India Eisley

Aaron Stanford

William Atherton

Vinessa Shaw

The film Opens with Dr. Jane Mathis (Vanessa Shaw), a trauma psychiatrist, working late into the evening hours (with Holiday music playing in the background) calling in prescription updates and performing patient checkup calls. Alone in her building, she sees the clock approaching midnight and goes to brew a pot of coffee when she hears a loud crashing sound from down the hall. She walks into the waiting room to see her patient, Nora (India Eisley), cutting her own wrists and hands with a shard of glass. Nora tells Mathis that she "Did what she told her to do..." and that she was wrong, then proceeds to attack Mathis with the shard of glass and then slits her own throat.
Fast forward two years. The scene opens with Dr. Mathis, apparently still dealing with the trauma of the attack, sitting in her car outside of her own therapist's office taking a prescription pill with coffee. She is seeing a friend and fellow therapist, Terry (William Atherton), to recover from the event, but her sessions are void of true emotion and guarded. She expresses to Terry that she wants to resume helping people who are recovering from traumatic events but then confesses that she is not ready to "go see Nora" yet (which tells the viewer that Nora is not dead) and then changes the subject. She also mentions that she's began a relationship which seems to impress Terry.
Mathis sees quite a few patients in her home, but not those suffering from Trauma. The montage that presumes shows a bored and disconnected Mathis with her patients, doodling on her notepad rather than making notes and being frustrated with the lack of stimulation. One patient in particular glances at her prescription pad on the coffee table and requests something for anxiety. She tells the patient to try a few more sessions before she is willing to write a prescription (insinuating that she is now against prescribing meds to her patients). A new patient, who identifies himself simply as Alex, calls Dr. Mathis and begs her take him on as a post trauma patient and she agrees. That evening she self-medicates (notably not needing the water that she had turned the facet on in the bathroom to swallow) and goes to bed with the TV on. She awakes in the middle of the night to a crashing sound outside and goes to investigate. She discovers her trash can pushed over and while picking up the contents sees the bushes outside her house rustle. Walking towards the bushes to see the cause a figure flashes by and footsteps are heard running off, away from the house. She resumes cleaning up the spilled trash. Over her shoulder, Nora appears on the porch behind her but Mathis doesn't see her. She is gone when Mathis turns around and re-enters her home.
Alex shows up to Jane's house for his first session, commenting on how he appreciates her lack of holiday decor. His face is terribly disfigured and he expresses frustration with his previous therapists and psychiatrists in general and that he doesn't see himself when he looks in the mirror. Alex states that he'd like something for his anxiety but Mathis refuses to prescribe him anything stating that drugs make things worse and that she isn't like the others and cares about the patients first. She states that she believes talking and exposing the issues that are affecting her patients helps the most.
Later (presumably the next day) Jane and her friend Clara(Sydney Tamiia Poitier) go for a jog and Jane sees Nora in the woods along the side of her trail and becomes unnerved. Later Clara expresses to Jane that she's happy that Jane has resumed their jogging routine and states she's proud of her for her progress. The camera pans out and you see the two conversing from behind a tree, as if they are being watched, and can hear labored breathing. Later that evening Jane is home eating dinner with her boyfriend Miles (Aaron Stanford), a police officer, when he notices that she isn't eating. She blames the time of year but is remembering the scene in the woods in her mind during the discussion and the two joke about therapy to get work off their brains.
Alex returns for a visit and explains that while shopping one day a child stared at him and made him feel like a freak. Alex talks about receiving a new face and how he doesn't feel like himself. Dr. Mathis tells him he needs "exposure therapy" to return to the accident and confront what happened to him. Alex tells Mathis he was on his way from work when he came upon a vehicle that had crashed but then states his memory is fractured and has a panic attack, failing to revisit the entire event. Dr. Mathis brings him out of the attack and teaches him a breathing exercise to use when he has attacks.
Mathis re-tells a nightmare she had to Terry on her next visit about Nora and explains that when she work up, she felt, "heavy". Terry questions her about sleep paralysis and offers a script which she declines. He questions Mathis about her lack of progress, telling her that she is keeping something from him. She confesses that she has taken on a trauma patient that had been disfigured a few years ago and Terry reprimands her for taking on such a case. She tells Terry that trauma patients are what she's good at and she feels she's already helping Alex. That night Mathis is lying in bed when she hears crashing sounds from downstairs and calls Miles for help. She investigates to discover a sleepwalking Alex in her home and slaps him to wake him up. She declines to press charges against him but refuses to see Alex anymore as a patient despite his pleas and asks Miles to spend the night with her. She has a dream about Nora's first session where she asks if anyone would know that she was seeing her as a patient (which Mathis assures her that no one would) and then wakes up in an episode of sleep paralysis. This startles Miles, which Jane then explains and that she's ok, however for the remainder of the evening Jane fails to sleep and has flashbacks of the incident with Nora.
No longer seeing Alex, Jane resumes therapy with her other patients (as well as her seemingly frustrated and disconnected disposition to them) until right before Christmas. Miles brings a tree to Jane's house which she and Miles decorate. He tells Jane that she can talk to him about anything and that it isn't going to scare him off. As they share a moment Jane's phone rings with Alex on the line, he tells her that he has taken too many pills and she rushes out to see him. Alex lets her into his home and appears disoriented from taking too many sleeping pills. He tells Mathis that he doesn't want to "live like this" and that he "keeps thinking about her" and then passes out. Mathis gives Alex a shot which brings him to consciousness but also makes him ill. He begs Mathis to not give up on him and assumedly she agrees as they resume sessions. The next session he tells Mathis the breathing exercises are helping and admits he had taken the pills in an attempt to commit suicide and not just to sleep. They attempt to relive the accident but Alex stops. Mathis comes close to telling him about Nora but stops herself and Alex storms out mid-session. That evening Mathis later takes more pills while drinking a glass of wine when Alex calls and apologizes for storming out. They agree to have another session the following week. That evening Nora shows up at Mathis's house, luring her outside, then entering the house and turning on her Christmas music before running off. Mathis then visits the mental institution where Nora had been held and she was advised that Nora had been released. The Dr. at the hospital tells Mathis that Nora's father died a couple years ago so there was no one to notify that she had been released. Mathis watches a video of Nora's sessions where she tells the physician there that the night she had broken into Mathis's office she had confronted her abuser and describes what presumably was an additional rape by him.In Alex's next session Dr. Mathis tells Alex about Nora and why she doesn't prescribe drugs then they revisit Alex's the accident and he tells Dr. Mathis that he had stopped to pull two people out of a wrecked car when he was hit by a vehicle and that his daughter was in his own car when he had stopped, that she'd be alive if it wasn't for the fact that he had stopped to help with the wreck. The two cry and comfort each other.
That night Jane is trying to sleep and cannot, she goes through her bathroom cabinets and finds several empty boxes of meds (presumably to have taken them all) and is left with insomnia. While in the kitchen getting a snack she hears a noise and finds a window open with blood on it. She returns to her bedroom to see blood soaked all over her bed and calls the police (and Miles). They come and review her surveillance system in her home and discover it has been tampered with, several hours time having been deleted. Upon her next visit to Terry she expresses concern that she is afraid and hasn't been sleeping. Terry advises her to stay with him but she declines stating that she will be staying with Clara and asks for a glass of water. While Terry is in the other room Jane rips several prescription papers from Terry's prescription pad. She doesn't go to Clara's, but returns home with several prescriptions in hand to find an oblivious Alex on her front porch. She becomes agitated with Terry and advises him that she is not seeing patients. He states he was in the neighborhood and thought he'd visit, feeling that they had made a connection. She recommends Alex to Terry and goes inside, taking her prescriptions and then lies down on the couch, checking her cell phone to see several missed calls from Miles. She falls asleep. Sometime later, she has a nightmare that Nora is in her home attacking her, she awakes to find her lamp knocked over, the light flickering and Norma actually in her home. They have a scuffle in the kitchen and she plunges a cork screw into Norma's skull, killing her.
Sometime later she awakes in the same mental hospital that Nora had been held in, cuffed to the bed and seemingly unaware of her surroundings. She sees the attending physician that Nora had seen and Terry (who has come on her behalf). Terry tells her that her blood tests had come back and he asks her how long she had been taking prescriptions from his pad in which she responds with an apology. They show her the surveillance video of the evening in which she had killed Nora, where she discovers she had actually killed Miles (who had come to her home to check on her in response to all of her missed calls). Her Dr. tells her that Nora was found that day, having hung herself in her apartment.
Clara visits Nora in the hospital. When she gets into her car she is stunned by someone in the back seat. Meanwhile in the hospital Jane is having hallucinations and nightmares now about both Nora and Miles. In her next session she tells her Dr. that Nora drugged her and that she didn't drug herself and kill Miles. The Dr. responds with a recant of Nora's story about her treatment there and what she thought and didn't think. During his recant he re-mentions that she was "convinced" her father was dead, that SHE had killed him. In answering Jane's inquiry he admits that he had spoken to Nora's father and that he was paying for her treatment. She asks what Nora had done to her father, to his face, and he asks her how she knew? She realizes that Alex is both Nora's abuser and her father, and escapes from the hospital. When she reaches the parking lot she is electrocuted.
Jane comes to, tied up in her home with Alex interrogating her. He admits that HE was the one who snuck into her home and drugged her, causing her to hallucinate and kill Miles. Admitting that he wasn't actually injured in his car accident but that it was Nora who had cut up his face the night she broke into Jane's office and tried to commit suicide. He admits that he was Nora's abuser, blaming Mathis for the fact that Nora realized that he was her abuser and causing her to confront him Christmas eve two years prior and that the car accident was on purpose to cover up how he had initially been injured. He faked his own death to disassociate himself with Dora's case so that he could seek revenge on Mathis. Mathis frees her hands from the ropes and stabs Alex in the neck with an ornament from the tree. She's tied in and gets away upstairs where she finds the bodies of Terry and Clara. Alex talks to her through the door and breaks into the room. They fight and she escapes through the window, disfiguring Alex's face again with her fingernails as she falls the first floor.
She comes to on the lawn and re-enters the house to find Alex's lifeless body seated on the couch having succumb to his neck wound.

Clinical

Clinical (2017)

Yvonne Monlaur

Donald Pleasence

Yvonne Romain

Kenny Baker

In 1947 England, a plastic surgeon must beat a hasty retreat to France when one of his patients has ghastly problems with her surgery. Once there, he operates on a circus owner's daughter, deformed by bombs from the war. Later he becomes the owner of the circus, and continues transforming disfigured women into the beautiful stars of his show. The police and a nosy reporter (as well as Scotland Yard) become interested when the women who want out of the circus begin dying in freak accidents, and they begin suspecting the good doctor is responsible.—Ed Sutton

Circus of Horrors

Circus of Horrors (1960)

Alberto Ammann

Mario Casas

Patrick Criado

Raúl Arévalo

In the opening scene, an injured man named Chino struggles to escape through a wood at night, but is soon caught by his pursuer. When the victim is unable to tell his attacker the location of a missing woman, the attacker buries him alive.The action moves to a police station, where police officer Martín (Javier Gutiérrez) is starting a new job. One of his first duties is to drive a prisoner transport vehicle at night. He will be partnered with Officer Montesino (Isak Férriz) during the transfer of six prisoners. During the strip search of the prisoners prior to departure, Montesino displays an aggressive attitude, deliberately humiliating some of the men. Martín, who believes in obeying the rules, prevents Montesino from striking one of the prisoners.
The prison transport vehicle is escorted by a police car with two officers, driving ahead. When the transport vehicle enters a foggy patch on the road, Martín loses sight of the police car, as well as radio contact. Then the truck is brought to a sudden stop by a spiked strip lying across the road. Montesino goes outside to assess the situation, but then Martín also loses radio contact with him.Martín gets out himself to investigate and finds Montesino unconscious and bleeding. Someone then starts shooting at him from the trees. Running for cover, Martín finds the overturned police car with both officers shot dead.
Martín returns fire at the sniper, emptying his gun. He makes it back to the transport vehicle, but is shot in the leg. In the cabin of the truck, he tries to call headquarters, but when the sniper shoots at the windscreen he retreats into the prisoners' section.One of the prisoners had earlier managed to access a hidden lock pick, and used it to remove his handcuffs and open his cell. He tries to overpower Martín, but the officer holds him off with his gun. Then gasoline is poured into two of the cells (from tubes through the ventilation grilles) and set alight. Martín has to open the cells to save the prisoners, although one man, Pardo (Miquel Gelabert), has already died.
The freed prisoners open the other cells and Martín is surrounded. He still tries to hold them off with his weapon, but then a message comes through the radio, announcing to the prisoners that Martín's gun is, in fact, empty, and that they should take his key and escape. All, that is, except a young prisoner called Nano (Patrick Criado), who is wanted by the man who has staged the hijack. Nano responds to this by beating to death another prisoner, Mihai (Florin Opritescu), a foreigner, whom Nano insists has masterminded the whole thing, and that it is nothing to do with him. Nano has also managed to get hold of Martín's key.The hijacker, Miguel (Karra Elejalde), who has entered the truck's cabin, sends another radio message, telling the men that if they do not hand over Nano they will all die. A brawl ensues, with the men trying to get the key off Nano, but he swallows it. Martín is overpowered and knocked unconscious by prisoner Ramis (Luis Callejo). When he comes to, he is locked in an area at one end of the truck, along with Nano, while the other men try to figure out a way to open the exit door. Ramis asks Martín if he remembers him? Apparently he performed in a band at Martín's wedding.Miguel starts the truck and begins to drive. In the back, the heating has been turned off and as it is winter the men are freezing. One of the prisoners, Rei (Édgar Vittorino), enters a storage compartment under the truck and tries to unscrew a panel.
However, Montesino, whom Martín had believed to be dead, has begun to revive. Although wounded, he finds Miguel's jeep hidden in the trees. In the glove box is a gun, and also numerous photos of a young woman. Newspaper cuttings reveal her to be Miguel's missing daughter, Soledad "Sole" García.Montesino transmits a distress call to headquarters and then drives after the prisoner transport truck. When he catches up with it, he fires through the side window of the cab, but Miguel manages to drive him off the road. Montesino hits a tree, and dies from his injuries. Meanwhile, Rei has also died, having been impaled on a long metal screw in the storage compartment, while the truck was swerving about.
Inside the truck, Martín talks with Nano, trying to discover what this is all about. Nano insists he does not know. Miguel had mentioned the name Chino (Àlex Monner) in one of his radio messages, and Nano says that this is someone he grew up with, and who is like a brother to him.Miguel continues to drive as dawn breaks over the snowy landscape. He drives the truck into the middle of a frozen lake and shoots at the surrounding ice so that the vehicle begins to sink. Then he walks off. As freezing water begins to fill the truck, Martín tells Ramis to release him so that he can reveal an emergency exit. Martín, Nano and Ramis escape through this exit, but the remaining prisoner, Gollum (Andrés Gertrúdix), succumbs to the cold and dies.Nano runs off after climbing out of the lake. Ramis and Martín shake hands before they part; Ramis wants to pursue his dream of opening a bar in the Caribbean. Martín makes his way to a nearby village, where he hears gunfire. Miguel is stationed in a high building, firing at Nano, who is hiding in the street below.
Martín creeps up behind Miguel, but is held off by Miguel's shotgun. Miguel explains why he is doing this; he had allowed his 13 year old daughter Sole to visit a fair with her friend. Nano and his friend Chino separated Sole from her girlfriend, and persuaded her to drink some shots. Unused to alcohol, she was soon drunk and then the boys took turns raping her. They then tortured her, with cigarette butts, pliers and a bottle. Finally they tied her to a car and dragged her through the fields until she died.Nano, already a hardened criminal, with numerous jail sentences behind him, was suspected of the crime, but the police could not prove anything. However, Miguel tracked down Chino, who confessed under torture to what they had done - only he did not know where Nano had hidden Sole's body (it was Chino who was buried alive in the opening scene). All Miguel now wants is to retrieve his daughter's body so that he can give her a proper burial.
Martín says he cannot permit Miguel to kill Nano. Miguel says he understands, as he was once a police officer. The men grapple for the shotgun and Martín overpowers Miguel and takes the weapon, but Miguel runs off in pursuit of Nano.Martín follows and finds Miguel beating Nano. Martín makes him back off, whereupon Nano sneers at Miguel, saying he will never reveal the location of his daughter's body. Hearing this, Martín shoots Nano in the foot, and then blasts his hand off, demanding he tell Miguel where Sole is. In agony, Nano finally confesses that she is buried in a well on a farm. As he makes this revelation, a police rescue helicopter arrives.
In a final scene, Martín clears out his locker at headquarters and leaves the building, presumably having also left his police career behind him.

Below Zero

Below Zero (2021)

Shahab Hosseini

Niousha Jafarian

Amir Hossein Ghezelbash

Armin Amiri

An Iranian couple living in the US become trapped inside a hotel when insidious events force them to face the secrets that have come between them, in a night that never ends.

The Night

The Night (2020)

Frankie Muniz

Chelsea Edmundson

Alexander Ward

Colby French

Jonathan is a lonely twenty-something, stuck in his home town working night shifts at the local convenience store. When an unexpected encounter with a mysterious woman turns his life upside down, Jonathan is stricken by illness and nightmarish visions. Paranoid and desperate, he launches on a quest across the suburbs to find the seductress who started it all. Friends and family believe he's losing his mind, but Jonathan is convinced he's the target of something far more sinister.

The Black String

The Black String (2018)

Yayu A.W. Unru

Ari Irham

Noucky Andriansyah

Hannah Al Rashid

Hanif (Ario Bayu) took his wife Nadya (Hannah Al Rashid) and their three children to the orphanage where Hanif had been raised. The caretaker of the orphanage, Mr. Bandi (Yayu A.W. Unru), was very old and seriously ill, Hanif came to visit after years of not meeting. Two of Hanif's best friends while living at the orphanage, Anton (Tanta Ginting) and Jefri (Miller Khan), also came with their wives. That night they all arrived at the orphanage located outside the city and far from the settlement. They intend to spend the night there to pay their respects to those who have cared for them since childhood. They thought that night would be a peaceful night. They immediately understood that they were wrong. One by one they experienced a terrible peculiarity. Some are terrorized by the things they fear the most. Meanwhile, the children began to see the appearance of a crippled woman. Victims began to fall, one by one from them. Lost, or died. Someone wants them dead, apparently with black magic that is very deadly. She has a grudge. She was also born because of the sins of the orphans who formed her into the Queen of Black Magic.

The Queen of Black Magic

The Queen of Black Magic (2019)

Randy Quaid

Wayne Robson

Sandy Dennis

Deborah Rush

Michael Laemie (Brian Madorsky) is a young boy living in a typical 1950s suburban home... except for his bizarre and horrific nightmares, and his continued unease around his parents. Especially his father, Nick Laemie (Randy Quaid). Young Michael begins to suspect that his parents are cooking more than just hamburgers on the grill outside, but has trouble explaining his fears to his new-found friend Sheila, or to the school's social worker.—Jeff Mercer

Parents

Parents (1989)

Ryô Kase

Takashi Tsukamoto

Hiroyuki Watanabe

Kôichi Yamadera

The horror of the Pacific War and specter of Godzilla have all become a distant memory for Japan. However, the destruction of a US submarine raises alarms for Admiral Tachibana. His estranged daughter Yuri, is working on a pseudo documentary when she comes across the legend of the three guardian monsters. The guardians are awaken by an old man, Hirotoshi Isayama, who informs Yuri that Godzilla, embodying the restless souls of the victims of Pacific War, has returned to destroy the nation for having forgotten the suffering of the war. As Yuri and her colleagues investigate, Admiral Tachibana and the guardian monsters attempt to defeat an unstoppable and vengeful Godzilla.—Plotjira

Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack

Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001)

Jack O'Connell

Abel Ferrara

Paula Nichols

Peter Yellen

Reno is an artist struggling to survive in NYC. He draws inspiration from scenes of daily street life and occasional random violence. Under pressure to finish his oft-delayed grand masterpiece, his psychotic alter-ego takes over and he begins killing random vagrants to boost his creativity, not quite realizing that it is happening in reality. When an art dealer grimly rejects Reno's finished masterpiece, Reno's mental condition quickly deteriorates.—Elfin Slade

The Driller Killer

The Driller Killer (1979)

Asia Argento

John Richardson

Giovanni Lombardo Radice

Hugh Quarshie

A church is built during medieval times on top of a pile of dead bodies that were considered possessed. Hundreds of years later a young librarian unleashes the evil within by removing a rock in the catacombs, and many strange events occur, and many people seem to have changed suddenly. Father Gus, the only one not possessed, must save the city from the pandemonium by finding the ancient secret of the church so it can crumble to pieces.—Nebiros

The Church

The Church (1989)

Vincent Perrone

Lauren Stoller

Ken'Twon Watson

Jd Ginsberg

A satire of the porn industry, it's about three friends who take a cash advance to film a porn for the intimidating Mr. Dong. Once they blow all the money and have no video for him he goes after them for revenge.

Death of a Porn Crew

Death of a Porn Crew (2014)

Mathias Löffler

Arianne Hargrave

Rui Lourenço

Magdalena Fiedlerova

A failing writer struggles to deal with his rocky mental health and the cold stares of a random woman in a coffee shop, fighting a losing battle to maintain self control

Huey

Huey (2021)

Jeffrey Combs

Luca Zingaretti

Barbara Crampton

Marco Stefanelli

A troubled couple and their blind daughter come to Italy to visit a 12th Century castle they've inherited. Soon they are plagued by unexplained noises, mysteriously broken objects, and the daughter's claims of an unknown nocturnal visitor to her bedroom. When the housekeeper and a local prostitute and are discovered savagely murdered in the castle's dungeon, John must unlock the castle's secret to save himself from jail and his family from the castle's secret inhabitant.—D.A. Kellough

Castle Freak

Castle Freak (1995)

Isabelle Huppert

Anaïs Demoustier

Béatrice Dalle

Florence Loiret Caille

In an undefined time, the environment has been totally destroyed and now the water is contaminated and the animals have been burned. Georges Laurent travels with his wife Anne Laurent, their teenage daughter Eva and their son Ben from the city to their cabin in the countryside. On the arrival, they find that intruders have broken in the house, and one stranger kills George. Anne, Eva and Ben wander through the village asking for shelter and supplies for their acquaintances, but they refuse to help them. They reach an abandoned barn and spend the night inside. On the next morning, they meet a teenage boy and they walk together to a train station, where they find other survivors. Together, they wait for the train expecting to go to a better place in the middle of the chaos.—Claudio Carvalho, Rio de Janeiro, Brazil

Time of the Wolf

Time of the Wolf (2003)

Ken Russell

Natasha Richardson

Dexter Fletcher

Kiran Shah

The story of the night Mary Shelley gave birth to the horror classic FRANKENSTEIN: Disturbed, drug-induced games are played and ghost stories are told one rainy night at the mad Lord Byron's country estate. Personal horrors are revealed, and the madness of the evening runs from sexual fantasy to the fiercest nightmare. Mary finds herself drawn into the sick world of her lover Shelley and stepsister Claire as Byron leads them all down the dark paths of their souls.—Susan Southall

Gothic

Gothic (1986)

Simon van Collem

Huub Stapel

Ko van den Bosch

Bert Luppes

A mysterious diver hiding in Amsterdam's canal system embarks on a rampage of gruesome murders, terrifying city officials and leaving few clues for the city's best detective, who doesn't suspect that both his new girlfriend and twelve-year-old daughter may be closer than he is to finding the killer.—Blue Dragon

Amsterdamned

Amsterdamned (1988)

Asuka Kurosawa

Kenneth Welsh

Rich Evans

Anna Tierney

Siblings Mimi and Luke unwittingly resurrect an ancient alien overlord. Using a magical amulet, they force the monster to obey their childish whims, and accidentally attract a rogues' gallery of intergalactic assassins to small-town suburbia.

Psycho Goreman

Psycho Goreman (2020)

Holly Fields

Chris Weber

Bokeem Woodbine

Levan Uchaneishvili

The evil Djinn is awakened by a female thief, Morgana, during a botched robbery. He takes credit for the crime, letting himself be put into prison so that he can offer twisted wishes to prisoners in return for their souls. If Morgana asks him for three wishes, then his race, the Djinn, can take over Earth, killing all humanity.—

Wishmaster 2: Evil Never Dies

Wishmaster 2: Evil Never Dies (1999)

Runshen Wang

Jiang Wen

Shennin Wang

Dai Yao Wu

Story of a Japanese terror camp in the end of WW2, where the Japanese are using the Chinese as guinea pigs in terrible experiments to develop deadly bacterial-plagues.—Tobias Broljung

Man Behind the Sun

Man Behind the Sun (1988)

Amalia Kassai

Rainer Krause

Karina Hyland

Carlos Cociña

Once upon a time - in the heart of the 20th century - there was a remote and secretive colony ensconced within central Chile from which nobody could escape...while Colonia Dignidad was known for its sweet honey, surrounding communities whispered of numerous, rumored atrocities committed within the reinforced boundaries of the commune. Conceived and tyrannically run by former Nazi Paul Schäfer, Colonia's covert activities ranged from politically sanctioned torture - on behalf of Augusto Pinochet's military dictatorship - to Schäfer's personally orchestrated crimes against the children of Colonia. Inspired by a reported case, THE WOLF HOUSE testifies on behalf of semi-fictionalized Colonia captive Maria, a young German girl punished for releasing two beloved pigs. Maria escapes with her 'children' and finds false refuge within a supernaturally sentient house with the capacity to betray Colonia Dignidad's infamous legacy.—Mae Moreno

The Wolf House

The Wolf House (2018)

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