Vlastimil Hasek

Bedrich Karen

Frantisek Kovárík

Jirí Belohoubek

A priest travels to investigate a miller suspected to be working with the devil.

The Devil's Trap

The Devil's Trap (1962)

Manu Bonmariage

The Belgian filmmaker Manu Bonmariage, known as the spiritual father of the Striptease show, now has Alzheimer's at 76. Although his memory plays tricks on him, his daughter Emmanuelle goes back in time to portray a direct cinema filmmaker who was always close to the characters he so loved to film.—Catherine Montondo

Manu

Manu (2018)

Bill Melendez

Vince Guaraldi

Todd Barbee

Brent McKay

With the school election looming, Linus is talked into running for school president. With Lucy and Charlie Brown as his campaign manager and Snoopy and Woodstock assisting, he stands a decent chance of victory. Soon however, he makes unrealistic promises and learns the hard way that preaching about the Great Pumpkin cannot be considered a sound campaign strategy.—Kenneth Chisholm

You're Not Elected, Charlie Brown

You're Not Elected, Charlie Brown (1972)

Josh Keaton

Laurel Page

Philip Shafran

Years ago, at the Daisy Hill Puppy Farm, a unique litter is born. With members including Snoopy, Spike and Belle, they grow up healthy and a good music band. However, they become separated as they become sold including Snoopy. Years later, Charlie Brown can't help but notice how depressed his dog is. He suggests that Snoopy's family should have a family reunion. The whole gang enthusiastically responds, and even when they return their birthplace for the shindig only to learn that things have changed, nothing changes the joy of reunion, or the chance for making some good music.—Kenneth Chisholm

Snoopy's Reunion

Snoopy's Reunion (1991)

Gail Davis

Stuart Brotman

Greg Felton

To celebrate Arbor Day, the gang decide to do a great gardening project for Charlie Brown. Unfortunately, Charlie Brown learns that they did it in his baseball diamond, turning it in to a lush garden. With no alternative, he is forced to play against Peppermint Patty's team in that field. However, the bizarre setting seems to be working to his advantage.—Kenneth Chisholm

It's Arbor Day, Charlie Brown

It's Arbor Day, Charlie Brown (1976)

Peter Robbins

Christopher Shea

Cathy Steinberg

At the end of their patience after yet another humiliating defeat of Charlie Brown's baseball team, the whole team quits on him. All seems lost until Charlie Brown learns that his team can join the Little League and become a member team with real uniforms. The team's enthusiasm is rekindled, but unknown to them Charlie Browns learns that neither the girls nor his dog, Snoopy, would be allowed to play. With great difficulty, Charlie Brown has to make a difficult moral decision and live with the consequences.—Kenneth Chisholm (kchishol@rogers.com)

Charlie Brown's All Stars!

Charlie Brown's All Stars! (1966)

Shiho Fujimura

Akira Ishihama

Sachiko Murase

Kiyoshi Kasuga

A master sculptor and his apprentice are trapped in a bad snow storm after finding a special tree for carving a statue for the local temple. Finding refuge in an abandoned hut they celebrate their luck in finding the tree but soon they are visited by the Snow Witch who freezes the sculptor to death but takes pity on the apprentice. He must promise to never speak of this or she'll return and kill him.—Canon y mus

The Snow Woman

The Snow Woman (1968)

Yayoi Kusama

KUSAMA Princess of Polka Dots explores artist Yayoi Kusama's journey from a conservative upbringing in Japan to her brush with fame in America during the 1960s (where she rivaled Andy Warhol for press attention) and concludes with the international fame she has finally achieved within the art world. Now in her 80s, Kusama has spent the last 30 years living in a mental institution in Japan.—Heather Lenz

Kusama: Infinity

Kusama: Infinity (2018)

Ivo Niederle

Iva Janzurová

Jaromír Hanzlík

Zdenek Jarolímek

A WW2 story of a young Austrian soldier running from the Russian army and a woman whom he forces to come along in order to save his wounded mate.

Carriage to Vienna

Carriage to Vienna (1966)

Harold Perrineau

Anthony Hopkins

Alec Baldwin

Brian Steele

A model has her rich, much older husband come with her to a photo shoot. But when their plane crashes in the middle of nowhere, a strong mind game erupts between the clever husband and the jealous young photographer as they try to get back to civilization.—Steve Richer

The Edge

The Edge (1997)

Vince Groulx

Mark Roeder

Kristen MacCulloch

Alexis Kara Hancey

Scarborough is the film adaptation of the award-winning novel by Catherine Hernandez. Over the course of a school year, 3 kids in a low-income neighbourhood find community and friendship at a drop-in reading program.

Scarborough

Scarborough (2021)

Dean Ripa

Bryan Grieg Fry

Denisse Abreu

Carl Barden

The Venom Interviews is organized into book-like chapters, each dealing with a specific subject, following the participants from their young, pre-professional lives through their careers, and concluding with their personal retrospectives. The chapters become increasingly science-focused as the film develops.The film opens with William Becker (Central States Serpentarium) describing his "multi-faceted fascination" with venomous reptiles, using a moving comparison to the creatures from Ridley Scott's "Alien."Part I ("Dinosaurs and Garter Snakes") begins with stories of childhood fascination with reptiles, often starting with an interest in dinosaurs. There is a recurring (and surprisingly consistent) theme in which the majority of interviewees cite one type of snake - garter snakes - as the first animal they saw in the wild or kept as a pet. Outdoor scenes of groups of kids and young adults were filmed on Snake Road in LaRue-Pine Hills, part of the Shawnee National Forest in southern Illinois.Part II ("Ramping Up") follows the various paths participants took to begin working with venomous snakes. In "Starting the Hard Way," Dean Ripa recounts being seriously injured as a teenager by a bite from a cottonmouth, and then going on to build a secret collection of highly venomous snakes, unbeknownst to his parents. The next chapter - "Rear-fanged Colubrids" - describes the more typical steps to working with venomous snakes, starting with less lethal rear-fanged species.In "Mentors and Starter Species," Al Coritz (Deadly Beautiful Zoological), Doug Hotle (Albuquerque Biopark), Terry Phillip (Black Hills Reptile Gardens) and others emphasize the importance of working under the supervision of an experienced mentor to develop the skills and procedures necessary to manage highly venomous species. In the US, they recommend starting with native species, such as copperheads and small rattlesnakes, for which antivenom is readily available."Why Venomous Snakes?" discusses the motives, healthy and otherwise, that various people have for working with potentially dangerous reptiles. In particular, interviewees draw a distinction between motivations that are driven by an interest in science and those driven by ego and attention-seeking.Part III focuses on "The Private Sector" - the important scientific contributions made by private keepers, outside the world of labs and zoos. In "The Value of Private Herpetology," Terry Phillip and Doug Hotle highlight the advancements made in reproductive biology, followed by "Doc Seward & The Monsters," in which retired dentist Mark Seward gives a tour of his home-based breeding and research facility, where he studies the reproductive biology of gila monsters.The chapter "What Makes a Responsible Keeper?" advocates for the freedom of private individuals to keep venomous reptiles. Carl Barden (Medtoxin Venom Labs) and Dr. Leslie Boyer (University of Arizona) help define what responsible keeping means, including secure caging, protecting the community, and stocking antivenom for exotic species. In the next chapter - "Regulation and Permits" - Al Coritz voices the herpetoculture community's disdain for poorly-conceived, arbitrary restrictions, and cites Florida's licensing program as an example of reasonable regulation.Part IV - "The State of Television" - lays out the core purpose of the film, which is to call out the media's excessive sensationalization of venomous reptiles and the people who work with them. Al Coritz cites the work of David Attenborough and Mark O'Shea as examples of modern wildlife programming done right, while Jim Harrison (Kentucky Reptile Zoo) and Doug Hotle describe their own experiences pushing back against embarrassing attempts by filmmakers to fictionalize the subject.Part V - "Putting Risk in Perspective" - attempts to distinguish the actual risks posed by venomous reptiles from irrational, fear-driven popular imagination. In "Developed vs. Developing Countries," Carl Barden describes the difference between snakebite in Africa and South Asia, where it is still a legitimate public health problem, and developed places like the US, Australia and Europe, where fatalities are now extremely rare.Starting at this point, the film begins to focus mostly on details of the sciences around venom, envenomation and antivenom. The chapter "Dangerous, or just Toxic?" makes the case that venom toxicity is a poor indicator of how dangerous a snake may be, and in "Risks By Species," Terry Phillip and Doug Hotle explain the different factors that make various species more or less difficult to work with."Venom Control and Baby Snakes" takes on the popular myth that baby snakes are more dangerous than adults. Dr. Bill Hayes (Loma Linda University) explains some of the extensive research on this subject, the universal ability of snakes to control venom delivery, and how the myth originated and propagated.Part VI ("An Ounce of Prevention") deals with preventing accidents. In "Not a Matter of When," Jeffrey Fobb (Venom One) argues that snakebite in not an inevitable risk and that it's possible to prevent it altogether with well thought out handling protocols. That discussion is balanced in the following chapter, "Perfect, All Day, Every Day," by Jim Harrison, Dean Ripa and Doug Hotle enumerating all the things that have to go right to avoid accidents. They draw particular attention to the dangers of complacency and distraction.Carl Barden, a former pilot, explains in "A Chain of Events" the interesting parallels between airlines' approach to safety and how that relates to venomous reptile work. He compares the pattern of "chains of events" that lead to aircraft accidents to a similar pattern working with venomous snakes, in which bite incidents are the result of multiple factors.Beginning with Part VII, the film begins to explore the interesting complexity of venom and envenomation. In "A Living Experiment," Carl Barden describes the unpredictability of snakebite from the perspective of a patient and how the outcomes of bites can be surprisingly good, or surprisingly bad. This idea is then discussed from the perspective of snakebite specialist physicians in "Every Bite is Different," in which Dr. Leslie Boyer and Dr. Steven Seifert explain why the effects of envenomation vary so wildly from case to case.Jim Harrison tells the story of one of his bites in "What it's Like to be Tortured," which includes actual home video footage from immediately after the accident through his stay in the hospital. In the next chapter, "The Value of Making it Personal," Carl Barden, Denisse Abreu of Medtoxin Venom Labs and their emergency physician Dr. Stephen Knight use Denisse's coral snake bite to explain why personal relationships with their medical team are so important. "September 11" tells the everything-gone-wrong story of Lawrence Van Sertima's bite by an inland taipan in Florida on September 11, when all flights were grounded and the closest antivenom was in California. Jeffrey Fobb provides the perspective of Venom One, who negotiated the delivery of antivenom and enabled Lawrence's remarkable survival.Justin Schwartz's rattlesnake bite and subsequent surgeries, made famous by the graphic and widely-circulated photos he published) are the focus of "Fasciotomy," which addresses the controversy around surgical intervention in snakebite, a practice still favored by some emergency-room surgeons but almost universally condemned by herpetologists and snakebite specialists. Dr. Leslie Boyer, Dr. Steven Seifert, Jeffrey Fobb and Jim Harrison explain why the practice persists, the arguments against it, and the proper treatment of cases in which it is assumed to be necessary.This part concludes with "It's Complicated," a breakdown of how venoms work, the various ways in which they affect the body, and the surprising complexity of some species' venoms.Part VIII - "Once Bitten" - is all about what happens after a person is bitten. In "Who Gets Bitten, and How," Dr. Leslie Boyer and Dr. Steven Seifert present a data-based discussion of some of the misconceptions around snakebite demographics, particularly the role of alcohol as a factor, and why the popular stereotypes are only partially true. "Time is Tissue" explains the importance of preparation and rapid response, and in "First Aid?" Dr. Leslie Boyer discusses the things people should and shouldn't do in the event of a bite.In the chapter "Anaphylaxis," Carl Barden talks about his own severely allergic reactions to both venom and antivenom, and the part concludes with "Envenomation by Exotics," which presents some of the special challenges of snakebites by non-native species, particularly the difficulty of sourcing foreign antivenoms while time quickly slips away.Part IX is "All About Antivenom" - how it's made, how it works, and how it has changed over the past century. The chapter "Sticker Shock" covers the uniquely American problem of snakebite treatment routinely costing hundreds of thousands of dollars, while "Antivenom 101" is a complex but very understandable lesson in how antivenom works and how it has become more refined over time. The chapter "CroFab" examines some of the pros, cons and controversies surrounding the dominant brand of antivenom for pitviper bites in the US.The film concludes with Part X - "Now What?" - in which the participants reflect on their careers. "The To-do List" presents the interviewees' remaining aspirations, and in "The Next Generation," they talk about those who will carry on their work in the future.The final chapter, "That's a Wrap!" brings the discussion back to where it started, with reflections on those childhood fascinations, now seasoned with lifetimes of work, education and experience.The closing credits begin with a dedication to Bill Haast, whose work helped sparked the childhood interests of many of the participants, as well as some of their careers, and who passed away at the age of 100 while the film was in production. There are memorials to Bill Becker and Karel Fortyn, who passed away before the film was released. The credits are accompanied by several minutes of humorous outtakes, which contrast with the otherwise serious nature of the film.

The Venom Interviews

The Venom Interviews (2016)

Christian Slater

Christopher Plummer

David Warner

Kim Cattrall

After an explosion on their moon, the Klingons have an estimated 50 years before their ozone layer is completely depleted, and they all die. They have only one choice - to make peace with the Federation, which will mean an end to 70 years of conflict. Captain James T. Kirk and crew are called upon to help in the negotiations because of their experience with the Klingons. Peace talks don't quite proceed, and Kirk and McCoy are convicted of assassinating the Klingon High Chancellor, and imprisoned on Rura Penthe, a snowy hard-labor prison camp. Will they manage to escape? And will there ever be peace with the Klingons?—Colin Tinto

Star Trek VI: The Undiscovered Country

Star Trek VI: The Undiscovered Country (1991)

Daisuke Katô

Mayumi Ogawa

Kyôsuke Machida

A young lieutenant finds himself inducted into a top secret spy school at the start of the Sino-Japanese war. He and his comrades undergo grueling and bizarre training that proves fatal for some. In the end he finds he must make a horrible choice between his personal life and duty to school and country.—Fred Cabral

The School of Spies

The School of Spies (1966)

Nell Campbell

Joanne Whalley

Phil Davis

Bob Hoskins

Rock star Pink Floyd is a tortured soul. Because of his childhood, he has always tried to make meaningful emotional connections to other living creatures. That childhood includes not having a male role model with his father having been killed in the war, his overprotective mother smothering him, and an oppressive school system quashing his natural creativity. Being a rock star, he is often wanted more because of what he is than who he is. The most recent failure in that true connection to someone or something else is his marriage, when on tour, he discovers that his wife back home is cheating on him. His response is to go in the opposite direction, by building a figurative wall around him to isolate himself from the rest of the world, but not before showing graphically his feelings on different gut levels. The question becomes if he or anyone else can do anything to tear down the wall in a meaningful way.—Huggo

Pink Floyd: The Wall

Pink Floyd: The Wall (1982)

Alan Cumming

Lois Smith

John Heard

Ned Beatty

As Inge buries her husband Olaf on their Minnesota farm in 1968, we relive her life story as she tells her grown grandson about how she arrived from Germany in 1920 as Olaf's postal bride and of the obstacles they overcame in order to marry...—Lillian LaSalle

Sweet Land

Sweet Land (2005)

Yasmine Garbi

Noomi Rapace

Per Oscarsson

Michael Nyqvist

Mikael Blomkvist, publisher of Millennium magazine, has made his living exposing the crooked and corrupt practices of establishment Swedish figures. So when a young journalist approaches him with a meticulously researched thesis about sex trafficking in Sweden and those in high office who abuse underage girls, Blomkvist immediately throws himself into the investigation.—benmo

The Girl Who Played with Fire

The Girl Who Played with Fire (2009)

Adam Sandler

Joey King

Jonathan Banks

Liv Tyler

Alan Johnson has everything he needs to get through life: a good job, a beautiful and loving wife, and their wonderful children. Yet he feels isolated because he finds having a hard-working job and managing a family too much to handle and has no one to talk to about it. Charlie Fineman, on the other hand, doesn't have a job or a family. He used to have both until a terrible loss, and the grief caused him to quit his job and isolate himself from everyone around him. As it turns out, Alan and Charlie were roommates in college, and a chance encounter one night rekindles the friendship they shared. But when Charlie's problems become too much to deal with, Alan is determined to help Charlie come out of his emotional abyss.—neojeff2199

Reign Over Me

Reign Over Me (2007)

Haruka Ayase

Satoshi Tsumabuki

Toshiaki Karasawa

Kon Ichikawa

A hustler who gets in trouble with a gang boss in the port town of Sukago agrees to make good with the don by putting him in contact with a mysterious hitman -- an assassin the hustler has no idea how to contact. Instead, he hires an actor to play the role, though the thespian has no idea what he's getting into.—Anonymous

The Magic Hour

The Magic Hour (2008)

Shohreh Aghdashloo

Anik Shefrazian

Agha Jan Rafii

Hamid Taati

The first lady of a noble house has died and now there is conflict between the remainders for taking over her inheritance.

Chess of the Wind

Chess of the Wind (1976)

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