Lon Chaney

Tully Marshall

Ernest Torrence

John George

Clopin bought Esmeralda from the gypsies when she was young. Dancing in the square at the festival, Esmeralda is spotted by Jehan, the evil brother of the good archdeacon Claude Frollo. When he sets Quasimodo out to kidnap Esmeralda, Phoebus, Captain of the Guards, rescues her and captures Quasimodo. The courts sentence Quasimodo to be flogged, and the only one who will give him water while he is tied in the square is Esmeralda. After Clopin forces Esmeralda to leave Phoebus at the ball, she sends a note to Phoebus to meet her at Notre-Dame. In the garden, Phoebus is stabbed in the back by Jehan. Esmeralda is accused of stabbing Phoebus, convicted by the courts and sentenced to hang. When Esmeralda again rejects Jehan, he tells her that Phoebus is dead, even though it is not true. Clopin, Phoebus and Quasimodo all try different ways to save Esmeralda.—Tony Fontana

The Hunchback of Notre Dame

The Hunchback of Notre Dame (1923)

Gloria Swanson

H.B. Warner

Florence Fair

L. Rogers Lytton

Zaza is the favorite actress at an open-air theater in a small French town. When diplomat Bernard Dufresne comes to the village, he stays away for fear he will fall for her. But when Zaza is badly injured, he has no choice.

Zaza

Zaza (1923)

Tom Mix

Tony the Horse

Pat Chrisman

Adele Warner

Sky High

Sky High (1922)

Joe King

Jack W. Johnston

Lew Cody

Alma Rubens

"Kent, the Tracker," a corporal in the Northwest Mounted Police, is trailing a fur thief. He is ambushed and shot, but still makes it to the nearest cabin. There, he finds his friend Jacques Radison standing over the body of John Barkley, an outlaw fur trader. Barkley has been strangled to death with a strand of woman's hair. Radison is accused of the crime. Kent, believing he only has a few days to live, confesses to the murder to save his friend. But Kent unexpectedly recovers, and is arrested by Inspector Kedsty of the Northwest Mounted Police. Marette Radison, Jacque's sister, lives in the Valley of Silent Men, so called because of the three white mountain peaks which guard the valley below. She learns of Kent's predicament, and helps him escape from jail. She hides him in the home of Kedsty; Kedsty is then shot by an unknown assailant. Marette and Kent are pursued by the authorities, and head for the Valley of Silent Men. During the treacherous journey, Marette falls from a mountain peak and is injured. Eventually the pair reach Marette's cabin, but the Mounties track them down. There, they all hear a confession from Marette's father Pierre, who admits he killed the men out of revenge for having murdered his wife years before. Kent is exonerated.—scsu1975

The Valley of Silent Men

The Valley of Silent Men (1922)

Alan Hale

Robert Florey

Ann Doran

Wallace Beery

Amid big-budget medieval pageantry, King Richard goes on the Crusades leaving his brother Prince John as regent, who promptly emerges as a cruel, grasping, treacherous tyrant. Apprised of England's peril by message from his lady-love Marian, the dashing Earl of Huntingdon endangers his life and honor by returning to oppose John, but finds himself and his friends outlawed, and Marian apparently dead. Enter Robin Hood, acrobatic champion of the oppressed, laboring to set things right through swash buckling feats and cliffhanging perils!—Rod Crawford

Robin Hood

Robin Hood (1922)

Wilhelm Diegelmann

Anton Edthofer

Ursula Nest

Adolf Klein

Lorenz Lubota is a city clerk with no direction in life. One day on his way to work he is run over by a woman driving a chariot and he is immediately infatuated with her. His life begins to spiral out of control as he searches for this girl and tries to win her heart.—page8701

Phantom

Phantom (1922)

Rudolph Valentino

George Field

Rosa Rosanova

Jack Winn

Juan (Rudolph Valentino) is the son of a poor widow in Seville. Against his mother's wishes he pursues a career as toreador. He rapidly gains national prominence, and takes his childhood sweetheart Carmen (Lila Lee) as his bride. He meets the Marquis' daughter Dona Sol (Nita Naldi), and finds himself in the awkward position of being in love with two women, which threatens the stability of his family and his position in society. He finds interesting parallels in the life of the infamous bandit Plumitas (Walter Long) when they eventually meet by chance.—Ed Sutton

Blood and Sand

Blood and Sand (1922)

Harold Lloyd

John T. Prince

C. Norman Hammond

Jackie Condon

Dr. Ludwig von Saulsbourg is a big city physician whose primary goal is to bilk as much money out of his patients as possible. He has been treating a young woman for nearly four years, prescribing her complete rest, darkness, and medication, and, in the process, billing her father exorbitant amounts of money for his services. She is not getting any better, but worse, based on her declining mental state about her health. In reality, she is physically healthy. When the family lawyer, Jamison, advises her father to call in a consulting physician, Dr. von Saulsbourg retaliates by advising him to move her to his expensive sanitarium. The antithesis to Dr. von Saulsbourg is kindhearted Dr. Jackson - affectionately referred to as Dr. Jack by his patients - of small town Magnolia Meadows, who treats his patients with compassion and understanding. That understanding is knowing what truly ails his patients, which often is nothing physical or medical, and treating them without embarrassing them. When Dr. Jack is called in by Jamison as that consulting physician, he is initially unaware that this case is the young woman whom he met casually and fell in love with at first sight when she passed through Magnolia Meadows. Dr. Jack sees immediately that there is nothing physically wrong with her, and that a little excitement in her life is what is truly needed to rejuvenate her existence. What threatens Dr. Jack being able to help her is his feelings for her, which others may believe makes him an inappropriate person to treat her, and Dr. von Saulsbourg doing whatever he can to hang onto his meal ticket.—Huggo

Dr. Jack

Dr. Jack (1922)

The Four Horsemen of the Apocalypse

The Four Horsemen of the Apocalypse (1921)

Douglas Fairbanks

Eugene Pallette

Douglas Fairbanks Jr.

Thomas Holding

The young Gascon D'Artagnan arrives in Paris, his heart set on joining the king's Musketeers. He is taken under the wings of three of the most respected and feared Musketeers, Porthos, Aramis, and Athos. Together they fight to save France and the honor of a lady from the machinations of the powerful Cardinal Richelieu.—Jim Beaver

The Three Musketeers

The Three Musketeers (1921)

Loretta Young

Agnes Ayres

Rafael Negrete

Sheik Ahmed (Valentino) desperately desires fiesty British socialite Diana (Ayres), so he abducts her and carries her off to his luxurious desert tent-palace. The free-spirited Diana recoils from his passionate embraces and yearns to be released. Only after being kidnapped by desert bandits does Diana realize how much she has grown to love Ahmed, who comes to her rescue in the nick of time.—E. Beck

The Sheik

The Sheik (1921)

Edith Meller

Marga Köhler

Paul Heidemann

Victor Janson

A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained.

The Wildcat

The Wildcat (1921)

William H. O'Brien

Larry Steers

Louis Calhern

Claire Windsor

The Professor dispenses the wisdom of the ages and does not make a living wage. The sons of the rich and powerful are students lacking any motivation. The next door neighbor of the Professor, businessman Olsen, has money and lots of food, while the Griggs have hardly any. Both Peter Olsen and Reverend Gates are taken by the beauty of young Amelia Griggs. When rich son Phil West falls for Amelia Griggs and befriends the poor Reverend Gates, he finally sees the difference in his life and theirs and tries to do something to change that.—Tony Fontana

The Blot

The Blot (1921)

Anders Skrede

Edvard Drabløs

Elsa Vang

Magnus Falkberget

The story of an orphaned girl brought up by the Storlein family. Young Anne (Asta Nielsen) is brought as an infant to the Storlein farm by her mother, who has been traveling and is in need of a rest. The two are turned away at the door, and the mother takes her young daughter to the barn to sleep. The farmhand Jon discovers them in the morning but the mother has not made it through the night, so young Anne is taken in and raised by the family. She is a rambunctious little girl, always getting her younger (step) brother into trouble. Finally mother Storlein has had enough, and lets slip that she never should have taken Anne in. Young Anne goes to Jon and learns the truth of her arrival at the farm. Years pass, and she and her younger step-brother are now smitten. But Jon, the farmhand who found her in the barn all those years ago is also in love with Anne. Anne will be betrayed by one and saved from a life in prison by the other, and in the end will find true happiness in a new land.—Z Rice (ztr421)

Gypsy Anne

Gypsy Anne (1920)

James Burrough

George Catlin

Edward Fraction

Jim Burris

The Symbol of the Unconquered

The Symbol of the Unconquered (1920)

Rudolf Klein-Rogge

Loni Nest

Harry Frank

Mia May

Mia May has surrendered herself to a disciple of free love, and, having given birth to a child, marries the twin brother and Doppelgänger of her chosen lover.

The Wandering Image

The Wandering Image (1920)

Buster Keaton

Joe Keaton

Edward F. Cline

Joe Roberts

The Romeo and Juliet story played out in a tenement neighborhood with Buster and Virginia's families hating each other over the fence separating their buildings.—Ed Stephan

Neighbors

Neighbors (1920)

Milton Berle

Noah Beery Jr.

In old Spanish California, the oppressive colonial government is opposed by Zorro, masked champion of the people, who appears out of nowhere with flashing sword and an athletic sense of humor, scarring the faces of evildoers with his Mark. Meanwhile, beautiful Lolita is courted by villainous Captain Ramon, rich but effete Don Diego... and dashing Zorro, who is never seen at the same time as Don Diego. As Zorro continues to evade pursuit, Ramon puts the damsel in distress...—Rod Crawford

The Mark of Zorro

The Mark of Zorro (1920)

White Parker

Esther LeBarre

Hunting Horse

Jack Sankeydoty

This restored silent film features a love triangle involving a Kiowa chief's daughter and ensuing conflict between Kiowa and Comanche villages.

The Daughter of Dawn

The Daughter of Dawn (1920)

Anna May Wong

Melbourne MacDowell

In this early collaboration with director Tod Browning (Dracula, Freaks), Chaney delivers a dual performance of dramatic intensity, starring as Ah Wing, a kind-hearted student of Confucian philosophy, and Black Mike Sylva, a murderous rake of the San Francisco underworld.—Anonymous

Outside the Law

Outside the Law (1920)

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