Gregory Peck

Ava Gardner

Anthony Perkins

Fred Astaire

In 1964, atomic war wipes out humanity in the northern hemisphere; one American submarine finds temporary safe haven in Australia, where life-as-usual covers growing despair. In denial about the loss of his wife and children in the holocaust, American Captain Towers meets careworn but gorgeous Moira Davidson, who begins to fall for him. The sub returns after reconnaissance a month (or less) before the end; will Towers and Moira find comfort with each other?—Rod Crawford

On the Beach

On the Beach (1959)

Milburn Stone

Richard Widmark

Thelma Ritter

Richard Kiley

On a crowded subway, Skip McCoy picks the purse of Candy. Among his take, although he does not know it at the time, is a piece of top-secret microfilm that was being passed by Candy's consort, a Communist agent. Candy discovers the whereabouts of the film through Moe Williams, a police informer. She attempts to seduce McCoy to recover the film. She fails to get back the film and falls in love with him. The desperate agent exterminates Moe and savagely beats Candy. McCoy, now goaded into action, confronts the agent in a particularly brutal fight in a subway.—alfiehitchie

Pickup on South Street

Pickup on South Street (1953)

Chuck Hicks

Barbara Feldon

Angie Dickinson

Carroll O'Connor

Mal Reese is in a real bind--owing a good deal of money to his organized crime bosses--and gets his friend Walker to join him in a heist. It goes off without a hitch, but when Reese realizes the take isn't as large as he had hoped, he kills Walker--or so he thinks. Some time later, Walker decides it's time to get his share of the money and starts with his ex-wife Lynne, who took up with Reese after the shooting. That leads him on a trail--to his wife's sister Chris, to Reese himself, then onto Big Stegman, then Frederick Carter, then up the line of gangsters in an effort to get money from people who simply won't acknowledge that they owe him anything.—garykmcd

Point Blank

Point Blank (1967)

Simone Signoret

Gila Golan

Lee Marvin

George Segal

1933: An ocean liner belonging to a second-rate German company is making a twenty-six day voyage from Veracruz, Mexico to Bremerhaven, Germany. Along the way it will stop in Cuba to pick up a large group of Spanish farm laborers who are being shipped home and who will be housed like cattle in steerage. There it will also pick up La Condesa, a Spanish countess. It will stop in Tenerife, where the farm workers will disembark and where La Condesa will be sent to a German-run prison for her "traitorous" activities in Cuba. This voyage will be the last of three for the ship's doctor, Willi Schumann, who has a serious heart ailment and who thought he could find some meaning to his life through this job. Willi and La Condesa fall in love, with the ship's Captain Thiele, who is Willi's closest friend on board, believing the drug-addicted La Condesa is only using him to get her fixes. Willi and La Condesa have to figure out if there is a future for them after the voyage, as Willi's life also includes a wife and sons back in Bremerhaven. Among the other motley crew of passengers are: Mary Treadwell, a middle-aged American divorcée who is trying to recapture her youth; Tenny, a middle-aged American ex-baseball player who laments never having made it big in the game; David and Jenny, a young American couple who say they are in love but who have to overcome their fundamental differences in social standing and life outlooks; Rieber, a middle-aged German Nazi sympathizer who is traveling with a young woman companion and who lords his beliefs over the other German passengers, who in turn are either so self-absorbed with their own lives and/or just don't care to notice what is happening in Germany with the Nazis; and Lowenthal and Glocken, a German Jew and a German dwarf respectively, who are "paired" as the outsiders among those in first class. Their encounters, plus those with a rambunctious pair of children, two German teenagers who are coming into their sexual being but are having problems overcoming issues they face, and a troupe of gypsy entertainers whose women are pimped out by their leader, lead to an interesting voyage.—Huggo

Ship of Fools

Ship of Fools (1965)

Helen Mirren

Pierce Brosnan

Dexter Fletcher

Alan Devlin

Harold (Bob Hoskins), a prosperous English gangster, is about to close a lucrative new deal when bombs start showing up in very inconvenient places. A mysterious syndicate is trying to muscle in on his action, and Harold wants to know who they are. He finds out soon enough, and bloody mayhem ensues.—Marty Cassady

The Long Good Friday

The Long Good Friday (1980)

Ebon Moss-Bachrach

Ben Stiller

Owen Wilson

Alec Baldwin

Three grown prodigies, all with a unique genius of some kind, and their mother are staying at the family household. Their father, Royal had left them long ago, and comes back to make things right with his family.—MonkeyKingMA

The Royal Tenenbaums

The Royal Tenenbaums (2001)

Richard E. Grant

Ralph Brown

Bruce Robinson

Richard Griffiths

London, 1969 - two 'resting' (unemployed and unemployable) actors, Withnail and Marwood, fed up with damp, cold, piles of washing-up, mad drug dealers and psychotic Irishmen, decide to leave their squalid Camden flat for an idyllic holiday in the countryside, courtesy of Withnail's uncle Monty's country cottage. But when they get there, it rains non-stop, there's no food, and their basic survival skills turn out to be somewhat limited. Matters are not helped by the arrival of Uncle Monty, who shows an uncomfortably keen interest in Marwood...—Michael Brooke

Withnail and I

Withnail and I (1987)

Christopher Plummer

Joanna Pettet

Omar Sharif

Donald Pleasence

In 1942 Warsaw, a Polish prostitute is murdered in a sadistic way. Major Grau (Omar Sharif), an Agent from German Intelligence who believes in justice, is in charge of the investigation. An eyewitness saw a German General leaving the building after a scream of the victim. A further investigation shows that three Generals do not have any alibi for that night: General Tanz (Peter O'Toole), Major General Klaus Kahlenberge (Donald Pleasence), and General von Seidlitz-Gabler (Charles Gray). The three avoid direct contact with Major Grau and become potential suspects. As Major Grau gets close to them, he is promoted and sent to Paris. In 1944 Paris, this quartet is reunited, and Major Grau continues his investigation. Meanwhile, a plan for killing Adolf Hitler is plotted by his high command, a romance between Ulrike von Seidlitz-Gabler (Joanna Pettet) and Lance Corporal Kurt Hartmann (Sir Tom Courtenay) is happening and Inspector Morand (Philippe Noiret) is helping Major Grau in his investigation. The story ends in 1965, in Hamburg, with another, similar crime.—Claudio Carvalho, Rio de Janeiro, Brazil

The Night of the Generals

The Night of the Generals (1967)

Nicolas Cage

Stoney Westmoreland

Bruce McGill

Sam Rockwell

Meet Roy and Frank, a couple of professional small-time con artists. What Roy, a veteran of the grift, and Frank, his ambitious protégé, are swindling these days are "water filtration systems," bargain-basement water filters bought by unsuspecting people who pay ten times their value in order to win bogus prizes like cars, jewelry and overseas vacations--which they never collect. These scams net the flim-flam men a few hundred here, another thousand there, which eventually adds up to a lucrative partnership. Roy's private life, however, is not so successful. An obsessive-compulsive agoraphobe with no personal relationships to call his own, Roy is barely hanging on to his wits, and when his idiosyncrasies begin to threaten his criminal productivity he's forced to seek the help of a psychoanalyst just to keep him in working order. While Roy is looking for a quick fix, his therapy begets more than he bargained for: the revelation that he has a teenage daughter--a child whose existence he suspected but never dared confirm. What's more troubling, 14-year-old Angela wants to meet the father she never knew. At first, Angela's appearance disrupts her neurotic father's carefully ordered routine. Soon, however, with his own unique spin on parenthood, Roy begins to enjoy a relationship he never dreamed of having with his daughter. But while he develops paternal feelings for the 14-year-old, she's developing a fascination with Daddy's questionable career.—Sujit R. Varma

Matchstick Men

Matchstick Men (2003)

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