Denver Pyle

Audie Murphy

Susan Kohner

David Janssen

The true story of Audie Murphy, the most decorated soldier in US Army history. We see his difficulties in signing up, as his small size counted against him. After eventually being accepted by the Army, we then experience his training and his journey through World War 2, from North Africa to Sicily, to Italy and finally to Southern France. Audie Murphy plays himself in the movie.—grantss

To Hell and Back

To Hell and Back (1955)

Philippe Noiret

Silvia Monfort

Marcel Jouet

Albert Lubrano

There are two parts to this film: sequences of life in the fishing village of La Pointe Courte (a government inspector's visit, the death of a child) alternate with others following a couple - He is from La Pointe Courte, she is Parisian - coming to terms with their changing relationship.—Alison Smith

La Pointe Courte

La Pointe Courte (1955)

Shirley MacLaine

Alfred Hitchcock

Edmund Gwenn

Royal Dano

There is a dead well-dressed man in a meadow clearing in the hills above a small Vermont town. Captain Albert Wiles, who stumbles across the body and finds by the man's identification that his name is Harry Worp, believes he accidentally shot Harry dead while he was hunting rabbits. Captain Wiles wants to hide the body as he feels it is an easier way to deal with the situation than tell the authorities. While Captain Wiles is in the adjacent forest, he sees other people stumble across Harry, most of whom don't seem to know him or care or notice that he's dead. One person who does see Captain Wiles there is spinster Ivy Gravely, who vows to keep the Captain's secret about Harry. Captain Wiles also secretly sees a young single mother, Jennifer Rogers, who is the one person who does seem to know Harry and seems happy that he's dead. Later, another person who stumbles across both Harry and Captain Wiles is struggling artist Sam Marlowe, to whom Captain Wiles tells the entire story of what he has seen thus far. Over the course of the day, several revelations come to light that question if Captain Wiles actually killed Harry. Sam, Mrs. Rogers, Captain Wiles and Miss Gravely's individual and collective actions in the matter of Harry take into account friendship, self-preservation, the path of least resistance, love and a lot of realizations about what their past actions will mean. Their work may all be for naught if Deputy Sheriff Calvin Wiggs, the closest thing to law enforcement in their town, finds out about Harry.—Huggo

The Trouble with Harry

The Trouble with Harry (1955)

Takahiro Tamura

Haruko Sugimura

Chishû Ryû

Noriko Arita

An old man, being rowed along a river, sees a field of daisies and thinks back to when he was fifteen. He recalls his time with, and away from, the girl cousin he grew up with and would have married, except the family and other pressures got in the way.—sharptongue

She Was Like a Wild Chrysanthemum

She Was Like a Wild Chrysanthemum (1955)

Shôji Yasui

Kô Mishima

Kinuyo Tanaka

Mokichi is the widower father of three daughters, with whom he has been living on the premises of a temple since the war. All three daughters become involved in varied complicated relationships. The sisters and their attached men are deliberately designed as allegorical figures on the changing social conditions.—Maniac_In_Black

The Moon Has Risen

The Moon Has Risen (1955)

Masayuki Mori

Tôru Abe

Yôko Sugi

Chôko Iida

Fumiko, mother of two children and wife of an unfaithful man who shows a low self esteem, shares her family life with her asleep vocation as a poetess. The beginning of her successful literary career coincides with her divorce and the development of a serious illness: a breast cancer, which leads her to lose her breasts. In the last stage of her life she meets a young journalist arrived from Tokyo, an admirer of her work, who want to write a story on her life. Both live a secret love history.—Anonymous

The Eternal Breasts

The Eternal Breasts (1955)

Johnny Silver

Marlon Brando

Jean Simmons

Bess Flowers

All the hot gamblers are in town, and they're all depending on Nathan Detroit to set up this week's incarnation of "The Oldest Established Permanent Floating Crap Game in New York;" the only problem is, he needs $1000 to get the place. Throw in Sarah Brown, who's short on sinners at the mission she runs; Sky Masterson, who accepts Nathan's $1000 bet that he can't get Sarah Brown to go with him to Havana; Miss Adelaide, who wants Nathan to marry her; Police Lieutenant Brannigan, who always seems to appear at the wrong time; and the music/lyrics of Frank Loesser, and you've got quite a musical. Includes the songs: "Fugue for Tinhorns," "Luck Be a Lady," "Sit Down, You're Rocking the Boat."—Syam Gadde

Guys and Dolls

Guys and Dolls (1955)

Darren McGavin

Will Wright

Frank Mills

Charles Seel

The Man with the Golden Arm

The Man with the Golden Arm (1955)

Walter Hampden

John Williams

Audrey Hepburn

Ellen Corby

Linus and David Larrabee are the two sons of a very wealthy family. Linus is all work -- busily running the family corporate empire with no time for a wife and family. David is all play -- technically employed in the family business but never showing up for work, spending all his time entertaining, and having been married and divorced three times. Sabrina Fairchild is the young, shy, and awkward daughter of the household chauffeur, who has been infatuated with David all her life, but whom David hardly notices till she goes away to Paris for two years and returns an elegant, sophisticated, beautiful woman. Suddenly, she finds she's captured David's attention, but just as she does so, she finds herself also falling in love with Linus, and she finds that Linus is also falling in love with her.—Brian C. Madsen

Sabrina

Sabrina (1954)

Ingmar Bergman

Harriet Andersson

Tor Borong

Gösta Prüzelius

After 15 years of marriage, David and Marianne have grown apart. David has had an affair with a patient of his and Marianne has got herself involved with her former lover Carl-Adam, who's also David's best friend. When she travels to Copenhagen to meet Carl-Adam, David takes the same train as she does, making it look coincidental. Spending time together remembering their past and talking about their future, they come to understand each other again, which leads to a reconciliation.—Leon Wolters

A Lesson in Love

A Lesson in Love (1954)

Lisa Gaye

Mae Clarke

Otto Kruger

Judy Nugent

When churlish, spoiled rich man Bob Merrick foolishly wrecks his speed boat, the rescue team resuscitates him with equipment that's therefore unavailable to aid a local hero, Dr. Wayne Phillips, who dies as a result. Phillips had helped many people, and when Merrick learns Phillips' secret, to give selflessly and in secret, he tries it in a ham-handed way. The result further alienates Phillips' widow, Helen, with whom Merrick has fallen in love. Merrick's persistence causes another tragedy, and he must remake his life, including going back to medical school, in an attempt to make amends and win her love.—

Magnificent Obsession

Magnificent Obsession (1954)

Farley Granger

Alida Valli

Tonio Selwart

Christian Marquand

Venice, 1866, in the last days of the Austrian occupation, a performance of Il Trovatore ends up in confusion due to an anti-Austrian demonstration, organised by Count Ussoni. His cousin Countess Serpieri falls in love with Austrian lieutenant Franz Mahler—Vincent Merlaud

Senso

Senso (1954)

Martin Milner

Robert Cummings

In London, wealthy Margot Mary Wendice had a brief love affair with the American writer Mark Halliday while her husband and professional tennis player Tony Wendice was on a tennis tour. Tony quits playing to dedicate to his wife and finds a regular job. She decides to give him a second chance for their marriage. When Mark arrives from America to visit the couple, Margot tells him that she had destroyed all his letters but one that was stolen. Subsequently she was blackmailed, but she had never retrieved the stolen letter. Tony arrives home, claims that he needs to work and asks Margot to go with Mark to the theater. Meanwhile Tony calls Captain Lesgate (aka Charles Alexander Swann who studied with him at college) and blackmails him to murder his wife, so that he can inherit her fortune. But there is no perfect crime, and things do not work as planned.—Claudio Carvalho, Rio de Janeiro, Brazil

Dial M for Murder

Dial M for Murder (1954)

Chuck Hicks

John Brascia

Carl 'Alfalfa' Switzer

Danny Kaye

Having left the Army following W.W.II, Bob Wallace and Phil Davis team up to become a top song-and-dance act. Davis plays matchmaker and introduces Wallace to a pair of beautiful sisters (Betty and Judy) who also have a song-and-dance act. When Betty and Judy travel to a Vermont lodge to perform a Christmas show, Wallace and Davis follow, only to find their former commander, General Waverly, as the lodge owner. A series of romantic mix-ups ensue as the performers try to help the General.—Norman Cook

White Christmas

White Christmas (1954)

Eitarô Ozawa

Kyôko Kagawa

Haruo Tanaka

Kazuo Hasegawa

To save her brother and the ancestral house from the heavy burden of an unfulfilled debt, Osan--the noble wife of the parsimonious but reputable scroll-maker, Ishun--turns to her husband's kind-hearted employee, Mohei. However, a transparent forgery paired with a preposterous accusation will force the pair to escape from the printer's unwelcome Kyoto household, seeking refuge in 17th-century Osaka's inhospitable streets. Now, amid scandalous and disquieting rumours--and constantly under threat--Mohei and Osan seem to fight a lost battle. What fate awaits the fugitives from Chikamatsu?—Nick Riganas

A Story from Chikamatsu

A Story from Chikamatsu (1954)

James Stewart

Walter Brennan

Steve Brodie

In 1896, Jeff Webster sees the start of the Klondike gold rush as a golden opportunity to make a fortune in beef, and woe betide anyone standing in his way. He drives a cattle herd from Wyoming to Seattle, by ship to Skagway, and (after a delay caused by larcenous town boss Gannon) through the mountains to Dawson. There, he and his partner Ben Tatum get into the gold business themselves. Two lovely women fall for misanthropic Jeff, but he believes in every-man-for-himself, turning his back on growing lawlessness, until it finally strikes home.—Rod Crawford

The Far Country

The Far Country (1954)

Ingrid Bergman

George Sanders

Jackie Frost

Lyla Rocco

Married for eight years with no children, Brits Katherine and Alex Joyce are driving to Italy, their ultimate destination just outside of Naples to sell the villa they have just inherited from his uncle, the villa where they will be staying during their time there. On the drive, they come to the realization that this trip marks the first time that they have truly been alone together, and as such don't really know one another in the true sense. While in Italy, they end up mainly embarking on pursuits separate from each other - Katherine preferring the cultural, Alex preferring "company" including with some acquaintances they didn't know were in Naples until running into them on their first night in the city - and on the few occasions when they do spend time together, there is a tension and an underlying increasing want on both sides to hurt the other emotionally in their individual beliefs of what the other is thinking or has done in their time apart. As their marriage slowly falls apart, the question becomes if there is any way to salvage it if they truly do want to continue to be Mr. and Mrs. Joyce.—Huggo

Journey to Italy

Journey to Italy (1954)

Shirley Stelfox

Prunella Scales

John Mills

Charles Laughton

In 1880s Salford, England, widower Henry Hobson, owner and operator of Hobson's Boots, lives with his three adult daughters Maggie, Alice, and Vicky in a flat attached to the shop. Henry is miserly, dipsomaniacal, and tyrannical, not allowing his daughters to date since their sole purpose in life is to serve him and the shop--for no wages. He changes his mind about Alice and Vicky, for whom he will choose husbands although they've also chosen the men they'd marry if they could. However, Henry won't provide them with dowries, which might be a challenge in finding them men he would consider suitable husbands. He considers Maggie far too useful to him as the overly-efficient, organized one, so doesn't intend to let her go--besides, at age 30, she's too old for any man to want anyway. Incensed by her father's attitude, Maggie decides to show him how wrong he is about her being an unmarriageable spinster by proposing to timid Willie Mossop, the shop's poor, uneducated, illiterate boot hand--yet best bootmaker, apparently better than any bootmaker in nearby Manchester--who has known no other professional life than the shop. They enter into a marriage of convenience. Despite the differences in their social classes, Maggie believes she can show her father that she can find a husband while also forcing him to treat Willie better (and by association her) in paying him decent wages, otherwise she will use her wifely influence to convince Willie to take his and her valuable services elsewhere. If their hands are forced, Maggie believes their best weapon is wealthy, particular Mrs. Hepworth, who said that only Willie shall ever make her boots. Maggie has even taken into consideration what effect her actions will have on her sisters' nuptials, vowing to them that all will be all right in that regard. Although she truly has no idea how her father will react, she hasn't considered Willie, who might already have his own life outside the shop. If he does agree, what effect will her plan have on him and his entire being?—Huggo

Hobson's Choice

Hobson's Choice (1954)

Charles Bickford

James Mason

Carey Loftin

John Saxon

Norman Maine, a movie star whose career is on the wane, meets showgirl Esther Blodgett when he drunkenly stumbles into her act one night. A friendship develops, then blossoms into romance before tensions increase as Esther's career takes off while Norman's continues to plummet.—Col Needham

A Star Is Born

A Star Is Born (1954)

John Zaremba

Gloria Grahame

Edgar Buchanan

Glenn Ford

Jeff Warren, a Korean War vet just returning to his railroad engineer's job, boards at the home of co-worker Alec Simmons and is charmed by Alec's beautiful daughter. Vicki Buckley is the sultry wife of brutish railroad supervisor Carl Buckley, an alcoholic wife beater with a hair trigger temper and penchant for explosive violence. After Buckley is fired for insubordination, he begs Vicki to intercede on his behalf with John Owens, a rich and powerful businessman, for whom Vicki's mother used to keep house and whose influence can get him reinstated. When Buckley suspects she has used sexual favors to persuade Owens, he beats Vicki and develops a plan to meet Owens on the train and stabs him to death in a jealous rage in his compartment. Jeff, who is deadheading after a trip, is on the train and meets Vicki without knowing who she is, when Buckley needs her to get him out of the way so he can get back to their compartment without being seen as he is covered in blood. Jeff is a potential witness to the homicide and becomes an accessory after the fact due to his attraction for Vicki. Jeff and Vicki begin an affair, while Vicki plots to get away from her abusive husband and recover the evidence that links her to the murder.—duke1029

Human Desire

Human Desire (1954)

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