Gene Lockhart

Walter Brennan

Barbara Stanwyck

Gary Cooper

As a parting shot, fired reporter Ann Mitchell (Barbara Stanwyck) prints a fake letter from unemployed "John Doe," who threatens suicide in protest of social ills. The paper is forced to rehire Ann and hires John Willoughby (Gary Cooper) to impersonate "Doe." Ann and her bosses cynically milk the story for all it's worth, until the made-up "John Doe" philosophy starts a whole social movement. At last everyone, even Ann, takes her creation seriously...but publisher D.B. Norton (Edward Arnold) has a secret plan.—Rod Crawford

Meet John Doe

Meet John Doe (1941)

Alan Hale

Lon McCallister

John Boles

Working-class Stella Martin marries high-end Stephen Dallas and soon they have a daughter named Laurel. But Stephen's incessant demands of Stella to become what she isn't leads to their eventual separation. Stephen later marries Helen Morrison (his prior fiancée), and Laurel becomes the focus of Stella's life and love. Nothing is too good for Laurel as far as Stella is concerned. Determined to give her all the advantages, she takes Laurel on a trip to an expensive resort where Laurel makes friends with rich kids. After an embarrassing incident, Stella realizes that her daughter would go farther in life without Stella as her mother. Her subsequent sacrifice is shattering.—Anonymous

Stella Dallas

Stella Dallas (1937)

Bill Melendez

Lynn Mortensen

Stephen Shea

Linda Ercoli

It's Valentine's Day again and Charlie Brown dreams the seemingly hopeless dream to receiving a valentine from anyone. All the while, the rest of the gang have their own trials whether it be Linus' struggle to get the biggest card he can for his beloved teacher, or Lucy trying to get some token from Schroeder while Snoopy and Woodstock are having fun spearing valentines on each other's nose.—Kenneth Chisholm

Be My Valentine, Charlie Brown

Be My Valentine, Charlie Brown (1975)

Martha Canga Antonio

Lorris Masudi

Brandon Masudi

Laetitia Nouhhaïdi

A 15-year-old girl in a black gang in Brussels must choose between loyalty and love when she falls for a Moroccan boy from a rival gang. The city of Brussels, plagued by high rates of youth unemployment, is home to nearly forty street gangs, and the number of young people drawn into the city's gang culture increases each year. It's in this criminal milieu that directing duo Adil El Arbi and Bilall Fallah set Black, a pulse-pounding contemporary take on a Shakespearean tragedy. Worlds collide when Mavela (Martha Canga Antonio), a teenage girl with ties to Brussels' Black Bronx gang, meets Marwan (Aboubakr Bensaihi), a member of a rival Moroccan gang, at a police station. Keenly aware of the consequences of getting involved with someone from another gang, they at first resist their attraction to one another, but they can only resist for so long. Just when they've started to imagine a different life for themselves, a terrifying incident reminds Mavela where she belongs - and, more precisely, to whom. In order to break free, Mavela and Marwan will have to betray the very loyalties on which their gangs are founded. And they know what lies ahead for them if they don't. El Arbi and Fallah's film moves forward at an electrifying pace, with furious energy and a gritty realism reminiscent of epic gangster films like City of God and Goodfellas. Ricocheting from moments of extreme tenderness to scenes of extreme violence, and enhanced by the raw performances of its young leads, Black is a full-on, no-holds-barred experience that will resonate long after you've left the cinema.—KERRI CRADDOCK

Black

Black (2015)

Hugues Quester

Anne Teyssèdre

Florence Darel

Eloïse Bennett

Simple conversations engender complicated human interactions. Jeanne is open and even-tempered, a philosophy teacher at a lycée. Her fiancé is away and she doesn't want to stay at his messy flat; she's loaned hers to a cousin, so she accepts the invitation of Natasha, a music student whom she meets at a party, to sleep in her father Igor's bedroom because he's always with his young girlfriend, Eve. Natasha tells Jeanne a story of a missing necklace and her suspicions of Eve. They all meet at dinner, then again at Igor's country house. Is Natasha scheming to get Igor and Jeanne together alone? Once alone, what determines how they choose to act? And the necklace, what of it?—

A Tale of Springtime

A Tale of Springtime (1990)

McKenzie Chinn

Diandra Lyle

Brenda Woods

Sam Raysby

HOGTOWN is a feature-length, black and white, dramatic feature from writer-director Daniel Nearing. HOGTOWN is nearly 20 years in the making, and is the second film in a trilogy and grows organically out of CHICAGO HEIGHTS, which was based on WINESBURG, OHIO, an 'unadaptable' seminal American novel. The film was named to Roger Ebert's last list of Best Art Films in 2010. The film is set circa 1919 in Chicago and begins with the disappearance of a millionaire theatre owner in a snowstorm. Its climactic sequences play out against the backdrop of the horrific race riots of that summer. The film is ostensibly about a murder investigation, but HOGTOWN is much more an exploration of this most American of American cities, looking into the intimate lives of many of its people. This 'period-less piece' is shot in undisguised contemporary Chicago, suggesting that the issues of its era resonate through the present. Herman Wilkins makes his feature debut as a leading actor in HOGTOWN, playing not just DeAndre Son Carter, the protagonist, but also Marquis Coleman, a major secondary character. The film is carried by a multi-racial, multilingual ensemble cast of more than 100, along with a full wind symphony and gospel score. HOGTOWN is the second film in a trilogy of period art films that are shot in black and white with the occasional appearance of 'ecstatic' or 'epiphanal' color.

Hogtown

Hogtown (2014)

Simone Simon

Peter Ustinov

Anton Walbrook

René Hell

Three stories about pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women, pleasure and youth. Then comes the long tale of Julia Tellier (Madeleine Renaud) taking her girls (whores) to the country for attending her niece's communion, pleasure and purity. And lastly, Jean (Daniel Gélin) the painter falling in love with his model, pleasure and death.—Yepok

Le Plaisir

Le Plaisir (1952)

Jeanne Moreau

Michèle Girardon

Jean-Claude Brialy

Georgette Lobre

The bored and empty upper-class Jeanne Tournier lives in a manor with many servants in the countryside of Dijon with her husband Henri Tournier and their daughter Catherine. Henri is the editor of The Burgundy Monitor and has been married to Jeanne for eight years, but he does pay attention to his wife. Jeanne travels frequently to the house of her childhood friend Maggy Thiebaut-Leroy in Paris to meet her lover, the famous polo player Raoul Flores. One day, Henri suspects of the frequent trips of Jeanne to Paris and invites Maggy and Raoul Flores to have dinner and spend the weekend in his mansion. While driving back home from Paris, Jeanne car breaks down and the archaeologist Bernard Dubois-Lambert who is going to Montbard to visit a professor, gives a ride to Jeanne. Henri invites Bernard to stay with them.—Claudio Carvalho, Rio de Janeiro, Brazil

The Lovers

The Lovers (1958)

Bill Jenkins

Linda Leonard

Ammie Leonards

Lucas McCutchen

A tempestuous romantic drama in seven vignettes that chronicles an interracial marriage, telling a story of turmoil and tenderness as two people try to make their relationship last.

Seven Short Films About

Seven Short Films About (2020)

Françoise Dorléac

Jean-Paul Belmondo

Hal Linden

Louise Chevalier

Farce, spy spoof, and adventure. Swarthy thieves ignore jewels to steal an Amazon figurine from the Museum of Man in Paris' Trocadero Palace and kidnap the world's authority on the lost Maltec civilization. Cut to Agnes, the daughter of a murdered man who possessed one of two other such figurines. Moments after her sweetheart, Adrien, an Army private with a week's leave, arrives in Paris to see her, Agnes too is kidnapped, drugged, and loaded on a plane to Rio. Adrien is in hot pursuit, and before he can rescue her (with the help of a shoeshine boy), foil the murderous thieves, and solve the riddle of the Maltecs, he must traverse Rio, Brasília, and the Amazon heartland... all before the end of his week's leave.—

That Man from Rio

That Man from Rio (1964)

Catherine Deneuve

Jacques Perrin

Delphine Seyrig

Micheline Presle

The education of a princess wrapped in a love story. A king and queen live happily until her sudden death. The king decides to marry his lovely daughter. She's willing, but the Lily Fairy serves as a social conscience, intent on thwarting incest. She instructs the princess to request a series of dresses impossible to make; however, the king's tailor succeeds. So the fairy plots the princess's escape, wearing the skin of the king's prize donkey. She's spirited away to be a scullery maid dressed in the noisome skin. A wandering prince sees her in the woods and is smitten. Can love find its course, and does the princess learn a lesson of life's hardships?—

Donkey Skin

Donkey Skin (1970)

Jûzô Itami

Akemi Negishi

Sayuri Yoshinaga

Yûko Kotegawa

This sensuously beautiful film chronicles the activities of four sisters who gather in Kyoto every year to view the cherry blossoms. It paints a vivid portrait of the pre-war lifestyle of the wealthy Makioka family from Osaka, and draws a parallel between their activities and the seasonal variations in Japan.—L.H. Wong

The Makioka Sisters

The Makioka Sisters (1983)

Sam Kydd

Virginia McKenna

Peter Finch

Kenji Takaki

In 1941, the advancing Japanese army captures a lot of British territory very quickly. The men are sent off to labor camps, but they have no plan on what to do with the women and children of the British. A group is sent on a forced march from place to place searching for a Women's Camp. Told from the point of view of one of the women, she meets an Australian soldier who sneaks food for them from his labor camp. After the war, she goes to Australia to see the town he was from and hopefully reunite with the soldier.—John Vogel

A Town Like Alice

A Town Like Alice (1956)

Ken Narita

Hiroshi Yanaka

Atsushi Tamaru

Hiro Shimono

Tamako's life changes when her best friend, Mochizou, suddenly confesses his love for her.

Tamako Love Story

Tamako Love Story (2014)

Googie Withers

Jack Warner

Hermione Baddeley

Frederick Piper

Slice of life drama following the lives of various people in London's East End on a wet Sunday. (Is this film why people think it always rains in England ?) Rose was engaged to local wild boy Tommy Swann but he got imprisoned on Dartmoor. After he was locked up she got married to sedate but dull George. Tommy's now broken out of jail and comes to see Rose to get help to flee the country.—Steve Crook

It Always Rains on Sunday

It Always Rains on Sunday (1947)

John Benjamin Hickey

Lihi Kornowski

Peter Spears

Niv Nissim

A New York Times travel writer comes to Tel Aviv after suffering a tragedy. The energy of the city and his relationship with a younger man brings him back to life.

Sublet

Sublet (2020)

Greta Garbo

John Gilbert

Rolfe Sedan

Frankie Darro

Leo and Ulrich are lifelong friends. Home on leave from their military training, Leo sees the beautiful Felicitas at the railroad station and is awed by her beauty. They meet again at a ball and quietly leave together. In her room, her husband, about whom she neglected to inform Leo, comes in and challenges Leo to a duel. The duel is done, the Count is killed and Felicitas is a widow. Leo, however, is 'requested' to serve 5 years in Africa and he tells Ulrich to watch over Felicitas while he is gone. After 3 years, Ulrich is able to get a pardon for Leo and all that Leo thinks about on the way home is Felicitas. When he arrives, he learns that Felicitas has married Ulrich. Felicitas likes that Ulrich is rich and she never told Ulrich the truth about Leo and her. Leo is crushed and does not visit them, which saddens Ulrich as he does not know why. Leo tries to stay away from her, but Felicitas uses every opportunity to tempt him to return to her as her lover, creating a deadly triangle with the two lifelong friends.—Tony Fontana

Flesh and the Devil

Flesh and the Devil (1926)

Hanna Schygulla

Eva Mattes

Katrin Schaake

Margit Carstensen

Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. Some time ago, she divorced the husband she no longer loved. Until recently, she has been in a fairly satisfactory S and M relationship with Marlene (her secretary, maid, and co-designer). She mistreats her. Enter Karin, a 23-year-old beauty who wants to be a model. She falls in love with Karin and invites her to move in. The rest of the film deals with the emotions of this affair and its aftermath. Fassbinder tells his story in a series of 5 or 6 long scenes with extended uses of a single camera shot and deep focus.—

The Bitter Tears of Petra von Kant

The Bitter Tears of Petra von Kant (1972)

Marie Albe

Juliette Binoche

Gérard Depardieu

Olivier Martinez

In 1832, cholera ravages Provence (South of France). After several misadventures, Angelo, young Italian officer hunted by the Austrian secret police, meets Pauline de Theus, a young lady. After a second accidental meeting, both will start the search of Pauline's husband in a chaotic country.—Remy Amouroux

The Horseman on the Roof

The Horseman on the Roof (1995)

Robert Walker

Reginald Owen

Margaret O'Brien

Biopic of the famed scientist and the work she did with her husband Pierre in the discovery of radium. Marie was a student at the Sorbonne studying for her Master's degree in physics when they first met. She received permission to use space in Professor Pierre Curie's laboratory. They soon fall in love and are married, working together on trying to isolate a radioactive substance Marie has identified as radium. Years of painstaking research and experimentation led to success and Marie and Pierre Curie shared the Nobel Prize in Physics. Sadly, Pierre was killed crossing the street in the rain when he was run over by a horse and wagon. Marie continued to work and make major contributions to science.—garykmcd

Madame Curie

Madame Curie (1943)

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