Dean Stockwell

Jason Robards

Katharine Hepburn

Ralph Richardson

Over the course of one day in August 1912, the family of retired actor James Tyrone grapples with the morphine addiction of his wife Mary, the illness of their youngest son Edmund and the alcoholism and debauchery of their older son Jamie. As day turns into night, guilt, anger, despair, and regret threaten to destroy the family.—Marc Andreu

Long Day's Journey Into Night

Long Day's Journey Into Night (1962)

Tim Curry

Ernest Borgnine

Joe Minjares

Retired Lieutenant Commander Quinton McHale (Tom Arnold) spends his days puttering around the Caribbean in the old PT-73 selling homebrew, ice cream, and swimsuit calendars. He's brought out of retirement when his old nemesis turned the second best terrorist in the world, Major Vladakov (Tim Curry), takes over the island of San Moreno and starts building a nuclear launch silo on it. With help from his old crew and hindrances from Captain Wallace B. Binghampton (Dean Stockwell), who sank a cruise liner a while back, McHale tries to put Vladakov out of business.—Jeff Cross

McHale's Navy

McHale's Navy (1997)

Illeana Douglas

Kerry Bishé

Kevin Pollak

A jazz pianist makes a discovery days before the death of his wife that causes him to believe his sixty-five year marriage was a lie. He embarks on an exploration of his own past that brings him face to face with a menagerie of characters from a bygone era.—Anonymous

Max Rose

Max Rose (2013)

Henry Brandon

Chill Wills

Joel McCrea

The spoiled young son of a wealthy railroad owner manages to get himself lost in the middle of nowhere. He is found by a cowboy on a cattle drive and the lad must start learning the hard lessons of working in a team if he wants to make it to San Diego.—Jeremy Perkins {J-26}

Cattle Drive

Cattle Drive (1951)

Frances Bay

Brad Dourif

Laura Dern

College student Jeffrey Beaumont returns to his idyllic hometown of Lumberton to manage his father's hardware store while his father is hospitalized. Walking though a grassy meadow near the family home, Jeffrey finds a severed human ear. After an initial investigation, lead police Detective John Williams advises Jeffrey not to speak to anyone about the case as they investigate further. Detective Williams also tells Jeffrey that he cannot divulge any information about what the police know. Detective Williams' high school aged daughter, Sandy Williams, tells Jeffrey what she knows about the case from overhearing her father's private conversations on the matter: that it has to do with a nightclub singer named Dorothy Vallens, who lives in an older apartment building near the Beaumont home. His curiosity getting the better of him, Jeffrey, with Sandy's help, decides to find out more about the woman at the center of the case by breaking into Dorothy's apartment while he knows she's at work. What Jeffrey finds is a world unfamiliar to him, one that he doesn't truly understand but one that he is unable to deny the lure of despite the inherent dangers of being associated with a possible murder. Still, he is torn between this world and the prospect of a relationship with Sandy, the two who are falling for each other, despite Sandy already being in a relationship with Mike, the school's star football player.—Huggo

Blue Velvet

Blue Velvet (1986)

Eddie Murphy

Hugh M. Hefner

Robert Ridgely

Three years after the events in Beverly Hills Cop (1984), the street-wise Detroit detective, Axel Foley, invades the posh city once more, after the assassination attempt on Captain Andrew Bogomil. Against the backdrop of a seemingly endless string of violent and well-orchestrated smash-and-grab robberies known as the "Alphabet Crimes", Detectives Billy Rosewood and John Taggart struggle to solve the case; nevertheless, in vain. Now, a lethally beautiful hitwoman linked to an international arms trafficking ring is the mysterious and elusive prime suspect. Can the brazen and sassy Axel and his partners solve this thorny case, too?—Nick Riganas

Beverly Hills Cop II

Beverly Hills Cop II (1987)

Henry Jaglom

James Mitchum

Michelle Phillips

After a film shoot in Peru is shut down when an actor is killed, the unit wrangler decides to give up film-making and stay. But his dreams of a simple life are cut short when the local priest asks him to help: the villagers are killing one another by re-enacting scenes from the film because they don't understand that a film's violence is not real.—Michael Brooke

The Last Movie

The Last Movie (1971)

Jack Nicholson

Adam Roarke

Jenny, a deaf runaway, has just arrived in San Francisco's Haight-Ashbury district to find her long-lost brother, a mysterious bearded sculptor known around town as The Seeker. She falls in with a psychedelic band, Mumblin' Jim, whose members include Stoney, Ben, and Elwood. They hide her from the fuzz in their crash pad, a Victorian house crowded with love beads and necking couples. Mumblin' Jim's truth-seeking friend Dave considers the band's pursuit of success "playing games," but he agrees to help Jenny anyway.—alfiehitchie

Psych-Out

Psych-Out (1968)

Dennis Hopper

Neil Young

Kiel Martin

The plot revolves around a small gas station-diner in a fictional town next to a nuclear power plant. A choreographed musical dream sequence takes place as the nuclear blast occurs. At the destroyed gas station-diner post nuclear holocaust Booji Boy (DEVO's Mark Mothersbaugh) is a lone survivor. At the nuclear power plant, trash collectors (members of DEVO) reveal that radioactive waste is routinely mishandled and dumped at the nearby town of Linear Valley. They sing a remake of "Worried Man Blues" while loading waste barrels on an old truck. There's a leak at the power plant and "Barrel go boom," as the power plant worker so succinctly puts it. A character's (Otto) recent death is by radiation poisoning. A noted sequence in the film features the band DEVO (named after "de-evolution") and a bizarre rendition of "Hey, Hey, My, My". In a particularly ironic manner, DEVO covers Bob Dylan's "Blowin' In the Wind" just before Booji Boy says: "I don't know what's going on in the world these days. It seems that everybody's just got everything turned around." "People don't seem to care about their fellow man. They're all going for that big ice-cream cone in the sky. They haven't figured out what happens when your eyes get bigger then your belly. Like an ostrich who eats his pizza with his head stuck in the sand. If they can't see it, it isn't there. And you know, it really *does* take a worried man!"—Neil Young News

Human Highway

Human Highway (1982)

Michael Madsen

David Lynch

Along for the Ride is a documentary film that explores the highs, lows and ultimately the phoenix-like ascension of iconic Hollywood maverick Dennis Hopper, as seen through the eyes of his mysterious longtime "right-hand man," Satya de la Manitou.—Along for the Ride (official)

Along for the Ride

Along for the Ride (2016)

Nastassja Kinski

Harry Dean Stanton

Hunter Carson

A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out to locate the mother of the child, who left shortly after the man disappeared.—Ed Sutton

Paris, Texas

Paris, Texas (1984)

Brenda Rickert

Tyler Cheman

Dean Stock

Lori Cholewka

Five Spec Ops, Alpha Squad, head a simple Recon Mission that turns into an all out war for survival against a wave of undead experiments. Alpha Squad must fight, not just for the sake of their own survival, but the fate of the world.

Beyond the Call to Duty

Beyond the Call to Duty (2016)

Talia Shire

Sandra Dee

Lloyd Bochner

H.P. Lovecraft meets Hollywood: Wilbur Whateley wants to help the Old Ones break through by consulting the Necronomicon, and Armitage must stop him.—Brian Bixby

The Dunwich Horror

The Dunwich Horror (1970)

Willem Dafoe

Gary Cole

John Turturro

Working largely in cases of counterfeiting, LA based Secret Service agent Richie Chance exhibits reckless behavior which according to his longtime and now former partner Jimmy Hart will probably land him in the morgue before he's ready to retire. That need for the thrill manifests itself in his personal life by his love of base jumping. Professionally, it is demonstrated by the fact that he is sextorting a parolee named Ruth Lanier, who feeds him information in return for him not sending her back to prison for some trumped up parole violation. With his new partner John Vukovich, Chance is more determined than ever, based on recent circumstances, to nab known longtime counterfeiter Ric Masters, who is more than willing to use violence against and kill anyone who crosses him. Masters is well aware that the Secret Service is after him. Masters' operation is somewhat outwardly in disarray, with Chance being able to nab his mule, Carl Cody, in the course of moving some of the fake money, and one of his associates, a lawyer named Max Waxman, probably stealing money from him. Partly with information from Ruth, Chance is trying to find and exploit the weaknesses in Masters' operation. To accomplish his goal, Chance takes more and more unethical and illegal measures, which may be problematic for Vukovich, who comes from a family of police officers who are sworn to uphold the law.—Huggo

To Live and Die in L.A.

To Live and Die in L.A. (1985)

Tim Heidecker

Michael Cera

John C. Reilly

En route to meet his estranged daughter and attempting to revive his dwindling career, a broken, middle-aged comedian plays a string of dead-end shows in the Mojave desert.

Entertainment

Entertainment (2015)

Betty Lynn

Josephine Hutchinson

A young cowboy, whose dedication to the principles of peace and reason has earned him a reputation for cowardice, overcomes his psychological aversion to violence after his elder brother unjustly censures him for not joining in a foolhardy gunfight in which their youngest brother is killed.—Anonymous

Gun for a Coward

Gun for a Coward (1956)

Eddie Hall

Ruth Lee

Steve Brodie

Joe and Clarence, two navy sailors who have a few days leave in Hollywood. All Joe wants to do is to have a good time and meet up with his girl, the unseen Lola. Clarence on the other hand just wants to get a girl. They soon meet a little boy who ran away from home and wants to join the navy. They take him home and soon meet his young and beautiful singer-wannabe aunt Susan. Clarence develops a crush on her, so he asks Joe to help him get Susan to like him. Soon Joe gets himself caught in between a promise to Susan to meet a big time music producer and trying to get Clarence ready for their date. The only problem is, Joe doesn't know the music producer and he's starting to fall in love with Susan himself. So what's a guy to do?—Taalli

Anchors Aweigh

Anchors Aweigh (1945)

Christian Slater

Caroline Williams

Peter Coyote

Average Texas teen, Billie Jean Davy, is caught up in an odd fight for justice. She is usually followed and harrased around by local boys, who, one day, decide to trash her brother's scooter for fun. The boys' father refuses to pay them back the price of the scooter. The fight for "fair is fair" takes the teens around the state and produces an unlikely hero.—Jennifer Valley

The Legend of Billie Jean

The Legend of Billie Jean (1985)

James Remar

Raoul Trujillo

Bruce Davison

Nationally acclaimed evangelist John Luther is the last obstacle in the way of sweeping religious reform in the States. When a U.S. Senator and Luther's own supporters abduct and frame him in the murder of an innocent teenage girl, an unprecedented era of persecution is unleashed. Out on personal recognizance, Luther escapes police surveillance in search of the truth. And suddenly a once-normal life is targeted by a team of ex-military operatives who wage a relentless campaign to eliminate the incriminating evidence. As evangelist turned fugitive, Luther vows to expose anyone involved with, or profiting from, the girl's murder. It's a mission that brings him face-to-face with the coming storm of persecution that will threaten the entire American Christian community.—Daniel Lusko

Persecuted

Persecuted (2014)

Jim Carrey

Megan Mullally

Dominick Brascia

The Countess has a problem. She is a 400 year old vampire who will cease to look young unless she is able to feed on a virgin three times before the upcoming Halloween, a week away. She sends Sebastian, her servant and all of her lesser vampires out to find one. Finding a virgin is difficult in 1980s Los Angeles. Mark has a problem. He wants to 'do it' with Robin in the worst way, but she wants to wait. Jamie and Russ, Mark's goofy friends convince him to go to a Hollywood pick up spot where Mark meets the Countess, on the prowl. Robin's not going to understand this.—John Vogel

Once Bitten

Once Bitten (1985)

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