Kathleen Harrison

Robert Newton

Anton Walbrook

Alfred Atkins

In Victorian London, all the talk in one specific neighborhood is that someone has finally moved into 12 Pimlico Square, the house having sat empty for years as the previous owner, Alice Barlow, was murdered there, her valuable rubies thought to be stolen in the process, this information of which the new owners, newlyweds Paul and Bella Mallen, may or may not be aware. Bella's delicate constitution takes a turn for the worse after moving into the house, she forgetting and misplacing things, as well as being delusional in hearing noises in the closed off upper floors of the house, and seeing the lights flicker when no one else is in the house, those flickers which should only occur when other lights are turned on and off in the house in the gas to the lights being dispersed. Paul's love for her crosses that fine line into hate in dealing with Bella's worsening mental health, he isolating her in the house in not wanting to be embarrassed by her in public. Paul's harsh treatment exacerbates the situation as Bella teeters on the brink of madness. However, B.G. Rough, the livery stable owner who was once a police constable who worked on the Barlow case, believes Paul Mallen not the person he says he is and is really someone indirectly associated to the Barlow case. With the help of Bella's cousin Vincent Ullswater, who has always been at odds with Paul, who in turn has refused to let him see Bella without her knowledge, Rough may uncover what is happening behind the locked doors of 12 Pimlico Square. Rough discovering the truth may or may not be too late for Bella's sanity and thus her life.—Huggo

Angel Street

Angel Street (1940)

Harry C. Bradley

Gene Lockhart

Rosalind Russell

Ann Doran

Having been away for four months, Hildy Johnson (Rosalind Russell) walks into the offices of the New York City-based The Morning Post, where she is a star reporter, to tell her boss, editor Walter Burns (Cary Grant), that she is quitting. The reason for her absence was among other things to get a Reno divorce, from, of all people, Walter, who admits he was a bad husband. Hildy divorced Walter largely because she wanted more of a home life, whereas Walter saw her more as a driven hard-boiled reporter than subservient homemaker. Hildy has also come to tell Walter that she is taking the afternoon train to Albany, where she will be getting married tomorrow to staid straight-laced insurance agent, Bruce Baldwin (Ralph Bellamy), with whose mother (Alma Kruger) they will live, at least for the first year. Walter doesn't want to lose Hildy, either as a reporter or a wife, and if he does, doesn't believe Bruce is worthy of her. Walter does whatever he can at least to delay Hildy and Bruce's trip, long enough to persuade Hildy to stay for good. His plan includes doing whatever he can to place Bruce in a bad light, while dangling a big story under her nose, namely covering what the newspaper believes is the unfair imminent execution of convicted cop killer, Earl Williams (John Qualen). Hildy doesn't trust Walter in dealing with her and Bruce in an above-board manner, but the lure of what potentially may become the biggest story in years, which includes true love, a bumbling sheriff (Gene Lockhart) and a corrupt mayor (Clarence Kolb), the latter's actions largely in light of an upcoming election, may prove to be too much for Hildy to resist, especially if it ends up being an exclusive. Regardless of the story outcome, Hildy will have to decide if the thrill of the chase was worth the anguish on her personal life.—Huggo

His Girl Friday

His Girl Friday (1940)

Robert J. Anderson

Henry Fonda

Frank Faylen

Ward Bond

The Joad clan, introduced to the world in John Steinbeck's iconic novel, is looking for a better life in California. After their drought-ridden farm is seized by the bank, the family -- led by just-paroled son Tom -- loads up a truck and heads West. On the road, beset by hardships, the Joads meet dozens of other families making the same trek and holding onto the same dream. Once in California, however, the Joads soon realize that the promised land isn't quite what they hoped.—Jwelch5742

The Grapes of Wrath

The Grapes of Wrath (1940)

Andy Devine

Randolph Scott

Tom Fadden

Edgar Buchanan

Young lawyer Tod Jackson arrives in pioneer Kansas to visit his prosperous rancher friends the Daltons, just as the latter are in danger of losing their land to a crooked development company. When Tod tries to help them, a faked murder charge turns the Daltons into outlaws, but more victims than villains in this fictionalized version. Will Tod stay loyal to his friends despite falling in love with Bob Dalton's former fiancée Julie?—Rod Crawford

When the Daltons Rode

When the Daltons Rode (1940)

Barry Fitzgerald

Dale Van Sickel

Jonathan Hale

Willie Best

The Saint Strikes Back

The Saint Strikes Back (1939)

Nigel Bruce

Basil Rathbone

Wendy Barrie

Eily Malyon

On his uncle's death Sir Henry Baskerville returns from abroad and opens up the ancestral hall on the desolate moors of Devonshire. Holmes uncovers a plot to have Sir Henry murdered by a terrible trained hound.—Ed Stephan

The Hound of the Baskervilles

The Hound of the Baskervilles (1939)

Ulderico Camorino

Elisa Galvé

Agustín Barbosa

Raúl De Lange

By 1915, a contractor traveling to Posadas looking for new staff. Among the music and drinks in a bar and shipped to the mill. He is accompanied by a drunken doctor and his daughter. In the mill, injustices and cruelties are accentuated.

Prisioneros de la tierra

Prisioneros de la tierra (1939)

Moe Howard

Larry Fine

Gloria Blondell

The stooges are phone repairmen who are mistaken for the psychiatrists in whose office they are working. A rich man hires them to treat his impetuous young wife who is always running of for submarine rides and the like. The boys ruin a dinner party at their clients mansion but their antics so amuse his wife the she is cured and the stooges are paid off handsomely.—Mitch Shapiro

Three Sappy People

Three Sappy People (1939)

Daniel Makarenko

Helen Grossman

Al Harris

Julius Adler

Tevya

Tevya (1939)

Alan Hale

Guinn 'Big Boy' Williams

Ann Sheridan

Dodge City

Dodge City (1939)

Boris Karloff

Craig Reynolds

Grant Withers

Dorothy Tree

The Mystery of Mr. Wong

The Mystery of Mr. Wong (1939)

Roddy McDowall

Flora Robson

Ann Todd

Wilfrid Hyde-White

Poison Pen

Poison Pen (1939)

Edward Arnold

Clark Gable

Burgess Meredith

Idiot's Delight

Idiot's Delight (1939)

Ingrid Bergman

Leslie Howard

Ann E. Todd

Cecil Kellaway

Intermezzo

Intermezzo (1939)

Clarence Nash

Donald shows his nephews the moves that won him his hockey trophy. But the boys have a few moves of their own.

The Hockey Champ

The Hockey Champ (1939)

Leslie Phillips

Constance Willis

Gregory Stroud

Sydney Granville

In a mythical Japan, Ko-Ko, a cheap tailor, has been appointed Lord High Executioner and must find someone to execute before the arrival of the ruling Mikado. He lights upon Nanki-Poo, a strolling minstrel who loves the beautiful Yum-Yum. But Yum-Yum is also loved by Ko-Ko, and Nanki-Poo, seeing no hope for his love, considers suicide. Ko-Ko offers to solve both their problems by executing Nanki-Poo, and an agreement is reached whereby Ko-Ko will allow Nanki-Poo to marry Yum-Yum for one month, at the end of which Nanki-Poo will be executed, in time for the arrival of the Mikado. But what Ko-Ko doesn't know is that Nanki-Poo is the son of the Mikado and has run away to avoid a betrothal to an old harridan named Katisha. The arrival of the Mikado brings all the threads of the tale together.—Jim Beaver

The Mikado

The Mikado (1939)

Lee J. Cobb

Barbara Stanwyck

Mickey Golden

William Holden

Joe Bonaparte's father wants him to pursue his musical talent; but Joe wants to be a boxer. Persuading near-bankrupt manager Tom Moody to give him a chance, Joe quickly rises in his new profession. When he has second thoughts, Moody's girl Lorna uses feminine wiles to keep him boxing. But when tough gangster Eddie Fuseli wants to buy a piece of Joe, Lorna herself begins to have second thoughts...for that and other reasons. Is it too late?—Rod Crawford

Golden Boy

Golden Boy (1939)

Oliver Hardy

Reginald Gardiner

Jean Parker

Stan Laurel

Oliver is heartbroken when he finds that Georgette, the inkeeper's daughter he's fallen in love with, is already married to dashing Foreign Legion officer Francois. To forget her, he joins the Legion, taking Stanley with him. Their bumbling eventually gets them charged with desertion and sentenced to a firing squad. They manage to escape in a stolen airplane, but crash after a wild ride.—Paul Penna

The Flying Deuces

The Flying Deuces (1939)

Bette Davis

Donald Crisp

Nanette Fabray

This period drama frames the tumultuous affair between Queen Elizabeth I and the man who would be King of England, Robert Devereux, the Earl of Essex. Ever the victor on the battlefield, Devereux returns to London after defeating Spanish forces at Cadiz. Middle-aged Elizabeth, so attracted to the younger Devereux but fearful of his influence and popularity, sends him on a new mission: a doomed campaign to Ireland. When he and his troops return in defeat, Devereux demands to share the throne with the heir-less queen, and Elizabeth, at first, intends to marry. Ultimately sensing the marriage would prove disastrous for England, Elizabeth sets in motion a merciless plan to protect her people and preserve her throne.—IMDb Editors

The Private Lives of Elizabeth and Essex

The Private Lives of Elizabeth and Essex (1939)

Bela Lugosi

Josephine Hutchinson

Wolf von Frankenstein returns to the Baronial manor from the United States with his wife Elsa and son Peter. He not made welcome by the locals who are still terrified of his father's works and the monster he created. The local Burgomaster gives him a sealed briefcase left by his father and inside, Wolf finds his father's scientific notes. At the manor house he meets his father's assistant Igor who has a surprise for him: the monster his father created is still alive, though in some sort of coma. Wolf's initial attempts to re-animate the creature seem to fail but when Peter says he saw a giant in the woods, it appears he's met success. When people are mysteriously killed in the village there is little doubt that the monster is responsible.—garykmcd

Son of Frankenstein

Son of Frankenstein (1939)

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