Christopher Guest

Dennis Dugan

Sab Shimono

Stockard Channing

Dr. Herbert Bock (George C. Scott), the chief of medicine in a New York City teaching hospital, is contemplating suicide. He's impotent, his wife has left him, and his children aren't speaking to him. His hospital is also suffering from a recent spate of inexplicable deaths. In the midst of these setbacks, Bock is romantically drawn to the much younger Barbara Drummond (Dame Diana Rigg), whose father is a patient. As Barbara restores Bock's will to live, it turns out that the hospital deaths are murders.—Jwelch5742

The Hospital

The Hospital (1971)

Max von Sydow

Liv Ullmann

Allan Edwall

Hans Alfredson

In the middle of the 19th century, Kristina and Karl-Oskar live in a small rural village in Smaaland (southern Sweden). They get married and try to make a living on a small spot of land. However, the small size of their land, the infertile soil, and some bad harvests make it tough. One of their children even starves to death. Thus, they decide to emigrate to the U.S. They meet a group of farmers with their families planning the emigration under the leadership of a banned priest. They sell everything and embark for the U.S. The journey on the sailing ship is long and tedious. Some of the emigrants will never reach the New World.—Gerhard Windecker

The Emigrants

The Emigrants (1971)

Omar Sharif

Jean-Paul Belmondo

Dyan Cannon

Remo Mosconi

In 1970s Athens a group of professional burglars led by Azad plans a daring burglary. The victim is wealthy gem merchant Mister Tasco. The treasure to be plundered is Mister Tasco's sumptuous emerald collection. The break-in team neutralizes the villa's guard, enters the premises and locates the safe. Their sophisticated safe-cracking tools allow the burglars to break the safe open and steal the emeralds. During the caper, a lone Greek policeman notices the burglars' car parked outside the Tasco residence and becomes suspicious. When Azad pretends to tinker with the getaway car's engine the Greek cop pretends he believes him. In fact, the Greek Police inspector Abel Zacharia suspects a burglary is taking place but decides to play along to allow the burglars to complete their mission. However, the corrupt Greek cop intends to arrest the criminals later and steal the emeralds for himself. A cat-and-mouse chase ensues.—nufs68

The Burglars

The Burglars (1971)

Nobuko Otowa

Eitarô Ozawa

Taiji Tonoyama

Hôsei Komatsu

The film begins with Masuo Sakurada receiving a telegram from his cousin Terumichi. He is traveling with his cousin Ritsuko to check out his cabin and see if the telegram is true. Masuo has a flashback to the ceremony on the first anniversary of his father's death, after he and his mother are repatriated to Japan from Huludao. Because his younger brother died before they returned from the former Manchukuo, Masuo is expected to live for two sons.Throughout each of the ceremonies, the tangled family web is revealed, with numerous instances of incest that make the relationships between each of the family members somewhat unclear. The continued incest is not only expected amongst the family. Masuo himself is interested in Setsuko, and later Ritsuko, and finds himself in competition with Terumichi for them.Masuo finds himself sacrificing much of his freedom for the family. He has a talent for baseball, but gives it up when his mother dies and he is not present. He burns all of his baseball possessions except his glove. His sacrifice reaches its climax when he goes through a marriage ceremony to an absentee bride at his grandfather's insistence. He finally releases his frustration and hatred for his grandfather afterward. His grandfather dies years later, and at his memorial service Masuo is asked by his uncles to marry as quickly as possible to have another heir to the family lineage.Masuo and Ritsuko finally arrive at Terumichi's cabin in the film's final segment, to discover that the telegram informing them of Terumichi's death is true. Ritsuko feels an obligation to commit suicide next to Terumichi, because he had been her lover. Masuo leaves the scene, and outside has a flashback to a childhood memory of playing baseball with his cousins and Setsuko, who have all died.

The Ceremony

The Ceremony (1971)

Brian Klinknett

Erica Bigelow

Paula Shannon

Linda Van Compernolle

A mixture of documentary footage and re-enactment scenes, some filmed on the action locations, of the infamous Tate-LaBianca murders committed by the gang known as the Manson Family.

The Other Side of Madness

The Other Side of Madness (1971)

William Kerwin

Pat Finn-Lee

Wayne Crawford

Donna Lee Miller

Stanley and Paul, a pair of friends on the run from the law, rent a house in the suburbs, where they decide the best way to lay low is for Paul to dress as a woman and pretend to be Stanley's Aunt Martha. Not too long after the pair move into their new home, Paul suddenly murders a young woman Stanley brings home with him. Paul's violent tendencies continue to spin out of control, and soon nobody who comes near is safe from him.—Jean-Marc Rocher

Sometimes Aunt Martha Does Dreadful Things

Sometimes Aunt Martha Does Dreadful Things (1971)

Sei Hiraizumi

Akihiro Miwa

Joji Okami

Kuni Kawachi

An angst-ridden teen dealing with his dysfunctional family hits the streets. The story is inter-cut with various psychedelic, energetic vignettes.

Throw Away Your Books, Rally in the Streets

Throw Away Your Books, Rally in the Streets (1971)

Mark Damon

Giovanni Cianfriglia

Giuliano Gemma

Luis de Tejada

A fun film with stylish costumes that has Gemma as the heir to the Nottingham dukedom who is robbed of his heritage. He joins the already-established 'Merrie Men' and becomes their leader.

Long Live Robin Hood

Long Live Robin Hood (1971)

Danny Kaye

Paul Frees

Casey Kasem

Vincent Price

When the Chief Easter Bunny retires, he chooses Peter Cottontail as his successor. However, the reclusive January Q. Irontail wants the position as well, seeking to revenge himself upon children everywhere for the destruction of his tail. He proposes he and Peter have a race to see who can deliver the most eggs. Due to his own carelessness and Irontail's meddling, Peter oversleeps and loses the job. Luckily, a strange man and a caterpillar give him access to a time machine so Peter can set things right. Unfortunately, Irontail is there with the intention of thwarting him every step of the way.—cupcakes

Here Comes Peter Cottontail

Here Comes Peter Cottontail (1971)

Takeo Chii

Fumio Watanabe

Hatsuo Yamaya

Yoshio Harada

One summer morning, Kiyoshi (Shosuke Hirose) is racing on his bike down the beach. While there, a girl with her clothes torn up is thrown out from a green convertible. This is how he and Sanae (Teresa Noda) first meet. A little while later Sanae's sister comes to pay Kiyoshi a visit, falsely claiming that he participated in her sister's rape. When she shoves him into a car with intentions to hand him over to the police, Kiyoshi finally snaps.—Nikkatsu

Wet Sand in August

Wet Sand in August (1971)

Kurt Russell

James Lee Barrett

George Kennedy

James Stewart

When a trio of ex-convicts led by Mattie Appleyard is released from prison, they hope to open a general store using money Mattie has saved during his 40-year sentence. This attempt is met with great resistance from a corrupt prison official and the banker who issued Mattie the check.—Greg Helton

Fools' Parade

Fools' Parade (1971)

Lea Massari

Michael Lonsdale

Benoît Ferreux

Daniel Gélin

This is a jolly coming-of-age story about a 14-year-old boy named Laurent Chevalier who is growing up in bourgeois surroundings in Dijon, France. This is France in the mid-1950s rather than America in the 1990s. Thus, Laurent is unharmed by events which would irreparably shatter the self-esteem of a modern American adolescent: he gets drunk, he smokes, he has sex, he is smothered by his mother, he is ignored by his father, a priest makes a pass at him, he gets rheumatoid fever, etc. There's enough scandalous behavior in this film to make 100 made-for-TV movies, and yet this is a very happy and oddly innocent tale.—Tim Horrigan

Murmur of the Heart

Murmur of the Heart (1971)

Geoffrey Hughes

Michele Dotrice

Simon Williams

Roberta Tovey

In the 17th-century countryside of England, the landsman Ralph Gower finds a skull with one eye and fur in the field. He summons the local judge to see his finding but it has disappeared. Meanwhile, the local Peter Edmonton brings his fiancée Rosalind Barton to his aunt's house to marry her the next day. However, during the night Rosalind becomes insane and in the morning she is sent to an asylum and Peter sees a claw that has replaced her hand. Then Peter wakes up with a claw attacking him and he cuts it out, but he finds that he has hacked down his own hand. The local children have strange behavior under the command of Angel Blake and they rape and kill others. In common, they have peculiar fur on their skin. The judge returns from London and concludes that evil has possessed the children. What will he and his search party do?—Claudio Carvalho, Rio de Janeiro, Brazil

The Blood on Satan's Claw

The Blood on Satan's Claw (1971)

Rada Rassimov

Karl Malden

James Franciscus

Catherine Spaak

Franco Arno is a blind man who lives with his young niece and makes a living writing crossword puzzles. One night, while walking on the street, he overhears a weird conversation between two men sitting in a car parked in front of a medical institute where genetic experiments are performed. The same night, someone breaks into the institute and knocks out a guard. Arno decides to investigate with help from reporter Carlo Giordani.—Giancarlo Cairella

The Cat o' Nine Tails

The Cat o' Nine Tails (1971)

Adam Wade

Lawrence Pressman

Victor Arnold

Richard Roundtree

John Shaft is the ultimate in suave Black detectives. He first finds himself up against Bumpy, the leader of the Black crime mob, then against Black nationals, and finally working with both against the White Mafia who are trying to blackmail Bumpy by kidnapping his daughter.—John Vogel

Shaft

Shaft (1971)

James Mitchum

Harry Dean Stanton

Katherine Squire

Laurie Bird

The Driver and The Mechanic are car freaks driving a 1955 Chevy through the southwestern U.S., looking for other cars to race. They're totally dedicated to their car and speak with each other only when necessary. At a gas station, along with a girl who has ingratiated herself into their world, they meet G.T.O., a middle-aged man who fabricates stories. They all decide to have a race to Washington, D.C., where the winner will get the loser's car.—Rick Gregory

Two-Lane Blacktop

Two-Lane Blacktop (1971)

Harry Riebauer

Günther Stoll

Alfred Vohrer

Ivan Desny

(1971) Hansjorg Felmy, Uschi Glas, Werner Peters, Gunther Stoll. A determined Scotland Yard inspector travels all over London gathering the evidence needed to put a big drug-smuggling gang into the slammer. There are more than enough dead bodies to provide clues, as the gang is unusually ruthless. Good color print. Scope, 35mm.—Anonymous

Angels of Terror

Angels of Terror (1971)

Christopher Cary

Ben Wright

Danielle De Metz

Karl-Otto Alberty

Captain Foster plans on raiding German-occupied Tobruk with hand-picked commandos, but a mix-up leaves him with a medical unit containing a Quaker conscientious objector. Despite all odds they succeed with their mission. On the way they pick up and drug the mistress of an Italian general, blow up the entire fuel supply for the Afrika Korps, and swap philatelic gossip with Field Marshal Erwin Rommel.—Col_Hessler

Raid on Rommel

Raid on Rommel (1971)

Yuki Uchida

Kaori Momoi

Renji Ishibashi

Mutsuko Masaki

Takeru, a young rebel, is traveling alone in the North of Honshu. He once used to practice pole vaulting but he gave up and became a robber. Along his trip he crosses the path of a young couple doing a performance for a super market. Fascinated by both of them but probably a bit attracted by the mysterious silent girl, he decides to follow them.

Lost Lovers

Lost Lovers (1971)

Dorit Henke

Bernd Zahn

Margit Cizek

Yvonne Zolliker

The film starts with a magazine boss explaining to his fellow journalists that their recent series on rape, although very popular has now run out of steam. They then all come up with ideas around the assumption that young girls are seducing poor guys all over the place. We get the guy's introduction and then go into the sexy sequence.—christopher-underwood

The Young Seducers

The Young Seducers (1971)

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