Isabel Jewell

Gary Cooper

Jane Darwell

Miriam Hopkins

Two Americans sharing a flat in Paris, playwright Tom Chambers and painter George Curtis, fall for free-spirited Gilda Farrell. When she can't make up her mind which one of them she prefers, she proposes a "gentleman's agreement": She will move in with them as a friend and critic of their work, but they will never have sex. But when Tom goes to London to supervise a production of one of his plays, leaving Gilda alone with George, how long will their gentleman's agreement last?—Capel Cleggs

Design for Living

Design for Living (1933)

Ludwig Stössel

Adolf E. Licho

Rudolf Schündler

Rudolf Klein-Rogge

Berlin police inspector Lohmann investigates a case, in which all clues lead to a man, who's in a hospital for mental illnesses for since many years - Dr. Mabuse.—Stephan Eichenberg

The Testament of Dr. Mabuse

The Testament of Dr. Mabuse (1933)

Lee Tracy

Jean Harlow

Louise Beavers

Lola Burns is at the top of the pile in Hollywood. But life ain't easy, what with her father and brother always hanging around for handouts, and devious studio publicity honcho Space Hanlon cooking up endless lurid newspaper stories. Makes a girl want to give up pictures.—Jeremy Perkins {J-26}

Bombshell

Bombshell (1933)

Harry C. Bradley

Sarah Edwards

Kay Johnson

Walter Huston

During the 1930s Depression, the Board of Directors of Thomas Dickson's bank want him to merge with New York Trust and resign; he refuses. One night, his bank is robbed of $100,000. The suspect is Matt Brown, an ex-convict whom Dickson hired and appointed Chief Teller. Brown, who's very loyal to Dickson, refuses to say where he was that night. He actually has two witnesses for his alibi, Mrs. Dickson and fellow worker Cyril Cluett, but Brown is protecting Dickson from finding out that Mrs. Dickson was with Cluett having a romantic evening. Cluett, who has a $50,000 gambling debt, is actually responsible for the robbery, but lets Brown take the rap. Will Brown's loyalty to Mr. Dickson pay off, or send him back to prison?—Kelly

American Madness

American Madness (1932)

Steve Clemente

Joel McCrea

Robert Armstrong

Noble Johnson

When legendary hunter Bob Rainsford is shipwrecked on the perilous reefs surrounding a mysterious island, he finds himself the guest of the reclusive and eccentric Count Zaroff. While he is very gracious at first, Zaroff eventually forces Rainsford and two other shipwreck survivors, brother and sister Eve and Martin Towbridge, to participate in a sadistic game of cat and mouse in which they are the prey and he is the hunter.—yusufpiskin

The Most Dangerous Game

The Most Dangerous Game (1932)

Gloria Stuart

John Boles

Zasu Pitts

A woman's love for and devotion to a married man results in her being relegated to the "back streets" of his life.

Back Street

Back Street (1932)

Barbara Stanwyck

Blanche Friderici

Joan Blondell

Clark Gable

Lora Hart manages to land a job in a hospital as a trainee nurse. Upon completion of her training she goes to work as a night nurse for two small children who seem to be very sick, but something much more sinister is going on.—Col Needham

Night Nurse

Night Nurse (1931)

Peter Lorre

Otto Waldis

Fred Nurney

Hertha von Walther

There have been a rash of child abductions and murders in Berlin. The murderer lures the children into his confidence by candy and other such child friendly items. Everyone is on edge because the murderer has not been caught. The most substantial pieces of evidence the police have are hand written letters by the murderer which he sent to the newspaper for publication. Unknown even to himself, a blind beggar, who sold the murderer a balloon for one of the child victims, may have key information as to the murderer's identity. The murder squad's work is made even more difficult with the large number of tips they receive from the paranoid public, who are quick to accuse anyone of suspicious activity solely for their own piece of mind that someone - anyone - is apprehended for the heinous crimes. Conversely, many want to take the case into their own hands, including the town's leading criminals since the increased police presence has placed a strain on their ability to conduct criminal activity. Although they both have the same end goal of capturing the murderer, the police and the criminals seem to be working at cross purposes, which may provide an edge to the murderer in getting away.—Huggo

M (1931)

John George

Conrad Veidt

Scott Seaton

Joe Murphy

Forever disfigured by a wide, mirthless grin on his face, Gwynplaine, the orphaned son of a nobleman, rescues blind baby girl Dea in cold 17th-century England. Taken in by paternal carnival philosopher Ursus, the unloved boy grows into a kind, honest man who chooses to hide his grotesque deformity behind a black cloak, utterly convinced that beautiful Dea will never truly love him because of his horrible secret. Feeling unworthy of Dea's noble feelings, Gwynplaine soon crosses paths with aristocratic temptress Duchess Josiana, as a cruel and long-standing conspiracy in the palace of Queen Anne presents him with the burden of choice. Will poor Gwynplaine, the Man who Laughs, renounce everything in the name of love?—Nick Riganas

The Man Who Laughs

The Man Who Laughs (1928)

Tully Marshall

Lucien Littlefield

Laura La Plante

Hal Craig

Rich old Cyrus West's relatives are waiting for him to die so they can inherit. But he stipulates that his will be read 20 years after his death. On the appointed day his expectant heirs arrive at his brooding mansion. The will is read and it turns out that Annabelle West, the only heir with his name left, inherits, if she is deemed sane. If she isn't, the money and some diamonds go to someone else, whose name is in a sealed envelope. Before he can reveal the identity of her successor to Annabelle, Mr. Crosby, the lawyer, disappears. The first in a series of mysterious events, some of which point to Annabelle in fact being unstable.—Ron Kerrigan

The Cat and the Canary

The Cat and the Canary (1927)

Arthur Chesney

Alfred Hitchcock

Reginald Gardiner

Maudie Dunham

A serial killer known as "The Avenger" is on the loose in London, murdering blonde women. A mysterious man arrives at the home of Mr. and Mrs. Bunting looking for a room to rent. The Buntings' daughter is a blonde model who is seeing one of the detectives assigned to the case. The detective becomes jealous of the lodger and begins to suspect that he might be the avenger.—Col Needham

The Lodger: A Story of the London Fog

The Lodger: A Story of the London Fog (1927)

F. Greffin

Arlette Peyran

Charles Barrois

Henri Duval

A man whose wife has died remarries, and his new wife has a daughter of her own from a previous marriage. The man's young son, however, who loved his mother deeply and misses her terribly, resents his father's new wife, not wanting her to take the place of his beloved mother.—yusufpiskin

Mother

Mother (1925)

Fritz Kortner

Alexandra Sorina

Fritz Strassny

Orlac is a world famous pianist. One day he is badly hurt in a big train wreck. He is in danger of losing both his hands so his wife begs the doctors to save them. They eventually manage to transplant his hands with those of another deceased person. After his recovery Orlac discovers that there is something seriously wrong with his new pair of hands -- it is as if they had a will of their own. But Orlac doesn't know that they actually belonged to a dangerous murderer.—Aljaz Ciber, Slovenia

The Hands of Orlac

The Hands of Orlac (1924)

Jean Börlin

Raymond Guérin-Catelain

Émile Saint-Ober

Rolf de Mare Ballets

Claire Lescot is a famous prima donna. All men want to be loved by her. Among them is the young scientist Einar Norsen. When she mocks at him, he leaves her house with the declared intention to kill himself... But the story is much less important than the scenery : this movie intended to be a manifesto of the modern decorative arts.—Yepok

L'inhumaine

L'inhumaine (1924)

Grete Berger

Julius Falkenstein

Heinrich Gotho

Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him.—Snow Leopard

Dr. Mabuse, the Gambler

Dr. Mabuse, the Gambler (1922)

Henri Peters-Arnolds

Rudolf Lettinger

Hans Lanser-Rudolf

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. It is the annual fair in Holstenwall. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep. When Alan asks Cesare about his future, Cesare answers that he will die before dawn. The next morning Alan is found dead. Francis suspects Cesare of being the murderer, and starts spying on him and Dr. Caligari. The following night Cesare is going to stab Jane in her bed, but softens when he sees the beautiful woman, and instead of committing another murder, he abducts her. Jane's father awakens because of the noise, and he and some servants follow the fleeing Cesare. When Cesare cannot outrun his pursuers anymore, he gently places Jane down on the ground, and runs away. Francis and the police investigate the caravan of Dr. Caligari, but the doctor succeeds in slipping away. Francis pursues the fleeing Dr. Caligari, and sees him disappear into a madhouse. Francis enters the madhouse, where he is sure he will find the truth behind all these mysterious events.—Maths Jesperson {maths.jesperson1@comhem.se}

The Cabinet of Dr. Caligari

The Cabinet of Dr. Caligari (1920)

Georgette Faraboni

Jeanne Rollette

Lugane

Émile André

While on a trip to Asia, a French adventurer Jacques gets engaged to Tin Mihn. During his stint in India, he gets hold of a mysterious book but he ain't aware of its origins or value. The book has the valuable last will and testament of Rajah Oursavi, which contains clues about an Indian treasure along with some coded message revealing the whereabouts of sensitive government intelligence. Unaware, Jacques is stalked by foreign spies, an Indian god-man cum hypnotist specialized in herbal medicines and an evil German doctor, who all will stop at nothing to obtain the book. Jacques n Tin Mihn has to face burglaries, attempted murders, superfluous disguises, kidnappings, hypnoses and amnesia-inducing drugs.—Fella_shibby@yahoo.com

Tih Minh

Tih Minh (1918)

Françoise Rosay

Jean-François Martial

Marcel Lévesque

Jean Aymé

As a spate of grisly murders and mysterious disappearances terrorise Paris, the inquisitive reporter for The Globe, Philippe Guérande, and his loyal ally, Oscar Mazamette, embark on a peril-laden mission to expose the Vampires: a nefarious, well-connected organisation of arch-criminals preying on the innocent. But in this white-knuckle cat-and-mouse game of death, the dauntless companions are up against formidable adversaries, the Grand Vampires, and the sinister underground society's murderous muse: the gracefully deadly assassin, Irma Vep. In the imminent, once-and-for-all final confrontation with the forces of evil, can valiant Philippe and Mazamette thwart the Vampire menace before more people have to suffer?—Nick Riganas

Les Vampires

Les Vampires (1915)

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