Werner Herzog

Rolf Illig

Adolf Ratzka

Illuminating look at the way physically disabled people were dealt with in West Germany in the late 60's / early 70's.

Behinderte Zukunft

Behinderte Zukunft (1971)

Fini Straubinger

M. Baaske

Elsa Fehrer

Through examining Fini Straubinger, an old woman who has been deaf and blind since adolescence, and her work on behalf of other deaf and blind people, this film shows how the deaf and blind struggle to understand and accept a world from which they are almost wholly isolated.—Erik Gregersen

Land of Silence and Darkness

Land of Silence and Darkness (1971)

Monique van Vooren

Silvana Mangano

Pier Paolo Pasolini

Franco Citti

An adaptation of nine stories from Bocaccio's "Decameron": **** Segment 1: A young man from Perugia is swindled twice in Naples, but ends up rich; **** Segment 2: A man poses as a deaf-mute in a convent of curious nuns; **** Segment 3: A woman must hide her lover when her husband comes home early; **** Segment 4: A scoundrel fools a priest on his deathbed; **** Segment 5: Three brothers take revenge on their sister's lover; **** Segment 6: A young girl sleeps on the roof to meet her boyfriend at night; **** Segment 7: A group of painters wait for inspiration; **** Segment 8: A crafty priest attempts to seduce his friend's wife; **** Segment 9: Two friends make a pact to find out what happens after death.—Philip Brubaker

The Decameron

The Decameron (1971)

Steven McChattie

Hurd Hatfield

Robert La Tourneaux

Don Stroud

Manfred von Richthofen (John Phillip Law) arrives from the Cavalry, at a squadron in the German air force under the command of Oswald Boelcke. He quickly becomes an ace. Meanwhile, a Canadian pilot named Roy Brown arrives at a British squadron, where the top-scoring pilot is Victoria Cross winner, Major Lanoe Hawker. Brown ruffles the feathers of his squadron mates by refusing to drink a toast to von Richthofen. Von Richthofen and fellow squadron pilot, Hermann Goering clash when squadron commander Boelcke is killed after a mid air collision (Boelcke's upper left wing struck the undercarriage of Böhme's Albatros), and von Richthofen is given command of the squadron. Outraged when he is ordered to have his aircraft camouflaged, von Richthofen has the squadron's aircraft painted in bright conspicuous colors, claiming that gentlemen should not hide from their enemies. Later, von Richthofen is wounded during an aerial battle; meanwhile Lanoe Hawker is killed. Brown and his squadron decide to attack von Richthofen's airfield, destroying their aircraft on the ground. However, von Richthofen, with the help of a batch of new fighters from Anthony Fokker, the 'Richthofen Flying Circus' launches a counter-attack on the British airfield. Brown later kills von Richthofen during an aerial combat, and Hermann Goering takes over command of the 'Flying Circus'.—H W Thorn

Von Richthofen and Brown

Von Richthofen and Brown (1971)

Ian McShane

Tony Adams

Richard Burton

Sheila White

Of East London, Vic Dakin dotes on his aged and largely bedridden mother. He is also the leader of a criminal gang whose proceeds are largely from the regular collection of "protection money" from their victims. Vic often uses brutal violence against enemies as well as "friends" to prove a point, the violence in and of itself which he seems to relish. While not a regular means to money, Vic decides that his gang will work on a tip to rob a factory payroll, which, somewhat against his wants, will entail working with fellow criminal Frank Fletcher, who understands such a job better than Vic or anyone on his team. Making the job more complex at this time are: the police being after Vic for the vicious attack on one of Vic's associates who acted as a police snitch; and Vic's association with Wolfie Lissner, who procures sexual services for a number of people, including some fairly high profile ones, and who often acts as Vic's "on demand" sexual partner.—Huggo

Villain

Villain (1971)

William Devane

Terence Hill

Keith Carradine

Rene Auberjonois

Set in winter in the Old West. Charismatic but dumb John McCabe arrives in a young Pacific Northwest town to set up a whorehouse/tavern. The shrewd Mrs. Miller, a professional madam, arrives soon after construction begins. She offers to use her experience to help McCabe run his business, while sharing in the profits. The whorehouse thrives and McCabe and Mrs. Miller draw closer, despite their conflicting intelligences and philosophies. Soon, however, the mining deposits in the town attract the attention of a major corporation, which wants to buy out McCabe along with the rest. He refuses, and his decision has major repercussions for him, Mrs. Miller, and the town.—John J. Magee

McCabe & Mrs. Miller

McCabe & Mrs. Miller (1971)

Haruya Sakamoto

Akio Kusama

Haruo Nakajima

Haruo Suzuki

Coming to Earth on a meteorite that falls to Earth, a microscopic alien life form later named Hedorah feeds on Earth's pollution and eventually grows into a gigantic, ever-evolving, poisonous smog-spewing and acidic sludge-secreting monster. Godzilla, Earth's defender, senses the threat and meets ''the Smog Monster'' head-on in a literal battle for Earth's survival.—Thomas ''The Oldschool Hero'' Cianci

Godzilla vs. Hedorah

Godzilla vs. Hedorah (1971)

Joe Flynn

Frank Welker

Yvonne Craig

Elaine Joyce

Don Knotts is Hollis Figg, the dumbest bookkeeper in town. When the city fathers buy a second-hand computer to cover up their financial shenanigans, they promote Figg to look after things, knowing he'll never catch on. Their plan backfires when Figg becomes self-important and accidentally discovers their plot.—filmfactsman

How to Frame a Figg

How to Frame a Figg (1971)

Kirk Douglas

Samantha Eggar

Yul Brynner

Massimo Ranieri

Pirates take over a lighthouse on a rocky island. They then execute a devious plan to cause ships to run aground, pillaging their wrecks. A lone member of the lighthouse crew survives, and he deperately fights their plot. A shipwrecked maiden that avoids the pirates slaughter soon complicates the situation.—John Rutkai

The Light at the Edge of the World

The Light at the Edge of the World (1971)

E.G. Marshall

Charles Durning

Ralph Waite

A young college student is sent to prison as much for killing a pedestrian with his car as for not paying his parking tickets. When the opportunity presents itself he escapes and is subsequently on the run with his girlfriend. But how long can this situation last?—Kevin Steinhauer

The Pursuit of Happiness

The Pursuit of Happiness (1971)

Gregory Peck

Arthur Space

Dawn Lyn

Paul Fix

Clay Lomax (Gregory Peck), a bank robber, gets out of jail after an eight-year sentence. He is looking after Sam Foley (James Gregory), the man who betrayed him. Knowing that, Foley hires three men to pay attention of Clay's steps. The things get complicated when Lomax, waiting to receive some money from his ex-lover, gets only the notice of her death and an six-year-old girl (Dawn Lyn), sometimes very annoying, presumed to be his daughter.—Michel Rudoy

Shoot Out

Shoot Out (1971)

Tony Musante

Scott Wilson

Connie Stevens

Barbara Blandish, a young Kansas City heiress, gets kidnapped by some inept local hoodlums for the diamond necklace she is wearing, and then gets kidnapped a second time by the Grisson gang demanding a million dollar ransom. THe Grissons, a family of depraved, ruthless poor white trash, is led by Ma Grissom, a fury whose mustache and house dress clash, whose belief it is that kidnapping plots go awry because the victim is allowed to live. But plans go haywire when her son Slim, a psychopathic, knife-wielder, falls in love with Barbara. Her billionaire father hires Dave Fenner, a cynical private detective, to find her.—Les Adams

The Grissom Gang

The Grissom Gang (1971)

Paul Frees

Lennie Weinrib

Dustin Hoffman

Buddy Foster

This is an animated story of an unusual kingdom in which everything and everybody is pointed, except for a young boy named Oblio (Mike Lookinland). Despite his round head, he has many friends. But an evil Count (Lennie Weinrib), jealous that he is more popular than his own son (Buddy Foster), says that without a pointed head, he is an outlaw. Along with his faithful dog, Arrow, he is exiled to the Pointless Forest. There, he has many fantastic experiences (including encounters with a three-headed man, giant bees, a tree in the leaf-selling business (Paul Frees), and a good-humored old rock (Bill Martin)). From his adventures, he learns that it is not at all necessary to be pointed to have a point in life.—alfiehitchie

The Point

The Point (1971)

Gretchen Corbett

Zohra Lampert

Alan Manson

Mariclare Costello

After a stint in a psychiatric facility Jessica, her husband and a friend move to remote farm they have recently purchased. There they find a young woman by the name of Emily living in the house and they invite her to stay. When Jessica goes for a swim in the lake, she sees a body just below the water's surface. When they go into the village to sell some old furniture, they learn that a woman by the name of Abigail Bishop drowned in the lake and her body was never found. Local folklore has that Abigail is now a vampire roaming the countryside. A mute blond girl leads her to the body of a dead man but the body is not there when Jessica goes for help. Jessica and those around begin to wonder if she is losing her mind.—garykmcd

Let's Scare Jessica to Death

Let's Scare Jessica to Death (1971)

Mitchell Kowall

Marian Glinka

Zofia Czerwinska

Bogusz Bilewski

An acute case of Mondayitis in Warsaw. Interwoven stories of a few inhabitants of Warsaw, including one very unlucky Italian on a governmental mission and a charitable Polish American.

I Hate Mondays

I Hate Mondays (1971)

Glenda Jackson

Murray Melvin

Brian Murphy

Tommy Tune

The assistant stage manager of a small-time theatrical company (Polly Browne) is forced to understudy for the leading lady (Rita) at a matinée performance at which an illustrious Hollywood director (Cecil B. DeThrill) is in the audience scouting for actors to be in his latest "all-talking, all-dancing, all-singing" extravaganza. Polly also happens to fall in love with the leading man (Tony) and imagines several fabulous fantasy sequences in which the director is free to exercise his capacity for over-the-top visuals in this charming 1920's era flick.—Bliss Blood

The Boy Friend

The Boy Friend (1971)

Shin Kishida

Tokie Hidari

Shoji Oki

Maya Kitajima

Two student couples stumble upon a cult dedicated to promoting the primordial human state through rape and agriculture.

Mandara

Mandara (1971)

Julio Peña

José Félix Montoya

Pilar Gómez Ferrer

Mario Morales

Ruth and Michel separate after Ruth finds another man, Paul. Ruth and Paul go to her sunny, idyllic beach side villa to spend summer. They are having a great time together, and then things start happening. The brakes of the car fail, and Ruth narrowly escapes death. The driving equipment goes faulty, and Ruth almost drowns. Michel turns up at their doorstep for an uninvited social call, and Paul asks him in. Ruth suspects Michel of being the person behind the mechanical faults of the car and the diving equipment, but Paul dismisses such a possibility - but he does suggest it to Michel. Then, the heat does go up...—Artemis-9

In the Eye of the Hurricane

In the Eye of the Hurricane (1971)

Sylvester Stallone

Woody Allen

Mary Jo Catlett

Charlotte Rae

Fielding Mellish (a consumer products tester) becomes infatuated with Nancy (a political activist). He attends demonstrations and tries in other ways to convince her that he is worthy of her love, but Nancy wants someone with greater leadership potential. Fielding runs off to San Marcos where he joins the rebels and eventually becomes President of the country. While on a trip to the states, he meets Nancy again and she falls for him now that he is a political leader.—Scott R. Vaughn

Bananas

Bananas (1971)

Richard Harris

John Huston

James Doohan

Dennis Waterman

In the early 1800's, a group of fur trappers and Indian traders are returning with their goods to civilisation and are making a desperate attempt to beat the oncoming winter. When guide Zachary Bass is injured in a bear attack, they decide he's a goner and leave him behind to die. When he recovers instead, he swears revenge on them and tracks them and their paranoiac expedition leader down.—Alfred Jingle

Man in the Wilderness

Man in the Wilderness (1971)

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