Linda Dano

Sue Lyon

Lloyd Bochner

Joan Shawlee

Ex-cop turned private eye, Tony Rome lives and works in Miami. For $200, he returns a young woman to her father's house after she passes out in a seedy hotel, and he keeps the hotel's name out of it. Trouble is, she's missing a diamond pin, When the pin does turn up, it's fake. The girl's wealthy father hires Tony to find out what happened to the real stones. Bodies pile up,—

Tony Rome

Tony Rome (1967)

Ben Johnson

Lee Majors

William Schallert

Donald Pleasence

Will Penny, an aging cowpoke, takes a "line-rider" job on a vast cattle ranch requiring him to keep trespassers and squatters moving until they're off the property. Ironically, he discovers that the mountain cabin reserved for the line rider has been appropriated by Catherine Allen and her young son, Horace, whose guide has deserted them en route to Oregon to join Catherine's husband. Too soft-hearted and ashamed to kick mother and child out just as the bitter Rocky Mountains winter sets in, he agrees to share the cabin until the spring thaw. But it isn't just the snow that slowly thaws; lonely man and woman soon forget their considerable dissimilarities and start developing a deep, if awkward and unstated, love for each another. Beyond this, Horace finds in Will the father he's never known, and Will finds in Horace the son he's never known he's wanted. The trio's little refuge is then invaded by Bible-quoting preacher Quint and his murderous family of "rawhiders", who'd earlier nearly killed Will over an imagined insult, forcing Will to defend his own "family".—Alfred Jingle

Will Penny

Will Penny (1967)

Anthony 'Scooter' Teague

Robert Osborne

Maureen Arthur

Lory Patrick

Twenty-seven year old New York window washer, J. Pierrepont Finch, believes he can be a success in the corporate world after he impulsively picks up the book "How to Succeed in Business Without Really Trying". The book promises its reader that he can climb the corporate ladder simply and quickly. The Worldwide Wicket Corporation, the business in the office building whose windows he washes is, according to the book, the perfect type of business. There he meets secretary Rosemary Pilkington, who sees in Ponty (as she calls him) an unassuming man who she believes the corporate world will eat alive. But Ponty, memorizing what the book tells him, does quickly climb the corporate ladder but not by doing any real work. Ponty has a few obstacles along the way such as: Bud Frump who sees Ponty as a rival and is the nephew by marriage of the company president J.B. Biggley; Hedy La Rue, a curvaceous but simple woman who has a secret or not-so-secret tie to someone important in the company; Mr. Ovington, an executive who Ponty can't figure out; and Ponty possibly making a fatal error by not reading far enough ahead in the book. Ponty ultimately has to decide if climbing to the top of the ladder is worth stepping on all those along the way and risk losing the love of Rosemary. In the end telling the truth may set him free.—Huggo

How to Succeed in Business Without Really Trying

How to Succeed in Business Without Really Trying (1967)

Susan Strasberg

Bruce Dern

Dennis Hopper

Luana Anders

Paul Groves (Peter Fonda), a television-commercial director, is in the midst of a personality crisis. His wife Sally (Susan Strasberg) has left him for another man and he seeks help from his friend John (Bruce Dern), a self-styled guru and an advocate of LSD. Paul asks John to guide him through his first "trip," and John takes Paul to a "freak-out: at his friend Max's (Dennis Hopper) pad. Splitting the scene, they score some acid from Max and return to John's split-level pad with an indoor/outdoor pool. Paul experiences visions of sex, death, strobe lights, flowers, dancing girls, witches, hooded riders, a torture chamber, and a dwarf. Most prominent among his hallucinations, however, are two women. He can't let go of his memories--good and bad--of Sally, but he has only just met Glenn (Salli Sachse), an acquaintance of Max's with whom he feels an immediate connection, as she admires those who dare to try LSD and wishes to see him again soon. He panics, but John tells him to "go with it, man." Would you trust John?—alfiehitchie

The Trip

The Trip (1967)

Alida Valli

Julian Beck

Silvana Mangano

Pier Paolo Pasolini

In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Edipo (Oedipus), and brought up by the King and Queen of Corinth as their son. One day an oracle informs Edipo that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents - only to get into a fight and kill an older man on the road...—David Levene

Oedipus Rex

Oedipus Rex (1967)

Misty

Simone

Sonja

Vicky

Produced in 1967, this amazing 22-minute short film introduces us to Misty, Vicky, Sonja, and Simone--four transwomen who are subjected to a six-month psychological project, then grilled about their personal lives by a weird guy in a wood-paneled office who claims to have interviewed "thousands of homosexuals" (and who obviously doesn't understand the difference between sexual orientation and gender identity). This unique exploitation documentary offers a rare, provocative glimpse into pre-Stonewall queer life as it follows the women through their daily lives with a stop to look into a New York City drag ball. They talk about their double lives of going out as women at night but living as men during the day, and about how they take hormones and dream of "going for a change." One talks about avoiding the draft, another about her fiancé, and another about the torment of childhood as an effeminate youth.—Jenni Olson

Queens at Heart

Queens at Heart (1967)

Lee Van Cleef

Tomas Milian

Fernando Sancho

Walter Barnes

Jonathan Corbett is a gunman so brave to have eliminated all the bandits of Texas. For this he is proposed for the candidacy to the Senate of the United States. In exchange he has only to support the construction of one railway line. Only after he accepts does he come to know that the Mexican Cuchillo has raped and killed a 12 year old girl. Corbett leaves on a long manhunt during which he gets to know his adversary better and discovers a variation on the crime for which the accused Cuchillo may not be as guilty as he first thought.—Baldinotto da Pistoia, translated by Philip-12

The Big Gundown

The Big Gundown (1967)

Michael Bell

Fabian

Stanley Adams

Stock car racer Tommy Callahan is forced to join Pete Madsen's thrill circus after his blackouts cause a fatal accident that gets him thrown off the circuit. He shows Pete's daughter Francie and her boyfriend Eddie Sands everything he knows about driving. Eddie takes up with Tommy's girl Annie Blaine after winning the first time out. They become fierce rivals by the next race, during which Tommy remembers driving over his brother with a go-kart and Eddie hits the wall.—alfiehitchie

Thunder Alley

Thunder Alley (1967)

Elizabeth Taylor

Michael York

Michael Hordern

Richard Burton

Baptista (Sir Michael Hordern), a rich Paduan merchant, announces that his fair young daughter, Bianca (Natasha Pyne), will remain unwed until her older sister, Katharina (Dame Elizabeth Taylor), a hellish shrew, has wed. Lucentio (Michael York), a student and the son of a wealthy Pisan merchant, has fallen in love with Bianca. He poses as a tutor of music and poetry to gain entrance to the Baptista household and to be near Bianca. Meanwhile, Petruchio (Richard Burton), a fortune-hunting scoundrel from Verona, arrives in Padua, hoping to capture a wealthy wife. Hortensio (Victor Spinetti), another suitor of Bianca, directs Petruchio's attention to Katharina. When Hortensio warns him about Katharina's scolding tongue and fiery temper, Petruchio is challenged and resolves to capture her love. Hortensio and another suitor of Bianca, Gremio (Alan Webb), agree to cover Petruchio's costs as he pursues Katharina.—alfiehitchie

The Taming of The Shrew

The Taming of The Shrew (1967)

John Clive

Geoffrey Hughes

Peter Butterworth

Paul Angelis

In the year 50 BC Gaul is occupied by the romans - nearly. But the small village of Asterix and his friends still resists the Roman legions with the aid of their druid's magic potion, which gives superhuman strength. Learning of this potion, a Roman centurion kidnaps the druid to get the secret formula out of him.—Michael Zink

Asterix the Gaul

Asterix the Gaul (1967)

Fuyuki Murakami

Toshirô Mifune

Takashi Shimura

Akira Kubo

Following the detonation of the atomic bombs on Hiroshima and Nagasaki, the Japanese military and the government clash over the demand from the Allies for unconditional surrender. Minister of the Army Anami leads the military officers who propose to fight on, even to the death of every Japanese citizen. Emperor Hirohito, however, joins with his ministers in asking the unthinkable, the peaceful surrender of Japan. When the military plots a coup to overthrow the Emperor's civilian government, Anami must face the choice between his desires and loyalty to his Emperor.—Jim Beaver

Japan's Longest Day

Japan's Longest Day (1967)

Shintarô Katsu

Hôsei Komatsu

Mikio Narita

Mayumi Ogawa

The first of two films in the Ryuzen series, a rogue martial arts practicing, fornicating, alcohol drinking, gambling priest who competes against the local yakuza thug by opening his own gambling house and beats many up to boot. The priest fights his own conventions, the yakuza, the love-struck women and provides street justice.—aghaemi

The Hoodlum Priest

The Hoodlum Priest (1967)

I saw "Titicut Follies" over seventeen years ago. Thus, what I write is from fading memory. I can't remember all the details. I only wish I could forget about the details I do remember. I'll never shake the indelible anguish I was left with.I saw it once.
I never want to see it again.Plot?
There IS no plot.
Scenes are beyond graphic.This documentary represents the antitheses of Hollywood "airbrushing."For as much as Hollywood values implausible shock, this shock is synthesized, and it will always pale in comparison to the jarring reality of Titicut Follies. Joan Miró, himself, on his best surrealistic day, from the abyss of his blackest subconscious, could not have captured the cruel absurdity these patients / inmates experienced.
Cast in stark black and white, one is reminded of the daily austerity the inmates were faced with every day at the Massachusetts Institution for the Criminally Insane at Bridgewater.Humanity?
There IS no humanity.
The title of the film is eponymously borrowed from the name of the annual talent show in which the inmates participated, perhaps the only scintilla of happiness they had ever known.Compassion?
The documentary is rife with ridicule, while cruelty REPLACES compassion.Massachusetts state government presumably went to extremes to censor this film. It was an embarrassment for bureaucrats and pundits alike. It was therefore banned from public viewing for twenty-five years. To this day, the costs of buying / renting this film are prohibitive.Out of misery comes reform.
Because of the genius of director Frederick Wiseman, state government was forced to take an honest inventory of the way it treats its wards, not only in Massachusetts, but also across the country. Reform did come, albeit slowly.I'll spare the reader what graphic details I do recall. Suffice it to say that this documentary will alter the viewer's life in some small but significant way ... forever. Even the most hardened and jaded viewer will know empathy after watching it.

Titicut Follies

Titicut Follies (1967)

Christopher Lee

Eddie Byrne

Maria Rohm

Horst Frank

Fu Manchu replaces his arch-nemesis Nayland Smith with a hypnotized, murderous doppelgänger as part of a plan to become leader of the world's criminals.

The Vengeance of Fu Manchu

The Vengeance of Fu Manchu (1967)

Marine Trichet

Liliane Princet

Suzanne Huguenin

Marie Susini

Mouchette's a young girl living in the country. Her mother's dying and her father doesn't take care of her. Mouchette remains silent in the face of the humiliations she undergoes. One night, she meets Arsene, the village poacher, who thinks he's just killed the local policeman. He tries to use Mouchette to build an alibi.—Yepok

Mouchette

Mouchette (1967)

Jo Ann Dyke

Lionel Day

Dave Banchek

Bubbles Cash

Three women who haven't seen each other for years meet at a motel to talk about what they've done since they were together, and also to plan a heist of the King of Sex's crown during the upcoming Mardi Gras carnival. They pull the heist and are pursued by relentless detectives, and they must use their feminine charms to escape incarceration.—Ed Sutton

Hot Thrills and Warm Chills

Hot Thrills and Warm Chills (1967)

Jan Vostrcil

Milada Jezková

Josef Sebánek

Josef Kolb

The volunteer fire department in a small town is having a big party when the ex-boss of the department celebrates his 86th birthday. The whole town is invited but things don't go as planned. Someone is stealing the prizes to the lottery and the candidates for the Miss Fire-Department beauty contest are neither willing nor particularly beautiful.—Mattias Thuresson

The Firemen's Ball

The Firemen's Ball (1967)

Barbara Sommers

Louis de Funès

Olivier De Funès

Charles Lloyd Pack

Charles Bosquier, a role apparently written for French comedy superstar Louis de Funès, is the dictatorial headmaster of a French strict boarding school. No father could be deeper shocked to find one of his own sons miserably failed his exams, and too embarrassed to enroll him for his own summer-school, so he sends Philippe to England as exchange student. Philippe planned to save his sailing plans with friends by sending fat nerd Stephane Michonnet to England using his name, which comes out when Michonnet gets indigestion. Meanwhile Charles expects his spoiled favorite son, Gérard, who tells daddy about all the other schoolboys for money, to chaperon Shirley, the daughter of his English counterpart MacFarrell, but the girl gets all French boys horny, so even his perfect record is soon gravely soiled as dad spies on them, and he and Shirley join Philippe and his friends. Now the headmaster chases the kids' yacht -incognito, to avoid a scandal- all the way to England, where his colleague soon joins him, and further...—KGF Vissers

The Exchange Student

The Exchange Student (1967)

John Fiedler

Doris Day

George Kennedy

Andy Devine

Josie Minick is a widow who is forced to fend for herself in the Wyoming Territory. As she lives in cattle country, she finds herself at odds, then at all-out war, with the cattlemen of the town when she happens upon the idea to make a sheep farm her livelihood, then determines to make it happen.—Kelly

The Ballad of Josie

The Ballad of Josie (1967)

Anne Wiazemsky

Jean-Pierre Léaud

Michèle Breton

Jean-Pierre Kalfon

A supposedly-idyllic weekend trip to the countryside turns into an endless nightmare of traffic jams, revolution, cannibalism, and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.—Michael Brooke

Weekend

Weekend (1967)

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