Christopher Plummer

John Candy

Elliott Gould

Céline Lomez

A bank teller is held up at gun point in his bank. Luckily for him he receives a clue that this is going to occur and diverts most of the cash into his own safety deposit box, leaving only a nominal amount for the crook. The ruse works well, but for the fact that the crook resents the fact that he has been outsmarted. There ensues a terrific battle of wits involving the clever but basically "moral" teller, and the cunning and totally uninhibited bank robber, which involves several other people in ways which cannot be revealed here.—Geoff Jamieson

The Silent Partner

The Silent Partner (1978)

Dean Norris

Daniel Kash

Philip Williams

"Remember" is the contemporary story of Zev, who discovers that the Nazi guard who murdered his family some 70 years ago is living in America under an assumed identity. Despite the obvious challenges, Zev sets out on a mission to deliver long-delayed justice with his own trembling hand. What follows is a remarkable cross-continent road-trip with surprising consequences.—72nd Venice International Film Festival

Remember

Remember (2015)

David Strathairn

Gugu Mbatha-Raw

Lorraine Toussaint

Christopher Denham

In the future American Midwest, where it has not rained for eight years, Ruth (Gugu Mbatha-Raw) is a homeless wanderer whose seizures trigger supernatural earthquakes. As she travels to her old family home, she meets Bill (Christopher Denham), a diner customer who is actually a scientist attempting to capture Ruth for study. Bill tricks her into accepting a ride with him then attempts to draw blood samples from her, but Ruth wounds him and flees in the direction of her home. Bill is forced to abandon his vehicle to seek medical aid, where it catches the attention of the local sheriff Ellis (David Strathairn).Arriving at the home, Ruth reunites with her mother Bo (Lorraine Toussaint), who has the ability to telekinetically disintegrate objects, reassemble them, and see vibrant flashes known as "the colors". Lila mentions it's also like an after effect. Bo has been taking care of Ruth's daughter Lila (Saniyya Sidney), who has the same powers as Bo and has no memories of her mother. After Ruth accidentally sets off another earthquake, Lila is introduced to her and they explain that Ruth's powers deteriorated in her childhood, becoming destructive and causing her to abandon her family.Lila and Bo attempt to train Ruth on reconnecting with her old powers, while the scientist and the sheriff investigate Ruth's trail. When Ellis discerns Ruth is back home, he covertly signals Bo, his longtime friend and lover, to warn her about the scientist that is searching for their daughter. The next morning, Bill begins heading for the women's house, and Ruth takes off in the family truck to escape him, leaving Bo and Lila behind. When she exits miles later for gasoline, her seizures return. Ruth relives the memory of her nearly drowning her then-infant daughter during a past episode, and then of saving her life, emotionally healing and causing the sky to rain again.Ruth returns home, where Ellis informs her that Bill and his accomplices kidnapped Lila. Ruth goes to rescue her, followed by Ellis and Bo. At the sheriff's office where Lila is being held, Ruth creates a storm and panics Bill and his guards. Bo offers herself to the scientists in exchange for Lila, who is reunited with her mother. The two escape in the truck, and find a note from Bo telling them to head for Rome to find another woman that she used to know with powers. (copied from Wikipedia)

Fast Color

Fast Color (2018)

Jean-Marc Chautems

Denise Orita

Joseph Tremain

Christopher Tajah

Stranded in the suburbs, student filmmaker Chloe begins to make a documentary about her family's troubled past. Whilst filming, she and best friend Ed, witness an hysterical girl appearing to escape from a neighbour's house, only to be quickly dragged back inside again. Is she a recovering drug addict like the neighbours say? Or is she really in danger from those who claim to be caring for her? Chloe and Ed begin to run surveillance, but as they dig deeper, they find themselves caught up in a world of strange beliefs, old religions, and dark witchcraft. Their search for the truth will climax in a live webcast that will terrify and make those watching question the very authenticity of what they are seeing. Webcast is inspired by a wealth of films from both the horror and thriller genres, including Rear Window, The Wicker Man, The Blair Witch Project, Rosemary's Baby, Paranormal Activity, and Race with the Devil.

Webcast

Webcast (2018)

Christopher McDonald

Jerry O'Connell

Jessica Parker Kennedy

Chris Redd

Deep Murder is a genre-bending horror comedy that takes place inside the world of a softcore porn. It begins like any other porno, with a group of horny archetypes holed up in a poorly decorated house. But when they begin to be brutally murdered one by one, they're forced to evolve from clichés into real people in order to catch the killer in their midst and survive the night.

Deep Murder

Deep Murder (2019)

Gary Oldman

Christopher Lloyd

Colleen Camp

Seymour Cassel

A doctor's wife tires of his obsession with model trains, and spends her days wondering about the son she gave up for adoption at birth. While eating at a roadside café, she encounters a British hitchhiker, who turns out to be her son. They spend time together trying to find a bond. The son begins to hate the husband, and the wife begins worrying about the safety of her husband and his train set.—Ed Sutton

Track 29

Track 29 (1988)

Elizabeth Daily

Ed O'Neill

JoBeth Williams

Working-class, blunt, down-to-earth good-guy construction worker Dutch Dooley is the current boyfriend of a wealthy, snobbish tycoon's ex-wife. Volunteering to drive the woman's son home to Chicago for Thanksgiving from his Georgia boarding school, Dutch doesn't expect a picaresque adventure with an insufferable 12-year-old snob (desperately insecure under the surface) who disapproves of him totally. Can they reach their destination as friends? Will they get home at all?—Paul Emmons

Dutch

Dutch (1991)

Alicia Silverstone

Christopher Walken

Benicio Del Toro

April Telek

Tired of feeling unloved and unwanted by her father and all other attempts of trying to get her fathers attention having failed, Emily fakes her own kidnapping and while locked in the trunk of her car, in comes a thief who steals her car not knowing she is in the trunk leading her to be accidentally kidnapped for real. Vincent the innocent car thief and Emily get off to a rough start but soon begin to bond and form a relationship, realizing they have more in common then they thought, all the while dealing with Emily's uncle and other criminals who are after them.

Excess Baggage

Excess Baggage (1997)

Amitai Marmorstein

Vera Farmiga

Single mom Laura (Farmiga), along with her awkward 14 year-old son Henry (MacDougall) is forced to drive Jack (Plummer), her estranged, care-free pot dealing father across country after he's kicked out of yet another nursing home. The road trip veers off course when Jack decides to make a couple 'stops' and Henry asks to see his ne'er-do-well dad Leonard (Cannavale), completely upending Laura's attempt to hold her family together and ultimately forcing her to finally see her father for the man he really is.

Boundaries

Boundaries (2018)

Natasha Lyonne

Diana Rein

Lea Thompson

Everyone's favorite kid from the comics is back. When his parents need to go out of town on business, he stays with the neighbors, George and Martha Wilson. He is driving Mr. Wilson crazy, but he is just trying to be helpful, even to the thief who has arrived in town.—Brian W. Martz

Dennis the Menace

Dennis the Menace (1993)

Christopher Backus

Mira Sorvino

Don Swayze

Christopher Masterson

Four small-town boys are kidnapped by James Whitley, a warm-eyed psychopath. His grotesque pursuit to reunite orphaned children with their deceased birth parents is halted when the boys escape and he is arrested. Fifteen years later Whitley flees during a prison fire and sets out to see his mission through. Detective Larson, a former victim of Whitley's, is removed from the case because of impartiality, so his partner--and lover--Detective Shotwell must solve it alone. Fueled by rage and a chance of redemption, Detective Larson chases the steadfast psychopath on his own, only to fall back into the same trap he had escaped as a child.

Beneath the Leaves

Beneath the Leaves (2019)

Matthew Lillard

Nikky Smedley

Devon Sawa

Stevo and Heroin Bob are two typical average anarchist punks of the kind that could be seen all over New York City or the UK in the early-to-mid-1980s. These two, however, live in the most religiously-oppressive place in America: Salt Lake City, Utah; so they are viewed as and treated like aliens or devil worshippers by all the local "rednecks". After they graduate college in 1985, they decide that the only way to rebel against the system is to do nothing, waste their educated minds, and keep the party going. But with his dad hounding him to go to Harvard Law, Heroin Bob getting a girlfriend, and a growing doubt in his belief system, Stevo can't help but feel that the good times could be over and it's time to move on. But what if moving on proves the one thing he's not ready to know: that he might just be a poser after all?.—T.S. Abupabup

SLC Punk!

SLC Punk! (1998)

Mercedes McNab

Christine Baranski

Jimmy Workman

When an adorable baby boy is added to the Addams household, Wednesday and Pugsley do not hate him, they just aren't necessarily excited about his existence. OK...yeah, they do hate him. So they plot to get rid of him one way or another. Meanwhile, their parents hire a nanny for him and she charms Fester, but has evil intentions for him. The Addamses must stop her, but how?

Addams Family Values

Addams Family Values (1993)

Michael Jai White

David Midthunder

Mike Starr

Arthur Herring (Mike Starr) is the mayor, priest and mortician in a quaint small town nestled in the mountains of New Mexico. He and his brother, Vincent (Jude Moran), are well-respected pillars of the community. Arthur and Vincent once agreed to safeguard fellow mortician Lloyd's (Christopher Lloyd) rare coin collection worth a small fortune while he served time in prison, but when Lloyd is released and requests that his coins be returned, the brothers hatch an elaborate scheme to keep his treasure for themselves.

Making a Killing

Making a Killing (2018)

Ethan Hawke

Mark Strong

Noomi Rapace

Christopher Heyerdahl

A semi-fictional account, including most of the names of the players being changed, of the event that resulted in the creation of the term Stockholm Syndrome to describe people who feel empathy and sometimes more for their captor(s) is presented. In 1973, a lone armed man, thought to be American, storms the downtown Stockholm branch of Kreditbanken. Ultimately the authorities, led by Chief of Police Mattsson learn of his at-gunpoint demand: $1 million US, the release of convicted bank robber and murderer Gunnar Sorensson, and a Mustang Boss 302 like the one Steve McQueen drove in Bullitt (1968) as a getaway vehicle for the two of them. By the time Mattsson gets Sorensson to the bank - unknown to the gunman, who is thought to be well known robber Kaj Hansson, Sorenson having made a plea deal with Mattsson for his cooperation against the gunman - there are three hostages at the bank, all the others that were in the bank at the time let go. Arguably the most lucid of the three is bank clerk Bianca Lind, a wife and mother of two preschool aged children. Ultimately she is able to figure out that the gunman is not Hansson as Mattsson suspects, but rather Lars Nystrom, what she knowing of his past crimes chief being his humane treatment of people he held at gunpoint. Beyond what Sorensson decides to do with his ultimate goal not to go back to prison, what happens largely depends on Lind, who begins to trust Nystrom more than either Mattsson or Prime Minister Olof Palme whose actions and decisions she believes from what she can see are more of a potential physical detriment to her and her fellow two hostages than that of Nystrom.—Huggo

Stockholm

Stockholm (2018)

Yôko Shimada

Christopher Lambert

Joan Chen

James Saito

Paul is on a business trips to Nagoya, as a computer-chip executive from New York, when he meets a beautiful and mysterious woman. Later, he finds himself in the wrong place at the wrong time, inadvertently interrupting an assassination by a feared Ninja-cult. As he is now the only man to have seen the face of the cult's warrior-leader and lived, he soon realizes that he is facing a markedly foreshortened life-expectancy. Teaming up with a friendly samurai couple, on a two-centuries-old blood-feud with the Ninja, he struggles to survive. Finally, recuperating on an island-fortress, he learns swordsmanship, and perhaps, a little about courage, honor, love, and loyalty. The requisite final confrontation is rife with bloody swordplay and spectacular martial-arts action sequences.—Tad Dibbern

The Hunted

The Hunted (1995)

Bob Odenkirk

Christopher Guest

Eugene Levy

Catherine O'Hara

The residents of Blaine, Missouri - the self-proclaimed home of the first UFO landing in the United States (Blaine residents beg to differ with Roswell's claims) and stool capital of the world - are excited about the town's upcoming sesquicentennial celebrations, which will have as its centerpiece the original musical production, "Red, White and Blaine". Assisted by high school music teacher Lloyd Miller, Corky St. Clair, the musical's writer/composer and former New York theater professional (off off off off Broadway) who currently leads the Blaine Community Players, will helm the production. Corky and Lloyd are excited about their 'talented' cast of locals and the production as a whole, Corky and Lloyd who themselves are as untalented and unaware as their cast. Corky and company are especially anticipating the presence of Mort Guffman in the audience on opening night, he a representative of the prestigious New York based Oppenheimer Organization. In Corky's mind, a favorable review from Guffman means that the production is heading to Broadway. Through all the ups and downs and more downs of the pre-production, everyone in Blaine still can't wait for opening night and the arrival of Guffman, upon who the cast and crew's dreams rest.—Huggo

Waiting for Guffman

Waiting for Guffman (1996)

Bob Gunton

Judy Parfitt

Jennifer Jason Leigh

Instead of heading to Arizona for her next big story in what has been her illustrious career in her relatively young life, New York based investigative journalist Selena St. George heads to her hometown on a small island just off the coast of Jonesport, Maine upon receiving a fax from an anonymous sender that her mother, Dolores Claiborne, is the only suspect in what looks to be the murder of her wealthy employer of twenty-three years, Vera Donovan. Dolores, who reassumed her maiden name following the death of Selena's father, Joe St. George, started working as one of Vera's domestics upon her moving permanently into what used to be the Donovans' summer house after Jack Donovan's passing, Dolores ultimately moving into the Donovan house full time as her caregiver when Vera required 'round the clock care. Dolores' employment, which was solely to save money for Selena's education, was despite miserly and overly particular Vera only paying a pittance. Selena has been estranged from Dolores for fifteen years, when Selena went away to college at Vassar on a full scholarship, on Selena's belief not only that her mother killed her father when she was thirteen - the death ultimately ruled accidental - but the trauma she endured at the hands of townsfolk who believed the same in their often anonymous taunts. Selena still suffers emotionally from the trauma, she resorting to various means of self-medication. Detective John Mackey, who led the investigation, believed the same, this case the only blemish in his otherwise perfect career. He, leading the investigation into Vera's death, has seemingly had it in for Dolores for eighteen years, and already has it in his mind that if she could kill Joe, she could just as easily have killed Vera, with a strong underlying motive beyond the seemingly open dislike the two had for each other in their mutual name calling. As Dolores and Selena are forced to move back into what has largely been the closed-up St. George house for however long Selena will be staying on the island, old memories come back to haunt both of them, with the truth behind what happened eighteen years ago and thus what happened with Vera buried deep within those memories in the house.—Huggo

Dolores Claiborne

Dolores Claiborne (1995)

Isaiah LaBorde

Josh Stewart

Madison Wolfe

In a sleepy southern town, the Larkin family suffers a terrible tragedy. Now the Larkins are about to endure another: traffic lights blink an eerie warning; a ghostly visage prowls the streets; and graves erupt at the local cemetery in an implacable march of terror . . . And beneath the murky surface of the river, a shifting, almost human shape slowly takes form to seek a terrible vengeance.—Rovi

Cold Moon

Cold Moon (2016)

Christopher Lee

Stanley Kubrick

Vera Lynn

James Mason

Humbert Humbert forces a confrontation with a man, whose name he has just recently learned, in this man's home. The events that led to this standoff began four years earlier. Middle aged Humbert, a European, arrives in the United States where he has secured at job at Beardsley College in Beardsley, Ohio as a Professor of French Literature. Before he begins his post in the fall, he decides to spend the summer in the resort town of Ramsdale, New Hampshire. He is given the name of Charlotte Haze as someone who is renting a room in her home for the summer. He finds that Charlotte, widowed now for seven years, is a woman who puts on airs. Among the demonstration of those airs is throwing around the name of Clare Quilty, a television and stage script writer, who came to speak at her women's club meeting and who she implies is now a friend. Those airs also mask being lonely, especially as she is a sexually aggressive and liberated woman. Humbert considers Charlotte a proverbial "joke" but decides to rent the room upon meeting Charlotte's provocative daughter, Dolores Haze - more frequently referred to as Lolita - who he first spots in a bikini tanning in the back yard. He is immediately infatuated with Lolita, with who he becomes obsessed in a sexual manner despite her age, she being just into her teens. He will also learn that Charlotte has the exact same feelings for him. While Charlotte does whatever she can to be alone with Humbert, Humbert does the same with Lolita. As the summer progresses, Humbert, based on the circumstances, decides to enter into a relationship with Charlotte just to be near Lolita. In that new arrangement, Humbert has to figure out how to achieve his goal of being with Lolita with Charlotte out of the way. As things begin to go Humbert's way, he is unaware that Charlotte is not the only thing standing in his way between him and Lolita, that other thing being Lolita's possible interest in other boys, and other members of the male sex, young or old, who may have their own designs on Lolita.—Huggo

Lolita

Lolita (1962)

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