Walter Hampden

Martin Garralaga

Patrick Whyte

Richard Loo

5 Fingers

5 Fingers (1952)

Barbara Stanwyck

Marilyn Monroe

Paul Douglas

Robert Ryan

The bitter and cynical Mae Doyle returns to the fishing village where she was raised after deceptive loves and life in New York. She meets her brother, the fisherman Joe Doyle, and he lodges her in his home. Mae is courted by Jerry D'Amato, a good and naive man that owns the boat where Joe works, and he introduces his brutal friend Earl Pfeiffer, who works as theater's projectionist and is cheated by his wife. She does not like Earl and his jokes, but Jerry considers him his friend and they frequently see each other. Mae decides to accept the proposal of Jerry and they get married and one year later they have a baby girl.—Claudio Carvalho, Rio de Janeiro, Brazil

Clash by Night

Clash by Night (1952)

Royal Dano

Laurence Olivier

Margaret Field

Jennifer Jones

Carrie boards the train to Chicago with big ambitions. She gets a job stitching shoes and her sister's husband takes almost all of her pay for room and board. Then she injures a finger and is fired. This is the 1890s. Charles Drouet, a salesman she met on the train, comes to her rescue and invites her to dine at Fitzgerald's where the manager George Hurstwood sends over a bottle of champagne. She stays in Drouet's apartment, as he will be on the road 10 days. When she leaves the apartment many months later -- on a train bound for New York -- her traveling companion is Hurstwood. Why is he in such a hurry?—Dale O'Connor

Carrie

Carrie (1952)

Simone Signoret

Raymond Bussières

Dominique Davray

Pâquerette

In an open-air dance hall, the members of Leca's gang are relaxing with their ladies. One of them, Marie, aka "Casque d'Or" (Golden Helmet) meets Manda, a carpenter. Her man Roland is the jealous kind, and Leca himself has his eye on her. A story of love, death, friendship, and jealousy during the Belle Epoque.—Yepok

Casque d'Or

Casque d'Or (1952)

Robert Walker

Alfred Hitchcock

Kasey Rogers

Farley Granger

Bruno Antony thinks he has the perfect plot to rid himself of his hated father, and when he meets tennis player Guy Haines on a train he thinks he's found the partner he needs to pull it off. His plan is relatively simple: Two strangers each agree to kill someone the other person wants gone. For example, Guy could kill his father and he could get rid of Guy's wife Miriam, freeing him to marry Anne Morton, the beautiful daughter of a U.S. Senator. Guy dismisses it all out of hand, but Bruno goes ahead with his half of the "bargain" and disposes of Miriam. When Guy balks, Bruno makes it clear that he will plant evidence to implicate Guy in her murder if he doesn't get rid of his father. Guy had also made some unfortunate statements about Miriam after she had refused to divorce him. It all leads the police to believe Guy is responsible for the murder, forcing him to deal with Bruno's mad ravings.—garykmcd

Strangers on a Train

Strangers on a Train (1951)

Joseph Cotten

Orson Welles

Doris Dowling

Joan Fontaine

Desdemona, daughter of a Venetian aristocrat, elopes with Moorish military hero Othello, to the great resentment of Othello's envious underling Iago. Alas, Iago knows Othello's weakness, and with chilling malice works on him with but too good effect.—Rod Crawford

Othello

Othello (1951)

William Bryant

Margaret Hamilton

Bess Flowers

Hume Cronyn

Successful and well-liked, Dr. Noah Praetorius becomes the victim of a witch hunt at the hands of Professor Elwell, who disdains Praetorius's unorthodox medical views and also questions his relationship with the mysterious, ever-present Mr. Shunderson. Fuel is added to the fire when Praetorius befriends young Deborah Higgins, who has become suicidal at the prospect of having a baby by her ex boyfriend, a military reservist who was called up for service in the Korean War and killed in action.—Kelly

People Will Talk

People Will Talk (1951)

Anders Henrikson

Bibi Andersson

Max von Sydow

Svea Holst

Late 19th century. The young miss Julie lives in a mansion with her father. She has recently broken her engagement but is attracted to one of the servants, Jean. They spend the midsummer night together, telling each other their memories and of their dreams. Realizing that an affair between a man of the people and an aristocrat is impossible, they plan to escape to Switzerland.—Mattias Thuresson

Miss Julie

Miss Julie (1951)

Frank Faylen

Kirk Douglas

Lee Grant

William Bendix

Jim McLeod is a hard-nosed and cynical detective. He believes in a strict interpretation of the law and doesn't believe in turning the other cheek. The current object of his zealousness is Karl Schneider, an abortionist responsible for the death of several young women. Schneider's lawyer tells the precinct lieutenant that McLeod has his own personal reasons for going after his client. It turns out that his wife was a patient before they met, although Jim knew nothing of it. His world suddenly turned upside down, McLeod is too late in re-evaluating his priorities.—garykmcd

Detective Story

Detective Story (1951)

Adrienne Corri

Jane Harris

Jennifer Harris

Richard R. Foster

Harriet, now an adult, narrates the story of her coming of age, growing up as a British national and as a daughter of a jute press manager in the Bengal region of India, they living in the big house on the banks of one of the holy rivers. At the time, she is the eldest of six siblings - five girls and one boy - with another one on the way and with her being significantly older than the rest of her siblings. As such, she spends much time with an honorary member of their family, a late teen - not quite an adult - named Valerie, also a British national and the daughter of the jute press owner. Another friend, who recently arrived home from her western schooling, is Melanie, the biracial daughter of British national Mr. John and his deceased Hindu wife. Both Mr. John and Melanie realize her difficult position, straddling both the Hindi and western cultures. Their small world is shaken up with the arrival of Captain John, Mr. John's cousin and an American ex-military man who has one prosthetic leg, the result of his time in the war. He is a somewhat sullen man who is running away from anything that reminds him of his time before his physical disability. Regardless, he has an effect on all three of Harriet, Valerie and Melanie in different ways, which nonetheless tests their friendships. In combination with other things that happen, this may provide Harriet with a bigger view of life in her coming of age.—Huggo

The River

The River (1951)

Katharine Hepburn

Humphrey Bogart

Theodore Bikel

Robert Morley

September 1914, news reaches the colony in German East Africa that war has broken out across Europe making British Reverend Samuel Sayer a hostile foreigner. German imperial troops burn down his mission; he is beaten and dies of fever. His well-educated, snobbish sister Rose Sayer buries him and leaves by the only available transport, the dilapidated river steamboat 'African Queen' of grumpy Charlie Allnut. As if a long difficult journey without any comfort weren't bad enough for such odd companions, she is determined to find a way to do their part for the British war effort while avenging her brother and aims high, as God is obviously on their side: construct their own torpedo and use the converted steamboat to take out a huge German warship, the Louisa, which is hard to find or reach on the giant lake. She presses till Charlie accepts to steam up the Ulanga, brave a German fort, raging rapids, bloodthirsty parasites, and the endlessly branching river which seems to go nowhere but impenetrable swamps. Despite fierce rows and moral antagonism between a bossy devout abstentionist and a free-spirited libertine drunken loner, the two grow closer to each-other as their quest drags on.—KGF Vissers (corrected by Adds)

The African Queen

The African Queen (1951)

Alf Kjellin

Mimi Pollak

Gunnar Olsson

Birger Malmsten

While waiting for the night rehearsal of the ballet Swan Lake, the lonely twenty-eight year-old ballerina Marie receives a diary through the mail. She travels by ferry to an island nearby Stockholm, where she recalls her first love Henrik. Thirteen years ago, while traveling to spend her summer vacation with her aunt Elisabeth and her uncle Erland, Marie meets Henrik in the ferry and sooner they fall in love for each other. They spend summer vacation together when a tragedy separates them and Marie builds a wall affecting her sentimental life.—Claudio Carvalho, Rio de Janeiro, Brazil

Summer Interlude

Summer Interlude (1951)

Peggy Dow

Paul Bryar

Albert Sharpe

Dick Powell

An ex-police/army dog (German Shepherd), named King inherits a fortune from an eccentric millionaire. But someone poisons him for his fortune, and he gets to go back to earth as a human detective to bring his killer to justice, and protect the girl who used to look after him.—Kathy Li

You Never Can Tell

You Never Can Tell (1951)

Shelley Winters

Robert Hyatt

John Garfield

Norman Lloyd

The uptight and dumb small-time thief Nick Robey and his partner and only friend Al Molin steal $10,000 from a man, but the heist goes wrong. Al Molin is killed by a policeman and Nick shoots him in the spine. He hides out in a public swimming pool and meets the lonely spinster Peggy Dobbs in the water. Nick uses Peggy to lie low. He offers a ride in a taxi to her and she invites him to her apartment, where she introduces her family to him. When Nick discovers that he killed the cop, he decides to use Peggy's apartment as hideout to wait for the police manhunt to cool down. When Nick finds that Peggy loves him, he invites her to leave town with him and asks her to buy a car. However, Nick cannot trust anybody and believes Peggy has betrayed him.—Claudio Carvalho, Rio de Janeiro, Brazil

He Ran All the Way

He Ran All the Way (1951)

Seiji Miyaguchi

Setsuko Hara

Haruko Sugimura

Chishû Ryû

In postwar Tokyo, this household is loving and serene: older parents, their 28-year-old daughter Noriko, their married son, his devoted wife, and two rascally sons. Their only discontent is Noriko's lack of a husband. Society is changing: she works, she has women friends who tease and argue, her brother sees her independence as impudence, she sees it as normal. When her boss suggests that she marry a 40-year-old bachelor who is his friend, all the members of her family press her to accept. Without seeking their advice, and to their chagrin, Noriko determines her own course of action.—

Early Summer

Early Summer (1951)

Bud Spencer

Elizabeth Taylor

Sophia Loren

Robert Taylor

Returning to Rome after three years in the field, General Marcus Vinicius (Robert Taylor) meets Lygia (Deborah Kerr) and falls in love with her, though as a Christian, she wants nothing to do with a warrior. Though she grew up Roman, the adopted daughter of a retired General, Lygia is technically a hostage of Rome. Marcus gets Emperor Nero (Sir Peter Ustinov) to give her to him for services rendered, but finds himself succumbing gradually to her Christian faith.—John Oswalt

Quo Vadis

Quo Vadis (1951)

Larry Arnold

Susan Cummings

Gloria Dea

Jerry Mulligan, a struggling American painter in Paris, is "discovered" by an influential heiress with an interest in more than Jerry's art. Jerry in turn falls for Lise, a young French girl already engaged to a cabaret singer. Jerry jokes, sings and dances with his best friend, an acerbic would-be concert pianist, while romantic complications abound.—Scott Renshaw

An American in Paris

An American in Paris (1951)

Billie Bird

Sarah Edwards

Bob Hope

William Frawley

When the Lemon Drop Kid accidentally steers Moose Moran's girl away from a winning bet, he is forced to come up with $10,000 to repay the angry gangster. Fortunately it's Christmas, a time when people can be persuaded to part with money for the right cause.—Erica Schulman

The Lemon Drop Kid

The Lemon Drop Kid (1951)

Robert Helpmann

Moira Shearer

Pamela Brown

Robert Rounseville

This a film version of the opera "The Tales of Hoffmann", however it is NOT just a film of a staged performance. Michael Powell and Emeric Pressburger (and the rest of "The Archers") work their usual magic here. The opera dramatises the three great romances in the life of the poet-hero presented in a series of flashbacks. Hoffmann's tales depict the struggle between human love and the artist's dedication to his work. Hoffmann loses each of the women he loves but gains instead poetic inspiration -- the ability to transform painful experiences into art.—Steve Crook

The Tales of Hoffmann

The Tales of Hoffmann (1951)

Peggie Castle

Richard Egan

Robert F. Simon

In North Africa during World War II, Sergeant Larry Nevins is blinded by a German sniper's bullet. Rehabilitation at the military hospital presents many challenges, but accepting his disability also proves to be difficult for others.—Jeanne Armintrout

Bright Victory

Bright Victory (1951)

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