Gary Busey

Robert Englund

Susan Richardson

Barbra Streisand

Talented rock star John Norman Howard has seen his career begin to decline. Too many years of concerts and managers and life on the road have made him cynical and the monotony has taken its toll. Then he meets the innocent, pure and very talented singer Esther Hoffman. As one of his songs in the movie says "I'm gonna take you girl, I'm gonna show you how." And he does. He shows Esther the way to stardom while forsaking his own career. As they fall in love, her success only makes his decline even more apparent.—A. Lloyd Adams [aadams@airmail.net]

A Star Is Born

A Star Is Born (1976)

Susan George

Timothy Bottoms

Morgan Woodward

Jack Starrett

After doing five years in prison on a drug charge, Poke is returns to his hometown intent on taking his sweetheart Mary Lee (and their child) away with him to California. His plan hits a snag, however, when he discovers that since his incarceration, Mary Lee has taken up with Duke, the very sheriff who put Poke behind bars in the first place. Things turn even worse for Poke when he later witnesses Duke assassinating a local Hispanic politician. Now with Duke out for his blood, Poke must choose to run for his life or make a stand.—Jean-Marc Rocher

A Small Town in Texas

A Small Town in Texas (1976)

Ken Takakura

Naoko Ohtani

Yoshio Harada

Hideji Ôtaki

A bad cop is engaged in a violent chase to catch a yakuza boss. In his absence his wife runs away with another man, who turns out to be the very same man that her husband is hunting. Once he discovers this, he loses his nerve and turns in his badge. But the chase turns into a personal vendetta where the ex-cop plans to wipe out the entire gang.—farnas

Wild Detective

Wild Detective (1976)

Jackie Chan

Biao Yuen

Mars

Wei Ho Tu

Jackie witnesses his father's death by the skilled hands of a martial arts master with an unknown killing technique. Jackie vows to become a Shaolin monk and avenge his death, but soon finds that he's the chump of the class. After befriending a variety of Shaolin Masters, each of whom teaches Jackie a particular style of kung fu (drunken, killing, slippery snake, et cetera), Jackie suddenly finds himself good enough to go give the beatdown to the one hundred "wooden men", who all Shaolin (in this movie anyways) have to beat to get the funky haircut. Jackie then proceeds to go around laying the beatdown on everyone, but shows his humility and compassion at the end.—

Shaolin Wooden Men

Shaolin Wooden Men (1976)

Jodie Foster

John Williams

Dexter Fletcher

Phil Daniels

A gangster movie in which all the gangsters are played by children. Instead of real guns and ammo, they use "splurge guns" that cover the victim in whipped cream. The story tells of the rise of Bugsy Malone and the battle for power between Fat Sam and Dandy Dan.—Steve Crook

Bugsy Malone

Bugsy Malone (1976)

Haskell Wexler

Bill Ayers

Emile de Antonio

Kathy Boudin

It's the mid 1970s and the Weather Underground Organization (WUO), a radical (and violent) offshoot of the Students for a Democratic Society, explains to leftist filmmakers the difficulties and experiences of being underground and wanted by the federal government.—Rex Iscariot

Underground

Underground (1976)

Chief Dan George

Marilyn Hassett

Jan-Michael Vincent

Marianne Jones

In Vancouver, young adult Mike has largely abandoned the indigenous half of his heritage - his father's side of the family - in being westernized. Of late, he has been having visions seemingly tied to that indigenous half, with those visions life threatening, either real of perceived only by him. These visions coincide with a surprise visit by his elderly paternal grandfather, Old Man Hawk, a medicine man who he has not seen in ten years. Mike does not recall ever seeing in his formative years any powers associated to his grandfather being a medicine man. Mike, who his grandfather calls Little Man Hawk, reluctantly abides his grandfather's request to drive him back immediately to his ancestral village three hundred miles away. Along for the ride is Maureen, a freelance writer who met Old Man Hawk by chance, who helped him locate Mike, and who is promised a human interest story in whatever reason seemingly ill Old Man Hawk has for needing to go home. Mike will learn that his grandfather showing up now was not by accident as he reconnects with his indigenous heritage by necessity. That reconnection may only last for so long as someone or something is seemingly after them possibly to kill them which is tied to the visions he has been seeing.—Huggo

Shadow of the Hawk

Shadow of the Hawk (1976)

Antonino Faà di Bruno

Paolo Paoloni

Liù Bosisio

Rossana Canghiari

The frustrating adventures of a humble employee who spends all of his time fulfilling his bosses' wishes and desires.

Fantozzi 2

Fantozzi 2 (1976)

Hiroko Fuji

Taiji Tonoyama

Eiko Matsuda

Tatsuya Fuji

Based on a true story set in pre-war Japan, a man and one of his servants begin a torrid affair. Their desire becomes a sexual obsession so strong that to intensify their ardor, they forsake all, even life itself.—Allen Brown

In the Realm of the Senses

In the Realm of the Senses (1976)

Ron Howard

James Stewart

Johnny Crawford

Christopher George

John Books an aging gunfighter goes to see a doctor he knows for a second opinion after another doctor told him he has a cancer which is terminal. The doctor confirms what the other said. He says Books has a month maybe two left. He takes a room in the boarding house and the son of the woman who runs it recognizes him and tells his mother who he is. She doesn't like his kind but when he tells her of his condition, she empathizes. Her son wants him to teach him how to use a gun. Books tries to tell him that killing is not something he wants to live with. Books, not wanting to go through the agony of dying from cancer, tries to find a quicker way to go.—rcs0411@yahoo.com

The Shootist

The Shootist (1976)

Max von Sydow

Philippe Noiret

Jacques Perrin

Giuliano Gemma

As his first assignment, lieutenant Drogo is sent to an isolated fortress on the borders of a desert and of a range of high mountains. The mission of the garrison is to prevent a possible incursion by the fearsome Tartars, coming from beyond the desert. Some fellow officers are eagerly awaiting an attack; some no longer want to believe in it; others take advantage of the vague threat to further their career. All of them are sacrificing everything -- health, youth, friends, family -- for a distant military ideal: leading the defence against the onslaught of the enemy. But in the vast emptiness surrounding the fortress, nobody has ever sighted the Tartars...—Eduardo Casais

The Desert of the Tartars

The Desert of the Tartars (1976)

John Steiner

Teresa Ann Savoy

Tina Aumont

Ingrid Thulin

Kitty runs a brothel in Nazi Germany where the soldiers come to "relax". Recording devices have been installed in each room by a power-hungry army official who plans to use the information to blackmail Hitler and gain power himself. A girl named Margherita discovers the plot, and with Kitty's help plans to take on the dangerous task of exposing the conspiracy.—Josh Pasnak

Madam Kitty

Madam Kitty (1976)

Corey Yuen

Cheung-Yan Yuen

Hark-On Fung

Two clans compete for dominance over the martial arts world in this classic of violent swordplay and political intrigue. A complex tale of deception and double crosses. Killer Clans leaves viewers guessing every step of the way. Masterful fight choreography from Yuen Cheung Yan (Yuen Clan member and brother of Yuen Woo Ping) and Tong Gaai fills the screen with bloody sword fighting and imaginative weaponry, delivering both great drama and fantastic martial arts.—The Shaw Brothers Classic Collection

Killer Clans

Killer Clans (1976)

Jack Palance

Roberto Reale

Vittorio Caprioli

Edmund Purdom

Tony, a mob loan collector, is dissatisfied with his station in life. Though he dreams of one day being rich, he is stuck with the dead-end job of beating up borrowers who fall behind in their payments. After meeting up with Napoli, another mob enforcer who's just been fired from his job, the two hatch a plan. Together, they will con mob boss Manzari out of a fortune, after which they can retire and live in luxury. Manzari, however, is not about to let them go so easily.—Jean-Marc Rocher

Rulers of the City

Rulers of the City (1976)

Yen Tsan Tang

Ka-Yan Leung

Lung Wei Wang

Jamie Luk

The famous story of the Shaolin Temple's betrayal by the White-Browed Hermit, and the subsequent revenge by Shaolin firebrand Fang Shih-yu.

The Shaolin Avengers

The Shaolin Avengers (1976)

Robert de Laroche

Martine Azencot

Stéphane Lorry

Nathalie Zeiger

Boris Zaroff is a modern businessman who is haunted by his past -- his father was the notorious Count Zaroff of The Most Dangerous Game fame. Consequently, Boris is subject to hallucinations and all-too-real social lapses which normally involve sadistic harm to beautiful naked young women. His butler is sworn to indoctrinating him into the evils of the family line, and their castle's torture dungeon proves quite useful in this regard. However, Boris is periodically lured away from his destiny by the romantic apparition of the deceased countess who previously owned the castle.—GoblinHairedGuy

Seven Women for Satan

Seven Women for Satan (1976)

Richard Harris

Jorge Russek

Geoffrey Lewis

Jorge Luke

In the 1840s, trappers with government backing push the Yellow Hands Sioux off their sacred land; they retreat into an apocalyptic spirituality, passively waiting for supernatural wrath to descend on their usurpers. Meanwhile, in England, Lord John Morgan feels his spirit weaken, so he returns to America to live again with the Yellow Hand. Finding them dispirited, he invigorates them as well as himself through self-imposed torture and other rituals. Once he convinces the clan to take direct action, Horse must devise a strategy to take the trappers' fort. The clan's women and boys take on special assignments to aid the assault to regain the sacred land.—

The Return of a Man Called Horse

The Return of a Man Called Horse (1976)

Josephine Chaplin

Klaus Kinski

Herbert Fux

Norbert Gescher

A Swiss-German horror film with Klaus Kinski as the notorious Jack the Ripper. A respected doctor by day, Kinski dismembers London prostitutes by night, until the local Inspector's girlfriend (Josephine Chaplin) goes undercover to catch him.—Ørnås

Jack the Ripper

Jack the Ripper (1976)

Tomas Milian

Giovanni Cianfriglia

Benito Stefanelli

Nico Geraldi is a tough undercover cop in the manner of Serpico. His rough and unkempt appearance belies his seriousness regarding crime and criminals. As a ring of pickpockets and thieves plagues Geraldi's city, he attempts to find the fences and criminal masterminds behind the thieves. Richard Russo is the crime boss. He successfully dodges the police, while he manages his criminal empire with cunning and ruthlessness. In the end, Geraldi must deal with Russo using unofficial means.—Ken Miller

Squadra antiscippo

Squadra antiscippo (1976)

Mary Alice

Dwan Smith

Lonette McKee

Irene Cara

Three sisters (Sister and the Sisters) from Harlem become singers. Sister (Lonette McKee) becomes involved with drugs, while Sparkle (Irene Cara) ends up being the one who gets famous. This film tells of how drugs ruin Sister's relationships and eventually end her life. It is also about the relationship between Sparkle and Stix (Philip Michael Thomas).—Anonymous

Sparkle

Sparkle (1976)

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