Kate Nhung

Cory Jackson

Leon Bown

Svitlana Kovalenko

When an orphaned Vietnamese girl is hired to be a housemaid at a haunted rubber plantation in 1953 French Indochina, she unexpectedly falls in love with the French landowner and awakens the vengeful ghost of his dead wife... who is out for blood.—Anonymous

The Housemaid

The Housemaid (2016)

Joan Collins

Judy Geeson

Peter Cushing

Ralph Bates

In London, twenty-two year-old Peggy Heller (Judy Geeson) meets and marries school teacher Robert Heller (Ralph Bates) after recovering from a nervous breakdown. Robert works in the countryside in a private school owned by headmaster Michael Carmichael (Peter Cushing), who is married to Molly Carmichael (Dame Joan Collins). On the eve of moving to the country with her husband, Peggy spends the night at the boarding house of Mrs. Beamish (Gillian Lind) and is attacked by a man with a mechanical arm in her room. Mrs. Beamish calls the doctor, but they do not believe Peggy. The next morning, she heads with Robert to the country and moves into the cottage in the school. Soon, Peggy is attacked by the same man, but Robert does not believe her. Then she meets the Headmaster and realizes that he has a mechanical arm. What will happen next?—Claudio Carvalho, Rio de Janeiro, Brazil

Fear in the Night

Fear in the Night (1972)

Amy Manson

James Cosmo

Nora-Jane Noone

James Lance

January is forced to return home after six years traveling abroad. A near-fatal accident has left her temporarily wheelchair bound and depleted of her long-term memory. She is accompanied by her boyfriend 'Callum' whom she met whilst traveling. He was also the driver in the fateful accident. Not only has she forgotten her family, but her childhood as well and is surprised to discover that her home is a stately manor in the middle of the country-side. As January tries to settle in, she finds herself becoming even more estranged from her family, who just want their daughter back. The trouble is, January cannot remember who that she was, or why she ran away. Desperate to discover why she left all those years ago and with Callum's help, she sets out to find the truth. They soon discover the family are not as loving as they seem to be. Was there a dark reason why she left them in the first place?—WB

Estranged

Estranged (2015)

Tadanobu Asano

Yuki Kazamatsuri

Jun Kunimura

Shun Sugata

When a Yakuza boss named Anjo disappears with 300 million yen, his chief henchman, a sadomasochistic man named Kakihara, and the rest of his mob goons go looking for him. After capturing and torturing a rival Yakuza member looking for answers, they soon realize they have the wrong man and begin looking for the man named Jijii who tipped them off in the first place. Soon enough Kakihara and his men encounter Ichi, a psychotic, sexually-repressed young man with amazing martial arts abilities and blades that come out of his shoes. One by one Ichi takes out members of the Yakuza and all the while Kakihara intensifies his pursuit of Ichi and Ichi's controller Jijii. What will happen as the final showdown happens between the tortured and ultra-violent Ichi and the pain-craving Kakihara?—Joseph

Ichi the Killer

Ichi the Killer (2001)

Clu Gulager

Jenny Wade

Carl Anthony Payne II

Martin Klebba

Several long, bloody hours after the endless massacre in Feast (2005), the lucky survivors of the besieged desert bar flee to the neighbouring town. However, as the brutal monstrosities pick up the sweet scent of human blood, the handful of barflies will have to join forces with the unsuspecting locals to stand a fighting chance. But, once more, humans are at the bottom of the food chain. What will it take to end the impending bloodbath and rid the area of the flesh-eating creatures for good?—Nick Riganas

Feast II: Sloppy Seconds

Feast II: Sloppy Seconds (2008)

Rose Byrne

Patrick Wilson

Hana Hayes

Ty Simpkins

The parapsychologist Dr. Elise Rainier has nightmares with her childhood in New Mexico, where she lived with her brother Christian, her supportive mother Audrey and her father Gerald, who frequently beats her when she claims that she sees ghosts everywhere in the house. When the client Ted Garza calls Elise to ask for help since he is haunted since he moved to a house in New Mexico, Elise refuses the request since the address is the same house where she spent her childhood. However she changes her mind and accepts the job, and travels with her assistants Specs and Tucker to New Mexico where they will discover an evil entity in the house.—Claudio Carvalho, Rio de Janeiro, Brazil

Insidious: The Last Key

Insidious: The Last Key (2018)

Sybil Danning

Robert Mitchum

Jaclyn Smith

Fritz Weaver

The wife of a wealthy industrialist finds herself caught-up in a web of intrigue & murder which was created by her own deceit. When she tries to escape the results of her actions, she too falls victim to deception.—Anonymous

Nightkill

Nightkill (1980)

Natalie Portman

Oscar Isaac

Jennifer Jason Leigh

Tessa Thompson

A biologist's husband disappears. She puts her name forward for an expedition into an environmental disaster zone, but does not find what she's expecting. The expedition team is made up of the biologist, an anthropologist, a psychologist, a surveyor, and a linguist.

Annihilation

Annihilation (2018)

Valerie Leon

Aubrey Morris

George Coulouris

Harry Fielder

On the night before her anniversary, Margaret Fuchs receives an ancient Egyptian ring with a red stone as a birthday gift from her father, Prof. Julian Fuchs. Margaret has frequent nightmares about an expedition in Egypt with five members, including her father, finding the tomb of Queen Tera, an evil sorcerer with a severed hand. The members collect the sarcophagus with a totally preserved mummy, the severed hand with the ring with a red stone, and three relics. Margaret is possessed by the spirit of Tera and chases the expedition members to retrieve the objects and gives life back to Tera.—Claudio Carvalho, Rio de Janeiro, Brazil

Blood from the Mummy's Tomb

Blood from the Mummy's Tomb (1971)

Christopher Lloyd

Franka Potente

Joanne Whalley

Elliot Cowan

Literature professor Samuel Solomon has been off work for almost a year after his girlfriend's tragic death. He has been suffering from a recurring nightmare in which a woman is brutally murdered by a strange ritual. Suddenly, the same woman who appears every night in his dreams is found dead in exactly the same circumstances. Samuel sneaks into the crime scene, where he meets Rachel, who has also dreamed about the murder. Together, they will do whatever they can to discover the identity of the mystery woman, entering a terrifying world controlled by the figures who have inspired artists throughout time: The Muses.—Filmax International

Muse

Muse (2017)

Sandra Escacena

Ana Torrent

Carla Campra

Maru Valdivielso

Madrid, June of 1991. Verónica is a teenage girl surpassed by the circumstances after her father died recently, her mother works in a bar all day and she must care for her three siblings, twin girls Lucía and Irene and the youngest Antoñito. Still mourning for her father's death, Verónica decides to play Ouija with her friends Rosa and Diana, taking advantage a total solar eclipse where all classmates and teachers are on the school's rooftop watching it. Alone in the cellar, the girls try to contact their recent deceased family members, but the session goes wrong and something happens to Verónica. She hid from her mother what has happened, Verónica starts to feel strange presences inside the house and fears that these ghosts are a threat to any of her siblings. Advised by Sister Narcisa (nicknamed by the children as Sister Death) about the sinister spirit which is close to her, Verónica looking for a way to break the contact with the ghost and save everyone, suffering hallucinations and horrible visions that progressively end up in violence and intensity that turns the whole house into a nightmare where no one is safe.—Chockys

Veronica

Veronica (2017)

Steve Clemente

Joel McCrea

Robert Armstrong

Noble Johnson

When legendary hunter Bob Rainsford is shipwrecked on the perilous reefs surrounding a mysterious island, he finds himself the guest of the reclusive and eccentric Count Zaroff. While he is very gracious at first, Zaroff eventually forces Rainsford and two other shipwreck survivors, brother and sister Eve and Martin Towbridge, to participate in a sadistic game of cat and mouse in which they are the prey and he is the hunter.—yusufpiskin

The Most Dangerous Game

The Most Dangerous Game (1932)

Levente Törköly

Tamás Varga

Csaba Molnár

Károly Hajduk

Based on real-life events, this psycho-thriller is set in the provincial Hungary of the 1960s, when a series of atrocious murders shock the small town of Martfü. A psychotic killer is on the prowl, who continues to slaughter young women while an innocent man is wrongly accused and sentenced for crimes he could never have committed. A determined detective arrives on the scene and soon becomes obsessed with the case while under pressure from the prosecutor to see a man hang. Stuck in the suffocating social, political and psychological world of socialist Hungary, we soon find ourselves entangled in a web of intricate conspiracy and disturbing drama.

Strangled

Strangled (2016)

Doug Dillingham

Joe Camp

Janie Baker

Allison Biggers

Julia, a teacher in a school for the deaf, has a hideously deformed and deranged twin sister that resides in the local looney bin. She escapes to gate-crash a surprise birthday party for Julia.—Sujit R. Varma

Madhouse

Madhouse (1981)

Brittany Snow

Sarah Shahi

Al Pacino

Karl Urban

Decorated retired homicide detective Ray Archer (Al Pacino) and his partner, ex FBI agent Will Ruiney, (Karl Urban) are tasked with catching a vicious serial killer who is playing a twisted version of the children's game Hangman. Crime journalist Christi Davies (Brittany Snow) shadows the detectives, aiding them with her own insights into the criminal mind.

Hangman

Hangman (2017)

Sally Hawkins

David Hewlett

Guillermo del Toro

Michael Stuhlbarg

From master storyteller Guillermo del Toro comes THE SHAPE OF WATER, an otherworldly fable set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment. Rounding out the cast are Michael Shannon, Richard Jenkins, Michael Stuhlbarg, and Doug Jones.—Fox Searchlight Pictures

The Shape of Water

The Shape of Water (2017)

Jóhannes Haukur Jóhannesson

Gudni Geir Jóhanneson

Júlia Hannam

Bjarni Kristbjðrsson

After an older lady hangs herself in a church, a new psychiatrist discovers she was obsessed with the disappearance of his eight-year-old son, who vanished three years earlier. Meanwhile, three city dwellers are restoring a house when they realize it is haunted.—AnonymousB

I Remember You

I Remember You (2017)

Viggo Mortensen

Caroline Williams

Miriam Byrd-Nethery

Kate Hodge

A couple encounters a perverted gas station attendant who threatens them with a shotgun. They take a deserted path in Texas to seek help, but only meet up with a cannibalistic clan interested in helping themselves to fresh meat.—Mark J. Popp

Leatherface: Texas Chainsaw Massacre III

Leatherface: Texas Chainsaw Massacre III (1990)

David Bradley

Deirdre O'Kane

Charlotte Vega

Carolyn Bracken

1920, rural Ireland. Anglo Irish twins Rachel and Edward share a strange existence in their crumbling family estate. Each night, the property becomes the domain of a sinister presence (The Lodgers) which enforces three rules upon the twins: they must be in bed by midnight; they may not permit an outsider past the threshold; if one attempts to escape, the life of the other is placed in jeopardy. When troubled war veteran Sean returns to the nearby village, he is immediately drawn to the mysterious Rachel, who in turn begins to break the rules set out by The Lodgers. The consequences pull Rachel into a deadly confrontation with her brother - and with the curse that haunts them.

The Lodgers

The Lodgers (2017)

Caprice Benedetti

Miriam A. Hyman

Larry Fessenden

Malone Thomas

There's little in the first half of Ana Asensio's feature-length directorial debut that foreshadows its outrageous second half, except maybe the credit for indie-horror distributor Glass Eye Pix. At first, it seems odd that Larry Fessenden would have produced what seems like an archetypal Sundance selection about multicultural strivers in New York City: The story focuses on one, Luciana (Asensio), an immigrant from Spain, running away from her past, struggling-often along the F line, in Brooklyn-to survive and find odd jobs.Most Beautiful Island follows Luciana during a not-atypical day: to a doctor she can't afford, because she has no insurance; to her apartment, where most things in the fridge have "Not Yours" notes taped onto them by her roommate. We see her pick up insolent children from school and walk them home, and we see her dressed up in a provocative yet silly costume, handing out fliers. Then, a fellow immigrant and friend, Olga (Natasha Romanova), from the flyering job, asks Luciana to fill in for her at another gig, which sounds too good to be true: Get paid $2,000 to show up at a cocktail party and look pretty-no sex-stuff required, just a black dress and some high heels.Up to this point, Most Beautiful Island feels like a meandering, ethnographic quasi-documentary, set all over New York City, on familiar streets but also in back rooms and back alleys many people don't often see. It's set in a milieu of hustling immigrant women, living within a culture of seemingly infinite economic possibilities that all seem somehow out of reach. Each has her own reasons for being in the city and her own ways of making money-through Craigslist, or networks of other women in similar circumstances. Luciana often relies on the kindnesses of other immigrants: the shopkeepers who say she can pay tomorrow, and give her an extra little treat, or the cabbies who shrug off her inability to pay. But others tell her that we make our own luck and get what we deserve, espousing a moralistic social Darwinism that's brought to life in the film's second half, in the form of a biting metaphor.Olga's job offer, which leads Luciana to a cinderblock-lined basement along the West Side Highway, is indeed too good to be true. Women stand in narrow circles, drawn and numbered in chalk, in which they're ogled by ladies and gentlemen in evening dress holding champagne-and stern men in black prevent the women from leaving. We're made to wait there with them, airs of tension, menace, and mystery getting denser as the women are led one by one into a "party room," to which the well-dressed have retired. When Luciana is finally called in, the moment is nightmarish-a relatively simple yet quite unexpected scenario that's stomach-twisting in its elemental horror but also in the fact that many of these women, abject in their desperation, have volunteered to participate, putting their lives at risk for sport and cash. The experience seems as dehumanizing as a sexual assault.Many genre movies in which bad things happen to women end with them fighting back, but here, as people surely would in real life, they just take the money and run. There's no grand climax, no wicked revenge or Grand Guignol comeuppance, just a shot of a stretch of New York City highway, a faded sign, painted on a brick wall, visible if you squint: BIG APPLE BIG DREAMS. Its irony turns grotesque if you remember the film's opening text: "Inspired by true events." This is how the other half really lives today.

Most Beautiful Island

Most Beautiful Island (2017)

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