Robert Carlyle

Tom Wilkinson

Marsha Thomason

Christine Tremarco

A young Catholic priest, Father Greg Pilkington, joins an inner-city parish. In confession a teenage girl reveals how her father is molesting her, leaving Father Pilkington in a quandary. Equally vexing to the priest is his own sexual orientation.—grantss

Priest

Priest (1994)

Glenda Jackson

Susannah York

Vivien Merchant

Mark Burns

'The Maids' was one of Jean Genet's most outstanding plays representing the avant-garde of French playwriting when it was written in 1946. On the surface the film is about two maids of a wealthy Parisian woman, who resentful of their servitude dream of their escape and their revenge on Madame. But with wonderful high rhetoric where Genet turns evil into a sort of religious ecstasy, both the maids and their mistress are shown to be caught up in whirligigs of false illusions and inaccessible desires, which ultimately end in tragedy.

The Maids

The Maids (1975)

Jackie Chan

Nan Yu

Xiao Yang

Wah Yuen

Jackie Chan is the undefeated Kung Fu Master who dishes out the action in traditional Jackie Chan style. When a young boy sets out to learn how to fight from the Master himself, he not only witnesses some spectacular fights, but learns some important life lessons along the way.—Anonymous

Looking for Jackie

Looking for Jackie (2009)

Kenny Smith

Mark Jackson

Stephon Marbury

Kenny Anderson

Against the backdrop of New York City's epidemic of drugs and crime in the 1980s and 1990s, a unique style of basketball emerged on the city's courts defined by toughness, talent and swagger. Fashion and a fusion with hip-hop converged with basketball to change the game forever. Legends were born on playgrounds, high school gyms and in community centers. Names like Kenny "The Jet" Smith, Dwayne "Pearl" Washington, Mark Jackson and Stephon Marbury made famous a style of ball that forever changed the game.

NYC Point Gods

NYC Point Gods (2022)

Emily Watson

Christian Bale

John Wood

Jonathan Aris

After a 10-year absence Toni (Lee Ross), Chris's (Christian Bale) best friend, suddenly reappears in London to bring chaos and doubt into Chris's calm, tranquil, slightly boring, predictable life. Chris starts to remember his carefree youth as a photographer in Paris when he lived with and enjoyed a torrid affair with Annick (Elsa Zylberstein). It was also in Paris that he first met and fell in love with Marion (Emily Watson). The temptations and pressure exerted on Chris by Toni to return to their former carefree life of sex, drugs and rock'n'roll soon starts to have an impact on Chris's marriage. He starts to question his values, his lifestyle choices and his relationship with Marion and even suspects her of starting an affair with Toni whom she dislikes. Eventually circumstances come to a head and Chris is forced to decide whether to follow Toni back to the hedonistic, irresponsible life of his youth or face the harsh realities of the present and stay with Marion.—Mark Smith

Metroland

Metroland (1997)

Oliver Hardy

Stan Laurel

Harry Bernard

Frank Brownlee

Novice policemen Stanley and Oliver, eating lunch in their patrol car, nearly have their spare tire stolen by a thief and his sassy partner. They then miss the broadcast address of a burglary in progress, and Stanley borrows the phone in a jewelry store to call the station, mistaking the safecracker inside for the shop's owner. The boys eventually manage to catch the apparent burglar and bring him back to the station, only to find it's really the police chief, who'd been locked out of his house. The chief exacts a rather dire revenge upon the two rookie cops.—Paul Penna

The Midnight Patrol

The Midnight Patrol (1933)

Alan Hale

Ann Rutherford

Raymond Burr

Una O'Connor

Don Juan de Marana damages Spanish prestige in diplomatic circles with his indiscreet womanizing,although he attempts to rehabilitate his image after he meets the beautiful Queen Margaret, trapped in a loveless arranged marriage with the weak and feckless King Philip III. The Queen becomes the love of Don Juan's life, and although she is obviously attracted to him, the relationship remains appropriately platonic. Becoming caught up in court intrigue, Don Juan uncovers a plot by the King's minister, the ruthless Duke de Lorca, to become the power behind the throne. After de Lorca is exposed by Don Juan, he brazenly intimidates the cowardly king into compliance and threatens to execute the uncooperative queen. Helped by his friends, his servant Leporello, fencing master Don Serafino, and court jester Sebastian, Don Juan tries to foil the Duke's evil machinations.—duke1029

Adventures of Don Juan

Adventures of Don Juan (1948)

James Belushi

Allan Graf

James Le Gros

Isabella Hofmann

Jim Belushi plays a super-competent secret agent on the trail of Russian thugs. John Ritter plays a milquetoast dad who gets mixed up in the caper. The story follows their adventures over the course of a week, in which Ritter develops some guts and Belushi gets in touch with his sensitive side.—Afterburner

Real Men

Real Men (1987)

Audrey Tautou

Adèle Haenel

Ian Fenelon

Jean-Claude Matthey

In a town on the French Riviera, detective Yvonne is the young widow of police chief Santi, a local hero. When she realizes her husband was not exactly the model of virtue so idolized by their young son, and that an innocent young man, Antoine, has spent 8 years in prison as Santi's scapegoat, she is thrown into turmoil. Yvonne wants to do everything she can to help this very charming Antoine get back to his life and his wife--except tell the truth. But Antoine is having trouble adjusting to life on the other side, and he soon blows a fuse, leading to a spectacular sequence of events.

The Trouble with You

The Trouble with You (2018)

John Leguizamo

Comic and actor John Leguizamo examines the repression of Hispanic culture throughout American history in his one-man show "Latin History for Morons."

John Leguizamo's Latin History for Morons

John Leguizamo's Latin History for Morons (2018)

Christopher Lee

Edward D. Wood Jr.

Paul Kelleher

Lisette Kremer

When a professor specializing in ancient rites and rituals is attacked and his family killed by four of his students, he summons an evil spirit to hunt down the attackers and avenge his family.

Meatcleaver Massacre

Meatcleaver Massacre (1976)

Dean Ripa

Bryan Grieg Fry

Denisse Abreu

Carl Barden

The Venom Interviews is organized into book-like chapters, each dealing with a specific subject, following the participants from their young, pre-professional lives through their careers, and concluding with their personal retrospectives. The chapters become increasingly science-focused as the film develops.The film opens with William Becker (Central States Serpentarium) describing his "multi-faceted fascination" with venomous reptiles, using a moving comparison to the creatures from Ridley Scott's "Alien."Part I ("Dinosaurs and Garter Snakes") begins with stories of childhood fascination with reptiles, often starting with an interest in dinosaurs. There is a recurring (and surprisingly consistent) theme in which the majority of interviewees cite one type of snake - garter snakes - as the first animal they saw in the wild or kept as a pet. Outdoor scenes of groups of kids and young adults were filmed on Snake Road in LaRue-Pine Hills, part of the Shawnee National Forest in southern Illinois.Part II ("Ramping Up") follows the various paths participants took to begin working with venomous snakes. In "Starting the Hard Way," Dean Ripa recounts being seriously injured as a teenager by a bite from a cottonmouth, and then going on to build a secret collection of highly venomous snakes, unbeknownst to his parents. The next chapter - "Rear-fanged Colubrids" - describes the more typical steps to working with venomous snakes, starting with less lethal rear-fanged species.In "Mentors and Starter Species," Al Coritz (Deadly Beautiful Zoological), Doug Hotle (Albuquerque Biopark), Terry Phillip (Black Hills Reptile Gardens) and others emphasize the importance of working under the supervision of an experienced mentor to develop the skills and procedures necessary to manage highly venomous species. In the US, they recommend starting with native species, such as copperheads and small rattlesnakes, for which antivenom is readily available."Why Venomous Snakes?" discusses the motives, healthy and otherwise, that various people have for working with potentially dangerous reptiles. In particular, interviewees draw a distinction between motivations that are driven by an interest in science and those driven by ego and attention-seeking.Part III focuses on "The Private Sector" - the important scientific contributions made by private keepers, outside the world of labs and zoos. In "The Value of Private Herpetology," Terry Phillip and Doug Hotle highlight the advancements made in reproductive biology, followed by "Doc Seward & The Monsters," in which retired dentist Mark Seward gives a tour of his home-based breeding and research facility, where he studies the reproductive biology of gila monsters.The chapter "What Makes a Responsible Keeper?" advocates for the freedom of private individuals to keep venomous reptiles. Carl Barden (Medtoxin Venom Labs) and Dr. Leslie Boyer (University of Arizona) help define what responsible keeping means, including secure caging, protecting the community, and stocking antivenom for exotic species. In the next chapter - "Regulation and Permits" - Al Coritz voices the herpetoculture community's disdain for poorly-conceived, arbitrary restrictions, and cites Florida's licensing program as an example of reasonable regulation.Part IV - "The State of Television" - lays out the core purpose of the film, which is to call out the media's excessive sensationalization of venomous reptiles and the people who work with them. Al Coritz cites the work of David Attenborough and Mark O'Shea as examples of modern wildlife programming done right, while Jim Harrison (Kentucky Reptile Zoo) and Doug Hotle describe their own experiences pushing back against embarrassing attempts by filmmakers to fictionalize the subject.Part V - "Putting Risk in Perspective" - attempts to distinguish the actual risks posed by venomous reptiles from irrational, fear-driven popular imagination. In "Developed vs. Developing Countries," Carl Barden describes the difference between snakebite in Africa and South Asia, where it is still a legitimate public health problem, and developed places like the US, Australia and Europe, where fatalities are now extremely rare.Starting at this point, the film begins to focus mostly on details of the sciences around venom, envenomation and antivenom. The chapter "Dangerous, or just Toxic?" makes the case that venom toxicity is a poor indicator of how dangerous a snake may be, and in "Risks By Species," Terry Phillip and Doug Hotle explain the different factors that make various species more or less difficult to work with."Venom Control and Baby Snakes" takes on the popular myth that baby snakes are more dangerous than adults. Dr. Bill Hayes (Loma Linda University) explains some of the extensive research on this subject, the universal ability of snakes to control venom delivery, and how the myth originated and propagated.Part VI ("An Ounce of Prevention") deals with preventing accidents. In "Not a Matter of When," Jeffrey Fobb (Venom One) argues that snakebite in not an inevitable risk and that it's possible to prevent it altogether with well thought out handling protocols. That discussion is balanced in the following chapter, "Perfect, All Day, Every Day," by Jim Harrison, Dean Ripa and Doug Hotle enumerating all the things that have to go right to avoid accidents. They draw particular attention to the dangers of complacency and distraction.Carl Barden, a former pilot, explains in "A Chain of Events" the interesting parallels between airlines' approach to safety and how that relates to venomous reptile work. He compares the pattern of "chains of events" that lead to aircraft accidents to a similar pattern working with venomous snakes, in which bite incidents are the result of multiple factors.Beginning with Part VII, the film begins to explore the interesting complexity of venom and envenomation. In "A Living Experiment," Carl Barden describes the unpredictability of snakebite from the perspective of a patient and how the outcomes of bites can be surprisingly good, or surprisingly bad. This idea is then discussed from the perspective of snakebite specialist physicians in "Every Bite is Different," in which Dr. Leslie Boyer and Dr. Steven Seifert explain why the effects of envenomation vary so wildly from case to case.Jim Harrison tells the story of one of his bites in "What it's Like to be Tortured," which includes actual home video footage from immediately after the accident through his stay in the hospital. In the next chapter, "The Value of Making it Personal," Carl Barden, Denisse Abreu of Medtoxin Venom Labs and their emergency physician Dr. Stephen Knight use Denisse's coral snake bite to explain why personal relationships with their medical team are so important. "September 11" tells the everything-gone-wrong story of Lawrence Van Sertima's bite by an inland taipan in Florida on September 11, when all flights were grounded and the closest antivenom was in California. Jeffrey Fobb provides the perspective of Venom One, who negotiated the delivery of antivenom and enabled Lawrence's remarkable survival.Justin Schwartz's rattlesnake bite and subsequent surgeries, made famous by the graphic and widely-circulated photos he published) are the focus of "Fasciotomy," which addresses the controversy around surgical intervention in snakebite, a practice still favored by some emergency-room surgeons but almost universally condemned by herpetologists and snakebite specialists. Dr. Leslie Boyer, Dr. Steven Seifert, Jeffrey Fobb and Jim Harrison explain why the practice persists, the arguments against it, and the proper treatment of cases in which it is assumed to be necessary.This part concludes with "It's Complicated," a breakdown of how venoms work, the various ways in which they affect the body, and the surprising complexity of some species' venoms.Part VIII - "Once Bitten" - is all about what happens after a person is bitten. In "Who Gets Bitten, and How," Dr. Leslie Boyer and Dr. Steven Seifert present a data-based discussion of some of the misconceptions around snakebite demographics, particularly the role of alcohol as a factor, and why the popular stereotypes are only partially true. "Time is Tissue" explains the importance of preparation and rapid response, and in "First Aid?" Dr. Leslie Boyer discusses the things people should and shouldn't do in the event of a bite.In the chapter "Anaphylaxis," Carl Barden talks about his own severely allergic reactions to both venom and antivenom, and the part concludes with "Envenomation by Exotics," which presents some of the special challenges of snakebites by non-native species, particularly the difficulty of sourcing foreign antivenoms while time quickly slips away.Part IX is "All About Antivenom" - how it's made, how it works, and how it has changed over the past century. The chapter "Sticker Shock" covers the uniquely American problem of snakebite treatment routinely costing hundreds of thousands of dollars, while "Antivenom 101" is a complex but very understandable lesson in how antivenom works and how it has become more refined over time. The chapter "CroFab" examines some of the pros, cons and controversies surrounding the dominant brand of antivenom for pitviper bites in the US.The film concludes with Part X - "Now What?" - in which the participants reflect on their careers. "The To-do List" presents the interviewees' remaining aspirations, and in "The Next Generation," they talk about those who will carry on their work in the future.The final chapter, "That's a Wrap!" brings the discussion back to where it started, with reflections on those childhood fascinations, now seasoned with lifetimes of work, education and experience.The closing credits begin with a dedication to Bill Haast, whose work helped sparked the childhood interests of many of the participants, as well as some of their careers, and who passed away at the age of 100 while the film was in production. There are memorials to Bill Becker and Karel Fortyn, who passed away before the film was released. The credits are accompanied by several minutes of humorous outtakes, which contrast with the otherwise serious nature of the film.

The Venom Interviews

The Venom Interviews (2016)

Ahmed El Awadi

Mohamed Elgendy

Amina Khalil

Fathi Abdulwahhab

The search for a lost treasure involves each of the heroes of this film in an atmosphere of suspense and excitement.

The Thief of Baghdad

The Thief of Baghdad (2020)

Parinaz Izadyar

Farhad Aslani

Navid Mohammadzadeh

Peyman Moaadi

In this high-octane thriller, detective Samad (Payman Maadi) goes on a relentless hunt to track down drug kingpin Nasser (Navid Mohammadzadeh). Samad hopes that the arrest of Nasser will help control the escalating problem of drug addiction that is wreaking havoc in the city. However, Samad's quest for Nasser leads him down a path rife with corruption and shifting morality, one where Samad can't trust anyone.—Anonymous

Law of Tehran

Law of Tehran (2019)

Adèle Exarchopoulos

Jonathan Sawdon

Julie Sokolowski

Mara Taquin

A young French woman comes of age following the senseless death of her mother. Having left home, somewhat adrift. Cassandre embarks on a career with a minor airline company and encounters life on life's terms, discovering that in the modern work-a-day world, people with whom there is no connection, don't give a fuck.—hoganallen-91203

Zero Fucks Given

Zero Fucks Given (2021)

Maxi

Paul Papadeas

Jane Reardon

Carlos Marentes

A disaffected former musician with a prosthetic hand is drawn into the mysterious and sinister world of his downstairs neighbor.

Laguna Ave

Laguna Ave (2021)

James Robertson Justice

Sam Kydd

John Mills

The true story of the British explorer Robert Falcon Scott and his ill-fated expedition to try to be the first man to discover the South Pole, only to find that the murderously cold weather and a rival team of Norwegian explorers conspire against him.—Michael Brooke

Scott of the Antarctic

Scott of the Antarctic (1948)

Janine Chun-Ning Chang

Isabella Leong

Alex Pychtin

Jianing Zhang

The film tells the story of a young girl who travels from Shanghai to Hong Kong in pursuit of education, but ends up working for her aunt seducing rich and powerful men.

Love After Love

Love After Love (2020)

Of all the countries of Africa there is one that wears a crown for wildlife, Namibia. Vast cattle properties and industries are beginning to swallow the land where Namibia's wild animals roam. Poaching is on the rise. Elephants and rhinos are under threat. With the threat comes hope. Namibian government experts, biologists and philanthropists have joined forces to develop simple, innovative strategies to stop the tide of destruction. This film is a celebration of the people who are making Namibia a sanctuary for the giants of Africa and an intimate look at the majestic creatures they are fighting for.—Enzedder

Namibia: Sanctuary of Giants

Namibia: Sanctuary of Giants (2016)

Eric Roberts

Sondra Blake

Zachariah Supka

Caroline Jaden Stussi

After an eccentric billionaire creates a drug called INOC which stops the aging process effectively eliminating death itself, the future of a world where death no longer exists is seen. Through a seemingly harmless children's toy, the story of the fate of mankind is told while also revealing an elusive truth to its unknowing spectator.

Broadcast

Broadcast (2022)

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