Buster Keaton

Roscoe 'Fatty' Arbuckle

Harry McCoy

Luke the Dog

The Garage

The Garage (1920)

Joe Roberts

Sybil Seely

Buster and Sybil exit a chapel as newlyweds. Among the gifts is a portable house you easily put together in one week. It doesn't help that Buster's rival for Sybil switches the numbers on the crates containing the house parts.—Ed Stephan

One Week

One Week (1920)

Joe Keaton

Edward F. Cline

The Romeo and Juliet story played out in a tenement neighborhood with Buster and Virginia's families hating each other over the fence separating their buildings.—Ed Stephan

Neighbors

Neighbors (1920)

Katherine Albert

Henry Clauss

William H. Crane

Nick Van Alstyne owns the Henrietta silver mine and is very rich. His son Bertie is naive and spoiled. His daughter Rose is married to shady investor Mark. Mark wrecks Bertie's wedding plans by making him take the blame for Mark's illegitimate daughter. Mark also nearly ruins the family business by selling off Henrietta stock at too low a price. Bertie, of all people, must come to the rescue on the trading floor.—Ed Stephan

The Saphead

The Saphead (1920)

Harold Lloyd

Ben Corbett

Belle Mitchell

Wallace Howe

A young New Yorker is the bane of his Christian parents' existence because of his constant carousing and partying at all hours, so his father decides to send him to live at his uncle's ranch in Piute Pass in the Wild West to get him away from the New York temptations that led to this unwanted behavior. Before he even gets to the ranch, the young man gets into one misadventure after another using his New York sensibilities in Piute Pass. His primary misadventure involves a sweet young ingénue with whom he falls in love at first sight, which is mutual. Her father is being held captive by "Tiger Lip" Tompkins, who owns half the county and bullies the rest with his band, the Masked Angels; the ransom is her womanly favors to him. The young man tries to help free the father so that the young man and the ingénue can live happily ever after together, which does not sit well with Tiger Lip and the Masked Angels.—Huggo

An Eastern Westerner

An Eastern Westerner (1920)

Charles Stevenson

Gaylord Lloyd

Marie Benson

Dr. Hale, fresh out of medical school and having opened his own practice with no patients, is trying to impress a father and his daughter, the latter potentially to be his first patient. But Dr. Hale becomes more enamored with her as a potential girlfriend, especially when her father chooses not to have her treated by him. To help out a colleague in the office building, Dr. Hale ends up getting drunk with his new friend, leading to the pair getting into some misadventures with a policeman out on the street, and in a hotel. Dr. Hale's inebriation brings him into the realm of the beautiful girl again, their further misadventures high above the streets of the city which may provide some keys as to how they should live their future.—Huggo

High and Dizzy

High and Dizzy (1920)

Rudolph Valentino

John George

Dick Sutherland

Richard Cummings

A poor hat-check girl loses her job and is forced to get a job as a dancer at a roadhouse. There she falls in love with the son of a rich businessman. The boy's father, believing her to be after the family's money, determines to embarrass her and show his son what she really is.—frankfob2@yahoo.com

The Delicious Little Devil

The Delicious Little Devil (1919)

William Collier Jr.

Jack Coogan Sr.

Back Stage

Back Stage (1919)

Kitty Bradbury

The Hayseed

The Hayseed (1919)

Ernst Lubitsch

Josefine Dora

Lapitski

Marga Köhler

Because the Baron of Chanterelle wants to preserve his family line, he forces his timid nephew Lancelot to choose one of the village maidens to wed. Lancelot flees to a monastery to escape the forty eager maidens. When the gluttonous monks discover that the Baron is offering a large sum for the marriage, they suggest Lancelot marry a mechanical doll instead. The doll maker has just finished making a replica of his daughter Ossi, but his assistant accidentally breaks it and convinces the real girl to mimic the doll. Lancelot buys her, thinking she is a doll, and takes her back to the monastery, where they are wed.—Will Gilbert

The Doll

The Doll (1919)

Mattie Edwards

Mercy, the Mummy Mumbled

Mercy, the Mummy Mumbled (1918)

Alice Lake

Al St. John

Out West

Out West (1918)

Joe Bordeaux

An inebriated man stands in front of a drug store during a rain storm trying to light a cigarette. Back at his home, his wife and butler see a report on the No Hope Clinic's success curing alcoholics. When hubby arrives home, bringing two gypsies and their monkey, his wife insists it's time for the clinic. Once there, he gets a look at various surgeries, and he wants out - assisted at first by a woman who believes she's a mermaid. He pretends to drown, he dresses as a woman, and, when running away, he inadvertently joins the town's annual fat man foot race. But can he outrun the men in white coats?—

Good Night, Nurse!

Good Night, Nurse! (1918)

At the Elk's Head Hotel bellhops torment the lobby, each other and guests. The elevator is powered by a stubborn horse. A sham robbery turns into a real one. And there is a chase on a runaway trolley.

The Bell Boy

The Bell Boy (1918)

Charles Chaplin

Edna Purviance

Clyde McAtee

Albert Austin

Charlie is in boot camp in the "awkward squad." Once in France he gets no letters from home. He finally gets a package containing limburger cheese which requires a gas mask and which he throws over into the German trench. He goes "over the top" and captures thirteen Germans ("I surrounded them"), then volunteers to wander through the German lines disguised as a tree trunk. With the help of a French girl he captures the Kaiser and the Crown Prince and is given a statue and victory parade in New York and then ... fellow soldiers wake him from his dream.—Ed Stephan

Shoulder Arms

Shoulder Arms (1918)

Margarete Kupfer

Ossi Oswalda

Curt Goetz

Ferry Sikla

High-spirited young Ossi Oswalda is the bane of her uncle and governess' existence. She insists on playing poker and smoking and talks with strange men on the street. When her uncle leaves to take up a new job, she looks forward to enjoying new freedom. Her hopes are dashed when her new guardian Dr. Kersten proves to be strict and unyielding. Frustrated with her cloistered life, Ossi sneaks out on the town dressed as a young man. She finds that being a man has its own disadvantages when she discovers she is not given the same gentle treatment when she is masquerading as a male.

I Don't Want to Be a Man

I Don't Want to Be a Man (1918)

John Rand

In an attempt at greater efficiency, the chef of a fancy oceanside restaurant and his assistant wreak havoc in the establishment. Adding to the complications is the arrival of a robber.—Jim Beaver

The Cook

The Cook (1918)

Alice Mann

Arthur Earle

His Wedding Night

His Wedding Night (1917)

Glen Cavender

The Rough House

The Rough House (1917)

Instead of a having a good time at the horse-races with his wife and his pampered son Junior, the prosperous Dr. I. O. Dine ends up losing all his money, after betting on the same losing horse with a reckless horse-racing gambler. However, as the gambler and his femme-fatale sweetheart refuse to take their financial loss lying down, they devise a bold plan so they won't need to return home empty-handed. But the ever-watchful Junior already knows much. Can he save the day?—Nick Riganas

Oh Doctor!

Oh Doctor! (1917)

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