Bibi Andersson

Max von Sydow

Elliott Gould

Ingmar Bergman

About the early years of the 70's in Ingmar Bergman's professional and private life. "The Touch" (1971) and more.

Ingmar Bergman (1972)

Woody Strode

Henry Silva

Giovanni Cianfriglia

Cyril Cusack

When a shipment of heroin disappears between Italy and New York, a small-time pimp in Milan is framed for the theft. Two professional hitmen are dispatched from New York to find him, but the real thieves want to get rid of him before the New York killers get to him to eliminate any chance of them finding out he's the wrong man. When the pimp's wife and daughter are murdered in the course of the "manhunt", he swears revenge on everyone who had anything to do with it.—frankfob2@yahoo.com

The Italian Connection

The Italian Connection (1972)

Gary Kent

Drinda Lalumia

Sandy Dempsey

Bob Chinn

Handsome and successful Jim appears to have it all: he's married to the beautiful and supportive Lisa, has a healthy baby, and works a cool gig as the director of hardcore porno fare. Jim's seemingly perfect life starts to fall apart when he has an extramarital fling with an actress and the local Los Angeles vice cops close in to make a bust.—Woodyanders

Blue Money

Blue Money (1972)

Frank Corso

Bob Olson

Fred Larch

Joe Downing

Dusty Cole is a young prostitute who lives with her boyfriend, Tony, in a small apartment above a street front store somewhere in Queens, New York. When Tony arrives home after grocery shopping, he is dismayed to see Dusty sitting around the small apartment, doing nothing. Tom and Dusty get into a big argument where Tony demands that she either get a job or clean up the place. Dusty manages to calm him down by pleasuring him with sex.When Tony leaves to go to work at his job as a bartender for the afternoon and evening shift, Dusty packs her suitcase, steals some items from his apartment including an old TV set and a tape recorder. She goes down the street to a pawn shop and tries to sell the items for cash. The sleazy owner, Sammy, refuses to give Dusty any money for the worthless items, but instead offers to give her $55 if she has sex with him in the back storage room. After having sex, Dusty tells Sammy that she wants to meet him later for lunch. While he is not looking, she steals an extra set of keys off a hook in the storage room. When she leaves the store and Sammy leaves soon after and locks up, Dusty returns, steals all the cash she saw him kept in a vase in the back room, as well as some silver items, and leaves the store, throwing the spare keys in a wastebasket outside on the street. Dusty then takes a subway train to Manhattan.The next morning, while walking down 42nd Street near Times Square, Dusty runs into an old friend, an aging drag queen hooker named Cherry Lane. After talking over coffee, Dusty shacks up with Cherry at his small apartment in the Lower East Side where they decide to team up to trade tricks like the old days when Dusty used to cruise 42nd street and hustle johns and other victims out of their money. There, a trick named Jimmie visits, and upon seeing Dusty, insists on hiring her instead of Cherry. Although Cherry is concerned that Dusty will steal her clients, she accepts Dusty's offer of half of her earnings. After Cherry leaves the apartment, Dusty insists that Jimmie have sex "normally," but as soon as they begin, he takes out a belt and whips her. Afterward, she inquires about his wife and recalls her own four-month marriage at the age of sixteen. When Jimmie, like all of Dusty's tricks, declares that his wife will not have sex with him, Dusty counsels him to be more honest and more demanding with his wife. He asks her to attend a poker game the next Friday night, in order to have sex with four men present, for a fee of $150. After agreeing, Dusty shies away when Jimmie touches her face, then tells him her reaction is "just a reflex."That night, Dusty and Cherry go to a bar with another homosexual prostitute, Billy. They are joined by the Simmons sisters, Susie and Sally, two loud and boozy streetwalkers with whom Cherry regularly spars. Susie and Sally show off some of their singing ability while talking about currently working at an off-off-Broadway theater to make some extra money on the sides. Finally, one of them slaps Cherry and a brawl briefly breaks out between them. As Mac, the bartender, tries to quell the minor brawl, it is here that Dusty meets Bob, a young yuppie at the bar and they both take an instant liking to each other.Dusty quickly entices Bob to take her to his house on Staten Island, and he asks her to be the first person to stay the night with him there. When he stares into her eyes, she flinches and asks that he not look too deep, but he responds that he is not looking for perfection. After making love, they admit that they are falling for each other, and even after she confesses her profession, Bob responds that everyone hustles in his or her own way. The following morning, Bob leaves for work and gives Dusty a copy of his house keys. Dusty phones Cherry, who at first assumes that Dusty plans to rob Bob, and upon realizing that Dusty is falling in love, insists that they meet for a discussion.By the ferry, Cherry warns her to be more disciplined with her emotions and not be too optimistic. Cherry is propositioned by a trick, but when she performs oral sex on him in a nearby warehouse, the man attacks her after Cherry's wig falls off, after which she and Dusty run off.At home, Cherry admits that behind her happy-go-lucky exterior, she is lonely and afraid, and is envious of Dusty finding love. Feeling that she cannot function in the straight world, Cherry cries at her lack of options. Dusty states that Bob makes her want to change and go "legit," and she plans to take it slow with him.Although Dusty announces that she is canceling her Friday night appointment at the poker game, Cherry, concerned that she is so quickly losing her new roommate and source of income, urges her to go. Dusty reluctantly concedes, and shows up to the game, where Jimmie, along with three card-playing friends, Walt, Joe and Carl, have a separate room available for her use. After the first man, Joe, takes his turn, Jimmie enters and, against Dusty's wishes, begins to beat her again. She races away in horror after taking all of his money, and then some, he plans to give her.Meanwhile, Cherry is at the bar, gossiping with the Simmons sisters about Dusty's waning appeal. Just then, an angry Dusty walks in, slaps Cherry, gives him the $150 cash that she earned and tells Cherry that she is moving out and never to talk to her again for setting her up with the creep Jimmie and his friends.Dusty heads to Bob's house on Staten Island, where they make love and talk throughout the night. In the morning, she walks with him to the ferry he takes to work, but as they step into the street, Bob is run over by a car. As a crowd gathers around, Dusty claims not to know him and runs off, collapsing in tears around the corner.In the final scene, set some time later in Times Square on the street outside the notorious Grant's Deli, Dusty is seen back to the only life she knows, turning tricks on the streets while clearly high on drugs.

Fleshpot on 42nd Street

Fleshpot on 42nd Street (1972)

Ben Gazzara

Bruno Corazzari

Romano Puppo

Corrado Gaipa

An American underworld up-and-comer relocates to Europe and immerses himself in the dangerous and mysterious world of heroin production.

The Sicilian Connection

The Sicilian Connection (1972)

Leslie Nielsen

Doug Bell

Gene Hackman

Larry Arnold

A passenger ship, on her way to the scrap yard is pushed to her limits by the new owners to save on the dismantling fees. A tidal wave hits her, flipping her over so that all the internal rooms are upside down. A priest takes a mixed band of survivors on a journey through the bowels of the ship in an attempt to survive.—John Vogel

The Poseidon Adventure

The Poseidon Adventure (1972)

Alastair Sim

Peter O'Toole

Nigel Green

Harry Andrews

A member of the House of Lords dies in a shockingly silly way, leaving his estate to his son. Unfortunately, his son is insane: he thinks he is Jesus Christ. The other somewhat-more respectable members of their family plot to steal the estate from him; murder and mayhem ensue.—Mark Logan

The Ruling Class

The Ruling Class (1972)

Bolo Yeung

Yasuaki Kurata

Cheung-Yan Yuen

Phillip Ko

Duel Of Fist was another hit from the "iron triangle" of director Chang Cheh and stars David Chiang and Ti Lung. And, as with all the director's classics, one good hit deserves another, so this sequel was called for. When last we left our heroes, they had triumphed against evil in Thailand. But a vengeful Japanese gangster has their mother killed and one of their girlfriends kidnapped.

The Angry Guest

The Angry Guest (1972)

Lily Li

Mark Metekingi

Hark-On Fung

This prime example of director/co-writer Chang Cheh's mastery takes place right after the Korean War, as a kung-fu master, combat instructor, explosives expert, and missle specialist heroically represent the Book of Revelation's four riders against murder, corruption, jealous and greed.—Celestial Pictures

Four Riders

Four Riders (1972)

Carmen Sevilla

Charlton Heston

Jane Lapotaire

John Castle

After the murder of her lover Caesar, Egypt's queen Cleopatra needs a new ally. She seduces his probable successor Mark Antony. This develops into real love and slowly leads to a war with the other possible successor: Octavius.

Antony and Cleopatra

Antony and Cleopatra (1972)

Jacques Perrin

Yves Montand

Jean-Luc Bideau

André Falcon

In Uruguay in the early 1970s, an official of the US Agency for International Development (a group used as a front for training foreign police in counterinsurgency methods) is kidnapped by a group of urban guerillas. Using his interrogation as a backdrop, the film explores the often brutal consequences of the struggle between Uruguay's government and the leftist Tupamaro guerillas.—Erich Schneider

State of Siege

State of Siege (1972)

Isao Natsuyagi

Meiko Kaji

Nenji Kobayashi

Yôichi Numata

After being cruelly set up and deceived by Sugimi (Natsuyagi Isao), a conniving and crooked detective she had whole-heartedly fallen in love with (and subsequently lost her virginity to...), Matsushima Nami's desire for revenge knows no bounds. Her failed attempt at stabbing Sugimi on the steps of the Tokyo Metropolitan Police Headquarters results in her doing hard time in a female prison run by sadistic and horny male guards. To Sugimi's surprise, Matsushima refuses to testify against him and his connections to the mob, and now the sheer fact that she knows such secrets makes her a liability. So Sugimi and the Japanese mafia orchestrate a plan whereby Matsushima will succumb to an "accidental" death in prison. They enlist the help of Kagiri, another female inmate with ties to both Sugimi and the mafia, thus their formidable plan is quickly set in motion. Little do they realize, however, how hotly Matsushima's desire for revenge burns within her.—inferno

Female Prisoner #701: Scorpion

Female Prisoner #701: Scorpion (1972)

Shin Kishida

Sô Yamamura

Tomisaburô Wakayama

Asao Uchida

Fourth film in the Lone Wolf and Cub series. Ogami is hired to kill a tattooed female assassin. Gunbei Yagyu, an enemy samurai, happens upon Ogami's son, and sees his chance for revenge.—barabbas

Lone Wolf and Cub: Baby Cart in Peril

Lone Wolf and Cub: Baby Cart in Peril (1972)

Michel Piccoli

Stéphane Audran

Jean-Pierre Cassel

Delphine Seyrig

Several bourgeois friends planning to get together for dinner experience a succession of highly unusual occurrences that interfere with their expected dining enjoyment.—Ed Cannon

The Discreet Charm of the Bourgeoisie

The Discreet Charm of the Bourgeoisie (1972)

Hôsei Komatsu

Fumio Watanabe

Matsu, known to the prisoners as Scorpion, is locked away in the bowels of the prison as revenge for disrupting the smooth operation of the prison and for her disfiguring attack on the warden. Granted a one day reprieve due to the visit of a dignitary, she takes advantage and attacks the warden again. This leads to more brutal punishment and humiliation. But the punishment gives her an opportunity to escape along with six other female prisoners. Their surreal flight from prison pits the convicts against the guards, the warden and each other.—Anonymous

Female Prisoner Scorpion: Jailhouse 41

Female Prisoner Scorpion: Jailhouse 41 (1972)

Edward Albert

Goldie Hawn

Debralee Scott

Michael Warren

All Don Baker wants is a place of his own away from his over-protective mother. Don's been blind since birth, but that doesn't stop him from setting up in a San Francisco apartment and making the acquaintance of his off-the-wall, liberated, actress neighbor Jill. Don learns the kind of things from Jill that his mother would never have taught him! And Jill learns from Don what growing up and being free is really all about.—A.L.Beneteau

Butterflies Are Free

Butterflies Are Free (1972)

Richard O'Sullivan

John Standing

John Le Mesurier

Gabrielle Drake

Four young women from Europe and Asia, recently arrived in England, begin their new jobs as Au Pairs. They quickly find that the English are not as stuffy and staid as they appear, and the young ladies are soon spending more time in bed than on the job.—Jean-Marc Rocher

Au Pair Girls

Au Pair Girls (1972)

Jun Hamamura

Tôru Abe

Hatsuo Yamaya

The third instalment of the 'Lone Wolf & Cub' film series sees Ogami Itto and his son; Daigoro, face with with a series of foes; new and old, as they wander across feudal Japan. From despicable ravaging ronin, to the honourable yet dangerous Bohachimono gang, and not to mention the allies and agents of the dreaded Yagyu Clan.—samrussell-82620

Lone Wolf and Cub: Baby Cart to Hades

Lone Wolf and Cub: Baby Cart to Hades (1972)

Yutaka Nakamura

Isao Yamagata

In this first film of the Lone Wolf and Cub series, adapted from the manga by Kazuo Koike, we are told the story of the Lone Wolf and Cub's origin. Ogami Itto, the official Shogunate executioner, has been framed for disloyalty to the Shogunate by the Yagyu clan, against whom he now is waging a one-man war, along with his infant son, Daigoro.—Anonymous

Lone Wolf and Cub: Sword of Vengeance

Lone Wolf and Cub: Sword of Vengeance (1972)

Takeo Chii

Bunta Sugawara

Hiroshi Date

Okita finally is released from the joint, the world outside had changed dramatically, even how gang life operates. In Kinji Fukasaku's brutal character study, you find a yakuza that has a untamed rage & lack of respect for authority yet finds himself leading the remnants of the gang he once belonged to inorder to secure a area of their own... It paved the way for Fukasaku's Yakuza Papers series.—Anonymous

Street Mobster

Street Mobster (1972)

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