Ricardo Darín

Guillermo Francella

Javier Godino

Carla Quevedo

In 1999, retired Argentinian federal justice agent Benjamín Espósito is writing a novel, using an old closed case as the source material. That case is the brutal rape and murder of Liliana Coloto. In addition to seeing the extreme grief of the victim's husband Ricardo Morales, Benjamín, his assistant Pablo Sandoval, and newly hired department chief Irene Menéndez-Hastings were personally affected by the case as Benjamín and Pablo tracked the killer, hence the reason why the unsatisfactory ending to the case has always bothered him. Despite the department already having two other suspects, Benjamín and Pablo ultimately were certain that a man named Isidoro Gómez is the real killer. Although he is aware that historical accuracy is not paramount for the novel, the process of revisiting the case is more an issue of closure for him. He tries to speak to the key players in the case, most specifically Irene, who still works in the justice department and who he has always been attracted to but never pursued due to the differences in their ages and social classes. The other issue is that Gómez is still at large, no one aware if he is alive or dead. But as Pablo at the time mentioned that passion is one thing that cannot be changed in behavior, Benjamín learns now that that premise still holds true.—Huggo

The Secret in Their Eyes

The Secret in Their Eyes (2009)

Brionne Davis

Jan Bijvoet

Nilbio Torres

Antonio Bolivar

The story of the relationship between Karamakate, an Amazonian shaman and last survivor of his people, and two scientists who work together over the course of forty years to search the Amazon for a sacred healing plant.

Embrace of the Serpent

Embrace of the Serpent (2015)

Fanny Ardant

Jacques Dacqmine

André Dussollier

Sabine Azéma

In Paris in the 1920s, a concert violinist meets and falls in love with a stylish young flapper who's the wife of an old friend. Romaine instigates the affair with Marcel, and carries it forward even as her husband, Pierre, falls ill. She may even be purposely giving Pierre a treatment that adds to his misery. After Marcel returns from a concert tour and Romaine stoops to a new low in abandoning Pierre for an assignation, she reconsiders the affair and takes a drastic step. Three years later, Pierre pays Marcel a visit to demand the truth. Will the jealous and aggrieved Marcel manage a convincing performance?—

Mélo

Mélo (1986)

Joseph Cotten

Janet Leigh

Charlton Heston

Orson Welles

Mexican Narcotics officer Ramon Miguel 'Mike' Vargas has to interrupt his honeymoon on the Mexican-US border when an American building contractor is killed after someone places a bomb in his car. He's killed on the US side of the border but it's clear that the bomb was planted on the Mexican side. As a result, Vargas delays his return to Mexico City where he has been mounting a case against the Grandi family crime and narcotics syndicate. Police Captain Hank Quinlan is in charge on the US side and he soon has a suspect, a Mexican named Manolo Sanchez. Vargas is soon onto Quinlan and his Sergeant, Pete Menzies, when he catches them planting evidence to convict Sanchez. With his new American wife, Susie, safely tucked away in a hotel on the US side of the border - or so he thinks - he starts to review Quinlan's earlier cases. While concentrating on the corrupt policeman however, the Grandis have their own plans for Vargas and they start with his wife Susie.—garykmcd

Touch of Evil

Touch of Evil (1958)

Morena Baccarin

Michael Beach

Currie Graham

Beau Bridges

SG-1 searches for an ancient weapon which could help them defeat the Ori, and discover it may be in the Ori's own home galaxy. As the Ori prepare to send ships through to the Milky Way to attack Earth, SG-1 travels to the Ori galaxy aboard the Odyssey. The International Oversight committee has their own plans and SG-1 finds themselves in a distant galaxy fighting two powerful enemies.—Anonymous

Stargate: The Ark of Truth

Stargate: The Ark of Truth (2008)

Paul Walker

Tobey Maguire

Jeff Daniels

William H. Macy

David Wagner is a kid whose mind is stuck in the 1950s. He's addicted to a classic 50's sitcom television show called "Pleasantville". Pleasantville is a simple place, where all of its citizens are swell and simple-minded folks, where the word "violence" and life outside Pleasantville are unknown to its inhabitants; things are perfect down in Pleasantville. One evening, the life of David and his obnoxious sister Jennifer take a bizarre turn when an eccentric repairman hands them a supposed magical remote. After a quarrel between the siblings, they inexplicably zap themselves into the world of "Pleasantville". Now, David and Jennifer must adjust to a 50s lifestyle of repressed desires and considerably different societal values while trying to find their way home.—Kyle Perez

Pleasantville

Pleasantville (1998)

Tony Chiu Wai Leung

Maggie Cheung

Paulyn Sun

Hsien Yu

Set in Hong Kong, 1962, Chow Mo-Wan is a newspaper editor who moves into a new building with his wife. At the same time, Su Li-zhen, a beautiful secretary and her executive husband also move in to the crowded building. With their spouses often away, Chow and Li-zhen spend most of their time together as friends. They have everything in common from noodle shops to martial arts. Soon, they are shocked to discover that their spouses are having an affair. Hurt and angry, they find comfort in their growing friendship even as they resolve not to be like their unfaithful mates.—Anonymous

In the Mood for Love

In the Mood for Love (2000)

Mel Gibson

Natalie Dormer

Ioan Gruffudd

Jennifer Ehle

Professor James Murray begins work compiling words for the first edition of the Oxford English Dictionary in the 19th century, and receives over 10,000 entries from a patient at Broadmoor Criminal Lunatic Asylum, Dr. William Minor.

The Professor and the Madman

The Professor and the Madman (2019)

Jean-Luc Godard

Jean-Pierre Léaud

François Truffaut

Jeanne Moreau

Seemingly in constant trouble at school, 14-year-old Antoine Doinel returns at the end of every day to a drab, unhappy home life. His parents have little money and he sleeps on a couch that's been pushed into the kitchen. His parents bicker constantly and he knows his mother is having an affair. He decides to skip school and begins a downward spiral of lies and theft. His parents are at their wits' end, and after he's stopped by the police, they decide the best thing would be to let Antoine face the consequences. He's sent to a juvenile detention facility where he doesn't do much better. He does manage to escape however.—garykmcd

The 400 Blows

The 400 Blows (1959)

John Carpenter

Robert Duvall

Ned Beatty

Faye Dunaway

In the 1970s, terrorist violence is the stuff of networks' nightly news programming and the corporate structure of the UBS Television Network is changing. Meanwhile, Howard Beale, the aging UBS news anchor, has lost his once strong ratings share and so the network fires him. Beale reacts in an unexpected way. We then see how this affects the fortunes of Beale, his coworkers (Max Schumacher and Diana Christensen), and the network.—Bruce Janson

Network

Network (1976)

Geraldine Chaplin

Edgar Vivar

Óscar Casas

Belén Rueda

Laura (Belén Rueda) has happy memories of her childhood in an orphanage. She convinces her husband to buy the place and help her convert it into a home for sick children. One day, her own adopted son, Simón (Roger Príncep), disappears. Simon is critically ill, and when he is still missing several months later, he is presumed dead. Grief-stricken Laura believes she hears spirits, who may or may not be trying to help her find the boy.—Official synopsis

The Orphanage

The Orphanage (2007)

Kristin Scott Thomas

Rowan Atkinson

Hugh Grant

Andie MacDowell

In Britain, slightly bumbling and always tardy Charles (Hugh Grant) and his closest group of friends seem always to be attending weddings, but are never the bride nor groom, and as such, each, with the exception of gay couple Gareth (Simon Callow) and Matthew (John Hannah), is looking for love. At the wedding of their friends, Angus (Timothy Walker) and Laura (Sara Crowe), where Charles is acting as best man, Charles meets an American woman named Carrie (Andie MacDowell). For him, it's love at first sight. She too is attracted to him. Although they spend a memorable evening together, that's all it ends up being. Over three more successive weddings - some of the brides and grooms who are very near and dear to Charles' heart - and one unfortunate funeral, Charles runs into Carrie, but something always seems to prevent the two of them from getting together. He also runs into a plethora of old girlfriends, one of whom he may believe is really the one he was meant to end up with, especially if Carrie seems to remain unobtainable. Will Charles settle for who in his heart is second best, or will fate finally bring Charles and Carrie together?—Huggo

Four Weddings and a Funeral

Four Weddings and a Funeral (1994)

Otto Kuhnle

Peter Falk

Nick Cave

Bruno Ganz

Visible only to those like them and to human children, Damiel and Cassiel are two angels, who have existed even before humankind. Along with several other angels, they currently wander around West Berlin, generally on their own, observing and preserving life, sometimes trying to provide comfort to the troubled, although those efforts are not always successful. Among those they are currently observing are: the cast and crew of a movie - a detective story set in WWII Nazi Germany - which include a sensitive and perceptive Peter Falk; an elderly man named Homer looking for eternal peace; and the troupe of a financially failing circus, which has closed early for the season because of those financial problems. One day, Damiel tells Cassiel that he wants to become human, to feel not only the sensory aspects of physical beings, but also emotional aspects. He embarks on this thought with the full realization that there is no turning back if he decides to do so. His thoughts are largely because he has fallen in love with Marion, the trapeze artist with the circus. If he does decide to become a human, there is no guarantee that as a human that he will be able to locate Marion or that she will return his affection. His angels, however, may be looking out for him.—Huggo

Wings of Desire

Wings of Desire (1987)

Kåre Hedebrant

Karin Bergquist

Lina Leandersson

Philip Hersh

Blackeberg, Stockholm, 1982. With nothing but liberating revenge on his mind, 12-year-old Oskar, the classroom's bullied undesirable, daydreams about getting even. But he is one, and they are many. As dark thoughts command courage, Oskar has a pivotal encounter with cryptic next-door neighbour Eli, a raven-haired stranger coming as a friend. Sometimes, all people want is a little push to keep them going. However, vengeance and justice don't mix. And blood never forgets. In a quiet suburb now rife with violence and murder, has Oskar placed himself in harm's way? With conflicting emotions challenging reason, can the boy forgive and forget to let the right one in?—Nick Riganas

Let the Right One In

Let the Right One In (2008)

Brontis Jodorowsky

Alejandro Jodorowsky

Eric Kleinsteuber

Xamira Zuloaga

In a nostalgic childhood memoir, octogenarian director Alejandro Jodorowsky returns to coastal Tocopilla, his hometown in the Chilean desert. Through illusion, dream-like sequences, mysticism, and New Age metaphors, Jodorowsky portrays vividly his loving mother and his authoritarian father who wanted to make a man out of him, recounting the days of innocence against the backdrop of an eccentric, intricate dance of reality.—Nick Riganas

The Dance of Reality

The Dance of Reality (2013)

Geoffrey Holder

Richard Attenborough

Betsy Blair

Carol White

Musician Aurelius Rex (Paul Harris) and his wife Delia (Marti Stevens), a retired singer, are the recipients of a big, one-year wedding anniversary party in London thrown by a wealthy music promoter and jazz aficionado, Rod Hamilton (Richard Attenborough, in a Thames-side warehouse he has remodeled to create a space for the kind of all-night sessions that can't be done in Mayfair. Johnny Cousin (Patrick McGoohan), a drummer with aspirations of starting his own band, has promised booking agent Lou Berger (Bernard Braden) that Delia has come out of retirement and will resume performing, not with Rex but with Johnny. On the phone, Berger tells Johnny that Delia's presence is absolutely necessary. Delia tells Johnny in no uncertain terms that she does not intend to resume her career. Music plays an important role in the film, as party guests take it in turn to join in, and we learn more about all the characters. Johnny begins a series of complex machinations, all designed to make Rex believe that Delia has been having an affair with Cass (Keith Michell), the band's manager. Johnny's back-stabbing costs Cass his job, when he plies Cass --- a recovered addict --- with marijuana (possibly heroin). Johnny records a conversation between Cass and Benny (María Velasco), who are lovers, talks to Cass about how much he loves Benny, and tapes Delia promising Cass that she will get Rex to forgive him. He edits the material to distort the meaning. Delia's performance of a song, rehearsed solely for the party, furthers Rex's suspicions that she is unhappy at home. Rex tries to strangle Delia and assaults Cass, sending him over a balcony. In front of the whole party, he accuses them of infidelity. Johnny's long-suffering wife, Emily (Betsy Blair), asks if he heard this from Johnny, protesting that "Johnny is a liar. He never told the truth in his life." When Rex mentions the tape, Benny makes Cass admit that he was talking about her on the tape, not Delia. His plot exposed, Johnny runs out of the room. Rex follows and is throttling Johnny when Delia stops him. He walks slowly back to the room where Cass lies injured in Benny's arms. He kneels down, takes Cass's hand and holds it against his cheek. "Don't worry man, everything is cool." Cass says. Rex walks out of the room and Delia runs after him. He looks at the marks of his fingers on her neck, stares at his hand and gently caresses her face. He goes out into the night as the ambulance arrives. Delia runs after him and they stand facing each other. Cass is loaded into the ambulance and Benny goes with him. Johnny is noodling on the drums. Emily brings him his coat. "I love you," she says. "Don't you understand, I don't want to be loved...I love nobody. Don't even love Johnny...Go find somebody else to love..." he says. Johnny goes to town on the drums as Emily woodenly walks away. Rod also walks out, leaving Johnny alone, his drumming more and more frantic. The last shot of the film shows Rex and Delia walking along the embankment, his arm around her.

All Night Long

All Night Long (1962)

Ryô Kase

Aoi Miyazaki

Hidetoshi Nishijima

Orime Amagi

A high school student named Yu has a crush on one of her classmates, Yosuke. The boy spends most of his time sitting outside and playing his guitar, and Yu sits nearby and listens. One day, however, a terrible tragedy occurs, and the two do not see each other again for many years.—Patrick Lin

I Like

I Like (2005)

Kevin Hart

Bryan Cranston

Nicole Kidman

Aja Naomi King

Philip is a disabled billionaire, who feels that life is not worth living. To help him in his day-to-day routine, he hires Del, a parolee who is trying to reconnect with his estranged wife. What begins as a professional relationship develops into a friendship as Del shows his grouchy charge that life is worth living.—Tom Daly

The Upside

The Upside (2017)

Matthew Modine

Bill Pullman

Topher Grace

Jon Stewart

A close look behind the scenes, between late March and mid-October, 2008: we follow Richard Fuld's benighted attempt to save Lehman Brothers; conversations among Hank Paulson (the Secretary of the Treasury), Ben Bernanke (chair of the Federal Reserve), and Tim Geithner (president of the New York Fed) as they seek a private solution for Lehman's; and, back-channel negotiations among Paulson, Warren Buffet, investment bankers, a British regulator, and members of Congress as almost all work to save the U.S. economy. By the end, with the no-strings bailout arranged, modest confidence restored on Wall Street, and a meltdown averted, Paulson wonders if banks will lend.—

Too Big to Fail

Too Big to Fail (2011)

Dee Bradley Baker

Matt Devere

Dave Fennoy

Sheb Wooley

A psychotherapist suffers violent nightmares inspired by legendary works of art. Four of his patients, expert thieves, offer to steal the works since he believes that once he owns them, the nightmares will disappear. He becomes a wanted criminal known as "The Collector". Who will dare to catch him and his gang?—Diego Olivas Arana

Ruben Brandt, Collector

Ruben Brandt, Collector (2018)

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