Todd Duffey

Natalie Britton

Marisa Davila

Cameron Kelly

A chance meeting sparks love between Will and Michele, but due to poor timing and the reality of life--they strike out twice. If fate gives them another shot--will they hit or miss?

Love and Baseball

Love and Baseball (2021)

Donald Pleasence

Wilfrid Brambell

Peter Cushing

Peter Sallis

George Orwell's novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love.

BBC Sunday-Night Theatre Nineteen Eighty-Four

BBC Sunday-Night Theatre Nineteen Eighty-Four (1954)

Candace Leung

Anthony Natale

Gavin Peretti

Josh Breslow

WHAT? is a black and white, silent (and signing) comedy about a struggling deaf actor, sick of agreeing to increasingly humiliating tasks just to get a role, who decides to take matters into his own - hands.

What?

What? (2021)

Clancy Brown

Christopher Walken

Richard Libertini

Edward Herrmann

Based on a true tale of power, corruption and murder, Christopher Walken stars in the story of the largest lynching in American history...

Vendetta

Vendetta (1999)

Magdalena Lamparska

Mikolaj Roznerski

Lauren Lakis

Susan Angelo

When a heartbroken scientist moves back home to start over, her scheming brother hires a handsome stranger to convince her to sell their land.

The Taming of the Shrewd

The Taming of the Shrewd (2022)

Barry Pepper

Brigitte Bardot

Ron Precious

Myron MacDonald

In 1971, a group of friends sail into a nuclear test zone, and their protest captures the world's imagination. Using never before seen archive that brings their extraordinary world to life, How To Change The World is the story of the pioneers who founded Greenpeace and defined the modern green movement.

How to Change the World

How to Change the World (2015)

Jet Li

Charlie Yeung

Jacky Cheung

Fred Tatasciore

After failing to save his wife from 'The Doctor', Kit Li is working as a bodyguard and secret stunt double for the cowardly martial arts film star Frankie Lane. Frankie attends an exhibition of the crown jewels of Russia at a Hong Kong hotel, and when the Doctor's gang take over the building in attempt to steal them, Kit is the only thing standing in their way. Will Frankie regain his courage? Will romance blossom between Kit and the nosy reporter? Who has the best Kung-Fu?—Brian Rawnsley

High Risk

High Risk (1995)

Fred 'Baldy' Baldwin

Jan Nanna Cernan

Barbara Butler

Tracy Cernan

When Apollo astronaut Eugene Cernan stepped off the moon in 1972 he left his footprints and his daughter's initials in the lunar dust. For decades later, shares his epic but deeply personal story. Cernan's burning ambition carried him to the spectacular and hazardous environment of space and to the moon. But there was a heavy price to pay for the fame and privilege that followed. As his wife famously remarked, 'If you think going to the moon is hard, try staying at home.' 'The Last Man on the Moon' combines rare archive material, compelling Visual FX and unprecedented access to present an iconic historical character on the big screen.—Anonymous

The Last Man on the Moon

The Last Man on the Moon (2014)

James Remar

Marisol Correa

Matt Servitto

Diona Reasonover

Three inept night watchmen, aided by a young rookie and a fearless tabloid journalist, fight an epic battle to save their lives. A mistaken warehouse delivery unleashes a horde of hungry vampires, and these unlikely heroes must not only save themselves but also stop the scourge that threatens to take over the city of Baltimore.—The Night Watchmen

The Night Watchmen

The Night Watchmen (2017)

Rico Carfanini

Sarah Giguere

Rebecca Cormier

Connor Girdwood

An amnesic blind man awakes alone in the back of an ambulance and unsuccessfully tries to contact anybody using the radio. Soon he finds zombies attacking him but he succeeds to flee to a farmhouse where he hides himself. Meanwhile the pregnant police officer Mara Madigan is lured by a sick woman and her police car is hijacked. She walks on the road and reaches the same farmhouse where the blind man is hidden. She decides to look for the ambulance to leave the place but it has run out of gas since the man, Ben Neilson, had started the car and left it working. Now Mara and Ben need to team up to escape from the zombies.—Claudio Carvalho, Rio de Janeiro, Brazil

Deadsight

Deadsight (2018)

Rhoda Pell

Bianca D'Ambrosio

John Walbank

Richard Kray

Roaming in the wild barren desert, a solitary woman is haunted by memories of mortality, innocence, love and beauty. In this stark and unforgiving landscape, visions of eerie entities are inextricably intertwined with the turmoil of this world, carrying the burden of shame, regret and guilt. Wolfe's music soothes the beauty of pain, while the land silently whimpers.—Nick Riganas

Lone

Lone (2014)

Eric Tsang

Lily Li

Chia-Hui Liu

Billy Chan

A couple unite - she is fluent in the crane style of kung fu, he in tiger style. They have a son, but the boy's father is killed by the evil eunuch Bai Mei. Disguised as a girl, his mom trains him in crane style while he secretly learns tiger style from his father's training manual.—BeTheBuddha (dragonflyrivers@yahoo.com)

Executioners from Shaolin

Executioners from Shaolin (1977)

Amira Casar

Jud Bengana

Fatima Hachache

Axel Granberger

Selma, 17, who lives in a bourgeois and secular Berber family. When she meets Julien in college, she realizes for the first time the impact of patriarchal rules on her intimacy.

Honey Cigar

Honey Cigar (2020)

Greg Han Hsu

Kevin Yan

Xun Liu

Zidong Yan

During high school, Zhou Xiaoqi fell in love with You Yongci at first sight, but he watched over her secretly and the girl left without saying goodbye. Now it is 15 years later and he still pines for her.

My Love

My Love (2021)

Michelle Visage

David Case

Breast Implant sickness. She has her 30 year old implants removed. No bra needed now.

Explant

Explant (2021)

Christopher Lee

Sam Kydd

Richard O'Sullivan

Yvonne Furneaux

During the fourteenth century, the Hundred-Year War between France and England is beginning. The English Army occupies French Aquitaine, but rebel French knights vow to continue the war and oust Edward, Prince of Wales (Errol Flynn), English ruler of French Aquitaine. Edward, Prince of Wales is the son of King Edward III (Sir Michael Hordern) of England, and he also is the heir to the English throne. The rebel French knights resent his presence in French Aquitaine and they plot to kill the Prince. When their plot fails, they kidnap his consort, Lady Joan Holland (Joanne Dru). Desperate, Prince Edward rides to her aid disguised in black armor in order to conceal his identity. After a series of valiant adventures, Edward the Black Prince and his troops do one more climactic battle against the French rebel army.—nufs68

The Warriors

The Warriors (1955)

Cobie Smulders

Ayo Edebiri

Bowen Yang

Jo Firestone

A New York love story that toes the line between narrative and doc with two actors reliving parts of their own experiences.

Cicada

Cicada (2020)

Roark Critchlow

Daniel Lissing

Mercedes De La Cruz

Sara Canning

Astronomer Madeline predicts that there will be a meteor shower that will occur just before Christmas. In order to study it better she travels to Summit View up state. On her way there she gets a flat tire and receives help from Ryan, a local ranger. He help her to town and it turns out he can also get her to the best viewing point to see the meteor shower. Only problem is that they also have to convince Summit View to turn off their Christmas lights at night so they can study the sky. Each night they wait for the shower and Ryan and his daughter Celeste engages in the happening. But will the Meteors arrive? And what about the handsome and helpful Ryan?—Johan Hammar

A Christmas Star

A Christmas Star (2021)

Stacey Nelkin

Malcolm McDowell

Ed Begley Jr.

Daniel Stern

It is December 31, 1982, and the Saturn Theater is preparing for its big New Years Eve concert. The show's midnight finale is having technical problems that narrowly avoid injuring owner and master showman Max Wolfe (Allen Garfield, credited as Allen Goorwitz), who has operated the Saturn since 1968. Fortunately stage manager Neil Allen (Daniel Stern) is on the job. Then former stage manager Willy Loman (Gail Edwards) shows up, and to Neil's chagrin Max refers to her as "the best in the business."Max Wolfe holds a 30-year lease to the theater, but his toadying nephew Sammy (Miles Chapin) has other ideas. Reptilian concert promoter Colin Beverly (Ed Begley, Jr., wearing a white polyester jumpsuit) arrives with his henchmen Mark and Marv (former teen heartthrobs Bobby Sherman and Fabian), who parrot their boss's every assertion with a slight paraphrase. Beverly offers to buy Max out of his lease with what seems to be a sweetheart deal at Beverly's concert auditorium and stadium, but Max refuses. Colin Beverly, cementing his role as the evil villain, replies, "This building is coming down and eighty-eight stories are going up. So f--k you and f--k rock and roll." Max, incensed, lunges at Beverly, only to collapse of an apparent heart attack. Outside, Sammy informs Beverly that he stands to inherit the theater from his uncle, and Beverly embraces Sammy as a new ally. He offers Sammy the same deal he offered Max -- if Sammy can get Max's signature on an agreement to transfer the Saturn's lease before midnight.Dr. Carver (Paul Bartel) arrives to check on Max, and advises bed rest. Meanwhile, one of the stagehands is stealing drugs from the doctor's bag. Coming up with only aspirin, cortizone, and suppositories, he laments that they have "too much work and not much time... what we need is something that's going to blast us into the fast lane." With a flash of light, a cloud of smoke, and the strains of Adrian Belew's "Big Electric Cat", Electric Larry suddenly appears -- a seven-foot-tall man with no face and glowing red eyes, wearing a flat-brimmed pimp's hat with mirrored band and a silver trench coat, and carrying a chrome attaché case. He waves a gloved hand over the case and it magically opens to reveal a stash of pills of every conceivable shape and color, and suddenly the stage is alive with artificially sped-up activity.The various performers for the show are introduced:* Captain Cloud and the Rainbow Telegraph, Max Wolfe's favorite band, arrive in an aging bus that is painted à la the Merry Pranksters' Furthur. The Captain (the Turtles' Howard Kaylan) is carrying a backstage pass for New Years 1969, not 1983, but no matter -- Max gives him the finale for old times' sake. Captain Cloud replies blissfully with one of his many tripped-out-guru epigrams: "The end is always a new beginning."* Nada arrives in a battered 1957 Chevy Belair, and her entire 15-member band piles out of the back seat in a "clown car" gag. The band is an amalgam of many disparate styles of music that appeared on MTV in the early 1980s -- part bubble-gum pop, part New Wave, part garage rock. Locked in the trunk is "Special Guest Star" Piggy (Lee Ving of the L.A. punk band Fear), a self-destructive, anarchistic punk -- with an articulate knowledge of music business contract terminology.* King Blues, the King of the Blues (Bill Henderson), a spoof of Muddy Waters. Although he is a kindly man, King Blues' opinion of himself is so great that a eulogy for a fellow bluesman ends with the King threatening God "you better take care of him, or I'm going to wax your ass."* Auden (Lou Reed), "metaphysical folk singer, event of the '70s, [and] antisocial recluse," hasn't been heard from in six years -- but Max is certain he can convince him to play the Saturn, since he's "calling from his deathbed." Auden answers the phone in a shot that mimics perfectly the cover of Bob Dylan's Bringing It All Back Home, except that everything, including the woman lounging on the couch, is covered in cobwebs. Hearing that Max is making "a deathbed request," Auden bursts into song (using that phrase as a lyric) and decides "there's a concept album in this, I'll be right over." He hops into a cab and tells the driver to "take the scenic route, I got some things to work out."* Reggie Wanker (Malcolm McDowell), "20 years of rock and roll and still on top", is a Mick Jagger spoof with his own private jet and a countess for a girlfriend. Years of fan adoration (and drug use) have left Reggie jaded, bored, and uninspired with his life as the ultimate rock star.The new by-the-book fire inspector, Connell O'Connell (Robert Picardo), arrives and informs Neil that no fireworks and no open flames will be permitted in the theater.Max and Neil give a brief pep talk to the Saturn staff, then the doors are opened and the audience streams in. While the ushers (including Clint Howard) take pains to search everyone and begin to accumulate a massive stockpile of confiscated contraband -- including kegs, firearms, and a 500-pound bomb -- they seem oblivious to the seven-foot tall walking marijuana joint that enters excitedly, accompanied by two Rastafarians.King Blues opens the show, performing two of his "own" hit songs, "The Blues Had A Baby and They Named It Rock and Roll" (by Muddy Waters) and "Hoochie Coochie Man" (by Willie Dixon). Next the Nada Band take the stage and perform "I'm Not Going to Take It No More." Piggy leads the band in a viciously punk-rock version of "Hoochie Coochie Man," complete with stage dives and slam dancing, and King Blues recognizes it from its opening notes. He appraises Piggy's rendition warmly, saying, "Who said a white boy can't sing the blues?"After their set, Nada, Piggy and the band return triumphantly to their dressing room, only to be disappointed by the poor selection of refreshments. Nada says, "champagne again?" which cues Electric Larry to reappear; this time his attaché case contains a large rock of cocaine, which grinds itself into powder and distributes into neat lines with a wave of Larry's hand. Piggy, inexplicably, panics at the sight of Larry and flees the room.Reggie Wanker heads for the stage, while fires of appreciation (many of them much bigger than the concert-cliché upraised lighter) burn throughout the audience. At the same time, the fire inspector is chasing the giant joint, now partially burned down, through the mezzanine with a fire extinguisher.As the show proceeds, Sammy tries to find ways to sabotage the theater, including fueling a fire in the basement and cutting the fire hose. Neil and Willy manage to put the fire out by connecting their hose to a water pipe in the dreaded mens' room. Mark and Marv give Sammy a bomb, which he plants in the rocket ship that Max will ride during the final countdown to midnight.Reggie sings a celebration of egotism, "Hot Shot," then moves on to a version of "Hoochie Coochie Man" (leading King Blues to "bask in my own genius.") During his set Reggie sets off fireworks, and the fire inspector (now in the audience) rushes the stage. The bass player hits the inspector with his guitar and kicks him off the stage, a reference to Pete Townshend's treatment of Abbie Hoffman at Woodstock. The inspector runs backstage, where he collides with Sammy (who is fleeing the impending bomb). Both are knocked unconscious and fall to the ground. Electric Larry, unbidden, shows up for the third and final time to squirt an eyedropper of clear liquid (presumably LSD) into the tank of the water cooler. He delivers his only line -- "Happy new year" -- and vanishes. Moments later the inspector and Sammy are revived and drink water from the cooler, which almost immediately gives them animated rainbow visions. The inspector is last seen spraying his fire extinguisher at random, seeing fires everywhere, while Sammy abandons his greedy persona and starts giving away his material possessions.Willy overhears Mark and Marv talking about the bomb, and is captured by them and Colin Beverly. They lock her in the trunk of Beverly's limo and drive off. Auden, still riding in the taxi cab, realizes that day has turned to night and orders the driver to "step on it." The cab soon collides with Beverly's limo, which releases Willy, who escapes and runs back toward the theater.During a ridiculously extended drum solo, Reggie has returned to his dressing room for an interlude with about a dozen half-naked groupies. His girlfriend, Countess Chantamina (Anna Bjorn), discovers his infidelity and invites the nerdy, virginal stage hand Joey (Dan Frischman) into another dressing room as an act of retribution. Reggie finds them and, feeling betrayed, returns to the stage to deliver a heartfelt ballad reprise of "Hot Shot." As the song ends, Reggie walks backstage, where he asks Neil for a glass of water -- which comes from the now-magical water cooler.Left wanting an encore from Reggie, the audience begins to get unruly, so Neil puts on a cartoon -- a black-and-white print of the 1935 Technicolor short The Sunshine Makers. Meanwhile, Reggie heads to the bathroom, where his penis initiates a conversation with him, explaining that tonight's performance was Reggie's greatest because it had emotion. Reggie decides to name his penis as his band's new manager, telling his bandmate Toad (the Doors' John Densmore), "Rock and roll is going to be fun again."Only a few minutes before midnight, Willy reaches the theater and tells Neil about the bomb. With the help of Captain Cloud, Neil learns from Sammy where the bomb is hidden, and he radios up to Max, who is already riding the booby-trapped rocket ship down a wire from the upper reaches of the theater. Max finds the bomb and tries to throw it to Neil, but instead it lands in the crowd, which tosses it playfully, as if it is yet another concert beach ball -- overhead from person to person. As the crowd counts down the final ten seconds, the bomb makes its way out of the main hall, through the lobby, and out the front door. Just as Colin Beverly's limo pulls up to the curb, the bomb is tossed into it -- and the last second ticks away. There is a big explosion, everyone shouts "happy new year," and Captain Cloud leads them all in "Auld Lang Syne". Beverly, Mark and Marv crash through a skylight, relatively unharmed, and the celebration ends happily.As the last of the audience leaves, Auden finally arrives, having paid a cab fare of $11,864.90 with the cash in his pocket. Neil introduces Auden to his younger sister, Susie (Stacey Nelkin), who is a big fan. Max gives Neil the lease to the theater, saying he intends to retire. Neil offers partnership to Willy.The end credits roll, while Auden sings Reed's "Little Sister" to an audience of three: Susie... and in the balcony, the giant joint and a lonely German Shepherd guide dog. The final caption reads, "Thanks for the memories to the entire staff of the Fillmore East 1968-71."

Get Crazy

Get Crazy (1983)

D.L. Hughley

From his inner-city roots in L.A., D.L. Hughley has become one of the smartest, most popular stand-up comics working today. This HBO special--his fourth--will show audiences just how far he's come, and how funny he is--with no apologies necessary! Taking the stage in Washington, D.C., Hughley focuses on such topics as the dangers of living in the nation's capital, the qualifications of the 2008 presidential candidates, the current administration, the immigration debate, Cuban refugees, airplane restrictions, the 'n' word, Don Imus and freedom of speech, whites and blacks on cruise ships, Paris Hilton, and much more--including D.L.'s now-famous interaction with hapless audience members in the first row.—Anonymous

D.L. Hughley: Unapologetic

D.L. Hughley: Unapologetic (2007)

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