Géza D. Hegedüs

Gábor Zoboki

Ákos Köszegi

Csaba Debreczeny

Drop dead please! Following the sudden death of a mysterious engine driver in his sixties, the Wife, the Lover, her illegitimate Daughter and an increasing number of shady characters from his spurious past want to know the true identity of the man they loved. They are dying to know which of them was really loved by him, and where he has hidden the fantastic fruit of his double life. In their deadly struggle, our heroes find themselves in the center of a satirical crime comedy, the sinful roots of which stretch back to the eighties, the closing decade of the socialist era.—Zoltán Kamondi

Halj már meg!

Halj már meg! (2016)

Through the stories of a group of Moroccan boys who try to get to Europe irregularly, this documentary film makes a portrait of a whole generation of children and youth whose essential goal is to leave Morocco hoping to improve their lives and that of their families. For over a year, the camera accompanies them at different stages and stops of their journeys: from Morocco to Sweden, crossing Spain, France and Germany. During the journey, their circumstances will change and they will find out a very different reality from the one they thought they knew through their social networks. Without a voice-over nor outside opinions or speeches, the narrative axis is built on and evolves around the journey and the testimonies of the heterogeneous group of boys, to which some mother's voices add an essential vision for knowing some of the social codes that feed this diaspora. This way, from a humanist approach and treatment 'Minor lives' explores both the geographical and the inner journey of the protagonists. This approach allows the spectator to have privileged access, without filters, to a perspective not addressed so far of the Moroccan minors who pursue livelihoods in the European continent.

Vidas menores

Vidas menores (2020)

Alessandro Antonelli

Pietro Orlando

Naples, Traiano district. Initially it had to be a temporary peripheral destination for the inhabitants of the slums on the seafront of Naples, left homeless after the war. But the lodgings were permanently occupied, including the basement cellars, and soon the district became a sort of ghetto. Alessandro and Pietro are two 16-years-olds who film themselves with a smartphone to tell their difficult neighborhood, their everyday life, the friendship that binds them. They also tell of the tragedy of Davide, their neighbor who was killed innocent by a policeman after a chase, because he was mistaken for a fleeing wanted. He was sixteen too. It happened to Davide, but it could also happen to Alessandro or Pietro - That's why the director gave them his smartphone, asking them to film themselves in "selfie" mode, as if they looked in a mirror themselves, their world, their life. A film made entirely of looks, that tells a world where becoming a Camorra mobster is not a choice, but a fate that falls on you just born. Alessandro and Pietro do everything to oppose this destiny, defending the desire for a simple and normal life.

Selfie

Selfie (2019)

Jowita Chwalek

Jolanta Jackowska

Zuzanna Wierzbinska

Damian Duchnowski

The 12 year old driving enthusiast Gabriel is frustrated with his grandparents and decides to go across Poland with a comrade to find the father who left him as young. A subtle, cheerful, and touching story of friendship and love.

Gabriel

Gabriel (2013)

Mário Bispo de Souza

Gilberto Cardoso

Maria Nádia do Nascimento

Maria dos Santos Faria

Documentary on the disappearance of certain crafts and professions in Brazil.

O Fim do Sem-Fim

O Fim do Sem-Fim (2000)

Enter the Jolie Coiffure hair salon in the African Matonge district of Brussels, where charismatic owner Sabine presided over customers' flirting, gossiping, and harrowing tales of immigration.

Chez jolie coiffure

Chez jolie coiffure (2018)

A short documentary about the production of movie marquee art for cinemas in Prague.

Týden zacíná v pátek

Týden zacíná v pátek (1962)

Nastassja Kinski

Martin Scorsese

Harvey Keitel

Sophia Loren

A spotlight on Italian maestro Lina Wertmüller, the visionary and groundbreaking Italian writer-director who worked side by side with Federico Fellini and went on to make more than 30 films becoming the first woman ever to receive Academy Award nominations for Best Director, Best Original Screenplay and Best Foreign Film. A career tribute documenting her 50th anniversary in film enriched with interviews from many internationally renowned artists and critics.—Alexander Young

Behind the White Glasses

Behind the White Glasses (2015)

Kawai Okada

Sayuri Yoshinaga

Kazuko Yoshiyuki

Jun Hamamura

Set in Kawaguchi, just north of Tokyo in the early 60s, this simple story chronicles the lives of poor foundry workers and their families, and one girl's dreams of self-improvement through going on to higher education.

Kyûpora no aru machi

Kyûpora no aru machi (1962)

Tinni Torikka

Asta Sveholm

Kari Heiskanen

Anu Sinisalo

During the COVID lockdown, three Finnish men get together in an otherwise empty bar, talk, and sample what is in some special bottles.

Yö armahtaa

Yö armahtaa (2020)

Byungjae Yoo

Korean stand-up comic Yoo Byungjae offers his take on philosophy, sex and childhood memories.

Yoo Byungjae: Too Much Information

Yoo Byungjae: Too Much Information (2018)

Yanzi Yan

Na Zhao

Quansheng Gao

Weitong Xie

Pleasant Goat and Big Big Wolf 3

Pleasant Goat and Big Big Wolf 3 (2011)

Ni Ni

Ryan Zheng

Yibai Zhang

Jingchun Wang

A drama about a group of school friends growing up in the 1990s and 2000s.

Fleet of Time

Fleet of Time (2014)

Ingmar Bergman

Ewa Fröling

Allan Edwall

Gunn Wållgren

A chronicle of the making of Ingmar Bergman's Oscar winning film.

The Making of Fanny and Alexander

The Making of Fanny and Alexander (1984)

Marian Glinka

Slawomir Holland

Maciej Winkler

Cezary Kosinski

Tables turn as snooty film critic and art cinema lover Yanek Drzazga is faced with a task of writing and directing a movie - a shamelessly commercial vanity project starring wife of notorious gangster.

Superprodukcja

Superprodukcja (2003)

Yves Montand

Miou-Miou

Eugene Braun Munk

France Lambiotte

Fathers and sons, and political exile. In the fall of 1975, Franco is dying but repression continues. Jules and Eve, living well in exile in France, continue to assist the resistance. The underground calls with a job for either, and Eve goes, to the disappointment of their son, Laurent, visiting his parents at their seaside place in Cherbourg and not getting on well with his father. When a road accident in Spain brings tragedy, the father and son's conflict worsens. After Laurent and his girlfriend, Julie, pay a harrowing visit to Jules, Julie stays, taking Jules as a lover. Revelations and admissions about Jules and Eve make way for new ground for Jules and Laurent.—

Roads to the South

Roads to the South (1978)

Tamela J. Mann

David Mann

Sam Brice

Adrian Alvarado

A shopping mall Santa Claus is the disguise of a businessman that got into trouble with mob's money.

Soul Santa

Soul Santa (2021)

Hyeok Jang

Hie-gab Kim

Seon-tae Ju

Aeng-ran Eom

A man tries to raise his two sons and two daughters under some of the most adverse conditions known to man. The father operates a horse-drawn cart, but in a city that is modernizing after the destruction of the Korean War, automobiles are making carts obsolete. The children are experiencing difficulties as well. The eldest son has flunked the bar exam twice and is not hopeful of passing it a third time to become a lawyer. The eldest daughter is mute and married to an abusive husband. The younger daughter tries to pose as a rich university student to move up in life. The youngest son has a penchant for petty theft.—Anonymous

The Coachman

The Coachman (1961)

Annie Girardot

Umban U'kset

Jacqueline Alexandre

Nathalie Courval

François Perrin is a journalist who reads the news on RTL radio. Alone in life, his only "amusement" is his neighbour from Africa, who makes mildly fun of him from time to time. One evening, François is bored, and decides to call a random telephone number. He gets Christine on the line, a bit of an old school pharmacist, who hesitates to put down the phone, and plays the game of seduction with the charming "Mr X". After a missed appointment, he seeks her company, by pretending he is an important reporter, while he keeps on calling her pretending he is a famous writer, in order to not disappoint her because of his small job. In the mean time, Christine has to sort out her family life, but above all her friends, who are a bit too nosy...

Cause toujours... tu m'intéresses!

Cause toujours... tu m'intéresses! (1979)

Roland Steiner

Renate Künast

Stefan Heym

Christa Wolf

The film shows young people who belong to the so-called marginal group in the German Democratic Republic (GDR). These youngsters are skinheads, punks, greens or neo-Nazis. Officially non existent in the GDR. It becomes clear that the young people are looking for their own ways and new ideals. It is often children who were left alone with their problems. For them, violence has become the easiest way to solve conflicts. The film asks for the causes, but does not offer any solutions. Two writers, Stefan Heym and Christa Wolf comment on the topic in the film. Among other things, Christa Wolf has a conversation with two of the right -wing young people. Stefan Heym makes a comparison to the crisis situation in the early 1930s.—DEFA

Unsere Kinder

Unsere Kinder (1989)

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