Veronica Lake

Bess Flowers

Susan Hayward

Elizabeth Patterson

In 1672, two witches (Jennifer and her father Daniel) were burned by puritan Jonathan Wooley. In revenge, Jennifer cursed all future generations of the Wooley family, that the sons will always marry the wrong woman and be miserable. In the 20th century, a bolt of lightning frees Jennifer and her father from the tree that had kept their souls imprisoned. Jennifer assumes corporeal form and decides to make up-and-coming politician Wallace Wooley, then unhappily engaged, even more miserable by getting him to fall in love with her before his wedding. Wallace is a straight arrow, though, and Jennifer has to resort to a love potion. As we all know, love potions tend to backfire, with comedic results.—Finchster

I Married a Witch

I Married a Witch (1942)

William Bryant

Margaret Hamilton

Hume Cronyn

Successful and well-liked, Dr. Noah Praetorius becomes the victim of a witch hunt at the hands of Professor Elwell, who disdains Praetorius's unorthodox medical views and also questions his relationship with the mysterious, ever-present Mr. Shunderson. Fuel is added to the fire when Praetorius befriends young Deborah Higgins, who has become suicidal at the prospect of having a baby by her ex boyfriend, a military reservist who was called up for service in the Korean War and killed in action.—Kelly

People Will Talk

People Will Talk (1951)

Edmond O'Brien

Edmund Gwenn

Kenneth Tobey

Harry and Eve Graham are trying to adopt a baby. The head of the agency senses that Harry is keeping a secret and does some investigating. He soon discovers that Harry has done an unusual amount of traveling from his home in San Francisco to Los Angeles. Harry gets tracked down in LA, where he has a second wife and a baby. Via flashbacks, Harry tells the adoption agent how he ended up in two marriages.—Daniel Bubbeo

The Bigamist

The Bigamist (1953)

Judy Tyler

Bill Black

Dean Jones

Vince Everett is serving a one-year jail sentence for manslaughter. While in the big house, his cellmate, a former country singer, introduces him to the record business. Everett takes to it so well that he decides to become a singer when he gets out. However, he is quickly disillusioned by the record business. But with the help of a new friend, he decides to form his own label, and soon becomes an overnight sensation. But when he becomes a superstar, will his desire for fame and money cause him to forget the people who got him there?—

Jailhouse Rock

Jailhouse Rock (1957)

Alan Hale Jr.

Moe Howard

Ann Miller

Kitty Brown, the maid of Frances Lewis, a nightclub star, gets a Hollywood contract after Frances' fiancé forbids her to appear in the club.

Time Out for Rhythm

Time Out for Rhythm (1941)

Ed Fury

Grace Kelly

Bing Crosby

Washed up singer/actor Frank Elgin has a chance to make a come-back when director Bernie Dodd offers him the leading role in his new musical. Frank however is very insecure, turns to alcohol and shuns even the smallest of responsibilities, leaving everything up to his wife Georgie who finds it harder and harder to cope with her husband's lack of spirit. Bernie tries to help Frank regain his self-confidence, believing that it is Georgie who's the cause of his insecurity.—Leon Wolters

The Country Girl

The Country Girl (1954)

Mary Treen

Gloria Talbott

Valerie Allen

In Norrisville, Bill Farrell leaves his bachelor party on the eve of his marriage with Marge Bradley. He is abducted by an alien that takes his shape and marries Marge on the next day. Marge feels something strange with Bill and one year later she realizes that he is a totally different man. One day, Marge follows Bill and he goes to the woods; she finds that he is an alien and sees his spacecraft. She tries to tell to Washington and to the FBI, but the aliens have dominated key people in town that do not allow any sort of communication with the exterior world. What is the intention of the alien invasion?—Claudio Carvalho, Rio de Janeiro, Brazil

I Married a Monster from Outer Space

I Married a Monster from Outer Space (1958)

Bing Russell

Lex Barker

Gia Scala

The co-owner of a racetrack discovers that his partner has sold out to a gangster. The gangster plans to take sole control of the track and plans to get rid of his new partner. The partner's problems are just beginning, though, as he finds himself involved with a beautiful woman who, unknown to him, was involved in a hit-and-run and is trying to set him up for the crime.—frankfob2@yahoo.com

The Price of Fear

The Price of Fear (1956)

Virginia Patton

Bette Davis

Ann Doran

Jealous of best friend Kit, a critically acclaimed but financially unsuccessful author and playwright, Millie writes a novel, the first in a string of bestselling trashy novels. After eight years of neglect and taking a backseat to Millie's fame, her husband Preston leaves her. Another decade passes and Kit announces her intention of marrying the decade-younger Rudd. Millie thinks Preston wishes to reconcile, only to discover he is engaged. He also admits that he was in love with Kit, who had turned down his many advances. Feeling Kit to blame for the failure of her marriage, Millie flies into a rage and confronts Kit. Later, learning of Rudd's affection for Millie's daughter Diedre, Kit graciously steps aside to bless their union. In the end, Millie and Kit make up, sharing a champagne toast for each one's old acquaintance.—Ed Stephan

Old Acquaintance

Old Acquaintance (1943)

Alfred Hitchcock

Jack Carson

Robert Montgomery

New York sophisticates David Smith and Ann Smith née Krausheimer have been lovingly and passionately married for three years, or so they believed. They are told individually that due to a technicality - an unresolved municipal and state jurisdictional issue at the time of their supposed marriage - their wedding was not legal, and as such they are not really married. Despite David saying earlier in the day that if he had to do his life all over again that he would not have married her (even though he loves her), it is Ann that decides not to marry David this second time around due to an action, or in reality inaction, by David in reaction to the news of their marriage being invalid. While Ann goes about her life as a supposedly single woman (which includes calling herself Ann Krausheimer), David does whatever he can to win Ann back. But winning Ann's hand may be difficult as part of Ann's new life is dating other men. One of those other men and the most serious is David's best friend and business partner, Jefferson Custer. Ann and Jeff's relationship quickly gets to the point where Jeff introduces her to his visiting parents, with whom Ann and Jeff are going on a skiing vacation to Lake Placid. David hopes to exploit that vacation in order to win Ann back.—Huggo

Mr. & Mrs. Smith

Mr. & Mrs. Smith (1941)

Kenneth Becker

Britt Ekland

Erika Peters

Tulsa is a specialist in the US Army stationed in Germany. He loves to sing and has dreams to run his own nightclub when he leaves the army....but dreams don't come cheap. Tulsa places a bet with his friend Dynamite that he can spend the night with a club dancer named Lili, who is rumored to be hard to get. When Dynamite gets transferred, Tulsa is brought in to take his place. He is not looking forward to it, but in order to keep his money, he must go through with it.—Pat McCurry

G.I. Blues

G.I. Blues (1960)

John Lund

Margaret Field

Ian Wolfe

Based on the long-running radio show. Irma is a likeable airhead who meddles in her roommate's love-life. Dean Martin and Jerry Lewis, in their first screen appearance, are juice-bar operators who are discovered when a self-proclaimed manager hears Martin's golden voice. Irma's roommate wants to marry her rich boss, but instead falls in love with Martin.—Sergei Scurfield

My Friend Irma

My Friend Irma (1949)

Sidney D'Albrook

Kitty Carlisle

Harpo Marx

The Marx Brothers take on high society. Two lovers who are both in opera are prevented from being together by the man's lack of acceptance as an operatic tenor. Pulling several typical Marx Brothers' stunts, they arrange for the normal tenor to be absent so that the young lover can get his chance.—John Vogel

A Night at the Opera

A Night at the Opera (1935)

Estelle Winwood

Fred Astaire

Jack Lemmon

When William Gridley arrives from the US in London, he rents part of Carly Hardwicke's house from her and promptly begins to fall in love. Gridley doesn't know that many people think she killed her husband but his boss, on the American embassy staff, knows and doesn't take this "lapse of judgment" lightly. Since Carly is also American, Gridley saves his job by introducing her to his boss, who is promptly smitten and promises to help her. So when a Scotland Yard detective arrives, wanting to get to the truth one way or another, they say they'll help him. And then the comedic complications really begin.—Anonymous

The Notorious Landlady

The Notorious Landlady (1962)

Katharine Hepburn

Cary Grant

Free-thinking Johnny Case finds himself betrothed to a millionaire's daughter. When her family, with the exception of black-sheep Linda and drunken Ned, want Johnny to settle down to big business, he rebels, wishing instead to spend the early years of his life on "holiday." With the help of his friends Nick and Susan Potter, he makes up his mind as to which is the better course, and the better mate.—Terri A. Mabry

Holiday

Holiday (1938)

William Phipps

Howard Da Silva

Farley Granger

Chickamaw, T-Dub, and Bowie have just escaped from prison. While Chickamaw and T-Dub are hardened criminals--bank robbers--23-year-old Bowie, who has been in prison since he was 16, was wrongly convicted of murder. As he felt he was rotting behind bars, Bowie, when given this opportunity by his two older colleagues, believed his best path forward was to help Chickamaw and T-Dub in their upcoming heists, in a case of knowing there was a payback in they choosing him, to make enough money to hire a lawyer to clear his name of the murder conviction. The plan is to hide out with Chickamaw's alcoholic brother Mobley until they have enough money to make other arrangements. Also with them is Mobley's daughter Keechie, who doesn't much like life with her father or uncle. In their time together, Bowie and Keechie form a bond, both emotional and romantic, and start to dream of a life together in which Bowie would not always need to look behind his back to see the authorities ready to haul him away. Escaping from the obligations to Chickamaw and T-Dub might not be easy for Bowie, but being forever attached to them might mean not having a future with Keechie.—Huggo

They Live by Night

They Live by Night (1948)

Barbara Stanwyck

Joan Tetzel

Kasey Rogers

Assistant District Attorney Cleve Marshall, depressed about marital troubles, is drowning his sorrows in a bottle of whiskey when the mysterious and alluring Thelma Jordon walks in to report an attempted burglary. The two become romantically involved, and not long afterwards there is a burglary and murder at Thelma's aunt's house. Cleve is drawn further and further into defending and covering up for Thelma. It soon becomes clear that this road will only lead to disaster.—B.A. Black

The File on Thelma Jordon

The File on Thelma Jordon (1949)

George Tobias

Ramsay Ames

Zachary Scott

When Mildred Pierce's out-of-work husband leaves her for another woman, Mildred decides to raise her two daughters on her own. Despite Mildred's financial successes in the restaurant business, her oldest daughter, Veda, resents her mother for degrading their social status. In the midst of a police investigation after the death of her second husband, Mildred must evaluate her own freedom and her complicated relationship with her daughter.—Jwelch5742

Mildred Pierce

Mildred Pierce (1945)

Don Ameche

Frankie Darro

Catherine McLeod

A poor young man is finally able to achieve his dream of running a horse at the track, but when he starts becoming successful, he begins to lose sight of what mattered to him before.

That's My Man

That's My Man (1947)

Alexander Knox

C. Aubrey Smith

Ralph Richardson

Resigning his commission on the eve of his unit's deployment against Sudanese rebels, a British officer seeks to redeem his cowardice by secretly aiding his former comrades, disguised as an Arab. After his unit is overwhelmed and captured by the rebels, he finds an opportunity to return the four white feathers of cowardice sent to him by his friends by freeing them.

The Four Feathers

The Four Feathers (1939)

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