consequences.—Markku Kuoppamäki

Thirst

Thirst (1949)

Lee Van Cleef

Mamie Van Doren

John Mitchum

Paul Fix

Chuck Wheeler gets out of the penitentiary and sets up an elaborate heist of Vegas casino money travelling by armored truck. He enlists the help of shady club owner Joe Darren and his ex-cellmate's wife, Vi. Vi's husband Mike is a trigger happy and jealous hothead and will not grant her a divorce. Mike escapes from prison right before the armored truck job goes into motion and promises trouble as he tries to locate his associates and his wandering wife.—Ed Sutton

Guns Girls and Gangsters

Guns Girls and Gangsters (1959)

Stuart Whitman

Diana Van der Vlis

Anne Bancroft

Lex Barker

Near a small Utah town, visiting lawyer David Hewson finds the slashed body of party girl Marcia Morgan, his fellow tenant at Parry Lodge. Sheriff Jess Holmes considers everyone at the motel a suspect, even owner Edmund Parry, a woman hater who is quadriplegic...or is he? While Holmes investigates and the suspects try to hide mutual fears, the killer strikes again...—Rod Crawford

The Girl in Black Stockings

The Girl in Black Stockings (1957)

Richard Long

Orson Welles

Natalie Wood

Ian Wolfe

Elizabeth and John say goodbye as John leaves to go to war. When World War I ends, Elizabeth receives a telegram that John has been killed in action. She finds comfort in Larry and they marry. John returns 20 years later, disfigured, with a new identity--Erik--and an adopted daughter, Margaret. John/Erik and Elizabeth accidentally meet and he learns that he has a son, Drew. John must then decide whether or not to reveal his true identity.—Kelly

Tomorrow Is Forever

Tomorrow Is Forever (1946)

Isaach De Bankolé

António S. Lopes

João Medina

Clotilde Montron

The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.

Down to Earth

Down to Earth (1994)

Ferreira Gullar

Images of Brasilia in its sixth year and interviews with different categories of people living in the capital. One question structures the documentary: could a fully planned city, created in the name of national development and the democratization of society, reproduce the inequalities and oppression that exist in other regions of the country?

Brasilia, Contradictions of a New City

Brasilia, Contradictions of a New City (1968)

Tsunehiko Watase

Taro Ibuki

Seizô Fukumoto

Tsuiyuki Sasaki

Although not an official sequel (Shihomi plays a different character), the film is often referred to as a sequel to the series. Kiku Nakakawa, the only daughter of an old kimono shop owner in Kyoto, is enthusiastic about karate. In order to help her friend Michi avenge her brother, she sneaks into a movie studio in Kyoto where a drug dealing syndicate is based.

Sister Street Fighter: Fifth Level Fist

Sister Street Fighter: Fifth Level Fist (1976)

Renji Ishibashi

Bunta Sugawara

Shôtarô Hayashi

Toshio Chiba

A story of yakuza lynching during the Edo, Taisho, and Showa periods.

Yakuza Law

Yakuza Law (1969)

Evelyn Keyes

Bess Flowers

Madge Blake

John George

In a fancy suburb in California, the gorgeous housewife Susan Gilvray finds a prowler outside her house late one night and she calls the police. Officer Webb Garwood and his partner answer the call but do not find anyone. Later Webb returns to Susan's house with the pretext of checking if everything is OK. Susan invites him in to have coffee with her. Webb soon learns that Susan is married to John Gilvray, a middle-aged broadcaster of a late night radio show. They also discover that they are from the same hometown. Webb makes a pass at Susan and even though she tries to put him off they soon start a love affair. When John becomes suspicious Susan ends her relationship with Webb. Though difficult Webb stays away from Susan. Without Susan's knowledge Webb plots a scheme to get rid of John; he simulates a scenario where John is "accidently" shot dead. There is an inquest and it is ruled that John Gilvray's death was not intentional. Webb quits the police-force a job he was never happy doing. He manipulates John's brother to get close to Susan again. He learns that John could not have children and that John and Susan's marriage was not perfect. Webb meets Susan and convinces her that he is really innocent.  They resume their relationship and soon marry. On their wedding night, Susan discloses that she is four months pregnant. How can they explain the baby coming so soon after they marry when there was supposedly nothing between them four months ago? There was a great deal of publicity around the case someone is bound to put it all together.—Claudio Carvalho, Rio de Janeiro, Brazil

The Prowler

The Prowler (1951)

Esther Ralston

Cedric Hardwicke

Finlay Currie

Conrad Veidt

A sinister character boards the Rome Express on the trail of a valuable Van Dyck painting, recently stolen from a Paris gallery. Much to his annoyance he finds the train populated with a motley assortment of passengers, including adulterous lovers, a very annoying golf fanatic, a French police chief and an American silent film star any one of whom could have the painting he desperately seeks.—wxjuh

Rome Express

Rome Express (1932)

Sean Connery

Alexander Knox

Gina Lollobrigida

Ralph Richardson

Extremely wealthy and powerful Charles Richmond usually gets what he wants, and if he doesn't, he prevents others from getting it. Condescending, he seems to relish other people's pain. He treats everyone horribly, especially two of his black servants, brothers Thomas and Fenton who he treats literally worse than dogs. Beyond these issues, his nephew Tony Richmond, his closest living relative who works for the family company and acts as his personal secretary of sorts, hates him because of how he treated both his now deceased parents, Charles who he blames for the death of Tony's father, his own brother. Further, Charles has just revised his will following a terminal illness diagnosis which may kill him tomorrow or several years down the road and which has left him wheelchair-bound, he leaving Tony with a pittance with most of the money going to charity more as a matter of spite. Requiring a constant nurse, Charles sees her physical attractiveness a necessary attribute more than her capabilities as a health care provider. Vetted by him, Tony sees Charles' latest nurse, Maria Marcello, as the perfect person for his plan: to become the next Mrs. Charles Richmond so that he will revise his will leaving all his money to her, Tony and Maria to split the inheritance. While the two of them embark on a secret relationship on the side, Tony figures Maria cannot cut him out of the plan as he is the one who will manipulate the situation for Charles to want to marry her. While Maria realizes that this plan may be for the long haul and that putting up with Charles' abusive behavior will be something difficult to tolerate, the nature of the plan may turn on a dime as is often the case in matters of wealth versus poverty, of right versus wrong, of love versus hate, and of life versus the possibility of imminent death.—Huggo

Woman of Straw

Woman of Straw (1964)

Jürgen Prochnow

Dieter Laser

Angela Winkler

Mario Adorf

Beautiful young German maid Katharina Blum meets Ludwig and they fall in love immediately and spend the night together. In the morning the police burst into her flat looking for Ludwig: he is a terrorist. But he is no longer there. Katharina is arrested, humiliated, suspected of being a terrorist herself, dragged through the mud by the newspapers. This film is a plea for democracy and individual rights.—Yepok

The Lost Honor of Katharina Blum

The Lost Honor of Katharina Blum (1975)

Mathieu Amalric

René Vo Van Mihn

Gaspard Flori

Emilie Aubry

Awarded the Special Jury Prize at the 41st Venice International Film Festival, this absurdist comedy, with its sprawling cast of crooks, thieves, anarchists, prostitutes, chief inspectors, art dealers, and inventors, calls to mind the bustling tapestries of Robert Altman. The story revolves around two objects, a rare set of 18th-century Limoges china, and a 19th century aristocratic portrait. As these items are passed, sold, or stolen from one character to another, a giddy round dance of excess begins to take shape, one which suggests that if history doesn't repeat itself, it certainly rhymes. Together with co-writer Gérard Brach, whose other co-writing credits include Repulsion and Tess, Otar Iosseliani uses a feather-light touch to expose the futility of class and social order, making a bagatelle of the concerns of rich and poor alike.—Anonymous

Favourites of the Moon

Favourites of the Moon (1984)

Ed Fury

Richard Widmark

Ben Wright

Cameron Mitchell

A privately-financed scientist and his colleagues hire an ex-Navy officer to conduct an Alaskan submarine expedition in order to prevent a Red Chinese anti-American plot that may lead to World War III. Mixes deviously plotted schoolboy fiction with submarine spectacle and cold war heroics.—Lew Amack (LAlawMedMBA@aol.com)

Hell and High Water

Hell and High Water (1954)

Cyd Charisse

Paul Bryar

Peter Hansen

Americans Tommy Albright and Jeff Douglas, on a hunting vacation in Scotland, discover a quaint and beautiful village, Brigadoon. Strangely, the village is not on any map, and soon Tommy and Jeff find out why: Brigadoon is an enchanted place. It appears once every hundred years for one day, then disappears back into the mists of time, to wake up to its next day a century hence. When Tommy falls in love with Fiona, a girl of the village, he realizes that she can never be part of his life back in America. Can he be part of hers in Brigadoon?—Jim Beaver

Brigadoon

Brigadoon (1954)

F. Murray Abraham

Walter Matthau

Phyllis Diller

Richard Benjamin

Lewis and Clark were famous comedians during the vaudeville era. Off-stage, though, they couldn't stand each other, and haven't spoken in over twenty years. Ben, Willy Clark's nephew, is the producer of a variety show that wants to feature a reunion of the classic duo. How will Ben convince the crotchety old comedians to put aside their differences before the big show?—Mike Konczewski

The Sunshine Boys

The Sunshine Boys (1975)

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