Nell Campbell

Joanne Whalley

Phil Davis

Bob Hoskins

Rock star Pink Floyd is a tortured soul. Because of his childhood, he has always tried to make meaningful emotional connections to other living creatures. That childhood includes not having a male role model with his father having been killed in the war, his overprotective mother smothering him, and an oppressive school system quashing his natural creativity. Being a rock star, he is often wanted more because of what he is than who he is. The most recent failure in that true connection to someone or something else is his marriage, when on tour, he discovers that his wife back home is cheating on him. His response is to go in the opposite direction, by building a figurative wall around him to isolate himself from the rest of the world, but not before showing graphically his feelings on different gut levels. The question becomes if he or anyone else can do anything to tear down the wall in a meaningful way.—Huggo

Pink Floyd: The Wall

Pink Floyd: The Wall (1982)

Christopher De Leon

Ruel Vernal

SOS Daredevils

Phillip Salvador

A modern-day version of the Bible story of Cain and Abel. Strong-willed matriarch Señora Pina favors her younger son Ellis over the older Lorenzo, whom she blames for her husband's death. Ellis grows up cowardly and spoiled while Lorenzo becomes a responsible family man despite his increasing resentment toward his mother. What began as sibling rivalry develops into a deep feud that later escalates into a large-scale war--with all the mayhem and bloodshed.—Ulf Kjell Gür

Cain at Abel

Cain at Abel (1982)

Andy Lau

Jialing Hao

Tao Lin

Pingmei Meng

A Japanese reporter arrives in Vietnam hoping to capture the essence the society under the rule of the Communist Party. With the help of a vietnamese girl, he eventually opens his eyes to the painful truth of postwar Vietnam.—Cha

Boat People

Boat People (1982)

Shima Iwashita

Nenji Kobayashi

Kaori Momoi

Takeshi Kaga

The story follow a court case of a woman accused of having killed her husband.

Suspicion

Suspicion (1982)

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.—

The Cabinet of Jan Svankmajer

The Cabinet of Jan Svankmajer (1982)

Martin Benrath

Ulrich Tukur

Klaus Münster

Werner Stocker

During the Second World War, a small group of students at Munich University begin to question the decisions and sanity of Germany's Nazi government. The students form a resistance cell which they name the "White Rose" after a newsletter that is secretly distributed to the student body. At first small in numbers and fearful of discovery, the White Rose begins to gain massive support after a Nazi Gauleiter nearly incites a student riot after a provocative speech. At this point, the matter is taken over by the Gestapo, who pledge to hunt down and destroy the members of the White Rose.—Anthony Hughes

The White Rose

The White Rose (1982)

John Jarratt

Lewis Fitz-Gerald

Tony Barry

Arthur Dignam

Jeannie Gunn faced being the only civilised woman in an uncivilised land. A story of personal triumph about one woman who reached out in a hard, hostile, prejudiced world and managed to find love.

We of the Never Never

We of the Never Never (1982)

Harvey Keitel

Michel Piccoli

Marcello Mastroianni

Annie Belle

In June of 1791, a group of passengers in a stagecoach find themselves caught up in the events of the French Revolution, when they find themselves in the city of Varennes when revolutionists arrest the fleeing King Louis.—frankfob2@yahoo.com

That Night in Varennes

That Night in Varennes (1982)

William Sanderson

Walter Olkewicz

Tommy Lee Jones

Rosanna Arquette

Based on the real life case of murderer Gary Mark Gilmore, spanning the last nine months of his life (May 1976-January 1977) in which at age 35, after being released for serving a long prison term in Utah for armed robbery, the unstable Gilmore murdered two men in two separate and senseless robberies in which after a brief public trial in October, he was sentenced to death by firing squad which drew a lot of media attention when Gilmore insisted that his execution be carried out and he became the first man to be executed in the USA since the government reinstated the death penalty in 1976.—matt-282

The Executioner's Song

The Executioner's Song (1982)

Hiroyuki Sanada

Conan Lee

Wing Man Kuen

Tai-Bo

Two rival warriors, a Japanese and a Chinese, are forced to work together after their master has been killed by a mighty enemy.

Ninja in the Dragon's Den

Ninja in the Dragon's Den (1982)

Mugihito

Hiromi Tsuru

Hiroshi Ôtake

Masaharu Satô

After a drawn-out, viciously-fought war, the earth has been conquered by the alien Illumidus Empire. Harlock, a captain in earth's fleet, crashes his ship to prevent the Illumidus from using it, and flat-out refuses to join them. With the help of his allies, Tochiro and the space pirate Emereldas, and his lover Miya, he wages a private and bitter war against the Illumidus.—Michael Toole

Arcadia of My Youth

Arcadia of My Youth (1982)

Norio Wakamoto

Barbara Goodson

Jun Fubuki

Toshiko Fujita

In deep Space, the United Galaxies Federation of Justice set bounties over all kinds of criminals. Cobra is back in action to help bounty-hunter June find her two sisters, and save planet Myras. But Lord Nekron, leader of the Galactic Guild, a powerful criminal organization, is following their track with the same goal ...—Claude SAAM

Space Adventure Cobra

Space Adventure Cobra (1982)

Claudia Cardinale

Jason Robards

Werner Herzog

Mick Jagger

A documentary on the chaotic production of Werner Herzog's epic Fitzcarraldo (1982), showing how the film managed to get made despite problems that would have floored a less obsessively driven director. Not only does he have major casting problems, losing both Jason Robards (health) and Mick Jagger (other commitments) halfway through shooting, but the crew gets caught up in a war between Peru and Ecuador, there are problems with the weather and the morale of cast and crew is falling rapidly.—Michael Brooke

Burden of Dreams

Burden of Dreams (1982)

Tom Waits

William S. Burroughs

Jim Carroll

Allen Ginsberg

More than 20 contemporary North American poets recite, sing, and perform their work. Several also comment. Early in the film, Charles Bukowski talks about the energy of poets and of a poem. These poets are energetic performers, and their poems are meant to be heard. These poets are the children of Walt Whitman and of Charles Olson, incantatory and oratorical, radical, sometimes incorporating contemporary political imagery. Black Mountain poets, the Beats, minimalists like John Cage, the wordless Four Horsemen, Tom Waits, and others capture aspects of poets as troubadours.—

Poetry in Motion

Poetry in Motion (1982)

Stellan Skarsgård

Björn Andrésen

Lars Amble

Maria Johansson

In the 1930s, the feeble-minded Sven's mother dies and he is hired as a farm-hand at the rich, affluent Höglund's farm. He has to work without pay and sleeps together with the cows. He meets the disabled Anna who is the first one to treat him as an adult. One day he has had enough of Höglund's maltreatment and moves in with Anna's family.—Mattias Thuresson

The Simple-Minded Murderer

The Simple-Minded Murderer (1982)

Cheung-Yan Yuen

Eddy Ko

Ka-Yan Leung

Shun-Yee Yuen

Former Royal Guardsman Kao was forced to be on the run when his superior couldn't tolerate him being a Manchu marrying a Han woman. A young prince was inadvertently killed when he kidnapped the boy to aid in his escape. 14 years later, Kao now a drunkard ridden with guilt, has been living with a young orphan by the name of Shu Geng. Also introduced are two wacky old bickering sorcerer couple, Old Man and Old Spinster, who are always competing with each other over the most trivial matters. Before long, the old nemesis of Kao, the powerful Socerer Bat, found his whereabouts and killed him. Harboring evil ambitions, Sorcerer Bat forces Shu Geng to impersonate the belated prince, with the intention that one day he can ruled alongside the would-be king. Shu Geng manages to escape, amid strange encounters with the clown in-the-jar, and meets the two even stranger bickering magician couple, who teach him their craft. The rest is a typical revenge motivated plot, in which the young prodigy learn the martial arts to defeat the villain. The setting however, is not so typical as the finale takes place in a sorcerer competition where Shu Geng faces not only the evil Bat, but also countless other sorcerers, each possessing his own unique magic and abilities. The choreography and inventiveness of the fights make this early collaboration of the Yuen brothers stand out among the work of Yuen Woo-Ping, who move on to become on of the most sought after action director in the business today.—David, Lee Fu Nang

The Miracle Fighters

The Miracle Fighters (1982)

Elizabeth Taylor

Orson Welles

Joseph Stalin

Adolf Hitler

A chilling, heartbreaking testament to the strength and suffering of the Jewish people and the courage and heroism of those who came to their aid. With beautiful narration by Orson Welles and Elizabeth Taylor the film begins by providing a look at the flourishing Jewish community in pre-war Europe and then traces their grim trajectory through the ghettos, camps, and prisons of the Nazi regime, introducing the lost victims and brave heroes along the way.—Anonymous

Genocide

Genocide (1982)

Michael Carter

Anthony Higgins

Hugh Fraser

Steve Ubels

Mr. Neville, a cocksure young artist, is contracted by Mrs. Herbert, the wife of a wealthy landowner, to produce a set of twelve drawings of her husband's estate, a contract which extends much further than either the purse or the sketchpad. The sketches themselves prove of an even greater significance than supposed upon the discovery of the body of Mr. Herbert.—Paul Kevin Harm

The Draughtsman's Contract

The Draughtsman's Contract (1982)

Michael Caine

Christopher Reeve

Jenny Lumet

Henry Jones

To make Sidney's slump all the more painful, Clifford Anderson, a student of one of Sidney's writing seminars, has recently sent his mentor a copy of his first attempt at playwrighting for Sidney's review and advice. The play, "Deathtrap", is a five character, two-act thriller so perfect in its construction that, as Sidney says, "A gifted director couldn't even hurt it." Using his penchant for plot, and out of his desperate desire to once again be the toast of Broadway, Sidney, along with Myra, cook up an almost unthinkable scheme: They'll lure the would-be playwright to the Bruhl home, kill him, and present the sure-fire script as Sidney's own. But shortly after Clifford arrives, it's clear that things are not what they seem. Even Helga Ten Dorp, a nosey psychic from next door, and Porter Milgram, Sidney's observant attorney, can only speculate where the line between truth and deception lies.—Craig C. Bailey

Deathtrap

Deathtrap (1982)

John Steiner

John Saxon

Dario Argento

Theresa Russell

With Argento's trademark visual style, linked with one of his more coherent plots, Tenebrae follows a writer who arrives to Rome only to find somebody is using his novels as the inspiration (and, occasionally, the means) of committing murder. As the death toll mounts the police are ever baffled, and the writer becomes more closely linked to the case than is comfortable.—David Carroll

Tenebrae

Tenebrae (1982)

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