Ann Finnell

Patrick McGuinness

James Williams

Michael Glover

On May 7, 2000, in the parking lot of the Ramada Inn in Jacksonville, Florida, 65-year-old Mary Ann Stephens is shot in the head before her husband's eyes. Ninety minutes later, 15-year-old Brenton Butler is arrested. For the investigators and the media it's just another messed-up youth, just another wasted life.—Jwelch5742

Murder on a Sunday Morning

Murder on a Sunday Morning (2001)

Harry C. Bradley

Priscilla Lane

George Tobias

Humphrey Bogart

After the WWI Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie's partner and the rackets flourish until love and rivalry interfere.—Ed Stephan

The Roaring Twenties

The Roaring Twenties (1939)

Gordon Hirschi

Steve Kaiser

Sheryl Valesko

Matt Favero

Five friends embark on a ten-day journey on the incredible Uinta Highline Trail in northern Utah. Together they discover adventure and explore the history of the area. Along the way, you learn more about these hikers, and how they succeeded in life even when the odds were stacked against them. The film touches on some heavy subject matter, including PTSD recovery, addiction recovery, and much more.

Highline

Highline (2020)

Monica Vitti

Marcello Mastroianni

Jeanne Moreau

Giansiro Ferrata

Giovanni and Lidia have been married for several years now and their marriage has become a functional arrangement, devoid of love--and any other emotion. They go through the motions but barely care anymore. After visiting a dying friend, their time together is filled with long silences. Lidia visits a neighborhood where they once lived but little has changed there. At a party that evening, Giovanni spends time with a beautiful woman and Lidia spends time with a playboy. The party goes on all night, and by the next morning, Giovanni and Lidia start to try to work out their difficulties.—garykmcd

La Notte

La Notte (1961)

Roald Selvig

Agnes Selvig

Jane Selvig

Shannon Cate Schweyen

Underfunded and sidelined by men's athletics, the Lady Griz, as they came to be known, bloomed under the fresh Title IX regulations that brought equal funding, scholarships and facilities to women's collegiate sports. Selvig's hard-driving style took the team from humble roots playing before empty stands and built them into the preeminent women's basketball program west of the Rockies. Underfunded and sidelined by men's athletics, the Lady Griz bloomed under the fresh Title IX regulations that brought equal funding, scholarships and facilities to women's collegiate sports. Selvig's hard-driving style took the team from humble roots, playing before empty stands, and built them into the preeminent women's basketball program west of the Rockies.Coach Selvig's pioneering approach recruited young women not only from the small towns and one-room schoolhouses of Big Sky Country's ranching and farming communities, but also the sprawling Native reservations across the state. He drilled his young charges in the fundamentals, with an inclusive, barrier-breaking philosophy new for its time: he expected them to play just as hard as the men. Flanked and empowered by his female assistant coaches, drawn from the ranks of his former players, Selvig created a home --a family --leading generations of athletes to conference championships and NCAA appearances.

Playing Like a Girl: The House That Rob Built

Playing Like a Girl: The House That Rob Built (2020)

Annabelle Wallis

Jared Leto

Brandon Boyd

Flavor Flav

This documentary follows Jared Leto and his band 30 Seconds To Mars during the making of their album This Is War, under threat of a 30-million dollar lawsuit from record label giant EMI. It explores the themes of greed in the music industry, the economy's effect on it, and the struggles and choice of artists trying to maintain creative control of their work. The film made its world premiere at the Toronto International Film Festival on September 14th, 2012, and won the People's Choice Documentary award.

Artifact

Artifact (2012)

Rosario Dawson

Alicia Serratos

Monica Serratos

Larry Santoyo

The Need To GROW follows pioneers of cutting edge technology as they fight to localize sustainable food systems and regenerate Earth's dying soils.

The Need to Grow

The Need to Grow (2019)

Catherine Deneuve

Anna Wintour

Patrick MacDonald

Dana Tyler

Chronicles a man who is obsessively interested in only one thing,the pictures he takes that document the way people dress. The 80-year-old New York Times photographer has two columns in the paper's Style section, yet nobody knows who he is.—Anonymous

Bill Cunningham: New York

Bill Cunningham: New York (2010)

With great bawdiness and camaraderie, an eclectic rugby team of farmers strive to redeem themselves from a long run of bitter loses. A cinema verite study of contemporary manhood as observed through the rites and rituals of a rural New Zealand rugby club.

The Ground We Won

The Ground We Won (2015)

Tom Palmer

V. Chandra Shekhara Prasad

Mannem Madhusudana Rao

Johan Norberg

Noted Swedish author, commentator, and Cato Institute Senior Fellow Johan Norberg explores an inherited British bureaucracy which created layers of rules and regulations. However, globalization and economic liberalization have created fluidity between classes - and greater ambition. Norberg follows three individuals who are working to improve their lives, and in doing so, are breaking down the centuries old caste system. India is coming alive and flourishing economically. In fact, Citigroup estimates that by 2050, it will have the world's largest economy, larger than China and the United States. For many centuries, only the politically connected and elite prospered in India, while the rest of the population lived in poverty. However, since 1991, 250 million people have been lifted out of poverty and are finding new ways to flex their personal and economic power.—Free To Choose Media

India Awakes

India Awakes (2015)

Guido Spadea

Loredana Detto

Sandro Panseri

Corrado Aprile

Domenico and Antonietta are two suburban Italian youths who meet while seeking "a job for life" from a big city corporation. After a bizarre screening process made up of written exams, physical agility exercises, and interview questions such as "Do you drink to forget your troubles?" (Domenico and Antonietta are no older than 17 or 18), they land jobs in the "Technical Division" and "Typing Services" respectively. From there, Domenico works as an underutilized errand boy until a clerk position is vacated by the death of an older employee. Domenico finally takes his place in a room of 12 other clerks with a manager overseeing them from a desk at the head of the room. The film ends as Domenico ponders his fate, from behind his tiny desk at the back of the small windowless room, listening to the sound of the mimeograph machine as it runs off carbon copies next to the manager's desk.—Alex M. Dunne

Il posto

Il posto (1961)

Caelan Lewis

Dan Smith

Kyle Simmons

Will Farquarson

A bracingly honest new documentary sourced from hundreds of hours of unseen archive and all-new conversations captured during the pandemic, the film features open and frank insights from each band member plus collaborators inextricably linked to the group's orchestral adventures.

Bastille: Reorchestrated

Bastille: Reorchestrated (2021)

Tom Holland

Katie Featherston

Clancy Brown

Alex Winter

The follow-up to In Search of Darkness (2019) dives deeper into the practical-effects decade of '80s horror movies with all-new interviews from genre icons and industry experts alongside the original cast.

In Search of Darkness Part II: The Journey Into '80s Horror Continues

In Search of Darkness Part II: The Journey Into '80s Horror Continues (2020)

In the collective imagination, mountaineering is seen as an elitist and dangerous activity. When the mainstream press talks about mountaineering, it is generally to relate a drama or an exploit. The mountaineers are then placed in two categories. On the one hand, reckless supermen, engaged in a death struggle with the mountains. On the other, irresponsible unconscious people, that it is too often necessary to get out of a bad patch by mobilizing important means of rescue. But does this negative image of mountaineering match reality ? What if mountaineering had another face, that of a little-known practice, more widespread than one think ? What if mountaineering was not only a matter of supermen, but had also a feminine face ?—Marc Brulard

Facing the Void

Facing the Void (2020)

John Mulaney

Carole Shelley

Jon Brion

In the introduction, a nervous Mulaney prepares for his performance before he is ushered onstage by a mysterious chaperone. The show begins when, accompanied by organist Jon Brion, Mulaney greets the audience directly and launches into an introspective monologue about his parents' marriage, and his mother's alleged encounters with the supernatural.Following this, Mulaney describes memorable events that have occurred throughout his relationship with his father, who would "pick [him] apart psychologically" rather than enacting physical discipline. Among these are an awkward sex talk regarding composer Leonard Bernstein's perceived homosexuality, and a humorous incident wherein six-year-old Mulaney was compared to a Nazi for failing to intervene during an act of schoolyard bullying.The focus of the performance shifts to Mulaney's childhood, as he recalls the rituals associated with elementary school assemblies and the unusual antics of JJ Bittenbinder, a retired Chicago police detective tasked with informing pupils of "stranger danger". Bittenbinder has since expressed his dismay with Mulaney's parody, disputing the notion that he ever "wore a three-piece suit with a cowboy hat"[16]. Mulaney then examines his tertiary education in similar detail, despairing over student loans and the "audacity" displayed by his former college, Georgetown University, in approaching alumni for donations.Domestic life and the process of donating to Goodwill are skewered in the midst of the performance, before Mulaney details a lawsuit in which his college friends were sued for purported property damage. His failure to address the situation effectively transitions into a self-deprecating segment about the physical and psychological trauma associated with ageing. The relationship between ageing and alleged "grumpiness" segues into a comparison between the most memorable guests that appeared during his tenure on Saturday Night Live (1975), including Patrick Stewart and Mick Jagger.Mulaney's perception of the "olden times" prefaces his frustrations with the online Captcha test routinely mistaking him for a robot. His fascination with "old-timey things" is illustrated by a description of a Connecticut gazebo built during the American Civil War, an act he compares to "performing stand-up comedy now" in the uncertain political climate of the 2010s. This analogy introduces an extended metaphor comparing "this guy we call President" to a "horse loose in a hospital", and reveals Mulaney's rationalisation for his previous disinterest in politics. The joke was first performed in public during Mulaney's 2017 appearance on The Late Show with Stephen Colbert (2015).Mulaney's disdain for "these new Nazis" associated with the presidential establishment culminates in a loving evaluation of his three-and-a-half-year marriage to Annamarie Tendler, a make-up artist and lampshade designer of Jewish heritage. The contrast between their religious upbringings is emphasised by an anecdote concerning their French Bulldog Petunia, as an attempt to recreate Da Vinci's The Last Supper revealed her mistaken belief that Jesus and his disciples were depicted celebrating Thanksgiving.Stories from Mulaney's religious upbringing form the closing segment to the show, as he recalls Biblical stories, homilies and psalms that informed his religious education as a child.

John Mulaney: Kid Gorgeous at Radio City

John Mulaney: Kid Gorgeous at Radio City (2018)

David Johansen

Vince Giordano

Jon-Erik Kellso

Danny Levinson

A feature-length documentary about musician, scholar and bandleader Vince Giordano who, with his 11-member band The Nighthawks, has doggedly kept alive the popular music of the 1920s and '30s for the past forty years. Through Vince's story, the viewer will be immersed in the Hot Jazz and Swing that fueled Prohibition high-jinx and cheered up Depression-era America. And they will see what it takes to make a life as a professional jazz musician in 21st Century New York. Giordano's dedication, along with a handful of others, has kept this cultural phenomenon on life support through hard times, and introduced it to a new generation of Hot Jazz devotees and virtuosos who are laying claim to this joyful, energetic music.

Vince Giordano: There's a Future in the Past

Vince Giordano: There's a Future in the Past (2016)

Roman Polanski

Vladek Sheybal

Wladyslaw Kowalski

Ewa Wisniewska

A symbolic depiction of hell on Earth, set in the last days of the Warsaw uprising in 1944. Lieutenant Zadra is commanding a company of 43 men in a desperate battle amidst the ruins. Facing German offense and cut off from their comrades, Zadra is commanded to retreat his men through the sewer system ('kanal'). Zadra and his men are reluctant to do so, as it would indicate that they have lost the battle, but decide to obey the orders. However, as the men (and women) retreat, it becomes clear that their desperate attempt to flee from the hell of battle will result only in more death and suffering...—Heka A.

Kanal

Kanal (1957)

"Mile Marker", focuses on a two-tour veteran of Afghanistan and Iraq, Korey Rowe, along with his former Rakkasan Brothers on their long road to recovery from PTSD. The Rakkasans were the invading force for both Middle Eastern Theater Wars where Korey and his unit were the tip of the spear, twice. This film investigates new and controversial techniques and methods for treating PTSD but more than that, it is a look into the lives of veterans in America today. Travelling 8,000 miles across the United States and back, Korey departs from his home in California, to check in with his former battle buddies across America, who served with him 15 years ago in the 187th Infantry Regiment of the 101st Airborne Air Assault Division. Along the way, he interviews psychologists and specialists from the National Center for PTSD in White River Junction, Vermont for a balanced understanding of the underlying symptoms and associated triggers for those with PTSD. This is an authentic portrayal of veterans today in America; their bitter combat to overcome drug addiction, criminal issues, and their individual struggles with Post Traumatic Stress Disorder, disclosed by the vets who lived through it, and survived this growing epidemic. The number 22 is universally associated with 22 veterans per day committing suicide. Through investigation and understanding those veterans, only then can a solution be proposed to reduce that tragic number.

Mile Marker

Mile Marker (2017)

Buck Henry

Peter Fernandez

Til Kiwe

Ruth Hausmeister

A group of German boys is ordered to protect a small bridge in their home village during the waning months of the second world war. Truckloads of defeated, cynical Wehrmacht soldiers flee the approaching American troops, but the boys, full of enthusiasm for the "blood and honor" Nazi ideology, stay to defend the useless bridge.—Miranda Callahan

The Bridge

The Bridge (1959)

Lindsey Stirling

Stephen Stevo Jones

Jason Gaviati

Drew Steen

Lindsey Stirling brings her futurist world of electronic big beats fused with violin, dance, and animation to London's Forum Theatre. Filmed live during her Shatter Me World Tour, the 90 minute live show features her smash single 'Shatter Me' along with several other tracks from her sophomore album which debuted at #2 on Billboard's Top 200 album chart.

Lindsey Stirling: Live from London

Lindsey Stirling: Live from London (2015)

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