Jean Reno

Christian Clavier

Valérie Lemercier

Didier Pain

A medieval nobleman and his squire are accidentally transported to contemporary times by a senile sorcerer. He enlists the aid of his descendent to try to find a way to return home, all the while trying to cope with the cultural and technological changes distinguishing his time from ours.—Stewart M. Clamen

The Visitors

The Visitors (1993)

Murray Bartlett

Russell Tovey

Daniel Franzese

Jonathan Groff

Patrick returns to San Francisco in search of closure and resolution regarding his relationships with Richie and Kevin.

Looking

Looking (2016)

Giulietta Masina

Leopoldo Trieste

Alberto Sordi

Lilia Landi

Incredibly, only moments after arriving in Rome for their honeymoon, pure young bride Wanda sneaks out of her room, leaving her fastidious groom Ivan all alone. Obsessed with the very masculine Fernando Rivoli--the hero of her favorite romantic photo-novel, The White Sheik--Wanda plucks up the courage to meet him in person, only to be seduced by the arrogant protagonist, so far away from the hotel and her husband. As a result--perplexed by Wanda's strange disappearance, and unable to disclose the news to his family--Ivan meanders through the ill-lit Roman streets in search of his wife, on pins and needles, waiting for their 11:00 appointment with his uncle and the Papal Audience at the Vatican. What does the new day have in store for the separated newlyweds?—Nick Riganas

The White Sheik

The White Sheik (1952)

Jim True-Frost

Rebecca Spence

Meighan Gerachis

Francis Guinan

Thirty-four-year-old aimless server Bridget hasn't yet achieved her goal of becoming a respected writer. When casual relations with a younger 'nice guy' leads to an unexpected confrontation with potential motherhood, she manifests a job nannying a pint-sized spirit guide disguised as an obstinate six-year-old.—Mae Moreno

Saint Frances

Saint Frances (2019)

Ken Takakura

Kaori Momoi

Sabu Kawahara

Chieko Baishô

Three complete strangers embark on a road-trip to Hokkaido.

The Yellow Handkerchief

The Yellow Handkerchief (1977)

Reem Abdullah

Waad Mohammed

Abdullrahman Al Gohani

WADJDA is a 10-year-old girl living in a suburb of Riyadh, the capital of Saudi Arabia. Although she lives in a conservative world, Wadjda is fun loving, entrepreneurial and always pushing the boundaries of what she can get away with. After a fight with her friend Abdullah, a neighborhood boy she shouldn't be playing with, Wadjda sees a beautiful green bicycle for sale. She wants the bicycle desperately so that she can beat Abdullah in a race. But Wadjda's mother won't allow it, fearing repercussions from a society that sees bicycles as dangerous to a girl's virtue. So Wadjda decides to try and raise the money herself. At first, Wadjda's mother is too preoccupied with convincing her husband not to take a second wife to realize what's going on. And soon enough Wadjda's plans are thwarted when she is caught running various schemes at school. Just as she is losing hope of raising enough money, she hears of a cash prize for a Quran recitation competition at her school. She devotes herself to the memorization and recitation of Quranic verses, and her teachers begin to see Wadjda as a model pious girl. The competition isn't going to be easy, especially for a troublemaker like Wadjda, but she refuses to give in. She is determined to continue fighting for her dreams.—Razor Film Produktion GmbH

Wadjda

Wadjda (2012)

Charlie Hunnam

Matthew McConaughey

Hugh Grant

Guy Ritchie

A talented American graduate of Oxford, using his unique skills, and audacity, creates a marijuana empire using the estates of impoverished British aristocrats. However, when he tries to sell his empire to a fellow American billionaire, a chain of events unfolds, involving blackmail, deception, mayhem and murder between street thugs, Russian oligarchs, Triad gangsters and gutter journalists.—Peter-Patrick76 (peter-patrick@mail.com)

The Gentlemen

The Gentlemen (2019)

James May

Jeremy Clarkson

The Stig

Jeremy Clarkson & James May converge on Whitby harbor in England to answer the question "which is the worst car in the history of the world".
The first to go is the Polish manufactured Polonez. With steel so thin that it could be used as neck scarf & car not having anything remotely connected to reliability.
James looks at the Mahindra CJ540 jeep. The CJ540 started life in the US army in WW II, but after the war the Indians decided to continue making it with a few modifications. This included a different (non existent) suspension, a second hand VW engine (the required the bonnet height to be raised & completely ruined the looks) & a loose steering.Jeremy reckons that most bad cars are cheap, so James & Jeremy look for a bad, expensive car.
So, they look at the brand new Ferrari 458 Strider vs the Mercedes SLS. The SLS has 1 BHP more than the 458 & wears its tires out after just 5 laps of racing. James concludes that with the 458, Ferrari knew what they were doing.
What he cant understand is what they were dong when Ferrari came out with the Mondial in 1980. 6000 people bought the car seeking perfection, but got a car which was slower than a golf GTI. The steering wheel gnaws at the testicles if the seat is not adjusted properly.Next Jeremy looks at the Ferrari FSO, launched in 1995 to celebrate the company's 50th anniversary. Built for Ferrari's 349 top customers to give them an everyday F1 experience. A F1 car, that people could drive on the road. But the V12 engine on the FSO shared nothing in common with the Ferrari F1 engine, was bigger & made a very different noise. The car needed to have many accessories such as lamps & indicators, which took space & weight. It wasn't a F1 car, nor was it a road car that anyone wanted to drive or even look at.The next is the BMW X3, which is supposed to be a compact version of the four wheel X5, but is not nearly as good or as comfortable. Jeremy reckons that BMW is making a slew of great cars at the moment (including the M3, which he considers to be perfect), which makes the X3 looks like the village idiot in a family of geniuses.
Jeremy expects good cars from the US as the country has been to the moon and developed the iPod, but is disappointed to see cars such as the AMC Pacer, Chevrolet Corvair, Cadillac Cimarron, Ford Pinto, and many more such as the Lincoln Continental Mark 4 & the Buick LeSaber Custom.James reckons that the Lincoln was manufactured to provide power, speed and luxury to its buyer, much as the BMW M3 in Europe, & while the BMW is expensive there is a good reason for the same. The Beamer does a road test in 1.18 mins, with its 560 BHP engine. The Buick has 160 BHP and the Lincoln has 204 BHP in a 5 and 7 liter engine respectively. James takes the Buick & delivers a track time of 2.34 mins, whiles Jeremy delivers 4.07 mins in the Lincoln. Both cars are shambolic as compared to the precision driven BMW M3.Next is the Epsilon from the Lancia stable, a brand that has once again delivered several classics in the past. In an attempt to make an affordable city car, they go far away from their niche of producing sports cars and end up with a disaster.
On to Alpha Romeo, which gave classics such as the Spider and the Stud. The brand which won all but one race in the 1950 F1 circuit. Which brings us to the GTV6, which had a superb V6 engine, but is a contender for the worst car in the world. Designed as a hatchback, whose back seats wont fold as the petrol tank was in the way. The manufacturing was shit and the design was suited for apes alone.Onto French cars. The Citroen Pluria, a convertible, whose roof panels would have to be dismantled by hand to fully remove it & the bits that you do remove, do not fit in the car which means that you have to go out without them.
The next is the Saab Sensonic, which has a gear box, but no clutch pedal. The idea is to have the control & precision of a manual, but the comfort of an automatic. The problem is that the car is almost impossible to parallel park on an incline.
Talking of gear boxes the 1991 Porsche 911 Carrero RS, which Jeremy argues has a range of fatal handling characteristics. James disagrees & pulls out the Ford Escort Cosworth, a car that Jeremy has 2 of, to demonstrate all the things wrong with it. Designed an affordable sports car for the masses, it was a failure as Ford decided to stick a powerful turbo charger that was very crude in delivering massive power. To overcome the issue Ford fitted a smaller turbocharger, which reduced the power from 227 to 217 BHP, which was not the point anyways.Just when Ford could not do any worse they roll out the Ford GTI in 2005. They made the car so wide that it could not be enjoyed on the sort of open country roads that it was meant for.
Now Jeremy takes a stab at 1972 Rolls Royce Corsair, the car that James owns. One of the slower rolls Royce, having hydraulic controls (which meant that a small problem could immobilize the entire car) & since the car was hand made, replacement parts never really fit properly.The Mercedes AMG C63. Has a high tech differential, which takes 15 mins to warm up, until then you cant turn left or right. The engine produces too much torque and as such a set of tires last just 25 miles on the track. Jeremy loves it while James called it a "colossus knuckle Hoggers car". Jeremy drops a Ford on top of a Fiat Panda, the kind that James owns.
Jeremy & James call a truce & decide to stop trashing each other's cars. Jeremy looks at a Lexus LFA, which is too wide to be a sports car, too raw to be a GT car and the engine is in front, so its not a super car. Costs about the same as a Ferrari 599 GTO, but at 550 BHP delivers about 100 BHP less than a GTO & is not great to look at. Toyota took 9 yrs to design the LFA. They were 5 yrs into design & ready to go to production when they decided to ditch the aluminum body & put on a carbon fiber one & start over. The trouble is that it costs 340,000 pounds & a comparable Nissan GTR costs 70,000 Pounds.The next is the pricey Lexus SC 430. Toyota made the retractable roof out of aluminum to save weight & then proceeded to put wood all inside the cabin, which is heavy. the 4.2 L V8 engine delivers 300 BHP, which leaves the car severely under powered. The ride is diabolical & the steering has much delayed communication with the front wheels. Not any good at all.
All of today's Peugeots are utter rubbish & rising to the top of the cesspit of this uselessness is Peugeot 308. The looks are awful, the ride is not comfortable & the car feels sluggish (like a bag of wet laundry).The Lexus SC430 & the Peugeot 308 meet all the criteria for the World's worst car. They are slow, not well made, expensive, lazy, not good engines, unimaginative & they hate it. They choose the SC430 & gift it to Richard Hammond.

Top Gear: The Worst Car in the History of the World

Top Gear: The Worst Car in the History of the World (2012)

Tom Cruise

Eric Bana

Chris Evans

Nicholas Hoult

Top Gear is a British motoring magazine and entertainment television programme about motor vehicles, primarily cars, and is now relaunched as a general motoring magazine show as of 2002, and becoming the most widely watched entertainment television programme in the world.—paul keeling

Top Gear

Top Gear (2002)

Preity Zinta

Shah Rukh Khan

Karan Johar

Kajol

The film's female lead, Naina (Preity Zinta) narrates the story. Her father had committed suicide years ago which left a deep impact on her heart. Her family is dysfunctional since her mother and grandmother just cannot stop arguing. But when Aman (Shahrukh Khan) arrives next door, the whole gloomy conditions change. Aman infuses life in skeptical and overtly serious Naina, and she falls in love with him. But Aman knows that he cannot marry Naina because of a secret which he cannot divulge to her. So he intends upon setting her up with her best pal Rohit (Saif Ali Khan).—Soumitra

Kal Ho Naa Ho

Kal Ho Naa Ho (2003)

Jackie Chan

Biao Yuen

Benny Urquidez

Richard Ng

Cousins Thomas and David, owners of a mobile restaurant, team up with their friend Moby, a bumbling private detective, to save the beautiful Sylvia, a pickpocket. Action and humor abound in the streets of Barcelona, culminating with a battle in the castle hideout of the evil gang.—Shawn Honess

Wheels on Meals

Wheels on Meals (1984)

Ernest Thesiger

Alec Guinness

John Charlesworth

Kay Walsh

George Bird's lonely, anonymous existence as an underappreciated seller of farm machinery is jarred when his physician informs him that he is suffering from the rare malady Lampington's Disease, and only has a few weeks to live. Believing he has nothing to lose, Bird resigns his position and withdraws his modest life savings in order to spend his remaining time in a "posh" seaside resort. There he keeps his own counsel about his condition and meets people who live in a world he never imagined could exist. Incredibly, he finds personal and professional opportunities now open to him that that he never dreamed would be his, but unfortunately, he is no position to take advantage of them--until fate lends a hand.—duke1029@aol.com

Last Holiday

Last Holiday (1950)

Gabriel Iglesias

Martin Moreno

G. Reilly

In front of an adoring crowd in Honolulu, comedian Gabriel Iglesias relates tales from his childhood and career, and even uses some local slang.

Gabriel Iglesias: Aloha Fluffy

Gabriel Iglesias: Aloha Fluffy (2013)

Diane Lane

David Dukes

Robert Shaw

Andrew Duncan

A French boy (Daniel) and an American girl (Lauren), who go to school in Paris, meet and begin a little romance. They befriend Julius, who enchants them with his storytelling. In an attempt to ensure the teens' love forever, the three journey to Venice.—Felicia H. Berke

A Little Romance

A Little Romance (1979)

Sophia Lillis

Max Casella

Kathryn Hunter

Roger Clark

The play presents love in all its glory, warts and all: Love at first sight, innocent love, love twisted by the mind, by drugs, by lust, by jealousy, by a marriage on the rocks and even violence. Once a year, there is a day of midsummer madness, that Shakespeare was riffing off of, when all our worlds are topsy-turvy, and what happens in the realm of shadow and dream, alters and distorts the everyday world, which seems so ordinary. The play opens with the upcoming marriage of Theseus, the Duke of Athens, and the Queen of the Amazons, Hippolyta. He has conquered her with a sword, and now hopes that she will truly love him. Arriving at the court is Hermia's father, Lord Egeus, who insists the Duke force his daughter to marry the man he has selected, Demetrius, or choose between death or a lifetime as a nun, for it is the law that she is his property, to command as he so chooses. Also at court are Lysander, the poet/artist that Hermia truly loves, and Helena, Hermia's best friend, who is deeply in love with Demetrius, who seems to hate her for it. But it is the otherworldly marriage battle between Oberon, the King of Shadows (David Harewood) and Titania, the Queen of the Fairies (Tina Benko) that propels all those in its proximity into the comedic nightmare of this midsummer dream. Oberon and Titania have a kind of eternal love, but eternity can be a long time, and Oberon has been philandering, off with nymphs, goddesses and even humans. Titania says alright, if you do that, I am going to take this child whom I am raising for a mortal woman, and give all my love to that child. Titania makes Oberon pay by shutting him out and denying him her bed, which he cannot tolerate, for she is, after all, the Queen of the Fairies. He insists she give him the child, and when she refuses, he takes his revenge. He enlists Puck (Kathryn Hunter), one of the greatest trickster characters ever created. Of indeterminate gender, Puck is a transformative, supernatural being who yet remains sympathetic to the very humans he/she manipulates both for personal amusement and at the order of Oberon. Oberon commands Puck to find a special flower whose juice has a magical power. The juice is dropped into the sleeper's eyes. Upon awakening, he or she becomes obsessed with the next living creature to be seen, human or animal. Setting off to find the flower, Puck happens upon a group of working men, whom Shakespeare describes as The Rude Mechanicals. Taymor's Mechanicals are from contemporary Brooklyn, and they are practicing a play they hope to perform at court in honor of the Duke's marriage, which is unlikely, because they are terrible. Led by Bottom (Max Casella) they are one of Shakespeare's great comedic contingents. Never one to miss a chance for creating mischief, upon seeing The Rude Mechanicals, Puck transforms Bottom's head into the head of an ass. And of course, Bottom wanders through the woods and comes upon the sleeping Titania, who by now has been doused with the juice, and when she awakens, she falls instantly and obsessively in love with an ass. Oberon had earlier seen young Helena in the woods, despairing that Demetrius hates her, and he has a moment of compassion. He commands Puck to drop some juice into Demetrius's eyes, so that upon awakening, he will see Helena and love her as deeply as she loves him. Puck, of course, mixes up the two Athenian men, and it is Lysander, Hermia's true love, who is juiced, and it is Lysander who becomes obsessed with Helena, who wants absolutely nothing to do with him. As day starts to break, Oberon realizes the extent of Puck's errors with the young lovers. Puck is ordered to remedy the situation, and Oberon releases both Titania and Bottom from their spells. Puck is assisted by his posse of seventeen children, described as The Rude Elementals in Taymor's 'Midsummer,' as a counterpoint to The Rude Mechanicals. Rather than speak their lines, they sing in the mystic enchanting harmonic choirs of Elliot Goldenthal's original music, juxtaposed with the Mechanicals' sounds of the twenty-first century, from an alarm clock to a buzz saw. The Rude Elementals are not only the Fairies, as written, but also the forest. They are the trees, the creatures, the dogs, does, snakes, bats, moths. They are the wind, they are our minds. And as Puck's posse, they terrorize The Rude Mechanicals when Bottom transforms. They are an incarnation of the emotions of the lovers. They are the nightmare of Hermia. They are the elements, and as children, they are the unfettered, sheer, pure, direct emotion. From Shakespeare's delicate poetry to his absolute flat-out farce and comedy, the gravity-ridden world that keeps us rooted is disconnected, and when Puck gives his famous epilogue to the audience and says, "If we shadows have offended..." we understand that Puck is talking about the actors, but we now know that the actors are shadowing our lives. And for that one enchanted midsummer night's eve, we have been omniscient, and as much a part of the mystifying shadow world as the King of Shadows himself, yet even more powerful, for we have witnessed every world and every player in it, in all their folly, cruelty and wicked joy.

Julie Taymor's A Midsummer Night's Dream

Julie Taymor's A Midsummer Night's Dream (2014)

Tom Holland

Chris Pratt

Julia Louis-Dreyfus

Grey Griffin

In a suburban fantasy world, two teenage elf brothers, Ian and Barley Lightfoot, go on a journey to discover if there is still a little magic left out there in order to spend one last day with their father, who died when they were too young to remember him. Like any good quest, their journey is filled with magic spells, cryptic maps, impossible obstacles and unimaginable discoveries. When the boys' fearless mom, Laurel, realizes that her sons are missing, she teams up with the legendary winged-lion-scorpion former warrior -- The Manticore -- and heads off to find them. Perilous curses aside, this one magical day could mean more than any of them ever dreamed.—Rotten T.

Onward

Onward (2020)

Emin Toprak

Fatma Ceylan

Emin Ceylan

Muzaffer Özdemir

Muzaffer goes to the house where his parents live for the movie he will shoot. He is thinking of starring his relatives in the movie he will shoot. But his father struggles with the forest administration for the oaks he grows. His mother, on the other hand, does not feel well because of the diseases brought by old age.

Clouds of May

Clouds of May (1999)

Nazan Kesal

Arif Asçi

Cemal Gülas

Ahmet Özyurt

Mahmut, a 40 year old independent photographer, is a "village boy made good" at least professionally in the big city - Istanbul in this case. After his wife leaves him, he falls into an existential crisis. Then comes his cousin Yusuf, who left his native village after a local factory closed down, effectively unemploying over half the local men. He looks to Istanbul for salvation: a job on board a ship sailing abroad, at once exciting and crucial to supporting his family in the desperately poor village. The distance between the two men is apparent at once, and becomes increasingly pronounced. Whereas Mahmut is adusted to big city life and suffers from many of its neuroses, Yusuf is a lonely, excentric country worker with annoying nervous and hygienic habits, and a sick mother back home he must somehow support. This intimate drama was filmed in the director's apartment in Istanbul, using all his furniture, appliances, rooms, car and so on as the film's props. The actor playing Yusuf is actually the director's real-life cousin, and the actor playing Mahmut is an actual friend, a non-professional actor.—Gonz30

Distant

Distant (2002)

Austin Pendleton

M. Emmet Walsh

Ryan O'Neal

Randy Quaid

Two researchers have come to San Francisco to compete for a research grant in music. One seems a bit distracted, and that's before he meets her: a strange woman who seems to have devoted her life to confusing and embarrassing him. At the same time, a woman has her jewels stolen and a government whistle-blower arrives with his stolen top-secret papers. All, of course, have the same style and color overnight bag.—John Vogel

What's Up, Doc?

What's Up, Doc? (1972)

Siu Tin Yuen

Clarence Nash

Lung Chan

Chien Fu (Jackie Chan) is a boy who is used as a janitor at his kung fu school. Fu can't fight and is always getting bullied by the teachers and pupils. One day, an old man helps Fu train in an art of kung fu called the "Snake's Fist". Fu doesn't get bullied again. Then Fu creates his own style and mixes it with the Snake's Fist. His style is based on the movement and actions of a cat. One day, the old man is in trouble by a man who does "The Eagle's Claw", and Fu helps the old man.—Jagtar Basi

Snake in the Eagle's Shadow

Snake in the Eagle's Shadow (1978)

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